TAXI's Industry Listings

Updated: April 18, 2024

Adult Contemporary

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MODERN ADULT CONTEMPORARY ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

"Chemtrails Over The Country Club" by Lana Del Rey

"My Love Mine All Mine" by Mitski

"What Was I Made For?" by Billie Eilish

Please submit well-crafted Adult Contemporary Songs that could be heard on a playlist with the references! Memorable melodies, subdued rhythms, meaningful hooks, solid arrangements, and well-written lyrics are all needed for this opportunity. Modern Adult Contemporary instrumentation in the general wheelhouse of the references will work best. Please make sure any virtual sounds or samples you use are high quality, realistic, and not dated-sounding. Compelling, expressive, and well-performed vocals are the way to go!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423AC

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Blues

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SOULFUL BLUES ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male Vocals that could work as a replacement for "Soulshine" by Allman Brothers, which is currently temped in:

"Soulshine" by Allman Brothers

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Blues Rock Songs with a hopeful vibe, soulful melodies, engaging grooves, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric guitars, organ, drums, bass, etc.) Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed, expressive, and soulful Male vocals are needed.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425SH

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Children's

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Lots of HAPPY, KID-FRIENDLY INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

High Fives - CBC Kids

Stuck in the Quinceanera - Stuck in the Middle (from 10:44 to12:05)

Sweet Tooth! - DC Super Hero Girls (from 0:13 - 1:10)

Please submit well-crafted Instrumentals and/or Instrumental Cues that create an overall happy, fun, bouncy, and positive vibe and feel for kids/preteen programming, promos, and entertainment. Your submissions should have uplifting motifs, feel-good grooves, lots of emotionally upbeat energy, and excellent arrangements. Instrumentation in the general ballpark of the references will suit your submissions best – think keys, claps, vibraphone, synths, bass, drums, funky guitar, etc. Please be sure any virtual instruments or sounds you use are high-quality and not dated-sounding.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423HL

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Lots of KID'S LULLABY INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for a bunch of Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"Go to Sleep Little Baby" by TinyGrads

"William's Lullaby" by Soothing Lullabies

"Twinkle Twinkle Little Star" by Relax Bear

Please submit original and well-crafted Instrumentals and/or Instrumental Cues with a soft, soothing sound that could be used to help young children fall asleep. Your submissions should have relaxing motifs, slow-moving rhythms, solid arrangements, peaceful sounds, and a soft, gentle vibe. Instrumentation in the general ballpark of the references will suit your submissions best – think vibraphone, xylophone, soft guitar, etc. Please be sure any virtual instruments or sounds you use are high-quality and not dated-sounding.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, May 2nd, 2024. TAXI # S240502BQ

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Christian

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VINTAGE SOUTHERN GOSPEL SONGS (in the Public Domain) with Male and/or Female Vocals are needed by a very successful EXCLUSIVE Music Library. This company has a very long history of lots and lots of really AWESOME placements, tons of which have been for TAXI members!

This Company is looking for vintage recordings of Public Domain Songs that could be heard on a playlist with the following references:

"When The Roll Is Called Up Yonder" performed by The Original Carter Family

"Leaning On The Everlasting Arm" by Early Sons Of The Pioneers

"Don't You Hear Jerusalem Moan" by Gid Tanner & The Skillet Lickers

NOTE: This Company is NOT looking for Instrumentals. Submissions need to include vocals!

IMPORTANT: This company is looking for religious Songs in the PUBLIC DOMAIN that were recorded before 1950. They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. Please ensure that the music you submit was recorded before 1950 (give or take a few years), or this Company cannot use it!

Please submit vintage recordings of Public Domain Gospel Songs with an old-timey sound and lots of deep-south charm! Your submissions should have southern vocal deliveries with rich harmonies. Era-appropriate Broadcast Quality is needed.

Please double check to make sure the music you submit is truly in the Public Domain! Check out the Public Domain Information Project website for more info.

IMPORTANT! Per our client, your submissions must NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive) including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. You must own or control your Masters to pitch for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430PD

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Lots of MODERN CHRISTIAN HIP-HOP SONGS with Male or Female Vocals are needed by an A-List Sync and Music Licensing Company with a very successful track record of placements in Film, TV, and Commercials.

This Company is looking for a bunch of Mid-To-Up-Tempo Songs in the general wheelhouse of the following references:

"God's Eyes" by Dax

"Blessed Up (Remix)" by Wande ft. Lecrae, Mike Todd

"Focus" by Evan Ford

QUOTING THE COMPANY: "We are looking for Mid-tempo to Up-Tempo Songs that range from moody to happy, and fit within the following lyrical themes: Struggles, Obstacles, Motivation, Overcoming, or Celebration."

Please submit current-sounding Christian Hip-Hop Songs with lots of mainstream appeal and with lyrics that fit the themes mentioned above. Your submissions should have hard-hitting beats, slick lyrical flows, catchy hooks, solid arrangements, lots of energy, and well-written lyrics that are faith-based. Modern Hip-Hop instrumentation that's in the general stylistic wheelhouse of the references will work best for this opportunity. Please make sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Confident, well-performed vocals are needed!

