TAXI's Music Industry Listings: Music Opportunities from Record Companies, Publishers, Film & TV Music Supervisors and Music Libraries

CHILDREN’S "PLAYTIME" INSTRUMENTALS and/or CUES (in a wide range of styles) are needed by a Music Licensing Firm with a laundry list of great sync placements in Film and TV.

This Company is on the hunt for Mid-to-Up-Tempo, gentle playtime Instrumentals and/or Cues that could be found on a playlist with these examples:

"Baby Tummy Time Music" by Baby Playtime Music (from 12:07 - 16:10)

"30 Mins Happy & Funny Music for Playtime" by Kids Playtime Music (from 0:00 - 1:38)

"Kids Game" by Children's Music

Please submit a wide range of gentle Children’s Instrumentals and Cues designed to guide little ones through moments of play, curiosity, and imagination. Your Compositions should feel warm and friendly, with simple, memorable melodies and motifs, light rhythms, and uncluttered arrangements that keep things easy to listen to. The overall mood should be sweet, soothing, and positive - never overstimulating or intense. Instrumentation in the general stylistic ballpark of the references and other similar Children’s Music is recommended. If you're using virtual instruments or samples, they need to sound high-quality, realistic, and convincingly real. Original Compositions only, please!

Your submissions should be about 1.5 to 2.5 minutes long, give or take. Please don't exceed 3 minutes in length. Non-faded, buttoned/stinger endings are needed. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal and prefers working with composers and writers who are familiar with typical Music Library deals and contract terms. You'll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher's share, and you'll get 100% of the Writer's share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Since this is an Exclusive deal, please be sure your material is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, March 30th, 2026. TAXI # S260330GP

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CONTEMPORARY CHRISTIAN ARTISTS or BANDS with Male or Female Vocals are needed by the V.P. of A&R at a thriving, Nashville-based Christian Record Label that's searching for standout talent to add to its impressive roster. This Label works with some of the biggest artists in the CCM market today!

This Label's A&R Executive would love to find exceptional Artists or Bands that could be heard on a playlist with the following references:

"Where Would I Be" by Peter Burton

"What A Beautiful Name" by Hillsong Worship & Brooke Ligertwood

"I Need You" by Jet Trouble

"House Of The Lord" by Phil Wickham

Please submit original Contemporary Christian songs that are full of passion and heart. This Record Label is searching for artists who can create inspiring melodies, powerful choruses, and emotional vocal performances that would feel at home on any Christian radio station. Your submissions should revolve around positive, faith-centered themes, with lyrics that feel honest, relatable, and rooted in hope. Captivating arrangements ranging from intimate, emotionally engaging moments to fully built, high-energy praise anthems could work for this request. Instrumentation and production in the general stylistic wheelhouse of the references will serve you best. Please make sure any virtual sounds or samples you use are high-quality, contemporary, and competitive with current CCM releases. Original Songs only, and don't forget to include lyric sheets with your submissions!

Lyric Tip: Lyrics that specifically reference God, Jesus, etc., or more abstract lyrical approaches (referencing He, Him, You, etc.) are all on the table for this request.

Your production and recording quality needs to be clean, clear, and well-balanced. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

TAXI Tip: We recommend submitting at least TWO to THREE Songs per submission so they can see if you’ve got depth in your material.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be handled on a case-by-case basis between you and the Label. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 29th, 2026. TAXI # S260329CH

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CONTEMPORARY CHRISTIAN and WORSHIP SONGS with Male or Female Vocals are needed by a successful Christian record label for their hit-making artists!

This Label is hunting for competitive Worship and CCM Songs in All Tempos that could be found on a playlist with the following:

"No Fear" by Jon Reddick

"Yet Not I But Through Christ In Me" by CityAlight

"I just need U." by TobyMac

"Way Maker" by Leeland

"Oceans (Where Feet May Fail)" by Hillsong UNITED

Please submit inspiring Christian Songs that are so strong that the artists on their label will be practically begging to cut them. This Label is searching for both Contemporary Christian, radio-ready Songs, and contemporary congregational Worship anthems that could uplift their congregants. Memorable melodies, lyrics, and powerful choruses that support passionate, conviction-filled vocal performances with a modern edge are essential. Your lyrics should communicate clear Christian themes with depth, hope, and relatability, speaking to real-life struggles and victories. Captivating arrangements that range from stripped-down and intimate (but still engaging) performances to more filled-out, high-energy praise anthems could both work for this request. Instrumentation and production in the general stylistic wheelhouse of the references will work best. If you use virtual instruments or samples, they should sound current, high-quality, and competitive within the genre. Originals Songs only, please!

