TAXI's Industry Listings

Updated: October 22, 2024

Country

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Lots of TOP 40-Style COUNTRY INSTRUMENTALS (in a wide stylistic range) are needed for ADVERTISING by a very busy Music Library with a great track record of placements in Films and TV shows!

This Library is looking for a Wide Range of Mid-to-Up-tempo Instrumentals that are in the general stylistic ballpark of the following references:

"Grease" by Lainey Wilson

"Overdrive" by Thomas Rhett

"Back Then Right Now" by Tyler Hubbard

Although the references have vocals, please submit Instrumentals ONLY.

NOTE: The CEO of the Company let us know that they would love to hear some current Top 40-style instrumentals, but are also open to Instrumentals in the style of older Top-40 Country - going all the way back to the styles of the '90s!

Please submit a wide range of well-crafted Country Instrumentals with a great energy and an infectious sound that could work well for advertising spots! Your submissions should have engaging grooves, quality productions, excellent musicianship, catchy motifs, and dynamic arrangements with plenty of forward motion and interest. Instrumentation should fall in the general stylistic ballpark of the references and other Top-40 Country Songs. Live instrumentation is encouraged, but if you choose to use virtual instruments or samples, please ensure they are high-quality, realistic, and genre-appropriate.

All submissions should be about 1.5 to 2 minutes long, give or take. Non-faded, button/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do not submit any material with unauthorized samples of other artists’ Songs, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: If you had any session musician(s) (other than yourself) perform on your tracks, please be sure to have any applicable paperwork and/or work-for-hire agreements on-hand if contacted by the Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers a Non-Exclusive 3-year deal. You’ll split any applicable sync fees 50/50 with the company. You’ll keep 100% of the Writer’s share and the Library will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024UN

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Lots of GRITTY COUNTRY/HIP-HOP SONGS with Male or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This Company is looking for Songs in the general ballpark of these references:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"My Truck" by BRELAND

"Down by the Riverside" by Willie Jones

"Hood" by Colt Ford ft. Kevin Gates & Jermaine Dupri

"PROBLEM SOLVER" by Jamie Ray ft. Boosie Badazz

Please submit original Songs that effectively blur the lines between Country and Hip-Hop! The Company is looking for tracks that feel current and bring a fun, rebellious energy—something you’d want to blast in the truck or at a tailgate. Your submissions should include genre-bending Country motifs, Hip-Hop beats, modern productions, solid arrangements, memorable melodies, and well-written lyrics. Country and Hip-Hop instrumentation in the general wheelhouse of the reference Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality and current-sounding. Well-performed and confident vocals (Male or Female) could help you seal the deal. Tracks that strike the perfect balance between gritty Hip-Hop swagger and the fresh, down-home vibe of modern Country are likely to stand out here!

Lyrics should avoid specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings are strongly recommended. Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

NOTE: Do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film and TV placements.

IMPORTANT: This Library really wants to find top-notch Artists and Composers – not just people who combine different samples or loops without altering them at all. Cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they're distinguishable from the originals. Basically, if you Shazamed one of your tracks and another artist's song comes up, your music would definitely be disqualified by this Company.

ALSO IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 29th, 2024. TAXI # S241029CH

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HIT-WORTHY COUNTRY/POP SONGS with Male or Female Vocals are needed by a Hit Record Producer from Music Row that’s always pitching to big artists’ projects.

This well-known Producer is looking for Mid-to-Up-Tempo Songs that are in the general stylistic ballpark of the following references:

"Getaway" by Harper Grace

"This Town's Been Too Good To Us" by Dylan Scott

"A Bar Song (Tipsy)" by Shaboozey

Please submit modern Country/Pop Songs that are packed with mainstream appeal and have that catchy sound you’d expect to hear at the top of the Country charts! Your submissions should have unforgettable melodies, catchy motifs, earworm hooks, solid arrangements, and well-written lyrics. This Producer is looking for tracks that capture a modern Pop sensibility while still embracing the essence of Country music through modern instrumentation, excellent storytelling, and authentic lyrical themes. Instrumentation in the general stylistic wheelhouse of the references and other charting Country Pop Songs will work best. Please be sure your vocal deliveries are authentic, modern, and well-performed.

TAXI TIP: This Producer will listen to either stripped-down or fully-produced demos! That said, the song itself has to sound super strong - like a hit in the making - especially if you’re submitting a stripped-down demo!

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 29th, 2024. TAXI # S241029WC

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COUNTRY ROCK ARTISTS or BANDS with Male or Female Vocals are needed by a fairly new Record Label started by two industry veterans with a very impressive track record!

Take a listen to the following references to get an idea of what might get this impressive Company excited:

"Dirty Money" by Brantley Gilbert ft. Justin Moore

"Creek" by Alli Walker

"Cowboy Songs" by George Birge

Please submit modern Country Songs with a gritty, Rock edge that highlight your unique sound and style! This Label is looking for tracks that evoke raw emotion and a guitar-driven energy, making listeners feel the power of both genres blended seamlessly. Catchy melodies, engaging rhythms, ear-worm choruses, great musicianship, and well-crafted lyrics are all needed for this opportunity. A nice blend of Country and Rock instrumentation (in the general stylistic wheelhouse of the references) will work best. Please make sure that any virtual instruments or samples you use are high-quality and realistic sounding. Well-performed vocals (Male or Female) with an authentic and mainstream sound could help get their attention!

Your recording quality needs to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by a TAXI A&R Team Member who has a strong relationship with the Client. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 30th, 2024. TAXI # S241030NC

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TRADITIONAL-SOUNDING COUNTRY SONGS with Male or Female Vocals are needed by a Hit Record Producer from Music Row that’s always pitching to big artists’ projects.

This Producer is looking for Mid-to-Up-Tempo Songs that are in the general stylistic ballpark of the following references:

"Country's Cool Again" by Lainey Wilson

"Fill 'Er Up" by Jon Pardi 

"Burn Out" by Midland

NOTE: This Producer is looking for Country Songs that lean toward TRADITIONAL Country arrangements while still maintaining a modern and current sound. Please avoid Hip-Hop/Pop-inspired sounds, productions, and styles for this request.

Please submit original, traditional-sounding Country Songs with lots of potential to be a chart-topping hit! Your submissions should have catchy choruses and melodies, engaging rhythms, and honest, well-crafted lyrics. Country instrumentation that's in the general stylistic wheelhouse of the references will work best here. Please make sure that any virtual instruments or samples you use are high-quality, realistic, and appropriate-sounding for the genre. Compelling and well-performed vocals with lots of Country charm are the way to go!

TAXI TIP: This Producer will listen to either stripped-down or fully-produced demos! That said, the song itself has to sound super strong - like a hit in the making - especially if you’re submitting a stripped-down demo!

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031TV

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UPLIFTING COUNTRY SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "It's A Great Day To Be Alive" by Travis Tritt, which is currently temped in:

"It's A Great Day To Be Alive" by Travis Tritt

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar lyrical themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

Please submit well-crafted Country Songs with a traditional sound, uplifting motifs, and optimistic lyrics! Meaningful choruses, solid arrangements, engaging rhythms, and expressive, well-performed vocals are all needed for this request. Country instrumentation in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality, very realistic, and genre-appropriate. Vocal performances with an authentic Country sound are needed!

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Thursday, November 7th, 2024. TAXI # S241107GY

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MODERN, HIT-WORTHY COUNTRY ROCK SONGS with MALE Vocals are needed by a phenomenal Music Row Publisher for a rising Country Star searching for new material!

This Publisher (with songs cut by Miley Cyrus, Keith Urban, Eric Church, and many more) is on the hunt for Up-Tempo slam-dunk Hits that could be heard on a playlist with the following references:

"Town Like Mine" by Scotty Hasting

"Mama" by Kolby Cooper

"Fishnets" by Treaty Oak Revival

Please submit modern, well-written Country Rock Songs with lots of energy that could be this rising Country star's next big hit! Your submissions should have impactful choruses, well-crafted melodies, up-tempo rhythms, solid arrangements, and well-written lyrics. Country Rock instrumentation that's in the general stylistic wheelhouse of the references will work best for this pitch. Please make sure that any virtual instruments or samples you use are high quality and not dated-sounding. Expressive, authentic, and well-performed Male vocals are needed! Be sure your Songs capture a raw, emotional grit with compelling storytelling that resonates with mainstream Country fans!

TAXI Tip: Vocal deliveries can often make or break Song pitches. Making sure that the vocals in your Songs are well-performed, compelling, and rich with Country authenticity will likely increase your chances of getting this Artist excited about your Songs!

Stripped-down demos and full productions are both okay to submit, as long as your Songs are great and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

NOTEWORTHY: If time permits, someone from the Publisher's staff (who has been trained as a TAXI screener) will screen for this request. That means that somebody who is directly involved in this request could be "ears-on" with your submissions.

The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111HB

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Cover Songs

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Tons of INSTRUMENTAL COVERS of NATIONAL ANTHEMS are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

This Company is searching for Instrumentals that are in the general stylistic ballpark of the following examples:

"The National Anthem of The Commonwealth of Australia" performed by AnthemKing

"O Canada" performed by L'Orchestra Cinématique

"The Star Spangled Banner (Metal Version)" by Deon Van Heerden

National Anthem of Japan 君が代

This Company is looking for national anthems from the following countries: Canada, Japan, Turkey, Australia, New Zealand, the United States, Austria, Belgium, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom.

NOTE: They are mainly looking for TRADITIONAL arrangements, but are open to NON-TRADITIONAL arrangements as well.

Please submit well-performed Instrumental Covers of National Anthems from the countries listed above! Your submissions should include solid production and easily recognizable melodies that stay true to the original. Instrumentation may vary based on which direction you go, but please remember that this Company is mainly looking for Traditional arrangements. Should you choose to take a Non-Traditional approach, your composition must still honor the essence of the original while conveying a strong sense of patriotism and authenticity for the respective country. Please make sure that any virtual instruments or samples you use are high-quality and very realistic if they are organic-based.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

Tracks need to have non-faded, buttoned/stinger endings. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027MN

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Lots of COVERS of NATIONAL ANTHEMS with Male or Female Vocals are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

IMPORTANT: This company is also running a Listing that asks for INSTRUMENTAL COVERS of National Anthems (TAXI # S241027MN), so please don't confuse the two opportunities.

This Company is searching for Vocal Covers of National Anthems in the general stylistic ballpark of the following examples:

"Star Spangled Banner" performed by Helmut Lotti

"Soldiers Song" by United Irishmen

Luxembourg National Anthem - "Ons Heemecht"

This Company is looking for national anthems from the following countries: Canada, Japan, Turkey, Australia, New Zealand, the United States, Austria, Belgium, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Sweden, Switzerland, and the United Kingdom.

NOTE: They are mainly looking for TRADITIONAL arrangements, but are open to NON-TRADITIONAL arrangements as well.

IMPORTANT NOTE: YOUR VOCALS NEED TO BE IN THE NATIVE LANGUAGE of the country the anthem is from.

Please submit well-performed Vocal Covers of National Anthems from the countries listed above! Your submissions should have excellent vocal performances with melodies that stay true to the original. Instrumentation may vary based on which direction you go, but please remember that this Company is mainly looking for Traditional arrangements. Should you choose to take a Non-Traditional approach, your composition must still honor the essence of the original while conveying a strong sense of patriotism and authenticity for the respective country. Please make sure that any virtual instruments or samples you use are high-quality and very realistic if they are organic-based.

AI ALERT: This company does not accept or sign music with backing tracks, full instrumental tracks, or vocal performances created with AI.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Saturday, November 2nd, 2024. TAXI # S241102VR

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Electronic

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Lots of MODERN DANCE/POP SONGS with Male or Female Vocals are needed by a prominent Media Company that provides curated in-store music to major Global Brands across various sectors.

This Company is on the hunt for Mid-to-Up Tempo Songs that could be heard on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"You Go Your Way" by Perrie

"Roots" by Calum Scott

"Make You Mine" by Madison Beer

Quoting the CEO of the Company: "These tracks should feel competitive with charting music, in both the composition and the production value."

Please submit Dance/Pop Songs with a modern sound and lots of danceable energy! Your submissions should have catchy melodies, unforgettable hooks, exciting rhythms, solid arrangements, and well-written lyrics. These tracks should have a radio-ready quality that is competitive with what’s currently in the Pop charts, featuring great dynamics and engaging motifs. Pop Instrumentation in the general stylistic wheelhouse of the references will work best for this opportunity. Please be sure that your production quality is great and that any virtual instruments or samples you use are high-quality and modern. Well-performed Male or Female vocals with a mainstream Pop sound are needed!

Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or lead vocal performances created with AI.

This company offers a NON-EXCLUSIVE deal. You’ll split any income from direct licensing deals 50/50 with the company, and you will keep 100% ownership of all rights. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031CA

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Lots of DARK PHONK INSTRUMENTALS are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

This Company is searching for Instrumentals that are in the general stylistic ballpark of the following examples, which they sent us:

"ENOUGH!" by Eternxlkz

"SIMPLE" by NUEKI x TOLCHONOV

"Why Not" by Ghostface Playa

Quoting the VP of the Company: "We are looking for modern Phonk tracks with a dark, hypnotic, and lo-fi-ish sound and powerful basslines."

IMPORTANT: We know that there are a few distinct sounds and influences that have been associated with the term "Phonk" over the years, but this current listing is for the darker, more current form of Phonk. Please do NOT send any 90's-influenced Hip-Hop for this opportunity. If you'd like to learn more about the history of Phonk, you can read about it here.

Please submit original Phonk Instrumentals with a dark, aggressive energy, hypnotic beats, and powerful basslines! Your submissions should include brooding motifs, edgy melodies, hard-hitting rhythms, and dynamic arrangements with plenty of forward motion and interest. Instrumentation and productions in the general stylistic ballpark of the references will work best. Please make sure that any virtual instruments or samples you use are genre-appropriate.

NOTE: This company has informed us that they are open to tracks featuring vocal effects and samples, but it’s not a requirement! If you do use vocal samples, please ensure they are cleared for commercial use and are not sourced from copyrighted material.

TAXI Tip: Nailing the production style for this particular genre will help you get that crunchy, "lo-fi-ish" sound the Client is looking for. Be sure to use reference tracks throughout your production process to ensure you are hitting the mark!

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

Your submissions should be between 2 and 4 minutes long, give or take. Tracks need to have non-faded, buttoned/stinger endings. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master and Copyright to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Thursday, November 7th, 2024. TAXI # S241107PH

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Lots of PIANO-Driven, JAPANESE-Flavored EDM INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

NOTEWORTHY: This company has landed over 300 International placements in the past 6 months, with one TAXI member earning $8k in royalty payments from his Songs during that period.

This Library is looking for several Up-Tempo Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"echoes feat.H ZETT M" by STAR GUiTAR

"Breakthrough The Sky" by PAX JAPONICA GROOVE

"way to go" by Wonder World

Please submit well-crafted Japanese-flavored EDM Instrumentals (and/or Cues) with a piano-driven sound and lots of over-the-top energy! Your submissions should have fun melodies, fast-paced rhythms, and jazz-influenced compositions (think non-diatonic changes, modal melodies, etc). They should also have excellent musicianship, solid, forward-moving arrangements, and lots of fun, light-hearted energy! Instrumentation should feature piano, but beyond that, it just needs to stay in the general stylistic ballpark of the references. Please be sure that all virtual instruments or samples you use are high-quality and not dated-sounding. Aim for a vibrant, modern sound that captures the essence of the references (without copying them) and feels fresh and exciting!

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108PD

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Lots of MODERN POP/EDM SONGS with Male or Female Vocals are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members. This Company is regularly working on high-profile opportunities, with Sync Fees Paid to the creators!

This company's CEO is looking for quite a few Songs in the general stylistic ballpark of the examples below, which they sent us:

"Never Going Home Tonight" by David Guetta & Alesso ft. Madison Love

"All My Life" by Purple Disco Machine & The Magician

"Never Walk Alone" by BLOND:ISH & Stevie Appleton

Please submit modern Pop/EDM Songs with infectious grooves, super catchy hooks, and a sound and style that could be heard on a playlist with the references! Your submissions should have energetic rhythms, exciting motifs, slick production techniques, solid arrangements, unforgettable melodies, and well-written lyrics. Tracks with Pop and EDM instrumentation in the general stylistic ballpark of the references (and others like them) will work best. Please ensure any virtual instruments or samples are high-quality, modern, and genre-appropriate. Well-performed vocals with a mainstream Pop sound will go a long way here! Per the CEO, the production value for these tracks needs to be top-notch as well!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, November 9th, 2024. TAXI # S241109JJ

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MINIMALIST, BASS-DRIVEN FUNK SONGS with Male or Female Vocals are needed for an (up to) $500 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "Cavern" by Liquid Liquid, which is currently temped in:

"Cavern" by Liquid Liquid

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Funk Songs with a minimalist approach and an unorthodox, experimental sound! Sparse vocal lines, groovin' rhythms, unconventional arrangements, funky motifs, and a driving energy are all needed here. Tracks should revolve around tight, funk-inspired basslines, dynamic percussion, and groove-heavy elements that keep the momentum alive and forward-moving. Keep the instrumentation organic and percussive—bass, drums, and percussion should be front and center. Please ensure any virtual instruments or samples used are high-quality and realistic-sounding. Minimalist, rhythmic vocals (Male or Female) with an experimental edge will likely be what this Producer is looking for!

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $500, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 10th, 2024. TAXI # S241110VN

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RETRO-Style DANCE/ELECTRO-POP SONGS with Male or Female Vocals are needed for an (up to) $500 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "I Cry (Night after Night)" by The Egyptian Lover, which is currently temped in:

"I Cry (Night after Night)" by The Egyptian Lover

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Dance/Electro-Pop Songs with a retro-inspired sound (think '80s), melancholy melodies, and infectious grooves. Engaging rhythms, solid arrangements, 80s-inspired motifs, and well-written lyrics are all needed here. Instrumentation should stay in the general stylistic wheelhouse of the reference, such as synths, bass, drum machine, guitar, etc. Please ensure any virtual instruments or samples used are high-quality and genre-appropriate. Having some great atmospheric synth layers that evoke a sense of nostalgia, complemented by driving rhythms and a bitter-sweet melodic hook could all help you get close to what this Producer is looking for! Rhythmic and well-performed vocal deliveries (Male or Female) will help as well.