Lyrics should ideally avoid references to specific names, dates, times, places, brands, and profanity. Religious-oriented names such as, "God, He, Him, Jesus," etc. could be exceptions. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: Do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film and TV placements.

This company offers an EXCLUSIVE, 50/50 deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, May 7th, 2024. TAXI # S240507PH

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Country

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Lots of COUNTRY/HIP-HOP INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"TYRANT" by Beyoncé & Dolly Parton 

"Buckle Bunny" by Tanner Adell

"SWEET ★ HONEY ★ BUCKIIN'" by Beyoncé

Please submit well-crafted Country/Hip-Hop Instrumental Cues that combine traditional Country motifs with modern Hip-Hop energy! Your submissions should have distinctly Country motifs mixed with Hip-Hop beats and modern production techniques. Your arrangements should be solid, stick to a central motif throughout, and add/subtract layers of instrumentation as your Cues progress to create a forward motion. Country/Hip-Hop instrumentation that's in the general wheelhouse of the references will work best. Please make sure that any virtual instruments you use are high-quality and genre-appropriate.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418RY

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TRADITIONAL COUNTRY SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Producer is looking for Songs with Male vocals that could work as a replacement for "Crazy" by Willie Nelson, which is currently temped in:

"Crazy" by Willie Nelson

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

VERY IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Traditional Country Songs with a throwback sound and an emotive, vulnerable vibe! Your submissions should have great musicianship, touching and heartfelt hooks, down-tempo rhythms, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think acoustic guitar, steel guitars, drums, upright bass, etc). Please ensure your productions are genre-appropriate and any virtual instruments or samples you use are high-quality. Well-performed Male vocals are the way to go for this request.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420CY

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Lots of GENRE-BENDING COUNTRY SONGS with FEMALE vocals are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for Songs that would fit well on a playlist with the following references:

"TEXAS HOLD 'EM" by Beyoncé

"Buckle Bunny" by Tanner Adell

"SWEET ★ HONEY ★ BUCKIIN'" by Beyoncé

Please submit original Country Songs that effectively blur the lines between Country, Hip-Hop, Soul, and Pop! Your submissions should have genre-bending elements such as Country motifs mixed with Pop/Hip-Hop rhythms, soulful vocal deliveries mixed with modern production techniques, etc. Regardless of the approach you take, your track should have solid arrangements, catchy melodies, and well-crafted lyrics. Country, Soul, Hip-Hop, and Pop instrumentation in the general wheelhouse of the reference Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality. Well-performed and confident Female vocals could help you seal the deal.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240417CG

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HIT-WORTHY COUNTRY SONGS with Male Vocals are needed by a world-renowned Publisher for a rising Country Star looking for new material!

This Publisher is on the hunt for slam-dunk Hits in All Tempos that could be heard on a playlist with the following references:

"This Heart" by Corey Kent

"Holy Smokes" by Bailey Zimmerman

"Spin You Around (1/24)" by Morgan Wallen

Please submit Country Songs with lots of Top-40 appeal, down-home charm, and the potential to be the next chart-topping Country hit! Your submissions should have unforgettable choruses, catchy melodies, engaging rhythms, and well-written lyrics that are honest and relatable. Instrumentation and arrangements may vary between traditional Country, modern Country, or even powerful ballads with a Pop/Country feel. Whichever approach you take, make sure your submissions are rooted firmly in the Country genre and are consistent and competitive with other Songs in your chosen style or sub-genre. Expressive and compelling Male vocal performances are needed!

TAXI Tip: Vocal deliveries can often make or break Song pitches. Make sure that the vocals in your Songs are well-performed, compelling, and rich with Country authenticity if you want to get this Artist and Label excited about your Songs!

Stripped-down demos and full productions are both okay to submit, as long as your Songs are great and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

NOTEWORTHY: If time permits, someone from the Publisher's staff (who has been trained as a TAXI screener) will screen for this request. That means that somebody who is directly involved in this request could be "ears-on" with your submissions.

The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 28th, 2024. TAXI # S240428NT

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ORIGINAL, HIT-WORTHY COUNTRY SONGS (with some 90s influence) and Male Vocals are needed by a legendary Music Row Publisher for an award-winning Country Star working on his next release!

NOTE: This client is a CMA "Publisher of the Year" Award-winner who has had multiple million-selling singles and #1 hits with major artists, including many current cuts! This is a great opportunity to get your music heard by a highly respected Music Row Publisher!

This Client is looking for Songs in the general ballpark of the references below:

"Heartache Medication" by Jon Pardi

"Forever After All" by Luke Combs

"Lady" by Brett Young

"Tequila Little Time" by Jon Pardi

Quoting The Client: "We are looking for Songs with strong hooks and good, solid ideas that might even have a twist. They need to be strong singles with a '90s-style approach but with modern melodies. The chorus needs to really stand out and make the listener want to sing along."