Your production and recording quality needs to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be handled on a case-by-case basis between you and the Label. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD, and include lyrics. All submissions will be screened and critiqued by TAXI. All submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 1st, 2026. TAXI # S260401CS

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CHART-WORTHY COUNTRY LOVE SONGS with MALE VOCALS are needed by a leading Music Row Publisher for a multi-platinum Country legend who’s hunting for another huge hit!

A MAJOR PLUS: This CMA “Publisher of the Year” has gotten cuts that became several #1 multi-platinum singles, and continues to get cuts with Country's biggest acts. This is a perfect opportunity to get your music into the hands of a major industry player with deep connections to Nashville royalty.

This Publisher would be extremely happy to find Mid-to-Up-Tempo Songs in the general stylistic ballpark of the following references:

"Wagon Wheel" by Darius Rucker

"In Case You Didn't Know" by Brett Young

"Beautiful Crazy" by Luke Combs

"Die A Happy Man" by Thomas Rhett

"God Gave Me You" by Blake Shelton

Quoting the Publisher: “We’re searching for Mid-to-Up-Tempo Songs (no ballads) with great melody lines throughout the song and a Chorus that really lifts, so the listener can remember the title easily. We’re especially interested in 'positive relationship' Songs, written from the perspective of a mature man deeply in love. Keep it age-appropriate - no young, party-style lyrics. Ideal Songs will have lyrical themes written from the singer's perspective, written for his partner, such as how much he loves her and/or how good she is for him; or about a couple that is right for each other and how good the love is between them. The musical vibe could also lean toward the Country R&B type feel (Not Pop R&B). Male vocals only.”

Please submit hit-ready Love Songs with heart, depth, and Country spirit. Catchy, contemporary melodies, super memorable choruses with authentic storytelling, strong imagery, and a hook that sticks. The sweet spot for this request is to keep the lyrics focused on themes about Love, commitment, admiration, or lasting connection. This client shared with us that they're particularly interested in lyrics written “for the singer's significant other,” expressing how much she means to him, how she’s changed his life for the better, how the two people simply belong together, etc. The Publisher also let us know that they'd be open to hearing Songs that bring in a little R&B Country flavor as well (but they've asked not to go too far in a Pop/R&B direction for this one).

Instrumentation in the general stylistic ballpark of the references and other top Country Love Songs is recommended for this pitch. A live-band feel is encouraged, where possible. If you’re using virtual instruments or samples, they need to be high-quality and convincingly realistic. Compassionate, charismatic MALE vocals are essential to nailing this opportunity. Original Songs only, and don’t forget to include lyric sheets with your submission!

Stripped-down demos and full productions are both okay to submit as long as your Songs are great, and your recordings are clean, clear, and well-balanced! Lyrics should avoid references to drinking and profanity. Please don't copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Do not submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

AI ALERT (read this twice, please): This Publisher cannot sign or pitch music with melodies, lyrics, or instrumental tracks created using generative AI. However, the Client is okay with hearing AI-sung vocals strictly for demo purposes, as long as the underlying Song (melody and lyric) is 100% human-authored and original. This includes using AI only to sing a demo vocal, to change a female demo vocal to a male vocal, or to add harmony parts for demo-pitching purposes. If you use any AI vocals in your Songs, please add this statement at the top of your lyric sheet: "Vocals on this demo have been created with AI." Using AI-based plugins, mixing, or mastering tools is also okay.

The specific deal points will be negotiated on a Song-by-Song basis directly by the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE don't forget to include lyrics. Time permitting, the Publisher (who has been trained as a TAXI Screener) may screen some or all of the submissions. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on a very inflexible deadline, so please don't ask! Submissions must be received no later than 11:59 PM (PST) on Saturday, March 14th, 2026. TAXI # S260314CW

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TRADITIONAL COUNTRY SONGS with Male or Female Vocals are needed by a respected Music Row Publisher who's gotten cuts with artists like Reba, Kelsea Ballerini, Rascal Flatts, Faith Hill, Billy Currington, Keith Urban, and many more!