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $500, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111YY

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Folk

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UPLIFTING INDIE/FOLK ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"Penny, Heads Up" by Caamp 

"Coastline" by Hollow Coves

"Celeste" by Ezra Vine

Please submit well-crafted Indie Folk Songs that could be heard on a playlist with the references! Your submissions should have uplifting motifs, engaging rhythms, emotionally upbeat melodies, memorable choruses, solid arrangments, and lots of positive vibes. Indie Folk instrumentation that's in the general stylistic wheelhouse of the references should work best, such as acoustic guitar, mandolin, drums, percussion, etc. Well-performed vocals with a great Indie sound will go a long way!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could be easier to place. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031UP

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Lots of CONTEMPORARY INDIE/FOLK SONGS with Male or Female Vocals are needed by a prominent Media Company that provides curated in-store music to major Global Brands across various sectors.

This Company is on the hunt for Mid-to-Down Tempo Songs that could be heard on a playlist with the following references:

"These Days" by Ocie Elliott

"Stolen Seasons" by Hazlett

"Your Story" by Jessie Reid

Please submit contemporary Indie/Folk Songs that could be heard on a playlist with the references! Expressive choruses, engaging rhythms, captivating melodies, memorable motifs, and well-written lyrics are all needed for this request. Indie/Folk instrumentation in the general stylistic ballpark of the references will work best for this, such as acoustic guitar, mandolin, dobro, etc. Live instrumentation is recommended. If you use any virtual instruments or samples, please make sure they are high-quality and very realistic sounding. Well-performed vocals (Male or Female) with a great indie-inspired sound and vibe are needed!

Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or lead vocal performances created with AI.

This company offers a NON-EXCLUSIVE deal. You’ll split any income from direct licensing deals 50/50 with the company, and you will keep 100% ownership of all rights. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 4th, 2024. TAXI # S241104LF

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INDIE FOLK ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

"Never Meant" by Iron & Wine

"Good People" by Mumford & Sons & Pharrell Williams

"Afraid" by The Franklin Electric

Please submit well-crafted Indie Folk Songs with mainstream appeal, Americana influences, and a sound that could be heard on an NPR Radio station! Memorable melodies, captivating choruses, catchy hooks, dynamic arrangements, and well-crafted lyrics are all needed for this opportunity. The overall vibe should be warm and organic, blending traditional Folk elements with a modern twist to fit a wide audience. Folk and Americana-influenced Instrumentation in the general stylistic ballpark of the references will probably work best (think acoustic guitar, banjo, mandolin, bass, drums, etc). Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Honest, authentic vocal performances with a modern sound and style are needed. Although the references include Male vocals, this label is interested in hearing tracks featuring either Male or Female vocals.

NOTE: This Label is not looking for retro or old-school Folk music; your submissions should sound fresh, current, and have a cool, modern edge that resonates with today’s listeners.

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you're doing to move your career forward. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 6th, 2024. TAXI # S241106QB

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'60s-Style FOLK/POP SONGS with Male or Female Vocals are needed for an (up to) $1,000 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "Try to Remember" by The Brothers Four, which is currently temped in:

"Try to Remember" by The Brothers Four

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

NOTE: This Film Producer is open to hearing both high-quality Vintage recordings (recorded back in the day), OR recently recorded Songs in the general production style of the reference and others like it.

Please submit well-crafted Folk/Traditional Pop Songs with a nostalgic, sentimental sound, timeless melodies, and beautiful harmonies. Gentle rhythms, solid arrangements, and warm, reflective motifs are all needed here. Instrumentation should stay in the general stylistic wheelhouse of the reference, such as acoustic guitar, bass, soft percussion, and string elements. Please ensure any virtual instruments or samples used are high-quality and genre-appropriate. Ideally, your Songs should create an intimate, heartfelt atmosphere with simple, yet evocative instrumentation and have a melody that tugs at the heartstrings. Expressive and well-performed vocal deliveries (Male or Female) with a classic, sincere sound will also work best.

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111MB

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Funk

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Lots of INDIE FUNK SONGS with Male or Female vocals are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members.

CRITICAL NOTE: This Company is regularly working on high-profile opportunities with Sync Fees Paid to the creators. Some of them are in the 6 figure range!!!!

This company's CEO is looking for quite a few Mid-to-Up-Tempo Songs in the general stylistic ballpark of the examples below:

"Tieduprightnow" by Parcels

"Back Pocket" by VULFPECK

"Overnight" by Parcels

Please submit Indie Funk Songs with infectious grooves, playful basslines, and a modern yet vintage-inspired vibe! Submissions should include elements such as tight drum grooves, funky guitar, infectious energy, dynamic rhythms, excellent musicianship, solid arrangements, and well-written lyrics. Instrumentation that stays in the general stylistic ballpark of the references (and others like them) will work best. Please ensure any virtual instruments or samples you use are high-quality, modern, and very realistic sounding! Well-performed vocals with a cool indie vibe are needed!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027PA

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MINIMALIST, BASS-DRIVEN FUNK SONGS with Male or Female Vocals are needed for an (up to) $500 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "Cavern" by Liquid Liquid, which is currently temped in:

"Cavern" by Liquid Liquid

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Funk Songs with a minimalist approach and an unorthodox, experimental sound! Sparse vocal lines, groovin' rhythms, unconventional arrangements, funky motifs, and a driving energy are all needed here. Tracks should revolve around tight, funk-inspired basslines, dynamic percussion, and groove-heavy elements that keep the momentum alive and forward-moving. Keep the instrumentation organic and percussive—bass, drums, and percussion should be front and center. Please ensure any virtual instruments or samples used are high-quality and realistic-sounding. Minimalist, rhythmic vocals (Male or Female) with an experimental edge will likely be what this Producer is looking for!

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $500, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 10th, 2024. TAXI # S241110VN

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Indie/Alternative

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MAINSTREAM INDIE ROCK ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This Label is on the hunt for acts that would appeal to fans of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Here's The Thing" by Fontaines D.C.

"Le Risque" by King Gizzard & The Lizard Wizard

"M" by Soccer Mommy

Please submit mainstream Indie Rock Songs with an infectious vibe that showcase your one-of-a-kind sound and style! Your submissions should have catchy melodies, memorable motifs, modern production, solid arrangements, well-crafted lyrics, unforgettable hooks, and lots of Indie Rock flair. Indie Rock instrumentation that's in the general wheelhouse of the references will work best. Please ensure any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals with expressive deliveries are going to go a long way here!

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Saturday, October 26th, 2024. TAXI # S241026DG

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UPLIFTING INDIE/FOLK ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"Penny, Heads Up" by Caamp 

"Coastline" by Hollow Coves

"Celeste" by Ezra Vine

Please submit well-crafted Indie Folk Songs that could be heard on a playlist with the references! Your submissions should have uplifting motifs, engaging rhythms, emotionally upbeat melodies, memorable choruses, solid arrangments, and lots of positive vibes. Indie Folk instrumentation that's in the general stylistic wheelhouse of the references should work best, such as acoustic guitar, mandolin, drums, percussion, etc. Well-performed vocals with a great Indie sound will go a long way!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could be easier to place. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031UP

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INDIE/BEDROOM POP ARTISTS or BANDS with Male or Female Vocals are needed by a U.K.-based Record Label that's looking for new acts to sign.

Please listen to the references below to get an idea of what might get this really cool Record Label interested:

"Set It On Fire" by Blood Cultures

"touch tank" by quinnie

"Midwest" by Vacations

Please submit Indie/Bedroom Pop Songs with a nostalgic, captivating sound that draws the listener in! Dreamy melodies, catchy hooks, inviting rhythms, solid arrangements, and well-crafted lyrics are all needed for this opportunity. Your Songs should convey a sense of authenticity and vulnerability while showcasing a warm, immersive soundscape that invites listeners to get lost in the atmosphere and emotion of the music. Instrumentation that's in the general wheelhouse of the reference tracks will work best, such as guitars, airy synths, bass, drums, etc. Please be sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Captivating vocal performances with a distinct Indie flair will go a long way in helping get this Label's attention!

This Label is looking for artists who could be the next big thing. They won't be looking as much for polished, perfect productions, as much as they're looking for super fresh, marketable Artists with great Songs! Your productions and recording quality still need to be clean, clear, well-balanced, and good enough to represent your Songs well.

IMPORTANT: This Label is primarily interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend that you submit at least THREE SONGS per submission, so they can see if you’ve got depth in your material.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, November 1st, 2024. TAXI # S241101BM

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INDIE SINGER/SONGWRITER ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"What’s This About (La La La La)" by Kate Bollinger

"Let Me In" by Davis Naish

"You're Always High" by Winona Oak

Please submit fresh and contemporary Indie Singer/Songwriter Songs with an emotionally captivating sound that could be heard on a playlist with the references! Your submissions should have catchy melodies, engaging rhythms, memorable choruses, solid arrangements, and well-written lyrics. Instrumentation in the general stylistic wheelhouse of the reference Songs will work best, such as guitars, keys, drums, bass, etc. Please ensure any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed vocals (Male or Female) with expressive deliveries are needed here!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could be more appealing to this Company. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 5th, 2024. TAXI # S241105YC

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INDIE FOLK ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

"Never Meant" by Iron & Wine

"Good People" by Mumford & Sons & Pharrell Williams

"Afraid" by The Franklin Electric

Please submit well-crafted Indie Folk Songs with mainstream appeal, Americana influences, and a sound that could be heard on an NPR Radio station! Memorable melodies, captivating choruses, catchy hooks, dynamic arrangements, and well-crafted lyrics are all needed for this opportunity. The overall vibe should be warm and organic, blending traditional Folk elements with a modern twist to fit a wide audience. Folk and Americana-influenced Instrumentation in the general stylistic ballpark of the references will probably work best (think acoustic guitar, banjo, mandolin, bass, drums, etc). Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Honest, authentic vocal performances with a modern sound and style are needed. Although the references include Male vocals, this label is interested in hearing tracks featuring either Male or Female vocals.

NOTE: This Label is not looking for retro or old-school Folk music; your submissions should sound fresh, current, and have a cool, modern edge that resonates with today’s listeners.

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you're doing to move your career forward. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 6th, 2024. TAXI # S241106QB

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INDIE POP SONGS with MALE or FEMALE Vocals are needed for an (up to) $2,500 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "1983" by The Incredible Moses Leroy, which is currently temped in:

"1983" by The Incredible Moses Leroy

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Indie Pop Songs with a driving, forward-moving sound and a nostalgic, feel-good vibe! Catchy hooks, memorable choruses, solid arrangements, positive-sounding motifs, and expressive, well-performed vocals are all needed for this request. Indie Pop instrumentation in the general wheelhouse of the reference will suit your submissions best, such as guitars, bass, acoustic drums, synth, tambourine, etc. Please ensure your productions and any virtual instruments or samples you use are high-quality. Compelling Male or Female vocal performances are needed!

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,500, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 6th, 2024. TAXI # S241106AE

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POST-PUNK / NEW WAVE SONGS with FEMALE or MALE Vocals are needed for an (up to) $1,000 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "Never Say Never" by Romeo Void, which is currently temped in:

"Never Say Never" by Romeo Void

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT NOTEYou can submit recently recorded/produced Songs in the general style of the reference, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well!

Please submit well-crafted Post-Punk Songs with a retro sound and lots of rebellious, attitude-driven energy! Irreverent choruses, edgy motifs, solid arrangements, and angsty, well-performed vocals are all needed for this request. Instrumentation in the general wheelhouse of the reference will suit your submissions best, such as guitars, bass, drums, etc. Please ensure your productions and any virtual instruments or samples you use are high-quality and genre-appropriate. Raw and compelling Male or Female vocal performances are needed.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108VR

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ALTERNATIVE ROCK SONGS with MALE or FEMALE Vocals are needed for an (up to) $1,000 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "I Start To Run" by White Denim, which is currently temped in:

"I Start To Run" by White Denim 

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Alternative Rock Songs with a high-intensity sound and a frantic, on-edge energy! Catchy hooks, memorable choruses, solid arrangements, unconventional motifs, and expressive, well-performed vocals are all needed for this request. Alternative Rock instrumentation in the general wheelhouse of the reference will suit your submissions best, such as electric guitar, bass, drums, etc. Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding. Compelling vocal performances are needed. Aim for an unorthodox, slightly off-kilter sound that captures the urgency and excitement of the reference track while being sure not to copy or clone it!

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, November 9th, 2024. TAXI # S241109UN

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CAPTIVATING ALT-INDIE SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "Summertime Sadness" by Lana Del Rey, which is currently temped in:

"Summertime Sadness" by Lana Del Rey

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

Please submit modern Alt-Indie Songs with hauntingly beautiful melodies, nostalgic lyrical themes, bittersweet emotions, and lush, cinematic soundscapes. Captivating choruses, engaging rhythms, dreamy motifs, solid arrangements, and expressive, well-performed vocals are all needed. Your submissions should capture the essence of longing and reflection, evoking deep emotional responses from the listener. Instrumentation in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality, very realistic, and modern.

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 10th, 2024. TAXI # S241110MM

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Instrumental

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Lots of TRAP/HIP-HOP INSTRUMENTALS with MIDDLE-EASTERN flavor are needed by a leading Music Licensing Company with an excellent track record of placements outside of the U.S. market. This Company is distributed internationally by BMG, so they work with shows that air virtually everywhere in the world.

Important: TAXI members have been reporting tons of placements through this company!

TAXI Tip: If you nail this pitch and land in this company's catalog, you might not have a lot of competition when supervisors and editors are searching for this genre. This is a great chance to be a standout in a potentially under-populated genre. Zig when everybody else zags. ;-)

Sounds and influences from the following geographical areas could all potentially work: North African, Andalusian, Mediterranean, and anywhere from the Middle East all the way to India.

This Company is looking for Instrumentals in the general stylistic ballpark of the references below:

"SAYTIR" by Absaroth

"MUSLIM" by CHNBEAT

"Hard Arabic Flute type beat" by Arvin Beatz

Although the references have some vocals mixed in, please submit instrumentals only for this request.

NOTE: This Company is open to a wide range of Hip-Hop styles, and sub-genres, such as Trap, Grime, LoFi, Drill, etc. Submissions with a tasteful blend of Middle-Eastern motifs/instrumentation and solid Hip-Hop production will go a really long way in helping get this Company's attention!

Please submit a wide range of original Hip-Hop Instrumentals with lots of Middle-Eastern sounds and culturally rich motifs! Your submissions should have hard-hitting beats, solid productions, and dynamic arrangements with lots of forward motion and interest. Traditional Middle Eastern instrumentation (such as oud, qanun, ney, darbuka, riq, saz, etc) mixed with modern Hip Hop beats will work best. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate.

TAXI Tip: Layering a live instrument over virtual sounds can instantly boost the authenticity and richness of your track, helping elevate the overall production quality. A little organic touch goes a long way!

Your submissions should be around 3 minutes in length, give or take, and definitely no shorter than 2 minutes and 30 seconds. Non-faded, buttoned/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Do NOT submit any tracks with spoken producer tags/watermarks as they are not usable for film and TV placements.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This Company offers an EXCLUSIVE deal, so please be sure the music you pitch for this opportunity is NOT already signed with other Companies or Catalogs. Specific deal points will be handled directly between you and the Company. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022ZA

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TRADITIONAL MIDDLE-EASTERN INSTRUMENTALS are needed by a top-notch International Music Licensing Company with a GREAT track record of placements!

NOTE: This Company is NEW to requesting music from TAXI, so this is a great opportunity to create a new relationship for you and your music with a company that gets AWESOME placements with MAJOR brands.

This Library is searching for Instrumentals that could be heard on a playlist with the following references:

"Copyright free Islamic Background Music" by No Copyright Music

"Peace In The Middle East" by No Copyright Music

"Islamic Background Music" by DDmyzik Instrumental Music

NOTE: This Company would love to find some Instrumental tracks that feature non-lyrical vocalizations or vocal improvisations with an authentic Middle-Eastern sound and style. (They are not required though!) Please do NOT submit full vocal Songs for this request.

Please submit original Instrumentals with a traditional Middle-Eastern sound and style! Your submissions should have culturally rich motifs, engaging rhythms, excellent musicianship, expressive performances, and solid arrangements with plenty of dynamics, forward motion, and interest. A wide variety of emotions and moods could work here, such as sad, introspective, moody, bright, neutral, etc. Instrumentation should fall in the general stylistic ballpark of the references, and it needs to feature authentic instrumentation from the Middle East. (think Duduk, Oud, Qanun, Ney, Riq, Tabla, etc.) Please ensure that any virtual sounds or samples you use are high-quality and genre-appropriate. Original compositions only, please!

This Client let us know that they would LOVE to work with artists/composers with ties to the region. That said, it's not  a requirement - as long as you have some great tracks with an authentic sound, they still want to hear what you’ve got!

All submissions should be around 1.5 to 3 minutes in length, give or take. Non-faded, buttoned/stinger endings are required – no gradual fadeouts, please! Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This client will need alternate mixes and STEMs, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE FULL VERSIONS. Please have the alternative versions on-hand and ready to send at a moment's notice if the client contacts you. If the company DOES contact you, they will ask that your alternate mixes and STEMs are delivered to them as 24 bit, 48kHz, 2-channel stereo WAV files with Integrated Loudness Exactly -16 LUFS, and Absolute True Peak no louder than -2 dBTP. But again, for your initial submissions to TAXI, all you need to submit are full-versions, like every other submission.

IMPORTANT: If you had any vocalist(s) or session musician(s) (other than yourself) perform on your Instrumentals, please be sure to have work-for-hire agreements on-hand if contacted by the Company. Instrumentals with publishing/writing splits for singers or musicians will not work for this Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023AR

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Lots of TOP 40-Style COUNTRY INSTRUMENTALS (in a wide stylistic range) are needed for ADVERTISING by a very busy Music Library with a great track record of placements in Films and TV shows!

This Library is looking for a Wide Range of Mid-to-Up-tempo Instrumentals that are in the general stylistic ballpark of the following references:

"Grease" by Lainey Wilson

"Overdrive" by Thomas Rhett

"Back Then Right Now" by Tyler Hubbard

Although the references have vocals, please submit Instrumentals ONLY.

NOTE: The CEO of the Company let us know that they would love to hear some current Top 40-style instrumentals, but are also open to Instrumentals in the style of older Top-40 Country - going all the way back to the styles of the '90s!

Please submit a wide range of well-crafted Country Instrumentals with a great energy and an infectious sound that could work well for advertising spots! Your submissions should have engaging grooves, quality productions, excellent musicianship, catchy motifs, and dynamic arrangements with plenty of forward motion and interest. Instrumentation should fall in the general stylistic ballpark of the references and other Top-40 Country Songs. Live instrumentation is encouraged, but if you choose to use virtual instruments or samples, please ensure they are high-quality, realistic, and genre-appropriate.