This Publisher is hunting for potential Hit Songs in All Tempos in the general stylistic wheelhouse of the following examples (and others in this ballpark):

"Ready to Run" by The Chicks

"'Til You Can't" by Cody Johnson

"Suds In The Bucket" by Sara Evans

"On The Other Hand" by Randy Travis

This Publisher loves songs with a classic Country feel, strong storytelling, timeless melodies, memorable choruses, and organic instrumentation like acoustic guitar, fiddle, pedal steel, and piano. Think boot-scootin’ rhythms and arrangements that feel radio-ready but full of heart. Most importantly, your songs should have a hook that sticks in the listener’s mind from the very first chorus.

Instrumentation in the general stylistic ballpark of the references and other traditional Country should serve you best here. That might include acoustic guitar, pedal steel guitar, fiddle, piano, bass, tasteful drum kit, or brush-style percussion, etc. Live instrumentation is preferred for this request, but if you use virtual instruments, make sure they sound natural, realistic, and stylistically true. Charismatic, twangy vocals (Male or Female) that get you right in the traditional Country spirit are recommended, if you want to get this Publisher's attention. Original Songs only, and please include lyric sheets with your submissions.

Stripped-down demos and full productions are both okay to submit, as long as your Songs are great and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Client cannot sign or release music with melodies, lyrics, backing tracks, or full instrumental tracks created using generative AI. However, the Client is okay hearing AI-sung vocals strictly for demo purposes, as long as the underlying Song is 100% human-written and original. This includes cases where AI is used only to sing a demo vocal, to change a female demo vocal to a male vocal, or to add temporary harmony parts for presentation purposes. Using AI-based plugins, mixing, or mastering tools is also ok.

NOTEWORTHY: If time permits, someone from the Publisher's staff on Music Row (who has been trained as a TAXI screener) will screen the submissions for this request. That means that somebody who is directly involved in this request could be "ears-on" with your submissions.

The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 24th, 2026. TAXI # S260324TC

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Lots of REIMAGINED, TRAILERIZED INSTRUMENTAL COVERS of CLASSICAL PIECES in the PUBLIC DOMAIN are needed by the CEO of a Music Licensing Company that regularly signs TAXI members and continues to grow its premium catalog.

This Company is searching for Instrumental Covers in ALL TEMPOS in the general stylistic ballpark of the following references:

"Piano Concerto Trailerized" | Ratched | Trailer | Netflix (Starting at 0:46)

"Für Elise EPIC VERSION" Beethoven

"Swan Lake (Epic Version)"

IMPORTANT NOTE: This Company is searching for Cinematic Instrumental COVERS of iconic Classical repertoire in the public domain, reworked to easily plug in to today's Film and TV trailers. Think Beethoven, Mozart, Tchaikovsky, Vivaldi, Bach, and other instantly recognizable composers, transformed into epic, high-impact Trailer pieces with 3 acts. Please do not submit original pieces for this opportunity.

Please submit cinematic trailerized covers of well-known Classical works in the public domain that blend the timeless melodies you've heard before with today's Trailer-style production! The core melodies and themes should remain clearly identifiable, but the arrangement should feel amped up, dramatic, and built for the big screen. Evolving melodies and motifs, powerful percussive drops, expressive performances, excellent production, and tension-building arrangements with cinematic scale and a clear three-act arc are all needed to nail this pitch. We recommend crafting your pieces around one central motif and creating dynamics, interest, and tons of exciting, forward development by layering instrumentation in and out as the pieces progress. 3-Act "Trailer-style" structures that build to a climactic crescendo are required for this pitch.

Instrumentation should blend traditional orchestral elements (string sections, French horn, thunderous timpani, etc.) with today's Hybrid Trailer staples, like sub drops, risers, impacts, and distorted pulses. Live recordings are welcome, but high-quality virtual instruments are perfectly acceptable if they convincingly capture the scale, articulation, and depth of a live orchestra.

Please double-check that the original works you're basing your pieces on are truly in the Public Domain! Though not exhaustive, the Public Domain Information Project website may help in providing information regarding whether a piece is Public Domain or not.

IMPORTANT NOTE: This client may also need full mix, no melody mix, long and short stinger edits, and 30 and 60-second edits of your Instrumentals, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE THE FULL VERSIONS. Please be ready to provide the versions listed above (per their requirements) at a moment's notice if the client contacts you.

FROM THE CLIENT: Your submissions should be between 2:20 to 2:45 minutes long.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

TAXI Tip: If you really want to impress this client, make sure your submissions stick closely to the recommended 2:20 to 2:45 minute duration. Trailer editors are hunting for pieces that build and resolve in a tight, cinematic arc, too short or too long, and your track might not hit the sweet spot for their workflow.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI plugins and mastering is okay.

This Company offers an EXCLUSIVE deal, so the material you submit for this request must be in the Public Domain, and CANNOT be signed with other Publishers or Catalogs. Any sync fees will be split 50/50 with the Company. You must own or control your Master to submit for this opportunity. Please submit as many Instrumental Covers as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 22nd, 2026. TAXI # S260322CL

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A Bunch of SYNTH POP SONGS with Male or Female Vocals are needed by a globally-distributed Music Library that's nailed down a boatload of placements for TAXI members in the U.S. and all over the world.

This Company needs to find Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following references:

"All Night" by PRIZM

"Till Sunrise" by Goldroom Feat Mammals (New Arcades Remix)

"Dream Of You" by Josha Daniel

Please submit Synth Pop Songs that are irresistibly catchy! This Company is searching for Songs that capture the electronic heart of Synth Pop, blending retro-inspired sounds with modern Pop production and songwriting. Tracks should feature undeniable hooks, earworm melodies, synth-driven instrumentation, driving rhythms, lush production, well-crafted lyrics, and forward-moving arrangements. Instrumentation in the general stylistic wheelhouse of the references and other contemporary Synth Pop (electronic drums, synthesizers, arpeggiated synths, synth bass, etc.) is needed. If you use virtual instruments or samples, make sure they're high-quality, current-sounding, and stylistically authentic. Charismatic, well-performed vocals (Male or Female) could be the key to getting this Company to sing and pitch your music to music supes. Original Songs only, please!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit anything with melodic third-party loops, even if they're royalty-free (rhythm and percussion loops are fine, as long as they're cleared for commercial usage). There should be zero chance that someone else's Song pops up if your Song gets Shazamed!

Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

TAXI Tip: This Company likes working with artists, writers, and composers who have previous experience with production music libraries (and typical deal structures), who will be in it for the long haul, and are willing to do a 10 Song album with them. That said, we recommend submitting (at least) 2-3 Songs per submission so they can get a good feel for your material.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal (in perpetuity), so please be sure the Songs you pitch for this request are NOT already signed with any other Companies or Catalogs. Sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's Share, and the Publisher will get 100% of the Publisher's Share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this Company to include your music in their catalog. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, March 13th, 2026. TAXI # S260313SP

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AMBIENT MEDITATION/YOGA INSTRUMENTALS and CUES are needed by a cool Music Licensing Company with a ton of Film, TV, and Advertising placements!

This Company is searching for Down-Tempo Instrumentals/Cues in the general wheelhouse of the references below:

"The Vertex of Love" by Cusco, Singers of the Art of Living, Benjy Wertheimer & Michael Mandrell

"Ants To You, Gods To Who ?" by André 3000

"Space 1" by Nala Sinephro

Please submit calming, immersive Ambient Meditation/Yoga Instrumentals and/or Cues that could comfortably sit on a playlist with the references! Your Compositions should gently guide the listener into a relaxed, centered, and peaceful state of mind, making them ideal for anything from yoga classes to meditation sessions, spas, and more. These pieces should feel spacious, slow-moving, and soothing, with minimal melodies, little to no rhythmic elements, gradually evolving subtle motifs, and production that emphasizes a dreamy atmosphere. Arrangements should be uncluttered and unobtrusive, avoiding sudden changes, dynamic shifts, or anything that might pull the listener out of a calm mental space. Please read that sentence again, it's important!

Instrumentation in the general stylistic ballpark of the references and other similar pieces is recommended, such as piano, electric piano, synth pads, soft synthesizers, bowed strings, flute, subtle drones, etc. If you’re using virtual instruments or samples, they should be high-quality, realistic, and current-sounding. Original Compositions only, please!

Submissions should be about 2 minutes long, give or take. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All Submissions must be received no later than 11:59 PM (PST) on Sunday, March 15th, 2026. TAXI # S260315MD

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Several HIGH-ENERGY DANCE POP/CLUB INSTRUMENTALS (in a wide range of styles) are needed by a well-known Publisher for an (up to) $5,000 placement in a major network TV Series!

This Publisher is on the hunt for Mid-to-Up-Tempo Instrumentals that would appeal to fans of the references below, which we got directly from our client:

"One Kiss" by Calvin Harris & Dua Lipa

"Wake Me Up" by Avicii

"Push" by Skrillex

Although some of the references have vocals, please submit INSTRUMENTALS ONLY for this opportunity.