All submissions should be about 1.5 to 2 minutes long, give or take. Non-faded, button/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do not submit any material with unauthorized samples of other artists’ Songs, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: If you had any session musician(s) (other than yourself) perform on your tracks, please be sure to have any applicable paperwork and/or work-for-hire agreements on-hand if contacted by the Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers a Non-Exclusive 3-year deal. You’ll split any applicable sync fees 50/50 with the company. You’ll keep 100% of the Writer’s share and the Library will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024UN

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Tons of INSTRUMENTAL COVERS of NATIONAL ANTHEMS are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

This Company is searching for Instrumentals that are in the general stylistic ballpark of the following examples:

"The National Anthem of The Commonwealth of Australia" performed by AnthemKing

"O Canada" performed by L'Orchestra Cinématique

"The Star Spangled Banner (Metal Version)" by Deon Van Heerden

National Anthem of Japan 君が代

This Company is looking for national anthems from the following countries: Canada, Japan, Turkey, Australia, New Zealand, the United States, Austria, Belgium, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom.

NOTE: They are mainly looking for TRADITIONAL arrangements, but are open to NON-TRADITIONAL arrangements as well.

Please submit well-performed Instrumental Covers of National Anthems from the countries listed above! Your submissions should include solid production and easily recognizable melodies that stay true to the original. Instrumentation may vary based on which direction you go, but please remember that this Company is mainly looking for Traditional arrangements. Should you choose to take a Non-Traditional approach, your composition must still honor the essence of the original while conveying a strong sense of patriotism and authenticity for the respective country. Please make sure that any virtual instruments or samples you use are high-quality and very realistic if they are organic-based.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

Tracks need to have non-faded, buttoned/stinger endings. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027MN

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Lots of ROCK/ORCHESTRAL HYBRID INSTRUMENTAL CUES are needed by a very successful Music Library with a GREAT track record of placements in Film, TV, and TV Commercials!

NOTE: We previously ran this request as TAXI Listing # D241009BC, but the Library wants to hear even MORE material. If you submitted to listing # D241009BC, please send different material this time around.

This Library is on the hunt for Mid-to-Up-Tempo Instrumental Cues that could be found on a playlist with the following references:

"Racing" by Infraction

"Chasing Fire" by Cold Cinema

"Battle Rock" by AG Music

QUOTING THE COMPANY's CEO: "We're looking for Rock Orchestral Hybrid tracks that build and soar. We are not looking for anything super dramatic or with too much tension."

TAXI Tip: This Client is NOT looking for trailer-style tracks or anything that sounds so Epic/Dramatic that it steals the attention away from a scene. Nailing the right balance of energy and excitement without making the track TOO dynamic or attention grabbing will go a long way in getting this Library interested in your tracks!

Please submit well-crafted Instrumental Cues with lots of energy and a great blend of Rock and Orchestral instrumentation! This Company is looking for arrangements with a consistent build and "soaring" sound throughout. Your submissions should include energetic motifs, cinematic rhythms, excellent musicianship, great compositions, and lots of excitement and growing interest. A blend of Orchestral and Rock instrumentation in the general stylistic ballpark of the references will work best, such as cinematic strings, electric guitar, cinematic drums, etc. Please be sure any virtual instruments you use are high quality, realistic-sounding, and very modern.

All submissions should be roughly 1.5 to 3 minutes in length (give or take). Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced material in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask!  Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, October 28th, 2024. TAXI # S241028HC

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AMBIENT MIDDLE-EASTERN INSTRUMENTALS are needed by a top-notch International Music Licensing Company with a GREAT track record of placements!

NOTE: This Company is NEW to requesting music from TAXI, so this is a great opportunity to create a new relationship for you and your music with a company that gets AWESOME placements with MAJOR brands.

This Library is searching for Instrumentals that could be heard on a playlist with the following references:

"Islamic Background Music" by No Copyright Music

"Calm Humming Islamic Nasheed" by Al Nur

"Islamic Emotional Background Music Copyright Free" by No Copyright Music

VERY IMPORTANT NOTE: This Company is specifically hunting for instrumental tracks featuring ambient, non-lyrical vocalizations and vocal improvisations, similar to the reference tracks. However, please do NOT include any religious chants or lyrics.

Please submit original Instrumentals with a subdued, ambient energy, and ethereal vocalizations with an authentic Middle-Eastern sound! Your submissions should have culturally rich motifs, minimal-to-no rhythm, and free-flowing arrangements with gradual forward motion. Instrumentation should fall in the general stylistic ballpark of the references (think ambient synths, Duduk, Oud, Qanun, Ney, etc.). Please ensure that any virtual sounds or samples you use are high-quality and genre-appropriate. Original compositions only, please!

This Client let us know that they would LOVE to work with artists/composers with ties to the region. That said, it's not a requirement - as long as you have some great tracks with an authentic sound, they still want to hear what you’ve got!

All submissions should be around 1.5 to 3 minutes in length, give or take. Natural sounding, buttoned endings will work best. (No long fadeouts, please.) Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

NOTE: This client will need alternate mixes and STEMs, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE FULL VERSIONS. Please have the alternative versions on-hand and ready to send at a moment's notice if the client contacts you. If the company DOES contact you, they will ask that your alternate mixes and STEMs are delivered to them as 24 bit, 48kHz, 2-channel stereo WAV files with Integrated Loudness Exactly -16 LUFS, and Absolute True Peak no louder than -2 dBTP. But again, for your initial submissions to TAXI, all you need to submit are full-versions, like every other submission.

IMPORTANT: If you had any vocalist(s) or session musician(s) (other than yourself) perform on your Instrumentals, please be sure to have work-for-hire agreements on-hand if contacted by the Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, October 28th, 2024. TAXI # S241028MC

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Lots of SUBTLE TENSION INSTRUMENTAL CUES are needed by a great Music Library with International Distribution and lots of success in Film and TV placements.

This Library is searching for Mid-Tempo Instrumentals that could be found on a playlist with the following references:

"The Chase" by Soundridemusic

"Suspenseful Tension Music" by RealTunesStudio

"Subtle Tension Music for Background" by FesliyanStudios

Please submit well-crafted Instrumental Cues with subtle, tension-filled melodies, forward-moving arrangements, and minimal compositions that leave plenty of sonic space for dialogue. This Company is specifically looking for tracks with a more sparse approach overall, so nothing too over the top or bombastic will work here. Your submissions should include uneasy motifs, minimalistic rhythms/pulses, and solid arrangements with gradual building interest. Instrumentation in the general stylistic ballpark of the references will work best. Please be sure any virtual instruments you use are high quality and very modern.

All submissions should be about 1.5 to 2.5 minutes long (give or take) with non-faded, buttoned/stinger endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031SU

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Lots of MODERN POP INSTRUMENTALS are needed by a Grammy-nominated Producer working with a new Publishing Company. They are currently looking for fresh, new tracks for some very well-known K-POP Groups!

This Producer is searching for Instrumentals in the general wheelhouse of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Sweet Melody" by Little Mix

"me, my girls & i" by Boys World

"So Special" by Citizen Queen

"Check" by FLO

Although the references have Vocals, please submit Instrumentals Only for this request.

Please submit well-crafted Pop Instrumentals with danceable grooves, loads of energy, exciting production, and tons of mainstream appeal! Your submissions should have strong dynamics, plenty of sonic space for vocals, and distinct sections that could easily inspire ideas for Top-Liners to write to! Instrumentation that's generally similar to the style of the references will work best for this request. Please be sure your production and any virtual instruments or samples you use are high-quality and cutting-edge. If you have tracks that are on the forefront of Pop, this Producer wants to hear them!

TAXI TIP: When writing Instrumentals for top-lining opportunities, be sure to create tracks with dynamic shifts and a clear, Song-like structure. Avoid monotony by varying the energy and rhythm throughout, and keep the arrangement interesting and engaging!

Do NOT copy the referenced acts or songs in any way, shape, or form. Use them only as a guide for tone, texture, and overall vibe.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

IMPORTANT NOTE: This Producer has specifically asked that you only send unreleased Instrumentals that aren't already commercially available. If you've already released them on Spotify, Apple Music, etc., or if they’re already published or administered by CD Baby Pro, Tune Core, etc., please do not submit them.

Please submit as many Instrumentals as you’d like, online or per CD. Time permitting, the Producer will screen some or all of the submissions. Your submissions must be received no later than Friday, November 1st, 2024. TAXI # S241101PM

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MODERN POP INSTRUMENTALS are needed by an A&R Executive working closely with the CEO of a Major Label for co-writing and collaboration opportunities.

This Company is on the hunt for Instrumentals in the general stylistic ballpark of the references, which we got directly from our client:

"Don't Start Now" by Dua Lipa

"STAY" by The Kid LAROI & Justin Bieber

"Sunflower" by Post Malone & Swae Lee

Although the references have vocals, please submit INSTRUMENTALS only.

QUOTING THE EXECUTIVE: "We're looking for polished Instrumentals from Pop Producers that demonstrate their ability to craft infectious beats, use innovative sounds, and create hit-worthy productions that resonate with today’s Pop audiences."

Please submit Pop Instrumentals that showcase your production skills and demonstrate your talent for creating fresh, inspiring tracks that tee up a grand slam hit for a topliner! Exciting production, engaging rhythms, solid arrangements, and memorable motifs are all needed for this request. Modern Pop instrumentation in the general stylistic ballpark of the references and other current/mainstream Pop Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality and modern.

TAXI TIP: When writing Instrumentals for top-lining opportunities, be sure to create tracks with dynamic shifts and a clear, Song-like structure. Avoid monotony by varying the energy and rhythm throughout, and keep the arrangement interesting and engaging!

IMPORTANT: This A&R Exec really wants to see links to your Social Media to help him get the Record Label's CEO excited about you. Even if you don't have millions of followers, please provide the links in your bio, as well as anything else you're doing, like streaming success, or anything that shows you're actively working on your career. While big numbers can be impressive, so can showing that you're hustling to build your career.

TAXI Tip: We recommend submitting 2-3 Instrumentals per submission so they can see if you’ve got depth in your material.

All submissions should be around 2 to 4 minutes in length, give or take. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe.   Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

Please submit as many Instrumentals as you'd like, online or per CD, and please include photos and a bio. Time permitting, the A&R Executive (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 3rd, 2024. TAXI # S241103DD

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MODERN INSTRUMENTAL JAZZ ARTISTS or BANDS (in a wide range of styles) are needed by a U.K.-based Record Label. They're on the prowl for some exciting acts to sign, and we'd love for you to be one of them!!

NOTEWORTHY: This Label signed a TAXI Member, and they found them through a listing just like this!!!

Take a listen to the references below to get an idea of what might get this amazing Record Label interested:

"Healthy Ground" by Léon Phal

"Continuum 2" by Nala Sinephro

"The Herald" by Ezra Collective

Please send in well-composed Jazz Instrumentals that showcase your one-of-a-kind sound and musical abilities! Your submissions should have stand-out musicianship and genre-appropriate arrangements with plenty of forward motion and interest. This Label is particularly interested in Jazz Artists and Bands that push the envelope with a cutting-edge sound and overall contemporary approach. Jazz instrumentation that's in the general stylistic ballpark of the references will work best. Live instrumentation is strongly recommended, but if you choose to use virtual instruments or samples, please make sure they are high-quality and not dated-sounding.

TAXI Tip: We know that Jazz is a pretty wide-ranging genre. This Company is definitely looking for cool, unique Artists to sign, but your submissions shouldn't be so "out there" and/or "abstract" that they have zero commercial appeal.

NOTE: This Label is interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Instrumentals to back it up, they still want to hear you!

We recommend that you submit at least THREE TRACKS per submission so they can see if you’ve got depth in your material.

Your productions and recording quality need to be clean, clear, well-balanced, and good enough to represent your Tracks well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

Please submit as many Instrumentals as you'd like, online or per CD, and please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 4th, 2024. TAXI # S241104ZZ

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AGGRESSIVE TRAP/HIP-HOP INSTRUMENTALS are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Instrumentals that could be heard on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Hustle and Grind Grooves" by Future Sound

"Fireman" by Benjamin Carter

"Purple Lamborghini" by Murdbrain & Milano The Don

Although the references have vocals, please submit INSTRUMENTALS only.

QUOTING THE FILM'S PRODUCER: "We need intense Trap with a hard and heavy beat. Think toxic, intense house party involving drugs, sex, and danger."

Please submit well-crafted Trap/Hip-Hop Instrumentals with a seriously aggressive sound, lots of intensity, and powerful beats! Your submissions should have mean-sounding motifs, great production quality, ground-rattling bass, and solid arrangements with plenty of dynamics, forward movement, and interest throughout. Instrumentation in the general stylistic wheelhouse of the reference will work best. Please be sure any virtual instruments or samples you use are high-quality and not dated-sounding.

Per the Producer, your submissions need to be at least 3 minutes in length. They can go longer, but please keep it a reasonable length. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Please do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film placements.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

NOTE: The sync fees we were quoted were up to $2,000. However, our experience tells us that number could be lower (in the $650 to $1,000 range). It could go higher – we’re just being cautious and conservative.

This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 5th, 2024. TAXI # S241105GN

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Lots of DARK PHONK INSTRUMENTALS are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

This Company is searching for Instrumentals that are in the general stylistic ballpark of the following examples, which they sent us:

"ENOUGH!" by Eternxlkz

"SIMPLE" by NUEKI x TOLCHONOV

"Why Not" by Ghostface Playa

Quoting the VP of the Company: "We are looking for modern Phonk tracks with a dark, hypnotic, and lo-fi-ish sound and powerful basslines."

IMPORTANT: We know that there are a few distinct sounds and influences that have been associated with the term "Phonk" over the years, but this current listing is for the darker, more current form of Phonk. Please do NOT send any 90's-influenced Hip-Hop for this opportunity. If you'd like to learn more about the history of Phonk, you can read about it here.

Please submit original Phonk Instrumentals with a dark, aggressive energy, hypnotic beats, and powerful basslines! Your submissions should include brooding motifs, edgy melodies, hard-hitting rhythms, and dynamic arrangements with plenty of forward motion and interest. Instrumentation and productions in the general stylistic ballpark of the references will work best. Please make sure that any virtual instruments or samples you use are genre-appropriate.

NOTE: This company has informed us that they are open to tracks featuring vocal effects and samples, but it’s not a requirement! If you do use vocal samples, please ensure they are cleared for commercial use and are not sourced from copyrighted material.

TAXI Tip: Nailing the production style for this particular genre will help you get that crunchy, "lo-fi-ish" sound the Client is looking for. Be sure to use reference tracks throughout your production process to ensure you are hitting the mark!

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

Your submissions should be between 2 and 4 minutes long, give or take. Tracks need to have non-faded, buttoned/stinger endings. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master and Copyright to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Thursday, November 7th, 2024. TAXI # S241107PH

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Lots of PIANO-Driven, JAPANESE-Flavored EDM INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

NOTEWORTHY: This company has landed over 300 International placements in the past 6 months, with one TAXI member earning $8k in royalty payments from his Songs during that period.

This Library is looking for several Up-Tempo Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"echoes feat.H ZETT M" by STAR GUiTAR

"Breakthrough The Sky" by PAX JAPONICA GROOVE

"way to go" by Wonder World

Please submit well-crafted Japanese-flavored EDM Instrumentals (and/or Cues) with a piano-driven sound and lots of over-the-top energy! Your submissions should have fun melodies, fast-paced rhythms, and jazz-influenced compositions (think non-diatonic changes, modal melodies, etc). They should also have excellent musicianship, solid, forward-moving arrangements, and lots of fun, light-hearted energy! Instrumentation should feature piano, but beyond that, it just needs to stay in the general stylistic ballpark of the references. Please be sure that all virtual instruments or samples you use are high-quality and not dated-sounding. Aim for a vibrant, modern sound that captures the essence of the references (without copying them) and feels fresh and exciting!

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108PD

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VINTAGE MAMBO INSTRUMENTALS recorded before 1990 are needed by an A-List Music Publisher for Film and TV sync licensing. This company has a "zillion" great placements. Many of those are for TAXI members.

IMPORTANT NOTE: This company pays creators an upfront fee! See below.

This awesome publisher is looking for Songs that are in the general stylistic ballpark of the following references:

"Mambo Manila" by Tito Rodríguez And His Orchestra

"MAMBO INN" by Johnny Pacheco

"Qué Rico Mambo" by Pérez Prado

NOTE: Some light vocals or vocal chants (similar to the last reference) are ok here, but please do not submit full vocal Songs for this opportunity.

Broadcast Quality should be era-appropriate. You can submit old masters — or even well-recorded/produced demos — for this request.

Please submit original Mambo Instrumentals recorded before the year 1990 (give or take a year or two) with an exciting, culturally rich sound and lots of danceable energy! This Publisher is also open to similar vintage Cuban Instrumentals that may not technically be Mambo, but have a similar sound and vibe. Syncopated rhythms, excellent musicianship, solid arrangements, and great compositions are all needed. Traditional Cuban instrumentation in the general ballpark of the references will probably work best, such as brass, bass, congas, bongos, timbales, etc. Original Compositions only, please!

Please make sure your tracks were actually recorded before 1990 (give or take a couple of years), otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

The Company pays you upfront for the Master Rights and the Publisher’s share of the Copyright. You keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization. This Company often averages several placements per week, and many of those are TAXI members who’ve been signed with them because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 to $15,000 (or more!). Deal sizes and buyout amounts vary depending on the quantity and quality of the Songs signed.

Your name needs to be on the Copyright. Your Instrumentals need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111ZE

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Jazz

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MODERN JAZZ ARTISTS or BANDS with Male or Female Vocals are needed by a U.K.-based Record Label. They're currently looking for some exciting acts to sign, and we'd love for you to be one of them!!

Take a listen to the references below to get an idea of what might get this awesome Record Label interested:

"From The Start" by Laufey

"Wave" by Matt Dusk

"Weak" by Gretchen Parlato

"I Know You Know" by Esperanza Spalding

Please submit modern Jazz Songs with a unique sound and style that could be heard on a playlist with the references! Your submissions should have smooth melodies, engaging rhythms, excellent musicianship, and well-crafted lyrics. Jazz instrumentation that's in the general stylistic ballpark of the references will work best, such as keys, guitars, electric/upright bass, drums, etc. Please make sure your production and any virtual instruments or samples you use are high-quality and not dated-sounding. Expressive and well-performed Jazz vocals are needed!