Please submit a wide range of Dance Pop and Club Instrumentals that feel energizing, contemporary, and built to move a dance floor. This Publisher needs tracks that can ignite crowds across multiple Dance subgenres, including Dance Pop, House, Deep House, EDM, Electro Pop, Tropical House, Progressive House, Dubstep, Electro House, Bass Music, and more. Your material should sit confidently in the stylistic lane of the references.

Undeniable momentum is essential. Deliver strong melodies, tension-building breakdowns, and hard-hitting drops. Your lead elements need to carry the track through unforgettable synth motifs, infectious rhythms, and anthemic chord progressions.

Production should be current and competitive, with bold synth leads, pulsing basslines, dynamic builds, impactful drops, punchy drums, and a powerful low end. The overall sound needs to be modern and club-ready. Any virtual instruments or samples should sound high-quality and up to date. Original compositions only, please.

All submissions should be between 1.5 and 3 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The estimated fee for this placement could be up to $5,000, depending on the ultimate use. The specific deal points will be handled directly between you and the client. You must own or control 100% of your Master and Copyright to submit for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. Time permitting, all submissions will be screened and critiqued by a TAXI screener who was handpicked by the client. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 17th, 2026. TAXI # S260317CB

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HIGH-ENERGY DANCE POP/CLUB SONGS (in a wide range of styles) with Male or Female Vocals are needed by an awesome Publisher for an (up to) $10,000 placement in a TV series on the Starz network!

IMPORTANT: This Publisher is also running a Listing that asks for HIGH-ENERGY DANCE POP/CLUB INSTRUMENTALS. (TAXI # S260317CB), So please don't confuse the two. This listing is for SONGS with VOCALS only.

This Publisher is searching for Mid-to-Up-Tempo Songs that would appeal to fans of the references below, which we got directly from our client:

"One Kiss" by Calvin Harris & Dua Lipa

"Wake Me Up" by Avicii

"Push" by Skrillex

Please submit a wide range of contemporary Dance Pop/Club Songs that feel electrifying, modern, and built to ignite the dance floor! This Publisher is hunting for Songs that could get people moving in several Dance subgenres, like Dance Pop, House, Deep House, EDM, Electro Pop, Tropical House, Progressive House, EDM-Folk Fusion, Brostep, Dubstep, Electro House, Bass Music, etc., etc., etc. (check out the references to get your Songs right in the pocket of the request). Your Songs should feature massive hooks, euphoric builds and drops, driving four-on-the-floor rhythms, unforgettable choruses, well-written lyrics, and arrangements with plenty of forward development.

Instrumentation and production in the general stylistic wheelhouse of the references is recommended, such as shimmering synth leads, pulsing basslines, dynamic breakdowns, risers, impacts, layered pads, plucks, kicks, crisp claps, sub-heavy low end, etc. Your production should feel right in line with the music playing in a packed club with lights flashing and energy peaking. Any virtual instruments you use need to be high-quality and not sound dated. Well-sung, compelling vocals (Male or Female) with wide appeal could be exactly what gets this Publisher’s attention. Original Songs only, please, and be sure to include lyric sheets with your submissions.

Lyrics should avoid using specific names, dates, times, places, and brands. Explicit lyrics are okay to submit for this pitch. Do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, tone, and vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The estimated fee for this placement could be up to $10,000, depending on the ultimate use. The specific deal points will be handled directly between you and the client. You must own or control 100% of your Master and Copyright to submit for this opportunity. Please submit as many Songs as you’d like, online or per CD. Time permitting, all submissions will be screened and critiqued by a TAXI screener who was handpicked by the client. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 17th, 2026. TAXI # S260317BK

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DANCEABLE POP SONGS with Reggae flavor are needed by a Major Label for a Multi-Platinum Superstar Girl Group that’s searching for their next summer anthem!

This International Label is hunting for Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following examples, which we got directly from our client:

"Sunny Side Up!" by Red Velvet

"All That She Wants" by Ace of Base

"Stay" by Kygo feat. Maty Noyes

Lyrics for this opportunity need to be in ENGLISH only, please.

IMPORTANT: For this request, the Label is searching for Songs for a FEMALE Group, so only submit Songs with Female vocals. Please do not submit Songs with Male vocals for this opportunity.