This Label isn't looking for polished, perfect productions, as much as they're looking for super fresh, marketable Artists with great, chart-worthy Songs! Your productions and recording quality still need to be clean, clear, well-balanced, and good enough to represent your Songs well.

IMPORTANT: This Label is interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist and/or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend that you submit at least THREE SONGS per submission so they can see if you’ve got depth in your material.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, October 28th, 2024. TAXI # S241028VJ

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MODERN INSTRUMENTAL JAZZ ARTISTS or BANDS (in a wide range of styles) are needed by a U.K.-based Record Label. They're on the prowl for some exciting acts to sign, and we'd love for you to be one of them!!

NOTEWORTHY: This Label signed a TAXI Member, and they found them through a listing just like this!!!

Take a listen to the references below to get an idea of what might get this amazing Record Label interested:

"Healthy Ground" by Léon Phal

"Continuum 2" by Nala Sinephro

"The Herald" by Ezra Collective

Please send in well-composed Jazz Instrumentals that showcase your one-of-a-kind sound and musical abilities! Your submissions should have stand-out musicianship and genre-appropriate arrangements with plenty of forward motion and interest. This Label is particularly interested in Jazz Artists and Bands that push the envelope with a cutting-edge sound and overall contemporary approach. Jazz instrumentation that's in the general stylistic ballpark of the references will work best. Live instrumentation is strongly recommended, but if you choose to use virtual instruments or samples, please make sure they are high-quality and not dated-sounding.

TAXI Tip: We know that Jazz is a pretty wide-ranging genre. This Company is definitely looking for cool, unique Artists to sign, but your submissions shouldn't be so "out there" and/or "abstract" that they have zero commercial appeal.

NOTE: This Label is interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Instrumentals to back it up, they still want to hear you!

We recommend that you submit at least THREE TRACKS per submission so they can see if you’ve got depth in your material.

Your productions and recording quality need to be clean, clear, well-balanced, and good enough to represent your Tracks well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

Please submit as many Instrumentals as you'd like, online or per CD, and please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 4th, 2024. TAXI # S241104ZZ

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Latin

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Lots of TRADITIONAL LATIN SONGS (in a wide range of styles) with Male or Female Vocals are needed by a successful boutique Music Publisher and Licensing Company that places Songs in Film, TV, Commercials, and Video Games!

IMPORTANT NOTE: Spanish lyrics only please!

This Library is on the hunt for a bunch of Songs in ALL TEMPOS that could be heard on a playlist with the following references:

"Por Tu Maldito Amor" by Vicente Fernández

"La Charreada" by Linda Ronstadt

"El Prisionero" by Laura León

NOTE: This Publisher is open to a wide range of Traditional Latin genres, such as Mariachi, Cumbia, Salsa, Bossa Nova, Merengue, Flamenco, Bolero, Ranchera, Tango, etc.

Please submit a wide range of Traditional Latin Songs with lots of authentic Latin flavor and well-written lyrics in Spanish! Your submissions should have engaging rhythms, catchy melodies, culturally rich motifs, and solid arrangements. Traditional Latin instrumentation in the general ballpark of the references and other similar tracks will work best. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed vocals in Spanish are needed!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, October 26th, 2024. TAXI # S241026SP

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Lots of MODERN LATIN SONGS (in a wide range of styles) with Male or Female Vocals are needed by a successful boutique Music Publisher and Licensing Company that places Songs in Film, TV, Commercials, and Video Games!

IMPORTANT NOTE: Spanish lyrics only please!

This Library is on the hunt for a bunch of Songs in ALL TEMPOS that could be heard on a playlist with the following references:

"Una Velita" by BAD BUNNY

"Si Antes Te Hubiera Conocido" by KAROL G

"Súbelo" by Anuel AA, Myke Towers & Jhay Cortez

NOTE: This Publisher is open to a wide range of MODERN Latin genres, such as Latin Pop, Reggaeton, Hip-Hop, etc.

Please submit a wide range of Latin Songs with a contemporary sound and lots of Latin flavor! Your submissions should have engaging rhythms, modern production, catchy melodies, culturally rich motifs, solid arrangements, and well-written lyrics in Spanish. Modern Latin instrumentation in the general ballpark of the references and other similar tracks will work best. Please make sure that any virtual instruments or samples you use are high-quality and current-sounding. Well-performed vocals (Male or Female) with a fresh, contemporary sound are needed!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 29th, 2024. TAXI # S241029SH

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VINTAGE MAMBO SONGS recorded before 1990 with Male or Female vocals are needed by an A-List Music Publisher for Film and TV sync licensing. This company has a "zillion" great placements. Many of those are for TAXI members.

IMPORTANT NOTE: This company pays creators an upfront fee! See below.

This awesome publisher is looking for Songs that are in the general stylistic ballpark of the following references:

"Mambo Jambo" by Pérez Prado

"Mambo Con Puente" by Tito Puente

"Sentimental Mambo" by Machito & His Afro Cubans

Broadcast Quality should be era-appropriate. You can submit old masters — or even well-recorded/produced demos — for this request.

Please submit original Mambo Songs recorded before the year 1990 (give or take a year or two) with an fun, celebratory sound and loads of danceable energy! This Publisher is also open to similar vintage Cuban Songs that may not technically be Mambo, but have a similar sound and vibe. Authentic melodies, Mambo-inspired rhythms, excellent musicianship, solid arrangements, and well-crafted lyrics are all needed for this opportunity. Traditional instrumentation in the general ballpark of the references will probably work best, such as brass, bass, congas, bongos, timbales, etc. Expressive and well-performed vocals (Male or Female) are needed as well! Original Songs only, please!

NOTE: We think this Company would be open to hearing tracks with lyrics in ENGLISH or SPANISH. Please just ensure that your submissions have an authentic sound and style.

Please make sure your Songs were actually recorded before 1990 (give or take a couple of years), otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using AI, nor does it accept backing tracks, full instrumental tracks, or lead/backing  vocal performances created with AI.

The Company pays you upfront for the Master Rights and the Publisher’s share of the Copyright. You keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization. This Company often averages several placements per week, and many of those are TAXI members who’ve been signed with them because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 to $15,000 (or more!). Deal sizes and buyout amounts vary depending on the quantity and quality of the Songs signed.

Your name needs to be on the Copyright. Your Songs need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108BO

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VINTAGE MAMBO INSTRUMENTALS recorded before 1990 are needed by an A-List Music Publisher for Film and TV sync licensing. This company has a "zillion" great placements. Many of those are for TAXI members.

IMPORTANT NOTE: This company pays creators an upfront fee! See below.

This awesome publisher is looking for Songs that are in the general stylistic ballpark of the following references:

"Mambo Manila" by Tito Rodríguez And His Orchestra

"MAMBO INN" by Johnny Pacheco

"Qué Rico Mambo" by Pérez Prado

NOTE: Some light vocals or vocal chants (similar to the last reference) are ok here, but please do not submit full vocal Songs for this opportunity.

Broadcast Quality should be era-appropriate. You can submit old masters — or even well-recorded/produced demos — for this request.

Please submit original Mambo Instrumentals recorded before the year 1990 (give or take a year or two) with an exciting, culturally rich sound and lots of danceable energy! This Publisher is also open to similar vintage Cuban Instrumentals that may not technically be Mambo, but have a similar sound and vibe. Syncopated rhythms, excellent musicianship, solid arrangements, and great compositions are all needed. Traditional Cuban instrumentation in the general ballpark of the references will probably work best, such as brass, bass, congas, bongos, timbales, etc. Original Compositions only, please!

Please make sure your tracks were actually recorded before 1990 (give or take a couple of years), otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

The Company pays you upfront for the Master Rights and the Publisher’s share of the Copyright. You keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization. This Company often averages several placements per week, and many of those are TAXI members who’ve been signed with them because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 to $15,000 (or more!). Deal sizes and buyout amounts vary depending on the quantity and quality of the Songs signed.

Your name needs to be on the Copyright. Your Instrumentals need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111ZE

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CLASSIC POP/R&B SONGS with MALE vocals are needed by an International Label for a very well-known K-POP Superstar who is on the hunt for his next hit Song!

NOTE: This Label is VERY NEW to requesting music from TAXI's members! This is a stellar opportunity to create a new industry relationship and outlet for your music!

This Label is looking for Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following examples that we got directly from them:

"Like I Love You" by Justin Timberlake

"Carry Out" by Timbaland

"4 Minutes" by Madonna

Quoting the Label: "We are looking for Songs that embody a modern reinterpretation of early to mid-2000s type R&B Dance/Pop. (think The Neptunes, Timbaland, etc.) They need to have a modern sophistication to them. A Sing-along topline section in the chorus is needed as well. The topline should feel like it's bordering pop, while still reflecting the influence of R&B. Please avoid macho or intense urban music style toplines in the style of Nelly, B2K or Destiny's Child."

Please submit Pop/R&B Songs that bring a modern spin to the iconic Pop/R&B sounds of the early 2000s! Engaging rhythms, sing-a-long choruses, memorable melodies, dynamic arrangements, and well-crafted lyrics in English are all needed here. Instrumentation in the general stylistic ballpark of the references and others like them will work best. Please make sure that any virtual instruments or samples you use are high-quality and very modern. Well-performed and expressive Male vocals with smooth deliveries will go a long way. Your Songs should capture the essence of early 2000s Pop/R&B but with a fresh, exciting, and modern twist!

IMPORTANT: This Label CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022TT

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GET YOUR SONG REVIEWED DURING ROBIN FREDERICK’S TAXI ROAD RALLY (conference) 2024 LIVE PRESENTATION.

The amazing Ms. Frederick needs a few Songs (from TAXI members) in the POP and SINGER/SONGWRITER genres that she can choose from to use during her live presentation in the Grand Ballroom. Robin will personally listen to all submissions to select the ones she will play and comment on. Due to the unusual nature of this listing, the feedback will be different than normal TAXI feedback.

Robin needs Pop and/or Singer/Songwriter songs that are based on YOUR AUTHENTIC STORY, and your submissions must have lyric sheets. Repeating: Robin needs your lyric sheet with your submission. Take note:

Here’s the panel description…

“TURN YOUR AUTHENTIC STORY INTO HIT SONGS” --- What do Adele, John Legend, Taylor Swift, Sting, and Jason Isbell have in common? They all write from life experience and turn that experience into hit songs. Join Robin Frederick, author of the best-selling books Shortcuts to Hit Songwriting and Shortcuts to Songwriting for Film & TV, to find out how you can mine your authentic life story for some chart-worthy gold.

Music played and critiqued during the second half-hour of this class will be from a playlist generated from a panel-specific TAXI Listing that ran prior to the Rally. Robin will listen to all submissions and choose several to include during the hour.

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom to win.

IMPORTANT: You will only get critiques telling you if your submissions were forwarded or not. You won’t get the normal suggestions from our A&R staff. Robin will personally choose which Songs she’d like to work with during her presentation. If you’re going to the Road Rally, make sure to attend the presentation!

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom during the presentation to win.

It’s okay to submit to this Listing if you can’t make it to the Rally, but you will miss out on any feedback or critiques that Robin may have for you!

AI ALERT: Robin will not be accepting or using music that has been lyrically or melodically composed using generative AI.

Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023FD

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Lots of EMOTIONALLY UPBEAT POP SONGS (in a wide range of styles) with Male or Female Vocals are needed by an EXCLUSIVE Music Licensing Company with tons of great placements in Film, TV, and other Media.

This Company is on the hunt for Mid-to-Up-Tempo Songs that could be found on a playlist with these examples that we got directly from the client:

"Better When I'm Dancin'" by Meghan Trainor

"I Will Survive" by Gloria Gaynor

NOTE: Although one of the references is dated, this Company is looking for current-sounding Pop Songs! Use the references to get yourself in the general ballpark of the sound and vibe they are looking for, but make sure your submissions are up to date with current trends and production techniques.

Please submit a wide range of original Pop Songs with a modern sound, loads of mainstream appeal, and an emotionally upbeat sound and vibe! Your submissions should have catchy hooks, celebratory motifs, unforgettable melodies, modern production, engaging rhythms, solid arrangements, and well-crafted lyrics with an inspirational tone. Instrumentation that's in the general stylistic wheelhouse of the references and other similar tracks will work best, but don't feel too confined by the references! Please make sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Compelling and well-performed vocals with lots of mainstream appeal will go a long way!

Lyrics that avoid using specific names, dates, times, places, brands, and profanity could be easier to place. Do NOT copy the referenced acts or songs in any way, shape, or form. Use them only as a guide for tempo, tone, and vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This company offers an EXCLUSIVE deal, and has a strong preference for signing material from songwriters who have worked for libraries and licensing companies in the past, and understand how standard deals work. You'll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher's share, and you'll get 100% of the Writer's share. You must own or control your Master and Copyright. Since this is an Exclusive deal, please be sure your material is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023CE

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HYBRID HIP-HOP/ROCK ARTISTS (Male or Female) are needed by an A&R Executive working closely with the CEO of a Major Label.

This Company is on the hunt for Songs in the general stylistic ballpark of the references, which we got directly from our client:

"In The End" by Linkin Park

"Last Resort" by Papa Roach

"Faint" by Linkin Park

NOTE: Although the references are a bit dated, this Publisher is looking for current-sounding material! Use the references to get yourself in the general ballpark of the sound and vibe they are looking for, but make sure your submissions are up to date with current trends and writing techniques.

QUOTING THE EXECUTIVE: "We're looking for Hybrid Rap/Rock Artists with innovative styles and unique vocal deliveries."

Please submit Hybrid Hip-Hop/Rock Songs that push genre boundaries and feature vocal deliveries that showcase your unique sound and style! Unforgettable choruses, intense rhythms, ear-worm melodies, excellent lyrical flows, solid arrangements, and well-written lyrics are all needed for this request. Modern Hip-Hop and/or Rock instrumentation could potentially work here. Please make sure that any virtual instruments or samples you use are high-quality and modern. Confident Male or Female vocals with expressive deliveries will go a long way! If you've got the writing ability and vocal chops to blend Rock and Rap in a cool, unique way, this Executive wants to hear you!

IMPORTANT:  This A&R Exec really wants to see links to your Social Media to help him get the Record Label's CEO excited about you. Even if you don't have millions of followers, please provide the links in your bio, as well as anything else you're doing, like touring, streaming success, or anything that shows you're actively working on your career. While big numbers can be impressive, so can showing that you're hustling to build your career. Labels love to see that!

TAXI Tip: We recommend submitting 2-3 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024HY

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TAXI ROAD RALLY 2024 – MODERN SINGER-SONGWRITER/POP SONGS with Male or Female Vocals are needed for a Direct-to-Music Supervisor Placement in an Indie Feature Film.

This is part of a live music selection session in the Grand Ballroom at this year's TAXI Road Rally conference!

EXCITING NOTE: Some of these submissions will get used by the music supervisor in a live, Grand Ballroom, Main-Stage presentation at the TAXI Road Rally conference where the supervisor will play them with video from the actual scene, and discuss what works and what might not be a good fit.

The Music Supervisor is on the hunt for Mid-Tempo Songs in the general stylistic wheelhouse of the following references that he gave us:

"Magic" by Colbie Caillat

"This Town" by Niall Horan

"Best Part Of Me" by Ed Sheeran ft. YEBBA

"True Blue" by boygenius

Quoting the Music Supervisor:  "The scene is a quiet home family visit with son/wife and father, finally taking the time to have a pleasant evening together around the dinner table. Music would play quietly in the background, from a home stereo. We're looking for Songs on the acoustic/light side with mid-tempo, or moving ballads. It can't be distracting sonically.”

Please submit well-crafted Singer-Songwriter/Pop Songs with organic instrumentation and a relaxed, pleasant sound and vibe. Your submissions should have catchy melodies, engaging rhythms, well-crafted lyrics, and expressive, well-performed vocals with a lighter touch. Full productions or more stripped-down approaches could both potentially work, as long as the overall sound and vibe is on the lighter side and maintains a warm, inviting feel. Instrumentation in the general stylistic ballpark of the references will suit your submissions best, such as acoustic guitar, keys, drums, bass, etc. Please ensure that any virtual instruments or samples you use are high-quality, modern, and very realistic sounding.

Lyrics that don’t have references to specific names, dates, times, brands, places, and profanity could  make your Songs more usable for this placement. Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone.  Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

ADDITIONAL OPPORTUNITIES for Submissions: The Supervisor mentioned that in addition to finding the right track for the current project, he’ll also be considering music for similar future projects. So even if your track isn’t selected this film, he will add appropriate songs to his personal stash for possible inclusion in other upcoming projects that need similar songs!

AI ALERT: This Supervisor does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does he accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This will be a Non-Exclusive, Direct-to-Music Supervisor placement, so you’ll get 100% of the Sync Fee (if applicable), keep 100% of your Publishing and Master ownership, get 100% of any applicable performance royalties, and also be included in the film’s credits. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024AC

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Lots of FUN HIP-HOP/POP SONGS (in a wide range of styles) about "MAKING IT" with MALE vocals are needed by an Industry-Leading Publishing Company for a blockbuster Super Hero movie trailer!

This Client is on the hunt for Songs in the general stylistic wheelhouse of the following examples:

"Good Morning" by Max Frost

"Hey Look Ma, I Made It" by Panic! At The Disco

"Good Day" by Nappy Roots

Quoting the Client: "We are looking for both Pop and Hip-Hop Songs with lyrics that play off the Hollywood aspect, such as "making it", "living the dream", "hitting the big time", etc. Lyrics that use the word “Wonder” are great too. The tone and style of the track need to be fun and emotionally upbeat. They need to have a contemporary sound and production, and have lots of energy."

This Client let us know that LYRICAL THEMES similar to the following reference could work as well:

"Ain't This A Wonderful Day?" by Anita O'Day

IMPORTANT: The reference above is meant to help with lyrical themes only. Please DO NOT send in Jazz Songs for this opportunity!

Please submit a wide range of Hip-Hop and/or Pop Songs with a celebratory and fun vibe and lyrics that work with the themes mentioned above! Catchy hooks, memorable choruses, engaging rhythms, solid arrangements, excellent production, and well-crafted lyrics are all needed for this opportunity. Due to the wide-ranging nature of the request, instrumentation may vary depending on which direction you go, as long as it is consistent and competitive with other Songs in your chosen style or genre. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed Male vocals with expressive and dynamic deliveries are needed!