QUOTING THE LABEL: “We need Reggae-flavored, Danceable Songs that feel like a laid-back 'Song of the summer'. The Songs should incorporate a distinct Reggae rhythm, combined with flavors from House or even Bossa Nova (check out the references to see what we mean). Avoid EDM-heavy, Reggaeton, or Moombahton-style influence and sounds here. We want something with a distinct, unique signature sound, a dynamic vocal range, and a memorable, catchy topline. The rhythms should feel groove-driven, with a tempo that translates well to choreography.”

This Label is on the hunt for songs that have plenty of widespread appeal and resonate with audiences in the worldwide Pop market, and incorporate some flavor from the signature offbeat “skank” feel of Reggae, House music, or even Bossa Nova (see the quote section above for more on that). Super catchy melodies, infectious grooves with rhythmic Reggae-flavor, well-written lyrics, a chorus that gets stuck in your head, expressive performances, top-tier production, and arrangements with forward-moving developmental arcs are all needed here.

As this request is for a group with several members, vocal arrangements built to highlight the vocal talents of several distinct personalities, allowing for natural handoffs, Group harmonies, and standout solo moments are needed. Instrumentation in the general stylistic ballpark of the references and other similar Songs is recommended. Hooky, well-performed Female vocals (with plenty of room for several of the Group's members to shine in their own standout moments) are recommended to really nail this pitch. Original Songs only, and don’t forget to include lyric sheets with your submissions.

IMPORTANT: This Label CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content. Please avoid overly suggestive themes, as well.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 20th, 2026. TAXI # S260320RG

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Several CHILL ELECTRONIC INSTRUMENTALS (in a wide range of styles) are needed by an A-List, EXCLUSIVE Music Library with two decades of landing great placements for countless TAXI members.

This Company would be very happy to find quite a few Down-to-Mid-Tempo Instrumentals that could be heard on a playlist with the following references and others like them:

"Child of the Lake" by Phaeleh

"A Walk" by Tycho

"Bali" by Jai Cuzco & David van der Bent

Please submit vibey, contemporary Electronic Instrumentals with a luxurious, chill atmosphere! Your Compositions should create a relaxed yet forward-moving mood, with mellow but engaging rhythms, Electronic-based motifs, subtle melodies, current-sounding production, and spacious arrangements that maintain plenty of interest throughout. Avoiding aggressive drops, heavy builds, or jarring transitions for this one - these pieces should feel groovy and fun, like the kind of music you might hear in classy hotels and lounges. or a swanky restaurant. Instrumentation in the general stylistic ballpark of the references is recommended (drum machines, electronic percussion, synthesizers, airy pads, keys, electric piano, bass or synth bass, light guitar, and minimal ambient effects). If you use virtual instruments or samples, they need to be high-quality, current-sounding, and competitive with today’s Chill Electronic music. Original Compositions only, please!

All submissions should be around 2 to 4 minutes in length, give or take. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, DistroKid, etc. Submitting music that’s only distributed to streaming platforms by those companies is okay.

2) Be 100% original – no soundalikes, covers, and no material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Instrumentals as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 20th, 2026. TAXI # S260320CE

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CHILL FUTURE BASS INSTRUMENTALS are needed by an EXCLUSIVE Music Library that’s been placing TAXI members’ music in Film and TV for many, many years!

This Company is searching for Instrumentals in a WIDE range of tempos that could be heard on a playlist with the following references and others like them:

"IPlayYouListen" by ODESZA

"Need Your Love" by Yoe Mase & ILYA

"Hero" by Said The Sky & Dabin feat. Olivver The Kid

Although the references contain vocals, please submit Instrumentals only for this request.

TAXI Tip: Including some cool, non-lyrical vocal chops might be a good way to spice up your submissions! It's not an absolute necessity, just a suggestion.

Please submit Chill Future Bass Instrumentals that feel immersive and contemporary! This Company is on the hunt for Compositions with top-tier Electronic-based production, gently pulsing grooves, compelling motifs, tasteful builds, subtle dynamics, lush chord progressions, and expansive arrangements that keep the energy flowing throughout. The vibe for these pieces should be smooth, stylish, and inviting, not aggressive or in-your-face. Sound design matters a lot for this style - make sure you're giving the listener plenty of ear candy to keep them invested. Instrumentation in the general stylistic wheelhouse of the references is likely to suit this request best (layered synthesizers and pads, electronic drums, sub-bass, electric piano, guitar treated with reverb and delay, plucks, risers, and atmospheric elements). If you’re using virtual instruments or samples, they should be high-quality, current-sounding, and stylistically authentic to today’s Chill Future Bass. Original Compositions only, please!