IMPORTANT: This Client CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Do NOT copy the referenced artists or Songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Publisher (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Friday, October 25th, 2024. TAXI # S241025MO

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TOP 40 DANCE/POP ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"Espresso" by Sabrina Carpenter

"exes" by Tate McRae

"Illusion" by Dua Lipa

"Guess" by Charli xcx ft. Billie Eilish

Please submit modern Dance/Pop Songs with a fresh, exciting energy and the type of captivating sound that you would hear on a Top 40 playlist! Super catchy melodies, unforgettable choruses, danceable grooves, modern pop production, and well-crafted lyrics are all needed for this opportunity. Modern Pop Instrumentation in the general stylistic ballpark of the references will work best. Please make sure your arrangements are dynamic, and any virtual instruments or samples you use are high-quality and not dated-sounding. Compelling and well-performed vocals (Male or Female) with lots of mainstream appeal are needed here. If you've got Dance/Pop tracks that can compete with today’s Top 40, this Label wants to hear them!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027FR

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Lots of INDIE FUNK SONGS with Male or Female vocals are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members.

CRITICAL NOTE: This Company is regularly working on high-profile opportunities with Sync Fees Paid to the creators. Some of them are in the 6 figure range!!!!

This company's CEO is looking for quite a few Mid-to-Up-Tempo Songs in the general stylistic ballpark of the examples below:

"Tieduprightnow" by Parcels

"Back Pocket" by VULFPECK

"Overnight" by Parcels

Please submit Indie Funk Songs with infectious grooves, playful basslines, and a modern yet vintage-inspired vibe! Submissions should include elements such as tight drum grooves, funky guitar, infectious energy, dynamic rhythms, excellent musicianship, solid arrangements, and well-written lyrics. Instrumentation that stays in the general stylistic ballpark of the references (and others like them) will work best. Please ensure any virtual instruments or samples you use are high-quality, modern, and very realistic sounding! Well-performed vocals with a cool indie vibe are needed!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027PA

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Lots of MODERN POP SONGS with FEMALE Vocals are needed by a Grammy-nominated Producer working with a new Publishing Company that's looking for fresh, new tracks for some very well-known K-POP Groups!

This Producer is searching for Songs that could be found on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"No" by Little Mix

"Love On" by Selena Gomez

"DRUM GO DUM" by K/DA ft. Aluna, Wolftyla & Bekuh

"One Night" by Griff

NOTE: Lyrics for this request should be in ENGLISH.

Please submit modern Pop Songs with an exciting, high-energy sound that could be the next K-Pop hit! Your submissions should have super catchy melodies, unforgettable choruses, well-written lyrics, modern production, and tons of mainstream appeal! Modern Pop instrumentation in the general wheelhouse of the references will suit your submissions best. While this Producer is primarily going to be focused on the melodies and lyrics of your tracks, having great production can really help sell the entire song! Please ensure your production quality, including any virtual instruments or samples, is modern, high-quality, and competitive with the references. Confident, well-performed  female vocals are a must for this request, as well.

Your production and recording quality needs to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the referenced acts or songs in any way, shape, or form. Use them only as a guide for tone, texture, and overall vibe.

Please submit as many Songs as you’d like, online or per CD. Please include Lyrics. Time permitting, the Producer will screen some or all of the submissions. Your submissions must be received no later than 11:59 PM (PDT) on Monday, October 28th, 2024. TAXI # S241028FV

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MODERN, HIT-WORTHY POP SONGS with Male or Female vocals are needed by an A&R Executive working closely with the CEO of a Major Label for co-writing and collaboration opportunities.

This Company is on the hunt for Songs in the general stylistic ballpark of the references, which we got directly from our client:

"Don't Start Now" by Dua Lipa

"STAY" by The Kid LAROI & Justin Bieber

"Sunflower" by Post Malone & Swae Lee

QUOTING THE EXECUTIVE: "We're looking for polished, radio-ready Songs from Pop Producers that demonstrate their ability to craft infectious beats, use innovative sounds, and create hit-worthy productions that resonate with today’s Pop audiences."

Please submit Pop Songs that showcase your production abilities and highlight your talent for creating hit-worthy Songs! Unforgettable melodies, engaging rhythms, ear-worm hooks, solid arrangements, top-tier production, and well-written lyrics are all needed for this request. Modern Pop instrumentation in the general stylistic ballpark of the references and other current/mainstream Pop Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality and modern. Well-performed Male or Female vocals with expressive deliveries will go a long way!

NOTE: They're mainly interested in songwriters that can produce their own tracks. If you’re a producer with Pop Songs that show off your production skills - highlighting your knack for crafting high-quality, engaging tracks - this Executive wants to hear what you've got!

IMPORTANT: This A&R Exec really wants to see links to your Social Media to help him get the Record Label's CEO excited about you. Even if you don't have millions of followers, please provide the links in your bio, as well as anything else you're doing, like touring, streaming success, or anything that shows you're actively working on your career. While big numbers can be impressive, so can showing that you're hustling to build your career. Labels love to see that!

TAXI Tip: We recommend submitting 2-3 Songs per submission so they can see if you’ve got depth in your material.

Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 30th, 2024. TAXI # S241030HT

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Lots of MODERN DANCE/POP SONGS with Male or Female Vocals are needed by a prominent Media Company that provides curated in-store music to major Global Brands across various sectors.

This Company is on the hunt for Mid-to-Up Tempo Songs that could be heard on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"You Go Your Way" by Perrie

"Roots" by Calum Scott

"Make You Mine" by Madison Beer

Quoting the CEO of the Company: "These tracks should feel competitive with charting music, in both the composition and the production value."

Please submit Dance/Pop Songs with a modern sound and lots of danceable energy! Your submissions should have catchy melodies, unforgettable hooks, exciting rhythms, solid arrangements, and well-written lyrics. These tracks should have a radio-ready quality that is competitive with what’s currently in the Pop charts, featuring great dynamics and engaging motifs. Pop Instrumentation in the general stylistic wheelhouse of the references will work best for this opportunity. Please be sure that your production quality is great and that any virtual instruments or samples you use are high-quality and modern. Well-performed Male or Female vocals with a mainstream Pop sound are needed!

Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or lead vocal performances created with AI.

This company offers a NON-EXCLUSIVE deal. You’ll split any income from direct licensing deals 50/50 with the company, and you will keep 100% ownership of all rights. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PDT) on Thursday, October 31st, 2024. TAXI # S241031CA

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INDIE/BEDROOM POP ARTISTS or BANDS with Male or Female Vocals are needed by a U.K.-based Record Label that's looking for new acts to sign.

Please listen to the references below to get an idea of what might get this really cool Record Label interested:

"Set It On Fire" by Blood Cultures

"touch tank" by quinnie

"Midwest" by Vacations

Please submit Indie/Bedroom Pop Songs with a nostalgic, captivating sound that draws the listener in! Dreamy melodies, catchy hooks, inviting rhythms, solid arrangements, and well-crafted lyrics are all needed for this opportunity. Your Songs should convey a sense of authenticity and vulnerability while showcasing a warm, immersive soundscape that invites listeners to get lost in the atmosphere and emotion of the music. Instrumentation that's in the general wheelhouse of the reference tracks will work best, such as guitars, airy synths, bass, drums, etc. Please be sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Captivating vocal performances with a distinct Indie flair will go a long way in helping get this Label's attention!

This Label is looking for artists who could be the next big thing. They won't be looking as much for polished, perfect productions, as much as they're looking for super fresh, marketable Artists with great Songs! Your productions and recording quality still need to be clean, clear, well-balanced, and good enough to represent your Songs well.

IMPORTANT: This Label is primarily interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend that you submit at least THREE SONGS per submission, so they can see if you’ve got depth in your material.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, November 1st, 2024. TAXI # S241101BM

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MODERN POP INSTRUMENTALS are needed by an A&R Executive working closely with the CEO of a Major Label for co-writing and collaboration opportunities.

This Company is on the hunt for Instrumentals in the general stylistic ballpark of the references, which we got directly from our client:

"Don't Start Now" by Dua Lipa

"STAY" by The Kid LAROI & Justin Bieber

"Sunflower" by Post Malone & Swae Lee

Although the references have vocals, please submit INSTRUMENTALS only.

QUOTING THE EXECUTIVE: "We're looking for polished Instrumentals from Pop Producers that demonstrate their ability to craft infectious beats, use innovative sounds, and create hit-worthy productions that resonate with today’s Pop audiences."

Please submit Pop Instrumentals that showcase your production skills and demonstrate your talent for creating fresh, inspiring tracks that tee up a grand slam hit for a topliner! Exciting production, engaging rhythms, solid arrangements, and memorable motifs are all needed for this request. Modern Pop instrumentation in the general stylistic ballpark of the references and other current/mainstream Pop Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality and modern.

TAXI TIP: When writing Instrumentals for top-lining opportunities, be sure to create tracks with dynamic shifts and a clear, Song-like structure. Avoid monotony by varying the energy and rhythm throughout, and keep the arrangement interesting and engaging!

IMPORTANT: This A&R Exec really wants to see links to your Social Media to help him get the Record Label's CEO excited about you. Even if you don't have millions of followers, please provide the links in your bio, as well as anything else you're doing, like streaming success, or anything that shows you're actively working on your career. While big numbers can be impressive, so can showing that you're hustling to build your career.

TAXI Tip: We recommend submitting 2-3 Instrumentals per submission so they can see if you’ve got depth in your material.

All submissions should be around 2 to 4 minutes in length, give or take. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe.   Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

Please submit as many Instrumentals as you'd like, online or per CD, and please include photos and a bio. Time permitting, the A&R Executive (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 3rd, 2024. TAXI # S241103DD

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Lots of ANTHEMIC POP/HIP-HOP SONGS with Male or Female Vocals are needed for SPORTS PROGRAMMING by a high-end Music Licensing Company that gets tons of great placements and offers a very artist-friendly deal to the people they sign!

You’ll keep 100% of the Writer’s share and 50% of the Publisher's Share!

This Company is searching for a range of Mid-to-Up-Tempo Songs in the general wheelhouse of the following references:

"Black And Yellow" by Wiz Khalifa 

"Let's Get It Started" by The Black Eyed Peas

"Can't Hold Us" by Macklemore ft. Ray Dalton

Please submit original Pop/Hip-Hop Songs with anthemic energy, empowering lyrics, and a sound that could work well for Sports programming! Your submissions should have exciting motifs, powerful arrangements, hard-hitting beats/rhythms, energizing melodies, and well-written lyrics. Mainstream Pop/Hip-Hop instrumentation in the general stylistic wheelhouse of the references will work best for this request. Your productions and any virtual instruments or samples you use need to be high-quality and not dated sounding. Expressive and dynamic vocal deliveries with a mainstream sound are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers a 1-year EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 50% of the Publisher’s share, and you’ll keep 100% of the Writer’s share and 50% of the Publisher's Share - sweet deal!!!

You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. Time-permitting, someone from the Company (who has been trained as a TAXI Screener) may screen some or all of the submissions. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 6th, 2024. TAXI # S241106TH

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MODERN POP/DANCE SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "Teenage Dream" by Katy Perry, which is currently temped in:

"Teenage Dream" by Katy Perry 

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

Please submit well-crafted Pop Songs with driving beats, danceable energy, and a young, carefree sound and vibe. Powerful choruses, catchy hooks, emotionally captivating motifs, solid arrangements, and well-performed vocals with a mainstream sound are all needed for this request. Modern Pop instrumentation in the general stylistic wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality and modern. Your submissions should capture the vibrant, exhilarating energy of the reference while being sure not to copy or clone it!

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, November 9th, 2024. TAXI # S241109DR

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Lots of MODERN POP/EDM SONGS with Male or Female Vocals are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members. This Company is regularly working on high-profile opportunities, with Sync Fees Paid to the creators!

This company's CEO is looking for quite a few Songs in the general stylistic ballpark of the examples below, which they sent us:

"Never Going Home Tonight" by David Guetta & Alesso ft. Madison Love

"All My Life" by Purple Disco Machine & The Magician

"Never Walk Alone" by BLOND:ISH & Stevie Appleton

Please submit modern Pop/EDM Songs with infectious grooves, super catchy hooks, and a sound and style that could be heard on a playlist with the references! Your submissions should have energetic rhythms, exciting motifs, slick production techniques, solid arrangements, unforgettable melodies, and well-written lyrics. Tracks with Pop and EDM instrumentation in the general stylistic ballpark of the references (and others like them) will work best. Please ensure any virtual instruments or samples are high-quality, modern, and genre-appropriate. Well-performed vocals with a mainstream Pop sound will go a long way here! Per the CEO, the production value for these tracks needs to be top-notch as well!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, November 9th, 2024. TAXI # S241109JJ

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CAPTIVATING ALT-INDIE SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "Summertime Sadness" by Lana Del Rey, which is currently temped in:

"Summertime Sadness" by Lana Del Rey

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

Please submit modern Alt-Indie Songs with hauntingly beautiful melodies, nostalgic lyrical themes, bittersweet emotions, and lush, cinematic soundscapes. Captivating choruses, engaging rhythms, dreamy motifs, solid arrangements, and expressive, well-performed vocals are all needed. Your submissions should capture the essence of longing and reflection, evoking deep emotional responses from the listener. Instrumentation in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality, very realistic, and modern.

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 10th, 2024. TAXI # S241110MM

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'50s-Style DOO-WOP/ROCK & ROLL SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "A Teenager In Love" by Dion & The Belmonts, which is currently temped in:

"A Teenager In Love" by Dion & The Belmonts

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

IMPORTANT: While this Company would love to hear material that was ACTUALLY RECORDED in the 1950s (or early 1960s), they are open to recordings from any era, as long as they capture the sound, feel, and vibe of the reference. If you're submitting recently recorded material, it needs to be virtually indistinguishable from authentic, vintage recordings!

Please submit well-crafted Doo-Wop/Rock & Roll Songs with an authentic '50s sound, style, and vibe. Sentimental choruses, doo-wop style harmonies, swingin' rhythms, feel-good motifs, and expressive, well-performed lead vocals are all needed. Your songs should evoke a nostalgic, heart-on-your-sleeve vibe, with catchy melodies that flow seamlessly over rich, vocal-driven arrangements. Authentic-sounding instrumentation that stays in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality and genre/era-appropriate. Capturing the innocent, feel-good energy of the reference is key, and the instrumentation and production should feel timeless, warm, and effortlessly classic.

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111TG

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LOTS of FRESH, SOULFUL POP ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is searching for Mid-to-Up-Tempo Songs that fall in the general ballpark of the following references:

"Stop This Flame" by Celeste

"Flame" by Teddy Swims

"If It Feels Good (Then It Must Be)" by Leon Bridges

Please submit well-crafted Pop Songs with loads of energy, fun sounds, and an undeniable soul-influence! Your submissions should have catchy melodies, emotionally upbeat motifs, engaging rhythms, memorable hooks, solid arrangements, and well-crafted lyrics. The client is looking for Artists with material that feels fresh and contemporary, while still delivering the emotional depth and warmth of classic soul. Pop instrumentation that's in the general stylistic wheelhouse of the references will work best for this request. Please make sure any virtual instruments or samples you use are high-quality and genre-appropriate. Excellent vocals with lots of soul will definitely help!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 12th, 2024. TAXI # S241112FN

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RETRO-Flavored POP/SOUL ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"There Will Come a Day" by Celeste

"Make It Better" by Anderson .Paak ft. Smokey Robinson

"Ride or Die" by Durand Jones & The Indications

Please submit Pop/Soul Songs with a vibrant, captivating energy that offer a modern take on the classic Soul sound and style! Your submissions should have soulful melodies, engaging rhythms, catchy choruses, solid arrangements, and well-written lyrics. Instrumentation and productions should be in the general stylistic wheelhouse of the reference Songs. Please ensure any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed, soulful vocals are needed here!

TAXI Tip: Retro-flavored does NOT mean outdated! Check out the references and see how they blend classic grooves and vibes with a fresh, modern twist. That’s the kind of sound this Company is looking for!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 13th, 2024. TAXI # S241113UL

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R&B/Soul

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CLASSIC POP/R&B SONGS with MALE vocals are needed by an International Label for a very well-known K-POP Superstar who is on the hunt for his next hit Song!

NOTE: This Label is VERY NEW to requesting music from TAXI's members! This is a stellar opportunity to create a new industry relationship and outlet for your music!

This Label is looking for Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following examples that we got directly from them:

"Like I Love You" by Justin Timberlake

"Carry Out" by Timbaland

"4 Minutes" by Madonna

Quoting the Label: "We are looking for Songs that embody a modern reinterpretation of early to mid-2000s type R&B Dance/Pop. (think The Neptunes, Timbaland, etc.) They need to have a modern sophistication to them. A Sing-along topline section in the chorus is needed as well. The topline should feel like it's bordering pop, while still reflecting the influence of R&B. Please avoid macho or intense urban music style toplines in the style of Nelly, B2K or Destiny's Child."

Please submit Pop/R&B Songs that bring a modern spin to the iconic Pop/R&B sounds of the early 2000s! Engaging rhythms, sing-a-long choruses, memorable melodies, dynamic arrangements, and well-crafted lyrics in English are all needed here. Instrumentation in the general stylistic ballpark of the references and others like them will work best. Please make sure that any virtual instruments or samples you use are high-quality and very modern. Well-performed and expressive Male vocals with smooth deliveries will go a long way. Your Songs should capture the essence of early 2000s Pop/R&B but with a fresh, exciting, and modern twist!

IMPORTANT: This Label CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022TT

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MODERN R&B ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Artists/Bands that fall in the general ballpark of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Take Your Time" by Sasha Keable ft. 6LACK

"Please Don't Fall In Love With Me" by Khalid

"Ruined Me" by Muni Long

Please submit modern R&B Songs with smooth, soulful vocals and a fresh, contemporary sound and vibe! Your submissions should have sultry motifs, laid-back grooves, great production value, memorable hooks, and well-written lyrics. Instrumentation that's in the general stylistic ballpark of the reference Songs (and other current/mainstream R&B Songs) will work best for this opportunity. Please be sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Compelling, expressive, and well-performed vocals with smooth deliveries are key!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027DY

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CUTTING-EDGE ALT-R&B ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"UGOMDN pt 2" by chlothegod & Mick Jenkins

"LEFT EYE" by Honey Bxby

"If I had you" by Nic Dean

Please submit well-crafted Alternative R&B Songs with cutting-edge sounds and productions that push the limits of modern R&B music. Catchy melodies, genre-bending motifs, unforgettable hooks, engaging beats, and well-crafted lyrics are all needed for this listing. Alt-R&B instrumentation that's in the general stylistic wheelhouse of the references will work best, but don't feel too confined by the references. Please make sure your productions and any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed and compelling vocals are the way to go.

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 30th, 2024. TAXI # S241030RB

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MAINSTREAM R&B/SOUL ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is on the hunt for acts that would appeal to fans of the following references, which they sent us:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"the boy is mine" by Ariana Grande

"Ruin" by USHER & Pheelz

"Big Man" by Self Esteem & Moonchild Sanelly

Please submit well-crafted R&B/Soul Songs with a fresh, contemporary feel, captivating sound, and lots of mainstream appeal that could attract a wide range of listeners! Your submissions should have smooth melodies, solid arrangements, unforgettable hooks, well-crafted lyrics, memorable motifs, and lots  of Top 40 appeal. Modern R&B/Soul instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions and any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals are the key to this listing!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PST) on Monday, November 4th, 2024. TAXI # S241104RE

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LOTS of FRESH, SOULFUL POP ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is searching for Mid-to-Up-Tempo Songs that fall in the general ballpark of the following references:

"Stop This Flame" by Celeste

"Flame" by Teddy Swims

"If It Feels Good (Then It Must Be)" by Leon Bridges

Please submit well-crafted Pop Songs with loads of energy, fun sounds, and an undeniable soul-influence! Your submissions should have catchy melodies, emotionally upbeat motifs, engaging rhythms, memorable hooks, solid arrangements, and well-crafted lyrics. The client is looking for Artists with material that feels fresh and contemporary, while still delivering the emotional depth and warmth of classic soul. Pop instrumentation that's in the general stylistic wheelhouse of the references will work best for this request. Please make sure any virtual instruments or samples you use are high-quality and genre-appropriate. Excellent vocals with lots of soul will definitely help!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 12th, 2024. TAXI # S241112FN

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RETRO-Flavored POP/SOUL ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"There Will Come a Day" by Celeste

"Make It Better" by Anderson .Paak ft. Smokey Robinson

"Ride or Die" by Durand Jones & The Indications

Please submit Pop/Soul Songs with a vibrant, captivating energy that offer a modern take on the classic Soul sound and style! Your submissions should have soulful melodies, engaging rhythms, catchy choruses, solid arrangements, and well-written lyrics. Instrumentation and productions should be in the general stylistic wheelhouse of the reference Songs. Please ensure any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed, soulful vocals are needed here!

TAXI Tip: Retro-flavored does NOT mean outdated! Check out the references and see how they blend classic grooves and vibes with a fresh, modern twist. That’s the kind of sound this Company is looking for!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 13th, 2024. TAXI # S241113UL

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Rap/Hip Hop

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Lots of TRAP/HIP-HOP INSTRUMENTALS with MIDDLE-EASTERN flavor are needed by a leading Music Licensing Company with an excellent track record of placements outside of the U.S. market. This Company is distributed internationally by BMG, so they work with shows that air virtually everywhere in the world.

Important: TAXI members have been reporting tons of placements through this company!

TAXI Tip: If you nail this pitch and land in this company's catalog, you might not have a lot of competition when supervisors and editors are searching for this genre. This is a great chance to be a standout in a potentially under-populated genre. Zig when everybody else zags. ;-)

Sounds and influences from the following geographical areas could all potentially work: North African, Andalusian, Mediterranean, and anywhere from the Middle East all the way to India.

This Company is looking for Instrumentals in the general stylistic ballpark of the references below:

"SAYTIR" by Absaroth

"MUSLIM" by CHNBEAT

"Hard Arabic Flute type beat" by Arvin Beatz

Although the references have some vocals mixed in, please submit instrumentals only for this request.

NOTE: This Company is open to a wide range of Hip-Hop styles, and sub-genres, such as Trap, Grime, LoFi, Drill, etc. Submissions with a tasteful blend of Middle-Eastern motifs/instrumentation and solid Hip-Hop production will go a really long way in helping get this Company's attention!

Please submit a wide range of original Hip-Hop Instrumentals with lots of Middle-Eastern sounds and culturally rich motifs! Your submissions should have hard-hitting beats, solid productions, and dynamic arrangements with lots of forward motion and interest. Traditional Middle Eastern instrumentation (such as oud, qanun, ney, darbuka, riq, saz, etc) mixed with modern Hip Hop beats will work best. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate.

TAXI Tip: Layering a live instrument over virtual sounds can instantly boost the authenticity and richness of your track, helping elevate the overall production quality. A little organic touch goes a long way!

Your submissions should be around 3 minutes in length, give or take, and definitely no shorter than 2 minutes and 30 seconds. Non-faded, buttoned/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Do NOT submit any tracks with spoken producer tags/watermarks as they are not usable for film and TV placements.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This Company offers an EXCLUSIVE deal, so please be sure the music you pitch for this opportunity is NOT already signed with other Companies or Catalogs. Specific deal points will be handled directly between you and the Company. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022ZA

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HYBRID HIP-HOP/ROCK ARTISTS (Male or Female) are needed by an A&R Executive working closely with the CEO of a Major Label.

This Company is on the hunt for Songs in the general stylistic ballpark of the references, which we got directly from our client:

"In The End" by Linkin Park

"Last Resort" by Papa Roach

"Faint" by Linkin Park

NOTE: Although the references are a bit dated, this Publisher is looking for current-sounding material! Use the references to get yourself in the general ballpark of the sound and vibe they are looking for, but make sure your submissions are up to date with current trends and writing techniques.

QUOTING THE EXECUTIVE: "We're looking for Hybrid Rap/Rock Artists with innovative styles and unique vocal deliveries."

Please submit Hybrid Hip-Hop/Rock Songs that push genre boundaries and feature vocal deliveries that showcase your unique sound and style! Unforgettable choruses, intense rhythms, ear-worm melodies, excellent lyrical flows, solid arrangements, and well-written lyrics are all needed for this request. Modern Hip-Hop and/or Rock instrumentation could potentially work here. Please make sure that any virtual instruments or samples you use are high-quality and modern. Confident Male or Female vocals with expressive deliveries will go a long way! If you've got the writing ability and vocal chops to blend Rock and Rap in a cool, unique way, this Executive wants to hear you!

IMPORTANT:  This A&R Exec really wants to see links to your Social Media to help him get the Record Label's CEO excited about you. Even if you don't have millions of followers, please provide the links in your bio, as well as anything else you're doing, like touring, streaming success, or anything that shows you're actively working on your career. While big numbers can be impressive, so can showing that you're hustling to build your career. Labels love to see that!

TAXI Tip: We recommend submitting 2-3 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024HY

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Lots of FUN HIP-HOP/POP SONGS (in a wide range of styles) about "MAKING IT" with MALE vocals are needed by an Industry-Leading Publishing Company for a blockbuster Super Hero movie trailer!

This Client is on the hunt for Songs in the general stylistic wheelhouse of the following examples:

"Good Morning" by Max Frost

"Hey Look Ma, I Made It" by Panic! At The Disco

"Good Day" by Nappy Roots

Quoting the Client: "We are looking for both Pop and Hip-Hop Songs with lyrics that play off the Hollywood aspect, such as "making it", "living the dream", "hitting the big time", etc. Lyrics that use the word “Wonder” are great too. The tone and style of the track need to be fun and emotionally upbeat. They need to have a contemporary sound and production, and have lots of energy."

This Client let us know that LYRICAL THEMES similar to the following reference could work as well:

"Ain't This A Wonderful Day?" by Anita O'Day

IMPORTANT: The reference above is meant to help with lyrical themes only. Please DO NOT send in Jazz Songs for this opportunity!

Please submit a wide range of Hip-Hop and/or Pop Songs with a celebratory and fun vibe and lyrics that work with the themes mentioned above! Catchy hooks, memorable choruses, engaging rhythms, solid arrangements, excellent production, and well-crafted lyrics are all needed for this opportunity. Due to the wide-ranging nature of the request, instrumentation may vary depending on which direction you go, as long as it is consistent and competitive with other Songs in your chosen style or genre. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed Male vocals with expressive and dynamic deliveries are needed!

IMPORTANT: This Client CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Do NOT copy the referenced artists or Songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Publisher (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Friday, October 25th, 2024. TAXI # S241025MO

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Lots of GRITTY COUNTRY/HIP-HOP SONGS with Male or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This Company is looking for Songs in the general ballpark of these references:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"My Truck" by BRELAND

"Down by the Riverside" by Willie Jones

"Hood" by Colt Ford ft. Kevin Gates & Jermaine Dupri

"PROBLEM SOLVER" by Jamie Ray ft. Boosie Badazz

Please submit original Songs that effectively blur the lines between Country and Hip-Hop! The Company is looking for tracks that feel current and bring a fun, rebellious energy—something you’d want to blast in the truck or at a tailgate. Your submissions should include genre-bending Country motifs, Hip-Hop beats, modern productions, solid arrangements, memorable melodies, and well-written lyrics. Country and Hip-Hop instrumentation in the general wheelhouse of the reference Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality and current-sounding. Well-performed and confident vocals (Male or Female) could help you seal the deal. Tracks that strike the perfect balance between gritty Hip-Hop swagger and the fresh, down-home vibe of modern Country are likely to stand out here!

Lyrics should avoid specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings are strongly recommended. Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

NOTE: Do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film and TV placements.

IMPORTANT: This Library really wants to find top-notch Artists and Composers – not just people who combine different samples or loops without altering them at all. Cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they're distinguishable from the originals. Basically, if you Shazamed one of your tracks and another artist's song comes up, your music would definitely be disqualified by this Company.

ALSO IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 29th, 2024. TAXI # S241029CH

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Lots of MODERN HIP-HOP SONGS with Male or Female vocals are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members.

CRITICAL NOTE: This Company is regularly working on high-profile opportunities with Sync Fees Paid to the creators. Some of them are in the 6 figure range!!!!

This company's CEO is looking for quite a few Songs in the general stylistic ballpark of the examples below:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"TEFLON DON" by Future

"U Kno What To Do" by Sexyy Red

"NEW DROP" by Don Toliver

Please submit current-sounding Hip-Hop Songs that could be heard on a playlist with the references! Excellent productions, dynamic lyrical flows, catchy motifs, engaging beats, and well-written lyrics are needed for this request. Modern Hip-Hop instrumentation in the general stylistic ballpark of the references and others like them will work best. Please be sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed vocal deliveries (Male or Female) with lots of attitude and confidence are needed.

Lyrics should avoid references to specific names, dates, times, places, and brands. No profanity, please! Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Please do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film and TV placements.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, November 1st, 2024. TAXI # S241101PH

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AGGRESSIVE TRAP/HIP-HOP INSTRUMENTALS are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Instrumentals that could be heard on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Hustle and Grind Grooves" by Future Sound

"Fireman" by Benjamin Carter

"Purple Lamborghini" by Murdbrain & Milano The Don

Although the references have vocals, please submit INSTRUMENTALS only.

QUOTING THE FILM'S PRODUCER: "We need intense Trap with a hard and heavy beat. Think toxic, intense house party involving drugs, sex, and danger."

Please submit well-crafted Trap/Hip-Hop Instrumentals with a seriously aggressive sound, lots of intensity, and powerful beats! Your submissions should have mean-sounding motifs, great production quality, ground-rattling bass, and solid arrangements with plenty of dynamics, forward movement, and interest throughout. Instrumentation in the general stylistic wheelhouse of the reference will work best. Please be sure any virtual instruments or samples you use are high-quality and not dated-sounding.

Per the Producer, your submissions need to be at least 3 minutes in length. They can go longer, but please keep it a reasonable length. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Please do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film placements.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

NOTE: The sync fees we were quoted were up to $2,000. However, our experience tells us that number could be lower (in the $650 to $1,000 range). It could go higher – we’re just being cautious and conservative.

This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 5th, 2024. TAXI # S241105GN

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Lots of ANTHEMIC POP/HIP-HOP SONGS with Male or Female Vocals are needed for SPORTS PROGRAMMING by a high-end Music Licensing Company that gets tons of great placements and offers a very artist-friendly deal to the people they sign!

You’ll keep 100% of the Writer’s share and 50% of the Publisher's Share!

This Company is searching for a range of Mid-to-Up-Tempo Songs in the general wheelhouse of the following references:

"Black And Yellow" by Wiz Khalifa 

"Let's Get It Started" by The Black Eyed Peas

"Can't Hold Us" by Macklemore ft. Ray Dalton

Please submit original Pop/Hip-Hop Songs with anthemic energy, empowering lyrics, and a sound that could work well for Sports programming! Your submissions should have exciting motifs, powerful arrangements, hard-hitting beats/rhythms, energizing melodies, and well-written lyrics. Mainstream Pop/Hip-Hop instrumentation in the general stylistic wheelhouse of the references will work best for this request. Your productions and any virtual instruments or samples you use need to be high-quality and not dated sounding. Expressive and dynamic vocal deliveries with a mainstream sound are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers a 1-year EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 50% of the Publisher’s share, and you’ll keep 100% of the Writer’s share and 50% of the Publisher's Share - sweet deal!!!

You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. Time-permitting, someone from the Company (who has been trained as a TAXI Screener) may screen some or all of the submissions. Submissions must be received no later than 11:59 PM (PST) on Wednesday, November 6th, 2024. TAXI # S241106TH

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AGGRESSIVE TRAP/HIP-HOP SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

IMPORTANT: This company is also running a Listing that asks for INSTRUMENTALS in the same style (TAXI # S241105GN), so please don't confuse the two opportunities.

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could be heard on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Hustle and Grind Grooves" by Future Sound

"Fireman" by Benjamin Carter

"Purple Lamborghini" by Murdbrain & Milano The Don

QUOTING THE FILM'S PRODUCER: "We need intense Trap with a hard and heavy beat. The scene is a toxic, intense house party involving drugs, sex, and danger."

Please submit well-crafted Trap/Hip-Hop Songs with an aggressive energy, intense vocal performances, and hard-hitting beats! Your submissions should have great production quality, ground-rattling bass, solid arrangements, and aggressive, well-written lyrics. Your tracks should hit hard right from the start, with gritty textures, menacing tones, and lots of raw, brazen energy.  Instrumentation in the general stylistic wheelhouse of the reference will work best. Please be sure any virtual instruments or samples you use are high-quality and not dated-sounding.

NOTE: Per the Producer, your submissions need to be at least 3 minutes in length. They can go longer, but please keep it a reasonable length.

The Producer let us know that Profanity is ok here! Avoiding references to specific names, dates, times, places, and brands could make your tracks easier to place. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Please do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film placements.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 10th, 2024. TAXI # S241110GA

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RETRO-Style DANCE/ELECTRO-POP SONGS with Male or Female Vocals are needed for an (up to) $500 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "I Cry (Night after Night)" by The Egyptian Lover, which is currently temped in:

"I Cry (Night after Night)" by The Egyptian Lover

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Dance/Electro-Pop Songs with a retro-inspired sound (think '80s), melancholy melodies, and infectious grooves. Engaging rhythms, solid arrangements, 80s-inspired motifs, and well-written lyrics are all needed here. Instrumentation should stay in the general stylistic wheelhouse of the reference, such as synths, bass, drum machine, guitar, etc. Please ensure any virtual instruments or samples used are high-quality and genre-appropriate. Having some great atmospheric synth layers that evoke a sense of nostalgia, complemented by driving rhythms and a bitter-sweet melodic hook could all help you get close to what this Producer is looking for! Rhythmic and well-performed vocal deliveries (Male or Female) will help as well.

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $500, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111YY

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Road Rally Listening Panels

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TAXI ROAD RALLY 2024 – Film & TV SONG Pitch and Feedback Panel (Music Supervisors and Licensing Executives) – Songs with lyrics and vocals (from TAXI MEMBERS only).

***EXTREMELY IMPORTANT NOTE: You must be present and in the ballroom when Songs are being selected and played during the panel. If you're not present, we will move on to the next person and your music will not be heard by the panelists.***

How it works:

  • Songs played during this panel will be chosen randomly from a playlist generated from this TAXI Listing!
  • Songs submitted will NOT be pre-screened before the panel, so every submission has an EQUAL CHANCE of being randomly selected and played on the panel by a randomization algorithm!
  • Submissions NOT played during the panel will be screened about 30 days after the Rally, and Forwards will be sent to the panelists.
  • You get two chances at having the panelists hear your Songs: 1) Randomly during the panel, or 2) By getting Forwarded by TAXI’s A&R people after the Rally!

The mandate to TAXI’s A&R team for Songs submitted for this Listing, but NOT played on the panel will be, “Forward Songs that you think are strong and (most importantly) usable in the context of Film and TV."

You must own or control your Master and Copyright to submit for this opportunity.

AI ALERT: These panelists and their companies do not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

CRITICAL INFORMATION:
****Please be sure the material you submit for this pitch is ORIGINAL (no covers), and NOT already signed with any Music Libraries or Publishers, including CD Baby Pro, TuneCore, Songtrust, etc. Using those companies for distribution is totally fine, but if your Songs are signed to any other companies for monetization or royalty collection, you have likely already be entered into an agreement that would negate any other Music Libraries or Publishers from being desirous of signing that same material.****

Only current TAXI members who will still be members during the Road Rally (November 7th-10th, 2024) can submit for this panel.

Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022RR

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GET YOUR SONG REVIEWED DURING ROBIN FREDERICK’S TAXI ROAD RALLY (conference) 2024 LIVE PRESENTATION.

The amazing Ms. Frederick needs a few Songs (from TAXI members) in the POP and SINGER/SONGWRITER genres that she can choose from to use during her live presentation in the Grand Ballroom. Robin will personally listen to all submissions to select the ones she will play and comment on. Due to the unusual nature of this listing, the feedback will be different than normal TAXI feedback.

Robin needs Pop and/or Singer/Songwriter songs that are based on YOUR AUTHENTIC STORY, and your submissions must have lyric sheets. Repeating: Robin needs your lyric sheet with your submission. Take note:

Here’s the panel description…

“TURN YOUR AUTHENTIC STORY INTO HIT SONGS” --- What do Adele, John Legend, Taylor Swift, Sting, and Jason Isbell have in common? They all write from life experience and turn that experience into hit songs. Join Robin Frederick, author of the best-selling books Shortcuts to Hit Songwriting and Shortcuts to Songwriting for Film & TV, to find out how you can mine your authentic life story for some chart-worthy gold.