All submissions should be around 2 to 4 minutes in length, give or take. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, DistroKid, etc. Submitting music that’s only distributed to streaming platforms by those companies is okay.

2) Be 100% original – no soundalikes, covers, and no material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Instrumentals as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Saturday, March 21st, 2026. TAXI # S260321FB

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CONTEMPORARY INDIE ALT-POP SONGS with a FOLKTRONIC-Flavor (in a wide range of styles) and MALE VOCALS are needed by the Executive Producer for an internationally renowned Hong Kong-based Artist preparing a conceptual new Album! This Producer is searching for Songs that could become the emotional core of this Artist’s next hit record!

This Producer would be thrilled to find Mid-to-Down-Tempo Songs that are in the general stylistic ballpark of the following references, which we got directly from our client:

"Going Home" by Ásgeir

"Hoppípolla" by Sigur Rós

"Sæglópur" by Sigur Rós

IMPORTANT: Although the references have both Male and Female vocals, this Producer needs Songs for a MALE Artist, so only submit songs with Male vocals. Please do not submit Songs with Female vocals for this opportunity.

IMPORTANT NOTE: Your lyrics DO NOT need to be in Chinese. Lyrics in English are fine. If your Songs are selected, your lyrics may be translated into the appropriate language. You will most likely keep the majority of your publishing, but you may need to share a percentage with the Chinese lyricist who translates your lyrics from English.

QUOTING OUR CLIENT: "We are searching for Songs that channel a spirit of vastness, solitude, and drifting. The Songs should sound contemporary, restrained, minimal, yet emotionally deep and resonant. Songs that convey a state of a person coexisting with a vast space, rather than focusing on urban life, daily concerns, immediate emotions, or interpersonal relationships, are preferred. The genre here can be a little flexible, as atmosphere and temperament take priority. The melodies should be enduring and replayable, not just focused on first-listen impact."

Please submit Contemporary Alternative Pop Songs infused with Folktronic elements that feel spacious, introspective, and emotionally powerful! These Songs should convey a sense of vastness, solitude, and drifting, with dreamy but memorable melodies and motifs, compelling lyrics, expressive performances, and excellent production. Arrangements should sound contemporary, restrained, and minimal, yet they should still pull a listener in and keep them immersed. Our client told us that atmosphere and temperament take priority over strictly staying in one particular genre, so feel free to get a little inventive (but check out the references and our Quoting the Client section to really zero in on the mood and sound they're searching for).

Instrumentation in the general stylistic wheelhouse of the references and other similar Songs is recommended. Balancing some organic and electronic elements to add some of that iconic "Folktronic" flavor is highly encouraged for this request. If you are using virtual instruments or samples, they should be high-quality, realistic, and not dated-sounding. Emotionally expressive Male vocals with enough charisma to carry the intimate sections and the more expansive ones could really get this Producer's attention! Original Songs only, please!

PLEASE be sure to include lyric sheets with your submissions!

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for texture and tone.

Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, or exploitation deals (whether non-exclusive or exclusive), including agreements with CD Baby PRO (now CD Baby Boost), TuneCore, or similar services.

AI ALERT (read this twice, please): This Client cannot sign or pitch music with melodies, lyrics, or instrumental tracks created using generative AI. However, the Client is okay with hearing AI-sung vocals, as long as the underlying Song (melody and lyric) is 100% human-authored and original. This includes using AI only to sing a demo vocal, to change the vocal's gender, or to add harmony parts for demo-pitching purposes. If you use any AI vocals in your Songs, please add this statement at the top of your lyric sheet: "Vocals on this demo have been created with AI." Using AI-based plugins, mixing, or mastering tools is also okay.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Executive Producer (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 22nd, 2026. TAXI # S260322ZN

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A Bunch of Down-Tempo, Emotionally Warm Instrumentals and/or Cues are needed by a Music Licensing Firm that consistently signs TAXI members and lands placements.

This Library is hunting for Down-Tempo Instrumentals/Cues in the general stylistic ballpark of the following references:

"Janice's Theme" by Atticus Ross, Leopold Ross, Claudia Sarne

"A New Life" by Danny Bensi

"We're Going Home" by Clint Mansell

Please submit original, down-tempo Instrumentals and/or Cues that convey warmth and subtle emotion. This Company is searching for Instrumentals that combine delicate Electronic-based elements and production with expressively performed organic instrumentation in a way that feels seamless, natural, and unique. Your submissions should have simple, positive-sounding melodies and motifs, great musicianship, and minimal, emotionally uplifting arrangements that build up the musical story in engaging ways without huge dynamic contrast.