Music played and critiqued during the second half-hour of this class will be from a playlist generated from a panel-specific TAXI Listing that ran prior to the Rally. Robin will listen to all submissions and choose several to include during the hour.

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom to win.

IMPORTANT: You will only get critiques telling you if your submissions were forwarded or not. You won’t get the normal suggestions from our A&R staff. Robin will personally choose which Songs she’d like to work with during her presentation. If you’re going to the Road Rally, make sure to attend the presentation!

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom during the presentation to win.

It’s okay to submit to this Listing if you can’t make it to the Rally, but you will miss out on any feedback or critiques that Robin may have for you!

AI ALERT: Robin will not be accepting or using music that has been lyrically or melodically composed using generative AI.

Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023FD

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TAXI ROAD RALLY 2024 – MODERN SINGER-SONGWRITER/POP SONGS with Male or Female Vocals are needed for a Direct-to-Music Supervisor Placement in an Indie Feature Film.

This is part of a live music selection session in the Grand Ballroom at this year's TAXI Road Rally conference!

EXCITING NOTE: Some of these submissions will get used by the music supervisor in a live, Grand Ballroom, Main-Stage presentation at the TAXI Road Rally conference where the supervisor will play them with video from the actual scene, and discuss what works and what might not be a good fit.

The Music Supervisor is on the hunt for Mid-Tempo Songs in the general stylistic wheelhouse of the following references that he gave us:

"Magic" by Colbie Caillat

"This Town" by Niall Horan

"Best Part Of Me" by Ed Sheeran ft. YEBBA

"True Blue" by boygenius

Quoting the Music Supervisor:  "The scene is a quiet home family visit with son/wife and father, finally taking the time to have a pleasant evening together around the dinner table. Music would play quietly in the background, from a home stereo. We're looking for Songs on the acoustic/light side with mid-tempo, or moving ballads. It can't be distracting sonically.”

Please submit well-crafted Singer-Songwriter/Pop Songs with organic instrumentation and a relaxed, pleasant sound and vibe. Your submissions should have catchy melodies, engaging rhythms, well-crafted lyrics, and expressive, well-performed vocals with a lighter touch. Full productions or more stripped-down approaches could both potentially work, as long as the overall sound and vibe is on the lighter side and maintains a warm, inviting feel. Instrumentation in the general stylistic ballpark of the references will suit your submissions best, such as acoustic guitar, keys, drums, bass, etc. Please ensure that any virtual instruments or samples you use are high-quality, modern, and very realistic sounding.

Lyrics that don’t have references to specific names, dates, times, brands, places, and profanity could  make your Songs more usable for this placement. Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone.  Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

ADDITIONAL OPPORTUNITIES for Submissions: The Supervisor mentioned that in addition to finding the right track for the current project, he’ll also be considering music for similar future projects. So even if your track isn’t selected this film, he will add appropriate songs to his personal stash for possible inclusion in other upcoming projects that need similar songs!

AI ALERT: This Supervisor does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does he accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This will be a Non-Exclusive, Direct-to-Music Supervisor placement, so you’ll get 100% of the Sync Fee (if applicable), keep 100% of your Publishing and Master ownership, get 100% of any applicable performance royalties, and also be included in the film’s credits. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024AC

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Rock

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MAINSTREAM INDIE ROCK ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This Label is on the hunt for acts that would appeal to fans of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Here's The Thing" by Fontaines D.C.

"Le Risque" by King Gizzard & The Lizard Wizard

"M" by Soccer Mommy

Please submit mainstream Indie Rock Songs with an infectious vibe that showcase your one-of-a-kind sound and style! Your submissions should have catchy melodies, memorable motifs, modern production, solid arrangements, well-crafted lyrics, unforgettable hooks, and lots of Indie Rock flair. Indie Rock instrumentation that's in the general wheelhouse of the references will work best. Please ensure any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals with expressive deliveries are going to go a long way here!

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Saturday, October 26th, 2024. TAXI # S241026DG

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Lots of ANTHEMIC ROCK SONGS with Male or Female Vocals are needed for SPORTS PROGRAMMING by a high-end Music Licensing Company that gets tons of great placements and offers a very artist-friendly deal to the people they sign!

You’ll keep 100% of the Writer’s share and 50% of the Publisher's Share!

This Company is searching for a range of Mid-to-Up-Tempo Songs in the general wheelhouse of the following references:

"Song 2" by Blur 

"Light 'Em Up" by Fall Out Boy

"CHAMPION" by Bishop Briggs

Please submit original Rock Songs with anthemic energy, empowering lyrics, and a sound that could work well for Sports programming! Your submissions should have powerful motifs, exciting arrangements, hard-hitting rhythms, intense melodies, excellent musicianship, and well-written lyrics. Mainstream Rock instrumentation in the general stylistic wheelhouse of the references will work best for this request, such as guitars, drums, bass, etc. Your productions and any virtual instruments or samples you use need to be high-quality and not dated sounding. Expressive, powerful, and dynamic vocal deliveries that authentically convey the empowered emotion behind the lyrics will go a long way!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This Company offers a 1-year EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 50% of the Publisher’s share, and you’ll keep 100% of the Writer’s share and 50% of the Publisher's Share - sweet deal!!!

You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. Time-permitting, someone from the Company (who has been trained as a TAXI Screener) may screen some or all of the submissions. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 3rd, 2024. TAXI # S241103PW

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POST-PUNK / NEW WAVE SONGS with FEMALE or MALE Vocals are needed for an (up to) $1,000 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "Never Say Never" by Romeo Void, which is currently temped in:

"Never Say Never" by Romeo Void

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT NOTEYou can submit recently recorded/produced Songs in the general style of the reference, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well!

Please submit well-crafted Post-Punk Songs with a retro sound and lots of rebellious, attitude-driven energy! Irreverent choruses, edgy motifs, solid arrangements, and angsty, well-performed vocals are all needed for this request. Instrumentation in the general wheelhouse of the reference will suit your submissions best, such as guitars, bass, drums, etc. Please ensure your productions and any virtual instruments or samples you use are high-quality and genre-appropriate. Raw and compelling Male or Female vocal performances are needed.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108VR

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ALTERNATIVE ROCK SONGS with MALE or FEMALE Vocals are needed for an (up to) $1,000 placement by a Film Producer for an upcoming Independent Feature Film that’s currently in post-production!

This Film's Producer is looking for Songs that could work as a replacement for "I Start To Run" by White Denim, which is currently temped in:

"I Start To Run" by White Denim 

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Please submit well-crafted Alternative Rock Songs with a high-intensity sound and a frantic, on-edge energy! Catchy hooks, memorable choruses, solid arrangements, unconventional motifs, and expressive, well-performed vocals are all needed for this request. Alternative Rock instrumentation in the general wheelhouse of the reference will suit your submissions best, such as electric guitar, bass, drums, etc. Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding. Compelling vocal performances are needed. Aim for an unorthodox, slightly off-kilter sound that captures the urgency and excitement of the reference track while being sure not to copy or clone it!

Pro Tip: It's often a good idea to match (or be very close to) the tempo of the song that's currently temped in. It can make it easier for the film's editor to place it and can create a sense of familiarity and "comfort" for the person making the final decision as to which song gets selected.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, November 9th, 2024. TAXI # S241109UN

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'50s-Style DOO-WOP/ROCK & ROLL SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "A Teenager In Love" by Dion & The Belmonts, which is currently temped in:

"A Teenager In Love" by Dion & The Belmonts

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

IMPORTANT: While this Company would love to hear material that was ACTUALLY RECORDED in the 1950s (or early 1960s), they are open to recordings from any era, as long as they capture the sound, feel, and vibe of the reference. If you're submitting recently recorded material, it needs to be virtually indistinguishable from authentic, vintage recordings!

Please submit well-crafted Doo-Wop/Rock & Roll Songs with an authentic '50s sound, style, and vibe. Sentimental choruses, doo-wop style harmonies, swingin' rhythms, feel-good motifs, and expressive, well-performed lead vocals are all needed. Your songs should evoke a nostalgic, heart-on-your-sleeve vibe, with catchy melodies that flow seamlessly over rich, vocal-driven arrangements. Authentic-sounding instrumentation that stays in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality and genre/era-appropriate. Capturing the innocent, feel-good energy of the reference is key, and the instrumentation and production should feel timeless, warm, and effortlessly classic.

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111TG

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Singer/Songwriter

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GET YOUR SONG REVIEWED DURING ROBIN FREDERICK’S TAXI ROAD RALLY (conference) 2024 LIVE PRESENTATION.

The amazing Ms. Frederick needs a few Songs (from TAXI members) in the POP and SINGER/SONGWRITER genres that she can choose from to use during her live presentation in the Grand Ballroom. Robin will personally listen to all submissions to select the ones she will play and comment on. Due to the unusual nature of this listing, the feedback will be different than normal TAXI feedback.

Robin needs Pop and/or Singer/Songwriter songs that are based on YOUR AUTHENTIC STORY, and your submissions must have lyric sheets. Repeating: Robin needs your lyric sheet with your submission. Take note:

Here’s the panel description…

“TURN YOUR AUTHENTIC STORY INTO HIT SONGS” --- What do Adele, John Legend, Taylor Swift, Sting, and Jason Isbell have in common? They all write from life experience and turn that experience into hit songs. Join Robin Frederick, author of the best-selling books Shortcuts to Hit Songwriting and Shortcuts to Songwriting for Film & TV, to find out how you can mine your authentic life story for some chart-worthy gold.

Music played and critiqued during the second half-hour of this class will be from a playlist generated from a panel-specific TAXI Listing that ran prior to the Rally. Robin will listen to all submissions and choose several to include during the hour.

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom to win.

IMPORTANT: You will only get critiques telling you if your submissions were forwarded or not. You won’t get the normal suggestions from our A&R staff. Robin will personally choose which Songs she’d like to work with during her presentation. If you’re going to the Road Rally, make sure to attend the presentation!

One randomly selected TAXI member who submitted for this panel will win a one-hour consult with the amazing Ms. Frederick. You must be in the Grand Ballroom during the presentation to win.

It’s okay to submit to this Listing if you can’t make it to the Rally, but you will miss out on any feedback or critiques that Robin may have for you!

AI ALERT: Robin will not be accepting or using music that has been lyrically or melodically composed using generative AI.

Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023FD

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TAXI ROAD RALLY 2024 – MODERN SINGER-SONGWRITER/POP SONGS with Male or Female Vocals are needed for a Direct-to-Music Supervisor Placement in an Indie Feature Film.

This is part of a live music selection session in the Grand Ballroom at this year's TAXI Road Rally conference!

EXCITING NOTE: Some of these submissions will get used by the music supervisor in a live, Grand Ballroom, Main-Stage presentation at the TAXI Road Rally conference where the supervisor will play them with video from the actual scene, and discuss what works and what might not be a good fit.

The Music Supervisor is on the hunt for Mid-Tempo Songs in the general stylistic wheelhouse of the following references that he gave us:

"Magic" by Colbie Caillat

"This Town" by Niall Horan

"Best Part Of Me" by Ed Sheeran ft. YEBBA

"True Blue" by boygenius

Quoting the Music Supervisor:  "The scene is a quiet home family visit with son/wife and father, finally taking the time to have a pleasant evening together around the dinner table. Music would play quietly in the background, from a home stereo. We're looking for Songs on the acoustic/light side with mid-tempo, or moving ballads. It can't be distracting sonically.”

Please submit well-crafted Singer-Songwriter/Pop Songs with organic instrumentation and a relaxed, pleasant sound and vibe. Your submissions should have catchy melodies, engaging rhythms, well-crafted lyrics, and expressive, well-performed vocals with a lighter touch. Full productions or more stripped-down approaches could both potentially work, as long as the overall sound and vibe is on the lighter side and maintains a warm, inviting feel. Instrumentation in the general stylistic ballpark of the references will suit your submissions best, such as acoustic guitar, keys, drums, bass, etc. Please ensure that any virtual instruments or samples you use are high-quality, modern, and very realistic sounding.

Lyrics that don’t have references to specific names, dates, times, brands, places, and profanity could  make your Songs more usable for this placement. Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone.  Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

ADDITIONAL OPPORTUNITIES for Submissions: The Supervisor mentioned that in addition to finding the right track for the current project, he’ll also be considering music for similar future projects. So even if your track isn’t selected this film, he will add appropriate songs to his personal stash for possible inclusion in other upcoming projects that need similar songs!

AI ALERT: This Supervisor does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does he accept backing tracks, full instrumental tracks, or vocal performances created with AI.

This will be a Non-Exclusive, Direct-to-Music Supervisor placement, so you’ll get 100% of the Sync Fee (if applicable), keep 100% of your Publishing and Master ownership, get 100% of any applicable performance royalties, and also be included in the film’s credits. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 24th, 2024. TAXI # S241024AC

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MODERN INDIE SINGER/SONGWRITER ARTISTS or BANDS with Male or Female Vocals are needed by a U.K.-based Record Label.

Please listen to the references below to get an idea of what might get this Record Label interested:

"Old Salt" by Hazlett

"juliet" by Keni Titus

"crooked the road." by Mon Rovîa

Please submit modern Singer/Songwriter Songs that showcase your unique sound and style! Your submissions should have memorable melodies, catchy choruses, great musicianship, and honest, well-written lyrics. Instrumentation that's in the general stylistic ballpark of the reference Songs will work best (think acoustic guitar, piano, percussion, etc.). Please make sure that any virtual instruments or samples you use are high-quality and appropriate for the genre. Genuine, well-performed vocals with a modern sound and vibe could help you seal the deal, as well! The bar will be high for this request, so please send your very best!

IMPORTANT: This Label is interested in artists and bands that are actively building their careers. In your bio, please include any touring, fan base, sales, streaming, and social media figures you may have. If you’re an artist or band that’s just starting out and you don’t have much of a story or track record yet, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend that you submit at least THREE SONGS per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, November 3rd, 2024. TAXI # S241103SS

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INDIE SINGER/SONGWRITER ARTISTS and BANDS with Male or Female Vocals are needed by a really cool Music Licensing Company that has tons of credits in Feature Films, TV Shows, and Commercials!

This Company is on the lookout for Songs in the general wheelhouse of the following references:

"What’s This About (La La La La)" by Kate Bollinger

"Let Me In" by Davis Naish

"You're Always High" by Winona Oak

Please submit fresh and contemporary Indie Singer/Songwriter Songs with an emotionally captivating sound that could be heard on a playlist with the references! Your submissions should have catchy melodies, engaging rhythms, memorable choruses, solid arrangements, and well-written lyrics. Instrumentation in the general stylistic wheelhouse of the reference Songs will work best, such as guitars, keys, drums, bass, etc. Please ensure any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed vocals (Male or Female) with expressive deliveries are needed here!

NOTE: This Company is NOT interested in “typical library music” – they want tracks from genuine, active Artists or Bands that they can pitch for sync opportunities. They’ll also want to know more about you, so please include a bio with details about touring, fan base, sales, streaming numbers, and social media figures. If you’re an authentic Artist or Band that’s just starting out and you don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could be more appealing to this Company. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material you've already signed with other libraries or publishers. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Please include a photo and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, November 5th, 2024. TAXI # S241105YC

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Vintage

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Bunch of VINTAGE SONGS from the '90s in ANY GENRE are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

EXTREMELY IMPORTANT NOTE: Please include the Year your Songs were recorded in the LYRIC section of the TAXI submission form! The Listing company has asked TAXI to automatically return any submissions that don’t show the year in which they were recorded. Sorry folks, we can’t make any exceptions, per the company’s request.

This Library is searching for authentic recordings in the general wheelhouse of the following references and others like them:

"Just A Girl" by No Doubt

"I'll Be" by Edwin McCain

"Whoomp! (There It Is)" by Tag Team

"Strawberry Wine" by Deana Carter

"Say My Name" by Destiny's Child

"Gonna Make You Sweat (Everybody Dance Now)" by C&C Music Factory

Note: Don't feel too confined by these references! This Company is open to a wide variety of authentic Songs from the '90s!

Please submit a wide range of original Songs from the '90s with an authentic, retro sound that's true to the era! Catchy melodies, memorable choruses, engaging rhythms, and well-crafted lyrics are all needed for this opportunity. Instrumentation that's in the general ballpark of the references and other popular songs from the era will work best here. Your tracks must have been recorded between 1990 and 1999 (give or take a year or two), and not just made to sound old. Compelling Male, Female, or Ensemble vocals are needed. Original Songs only, please!

If you have VINTAGE Songs with a nostalgic '90s sound and vibe, this Library wants to hear them!

This Publisher is open to hearing Songs in most of the popular/commercially viable genres from the '90s, such as Pop, Country, Rock, Metal, Jazz, Hip-Hop, Adult-Contemporary, etc. We recommend avoiding submitting anything in genres that were not mainstream or popular during that era.

NOTE: The recording quality is not expected to be on par with today’s Broadcast Quality! Good demos and master recordings are all of interest to this company! They DO NOT want material that was recently recorded and made to sound old. They can ONLY use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. It doesn't have to be super hi-fi, but reasonably good, well-balanced recordings and mixes are needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. There is also a possibility that this Library could offer a buyout of the Masters and Publishing rights. You must own or control your Master and Copyright to submit to this opportunity. Please send as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, October 26th, 2024. TAXI # S241026NY

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Lots of VINTAGE SONGS from the '70s in ANY GENRE are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

EXTREMELY IMPORTANT NOTE: Please include the Year your Songs were recorded in the LYRIC section of the TAXI submission form! The Listing company has asked TAXI to automatically return any submissions that don’t show the year in which they were recorded. Sorry folks, we can’t make any exceptions, per the company’s request.

This Library is searching for authentic recordings in the general wheelhouse of the following references and others like them:

"September" by Earth, Wind & Fire

"Wuthering Heights" by Kate Bush

"Fire and Rain" by James Taylor

"Roxanne" by The Police

"Walk This Way" by Aerosmith

Note: Don't feel too confined by these references! This Company is open to a wide variety of authentic Songs from the '70s!

Please submit a wide range of original Songs from the '70s with an authentic, retro sound that's true to the era! Catchy melodies, memorable choruses, engaging rhythms, and well-crafted lyrics are all needed for this opportunity. Instrumentation that's in the general ballpark of the references and other popular songs from the era will work best here. Your tracks must have been recorded between 1970 and 1979 (give or take a year or two), and not just made to sound old. Compelling Male, Female, or Ensemble vocals are needed. Original Songs only, please!

If you have VINTAGE Songs with a classic '70s sound and vibe, this Library wants to hear them!

This Publisher is open to hearing Songs in most of the popular/commercially viable genres from the '70s, such as Pop, Funk, Soul, Rock, Singer/Songwriter, Disco, etc. We recommend avoiding submitting anything in genres that were not mainstream or popular during that era.

NOTE: The recording quality is not expected to be on par with today’s Broadcast Quality! Good demos and master recordings are all of interest to this company! They DO NOT want material that was recently recorded and made to sound old. They can ONLY use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. It doesn't have to be super hi-fi, but reasonably good, well-balanced recordings and mixes are needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. There is also a possibility that this Library could offer a buyout of the Masters and Publishing rights. You must own or control your Master and Copyright to submit to this opportunity. Please send as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday October 31st, 2024. TAXI # S241031AV

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VINTAGE MAMBO SONGS recorded before 1990 with Male or Female vocals are needed by an A-List Music Publisher for Film and TV sync licensing. This company has a "zillion" great placements. Many of those are for TAXI members.

IMPORTANT NOTE: This company pays creators an upfront fee! See below.

This awesome publisher is looking for Songs that are in the general stylistic ballpark of the following references:

"Mambo Jambo" by Pérez Prado

"Mambo Con Puente" by Tito Puente

"Sentimental Mambo" by Machito & His Afro Cubans

Broadcast Quality should be era-appropriate. You can submit old masters — or even well-recorded/produced demos — for this request.

Please submit original Mambo Songs recorded before the year 1990 (give or take a year or two) with an fun, celebratory sound and loads of danceable energy! This Publisher is also open to similar vintage Cuban Songs that may not technically be Mambo, but have a similar sound and vibe. Authentic melodies, Mambo-inspired rhythms, excellent musicianship, solid arrangements, and well-crafted lyrics are all needed for this opportunity. Traditional instrumentation in the general ballpark of the references will probably work best, such as brass, bass, congas, bongos, timbales, etc. Expressive and well-performed vocals (Male or Female) are needed as well! Original Songs only, please!

NOTE: We think this Company would be open to hearing tracks with lyrics in ENGLISH or SPANISH. Please just ensure that your submissions have an authentic sound and style.

Please make sure your Songs were actually recorded before 1990 (give or take a couple of years), otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using AI, nor does it accept backing tracks, full instrumental tracks, or lead/backing  vocal performances created with AI.

The Company pays you upfront for the Master Rights and the Publisher’s share of the Copyright. You keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization. This Company often averages several placements per week, and many of those are TAXI members who’ve been signed with them because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 to $15,000 (or more!). Deal sizes and buyout amounts vary depending on the quantity and quality of the Songs signed.

Your name needs to be on the Copyright. Your Songs need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PST) on Friday, November 8th, 2024. TAXI # S241108BO

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Lots of VINTAGE SONGS from the '50s in ANY GENRE are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

EXTREMELY IMPORTANT NOTE: Please include the Year your Songs were recorded in the LYRIC section of the TAXI submission form! The Listing company has asked TAXI to automatically return any submissions that don’t show the year in which they were recorded. Sorry folks, we can’t make any exceptions, per the company’s request.

This Library is searching for authentic recordings in the general wheelhouse of the following references and others like them:

"How High The Moon" by Les Paul & Mary Ford

"Unforgettable" by Nat King Cole

"Big Man" by The Four Preps

"Nobody's Lonesome For Me" by Hank Williams

IMPORTANT NOTE: Don't feel too confined by these references! This Company is open to a wide variety of authentic Songs from the '50s!

Please submit a wide range of original Songs from the '50s with an authentic, vintage sound that's true to the era! Catchy melodies, memorable choruses, engaging rhythms, and well-crafted lyrics are all needed for this opportunity. Instrumentation that's in the general ballpark of the references and other popular Songs from the era will work best here. Your tracks must have been recorded between 1950 and 1959 (give or take a year or two), and not just made to sound old. Compelling Male, Female, or Ensemble vocals are needed. Original Songs only, please!

This Publisher is open to hearing Songs in most of the popular/commercially viable genres from the '50s, such as Pop, Rock & Roll, Swing, R&B, Country, Jazz, Blues, etc. We recommend avoiding submitting anything in genres that were not mainstream or popular during that era. If you have VINTAGE Songs with a classic '50s sound and vibe, this Library wants to hear them!

NOTE: The recording quality is not expected to be on par with today’s Broadcast Quality! Good demos and master recordings are all of interest to this company! They DO NOT want material that was recently recorded and made to sound old. They can ONLY use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. It doesn't have to be super hi-fi, but reasonably good, well-balanced recordings and mixes are needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. There is also a possibility that this Library could offer a buyout of the Masters and Publishing rights. You must own or control your Master and Copyright to submit to this opportunity. Please send as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111VU

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'50s-Style DOO-WOP/ROCK & ROLL SONGS with Male or Female Vocals are needed for an (up to) $2,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "A Teenager In Love" by Dion & The Belmonts, which is currently temped in:

"A Teenager In Love" by Dion & The Belmonts

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "Songs should match the reference material in tone, tempo, and instrumentation. Vocals can be either male or female. The themes of the lyrics are chosen to match the themes and tone of the scenes they play on, so Songs with similar themes will get favor. Things like tempo are important, but since they aren't being used in a dance fashion, they don't have to match exactly."

IMPORTANT: While this Company would love to hear material that was ACTUALLY RECORDED in the 1950s (or early 1960s), they are open to recordings from any era, as long as they capture the sound, feel, and vibe of the reference. If you're submitting recently recorded material, it needs to be virtually indistinguishable from authentic, vintage recordings!

Please submit well-crafted Doo-Wop/Rock & Roll Songs with an authentic '50s sound, style, and vibe. Sentimental choruses, doo-wop style harmonies, swingin' rhythms, feel-good motifs, and expressive, well-performed lead vocals are all needed. Your songs should evoke a nostalgic, heart-on-your-sleeve vibe, with catchy melodies that flow seamlessly over rich, vocal-driven arrangements. Authentic-sounding instrumentation that stays in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality and genre/era-appropriate. Capturing the innocent, feel-good energy of the reference is key, and the instrumentation and production should feel timeless, warm, and effortlessly classic.

Lyrics that avoid references to specific names, dates, times, places, and brands could make your Songs easier to place. Per the Film Producer, profanity is ok here. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This company does not accept or sign music that has been lyrically or melodically composed using generative AI, nor does it accept backing tracks, full instrumental tracks, or vocal performances created with AI.

The license fee for this placement is (up to) $2,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111TG

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VINTAGE MAMBO INSTRUMENTALS recorded before 1990 are needed by an A-List Music Publisher for Film and TV sync licensing. This company has a "zillion" great placements. Many of those are for TAXI members.

IMPORTANT NOTE: This company pays creators an upfront fee! See below.

This awesome publisher is looking for Songs that are in the general stylistic ballpark of the following references:

"Mambo Manila" by Tito Rodríguez And His Orchestra

"MAMBO INN" by Johnny Pacheco

"Qué Rico Mambo" by Pérez Prado

NOTE: Some light vocals or vocal chants (similar to the last reference) are ok here, but please do not submit full vocal Songs for this opportunity.

Broadcast Quality should be era-appropriate. You can submit old masters — or even well-recorded/produced demos — for this request.

Please submit original Mambo Instrumentals recorded before the year 1990 (give or take a year or two) with an exciting, culturally rich sound and lots of danceable energy! This Publisher is also open to similar vintage Cuban Instrumentals that may not technically be Mambo, but have a similar sound and vibe. Syncopated rhythms, excellent musicianship, solid arrangements, and great compositions are all needed. Traditional Cuban instrumentation in the general ballpark of the references will probably work best, such as brass, bass, congas, bongos, timbales, etc. Original Compositions only, please!

Please make sure your tracks were actually recorded before 1990 (give or take a couple of years), otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

The Company pays you upfront for the Master Rights and the Publisher’s share of the Copyright. You keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization. This Company often averages several placements per week, and many of those are TAXI members who’ve been signed with them because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 to $15,000 (or more!). Deal sizes and buyout amounts vary depending on the quantity and quality of the Songs signed.

Your name needs to be on the Copyright. Your Instrumentals need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received  no later than 11:59 PM (PST) on Monday, November 11th, 2024. TAXI # S241111ZE

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World Music

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Lots of TRAP/HIP-HOP INSTRUMENTALS with MIDDLE-EASTERN flavor are needed by a leading Music Licensing Company with an excellent track record of placements outside of the U.S. market. This Company is distributed internationally by BMG, so they work with shows that air virtually everywhere in the world.

Important: TAXI members have been reporting tons of placements through this company!

TAXI Tip: If you nail this pitch and land in this company's catalog, you might not have a lot of competition when supervisors and editors are searching for this genre. This is a great chance to be a standout in a potentially under-populated genre. Zig when everybody else zags. ;-)

Sounds and influences from the following geographical areas could all potentially work: North African, Andalusian, Mediterranean, and anywhere from the Middle East all the way to India.

This Company is looking for Instrumentals in the general stylistic ballpark of the references below:

"SAYTIR" by Absaroth

"MUSLIM" by CHNBEAT

"Hard Arabic Flute type beat" by Arvin Beatz

Although the references have some vocals mixed in, please submit instrumentals only for this request.

NOTE: This Company is open to a wide range of Hip-Hop styles, and sub-genres, such as Trap, Grime, LoFi, Drill, etc. Submissions with a tasteful blend of Middle-Eastern motifs/instrumentation and solid Hip-Hop production will go a really long way in helping get this Company's attention!

Please submit a wide range of original Hip-Hop Instrumentals with lots of Middle-Eastern sounds and culturally rich motifs! Your submissions should have hard-hitting beats, solid productions, and dynamic arrangements with lots of forward motion and interest. Traditional Middle Eastern instrumentation (such as oud, qanun, ney, darbuka, riq, saz, etc) mixed with modern Hip Hop beats will work best. Please make sure that any virtual instruments or samples you use are high-quality and genre-appropriate.

TAXI Tip: Layering a live instrument over virtual sounds can instantly boost the authenticity and richness of your track, helping elevate the overall production quality. A little organic touch goes a long way!

Your submissions should be around 3 minutes in length, give or take, and definitely no shorter than 2 minutes and 30 seconds. Non-faded, buttoned/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Do NOT submit any tracks with spoken producer tags/watermarks as they are not usable for film and TV placements.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This Company offers an EXCLUSIVE deal, so please be sure the music you pitch for this opportunity is NOT already signed with other Companies or Catalogs. Specific deal points will be handled directly between you and the Company. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, October 22nd, 2024. TAXI # S241022ZA

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TRADITIONAL MIDDLE-EASTERN INSTRUMENTALS are needed by a top-notch International Music Licensing Company with a GREAT track record of placements!

NOTE: This Company is NEW to requesting music from TAXI, so this is a great opportunity to create a new relationship for you and your music with a company that gets AWESOME placements with MAJOR brands.

This Library is searching for Instrumentals that could be heard on a playlist with the following references:

"Copyright free Islamic Background Music" by No Copyright Music

"Peace In The Middle East" by No Copyright Music

"Islamic Background Music" by DDmyzik Instrumental Music

NOTE: This Company would love to find some Instrumental tracks that feature non-lyrical vocalizations or vocal improvisations with an authentic Middle-Eastern sound and style. (They are not required though!) Please do NOT submit full vocal Songs for this request.

Please submit original Instrumentals with a traditional Middle-Eastern sound and style! Your submissions should have culturally rich motifs, engaging rhythms, excellent musicianship, expressive performances, and solid arrangements with plenty of dynamics, forward motion, and interest. A wide variety of emotions and moods could work here, such as sad, introspective, moody, bright, neutral, etc. Instrumentation should fall in the general stylistic ballpark of the references, and it needs to feature authentic instrumentation from the Middle East. (think Duduk, Oud, Qanun, Ney, Riq, Tabla, etc.) Please ensure that any virtual sounds or samples you use are high-quality and genre-appropriate. Original compositions only, please!

This Client let us know that they would LOVE to work with artists/composers with ties to the region. That said, it's not  a requirement - as long as you have some great tracks with an authentic sound, they still want to hear what you’ve got!

All submissions should be around 1.5 to 3 minutes in length, give or take. Non-faded, buttoned/stinger endings are required – no gradual fadeouts, please! Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This client will need alternate mixes and STEMs, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE FULL VERSIONS. Please have the alternative versions on-hand and ready to send at a moment's notice if the client contacts you. If the company DOES contact you, they will ask that your alternate mixes and STEMs are delivered to them as 24 bit, 48kHz, 2-channel stereo WAV files with Integrated Loudness Exactly -16 LUFS, and Absolute True Peak no louder than -2 dBTP. But again, for your initial submissions to TAXI, all you need to submit are full-versions, like every other submission.

IMPORTANT: If you had any vocalist(s) or session musician(s) (other than yourself) perform on your Instrumentals, please be sure to have work-for-hire agreements on-hand if contacted by the Company. Instrumentals with publishing/writing splits for singers or musicians will not work for this Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, October 23rd, 2024. TAXI # S241023AR

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Tons of INSTRUMENTAL COVERS of NATIONAL ANTHEMS are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

This Company is searching for Instrumentals that are in the general stylistic ballpark of the following examples:

"The National Anthem of The Commonwealth of Australia" performed by AnthemKing

"O Canada" performed by L'Orchestra Cinématique

"The Star Spangled Banner (Metal Version)" by Deon Van Heerden

National Anthem of Japan 君が代

This Company is looking for national anthems from the following countries: Canada, Japan, Turkey, Australia, New Zealand, the United States, Austria, Belgium, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom.

NOTE: They are mainly looking for TRADITIONAL arrangements, but are open to NON-TRADITIONAL arrangements as well.

Please submit well-performed Instrumental Covers of National Anthems from the countries listed above! Your submissions should include solid production and easily recognizable melodies that stay true to the original. Instrumentation may vary based on which direction you go, but please remember that this Company is mainly looking for Traditional arrangements. Should you choose to take a Non-Traditional approach, your composition must still honor the essence of the original while conveying a strong sense of patriotism and authenticity for the respective country. Please make sure that any virtual instruments or samples you use are high-quality and very realistic if they are organic-based.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

Tracks need to have non-faded, buttoned/stinger endings. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 27th, 2024. TAXI # S241027MN

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AMBIENT MIDDLE-EASTERN INSTRUMENTALS are needed by a top-notch International Music Licensing Company with a GREAT track record of placements!

NOTE: This Company is NEW to requesting music from TAXI, so this is a great opportunity to create a new relationship for you and your music with a company that gets AWESOME placements with MAJOR brands.

This Library is searching for Instrumentals that could be heard on a playlist with the following references:

"Islamic Background Music" by No Copyright Music

"Calm Humming Islamic Nasheed" by Al Nur

"Islamic Emotional Background Music Copyright Free" by No Copyright Music

VERY IMPORTANT NOTE: This Company is specifically hunting for instrumental tracks featuring ambient, non-lyrical vocalizations and vocal improvisations, similar to the reference tracks. However, please do NOT include any religious chants or lyrics.

Please submit original Instrumentals with a subdued, ambient energy, and ethereal vocalizations with an authentic Middle-Eastern sound! Your submissions should have culturally rich motifs, minimal-to-no rhythm, and free-flowing arrangements with gradual forward motion. Instrumentation should fall in the general stylistic ballpark of the references (think ambient synths, Duduk, Oud, Qanun, Ney, etc.). Please ensure that any virtual sounds or samples you use are high-quality and genre-appropriate. Original compositions only, please!

This Client let us know that they would LOVE to work with artists/composers with ties to the region. That said, it's not a requirement - as long as you have some great tracks with an authentic sound, they still want to hear what you’ve got!

All submissions should be around 1.5 to 3 minutes in length, give or take. Natural sounding, buttoned endings will work best. (No long fadeouts, please.) Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

NOTE: This client will need alternate mixes and STEMs, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE FULL VERSIONS. Please have the alternative versions on-hand and ready to send at a moment's notice if the client contacts you. If the company DOES contact you, they will ask that your alternate mixes and STEMs are delivered to them as 24 bit, 48kHz, 2-channel stereo WAV files with Integrated Loudness Exactly -16 LUFS, and Absolute True Peak no louder than -2 dBTP. But again, for your initial submissions to TAXI, all you need to submit are full-versions, like every other submission.

IMPORTANT: If you had any vocalist(s) or session musician(s) (other than yourself) perform on your Instrumentals, please be sure to have work-for-hire agreements on-hand if contacted by the Company.

AI ALERT: This company does not accept or sign music that has been melodically composed using generative AI, nor does it accept backing tracks or full instrumental tracks created with AI.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, October 28th, 2024. TAXI # S241028MC

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Lots of COVERS of NATIONAL ANTHEMS with Male or Female Vocals are needed by a well-established Los Angeles-based production house/library with a long track record of tv, film, and advertising placements.

IMPORTANT: This company is also running a Listing that asks for INSTRUMENTAL COVERS of National Anthems (TAXI # S241027MN), so please don't confuse the two opportunities.

This Company is searching for Vocal Covers of National Anthems in the general stylistic ballpark of the following examples:

"Star Spangled Banner" performed by Helmut Lotti

"Soldiers Song" by United Irishmen

Luxembourg National Anthem - "Ons Heemecht"

This Company is looking for national anthems from the following countries: Canada, Japan, Turkey, Australia, New Zealand, the United States, Austria, Belgium, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Sweden, Switzerland, and the United Kingdom.

NOTE: They are mainly looking for TRADITIONAL arrangements, but are open to NON-TRADITIONAL arrangements as well.

IMPORTANT NOTE: YOUR VOCALS NEED TO BE IN THE NATIVE LANGUAGE of the country the anthem is from.

Please submit well-performed Vocal Covers of National Anthems from the countries listed above! Your submissions should have excellent vocal performances with melodies that stay true to the original. Instrumentation may vary based on which direction you go, but please remember that this Company is mainly looking for Traditional arrangements. Should you choose to take a Non-Traditional approach, your composition must still honor the essence of the original while conveying a strong sense of patriotism and authenticity for the respective country. Please make sure that any virtual instruments or samples you use are high-quality and very realistic if they are organic-based.

AI ALERT: This company does not accept or sign music with backing tracks, full instrumental tracks, or vocal performances created with AI.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. Time-permitting, someone from the Company may screen some or all of the submissions. You must own or control your Master to pitch for this opportunity. Submissions must be received no later than 11:59 PM (PDT) on Saturday, November 2nd, 2024. TAXI # S241102VR

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