Use instrumentation in the general style of the references. Subtle drum machine pulses, soft electronic percussion, airy synth pads, intimate felt piano, and gently bowed strings are recommended. Gentle harmonic movement, repeating motifs that evolve over time, and a sense of space and nuance, rather than bold melodic statements, should get you right in the ballpark of what they're searching for. Live instrumentation is strongly encouraged for the organic elements. If you use virtual instruments or samples, they should sound high-quality, organic, and completely convincing. Original Compositions only, please!

TAXI Tip: For this style, restraint is key. Focus on tone and atmosphere rather than technical flash or complexity. Start with a simple motif or texture and let it evolve naturally. They don’t need a "composer of the year" so much as music that supports a mood and emotion. Keep it simple.

Your submissions should be about 2 to 3 minutes in length. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Fully cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they don't sound anything like the originals. A good test is to Shazam one of your pieces and see if another artist's Song comes up. If it does, this company can't sign it!

IMPORTANT: Your submissions cannot be encumbered by any other publishing, licensing, administration, or exploitation deals (whether non-exclusive or exclusive), including agreements with CD Baby PRO (now CD Baby Boost), TuneCore, or similar services.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE (in perpetuity) deal, so please be sure the Instrumentals/Cues you pitch for this request are NOT already signed with or pitched to any other Companies or Catalogs. You must own or control your Master and Copyright, and you need to be affiliated with a Performing Rights Organization to submit for this opportunity. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 27th, 2026. TAXI # S260327HY

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A Bunch of CHILLWAVE INSTRUMENTALS are needed by an EXCLUSIVE Music Licensing Firm with a ton of great Film and TV sync placements!

This Company is searching for instrumentals that could be found on a playlist with these examples:

"Feel It All Around" by Washed Out

"Adrift" by Tycho

"BEACH" by Architecture in Tokyo

Although some of the references have vocals, please submit Instrumentals only for this request.

Please submit Chillwave Instrumentals with a dreamy, atmospheric sound! Instrumentation in the general stylistic ballpark of the references is likely to work best. Production should feel spacious and slightly "lo-fi" (but still broadcast-ready). If you’re using virtual instruments or samples, they should be stylistically appropriate. Original Compositions only, please!

Your submissions should be about 1.5 to 2.5 minutes long, give or take. Please do not exceed 3 minutes in length. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal and prefers working with composers and writers who are familiar with typical Music Library deals and contract terms. The Publisher will get 100% of the Publisher's share, and you'll get 100% of the Writer's share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Since this is an Exclusive deal, please be sure your material is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 1st, 2026. TAXI # S260401WW

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A Bunch of DANCE POP SONGS with Male or Female Vocals are needed by a worldwide-distributed Music Licensing Company that’s gotten a truckload of placements for TAXI members across the world!

This Company would love to find Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following references:

"Pretty Please" by Dua Lipa

"Latch" by Disclosure feat. Sam Smith

"Esther" by BAYNK feat. Tinashe

Please submit Dance Pop Songs with irresistible hooks and rhythms that make it impossible not to get on the dance floor, with undeniable choruses, earworm melodies, well-written lyrics, and arrangements that build and evolve dynamically. Instrumentation and production in the general stylistic ballpark of the references and similar contemporary Dance Pop Songs is recommended. If you use virtual instruments or samples, make sure they’re high-quality, current-sounding, and stylistically authentic to the genre. Vocals (Male or Female) should be charismatic and confident to really nail this style. Original Songs only, please!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit anything with melodic third-party loops, even if they're royalty-free (rhythm and percussion loops are fine, as long as they're cleared for commercial usage). There should be zero chance that someone else's Song pops up if your Song gets Shazamed!

Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Boost, TuneCore, etc. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

TAXI Tip: This Company likes working with Artists, Writers, and Composers who have previous experience with Production Music Libraries (and typical deal structures), who will be in it for the long haul, and are willing to do a 10 Song album with them. That said, we recommend submitting (at least) 2-3 Songs per submission so they can get a good feel for your material.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal (in perpetuity), so please be sure the Songs you pitch for this request are NOT already signed with any other Companies or Catalogs. Sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's Share, and the Publisher will get 100% of the Publisher's Share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this Company to include your music in their catalog. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 2nd, 2026. TAXI # S260402DP