Please submit original Country Songs with lots of mainstream appeal and plenty of chart-topping potential! Your submissions should have super memorable choruses, catchy melodies, engaging rhythms, and well-crafted lyrics. Modern Country instrumentation that's in the general stylistic ballpark of the references will work best for this pitch (crossover or pop-inspired instrumentation won't work here). Charismatic and well-executed vocal performances could be just what it takes to get this publisher excited about your Songs!

TAXI Tip: Although this Publisher is looking for '90s-influenced Songs, they don't want dated-sounding material! They're looking for modern Songs that have a '90s vibe. Listen closely to the references to hear what we mean by that, but don't copy them in any way, shape, or form.

Stripped-down demos and full productions are both okay to submit as long as your Songs are great, and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

The specific deal points will be negotiated on a Song-by-Song basis directly by the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Time-permitting, the Publisher (who has been trained as a TAXI Screener) may screen some or all of the submissions! NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430VF

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HIT-WORTHY MODERN COUNTRY SONGS with Male Vocals are needed by a well-connected Music Row Publisher with an impressive track record.

This Publisher is looking for chart-worthy Songs in All Tempos in the general stylistic wheelhouse of the following examples that we got directly from them:

"Thinkin’ Bout Me" by Morgan Wallen

"Where the Wild Things Are" by Luke Combs

"Cowgirls" by Morgan Wallen ft. ERNEST

Please submit modern Country Songs with tons of commercial appeal and lots of Top-40 potential! Super catchy hooks, memorable melodies, engaging rhythms, solid arrangements, and well-crafted lyrics are all needed for this opportunity. Modern Country instrumentation in the general ballpark of the references will work best. Please ensure any virtual instruments or samples you use are high quality and not dated-sounding. Confident and well-performed Male vocals could help you seal the deal!

IMPORTANT NOTE: This Publisher is specifically looking for Songs for Male Artists that fall on the edgier side of Country music! Submissions that push the boundaries a bit, but still maintain plenty of commercial appeal could potentially get this Publisher's attention! Give a good listen to the referenced artists, to see what we mean!

Stripped-down demos and full productions are both okay to submit, as long as your Songs are great and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

NOTEWORTHY: If time permits, someone from the Publisher's staff on Music Row (who has been trained as a TAXI screener) will screen the submissions for this request. That means that somebody who is directly involved in this request could be "ears-on" with your submissions.

The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Submissions must be received no later than 11:59 PM (PDT) on Monday, May 6th, 2024. TAXI # S240506MC

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Electronic

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HARD-HITTING HYBRID HIP-HOP/EDM INSTRUMENTALS are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of the following examples we got directly from our contact at the Company:

GoPro Awards: Million Dollar Challenge | HERO11 Black + Mini

GoPro Awards: Million Dollar Challenge | HERO8 Black + MAX

GoPro Awards: Million Dollar Challenge | HERO9 Black

Quoting the Client: "These tracks need big dynamic ranges, with great edit points and drops (ideal for epic moments). The dynamics are key."

Please submit well-crafted Hybrid Hip-Hop/EDM Instrumentals that are exploding with epic, bombastic energy! Exciting builds, sweeping risers, hard-hitting drops, modern EDM production techniques, exciting motifs, and excellent arrangements with plenty of forward motion, dynamics, and interest are all needed for this request. Modern EDM and Hip-Hop instrumentation (mixed with some sound design) will work best here. Your production and any virtual sounds or samples you use need to be high-quality and current-sounding. If you are a producer with the production chops to create this style of track, show us what you got!

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425HH

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Lots of FEEL-GOOD EDM/HOUSE INSTRUMENTAL CUES are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members.

This company's CEO is looking for quite a few Instrumental Cues in the general stylistic ballpark of the examples below:

"Crossroads" by David Bulla

"Let’s Go Home" by Eklo (Erlando Remix)

"Younger" by Seinabo Sey (Kygo Remix)

Although some of the references have vocals, please submit Instrumental Cues only. Vocal FX/chops are ok.

Please submit well-crafted EDM/House Instrumental Cues full of uplifting, positive energy! Your submissions should have catchy, feel-good motifs, grooving rhythms, and dynamic arrangements with plenty of forward motion throughout. Modern EDM instrumentation and production that's in the general stylistic wheelhouse of the reference tracks will work best. Please be sure your productions and any virtual instruments or samples you use are high quality and not dated-sounding.

Your submissions should be about 1.5 to 2 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 28th, 2024. TAXI # S240428SV

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EASYGOING COUNTRY SONGS with Male or Female Vocals are needed for an (up to) $1,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits!

This Film's Producer is on the hunt for Songs that could work as a replacement for "People Are Crazy" by Billy Currington, which is currently temped in:

"People Are Crazy" by Billy Currington

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "We need something that could be playing on a jukebox in small-town bar."

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit easygoing Country Songs with a light-hearted, optimistic sound and lots of Country charm! Memorable melodies, solid arrangements, engaging rhythms, and well-performed vocals are all needed for this request. Country instrumentation in the general stylistic wheelhouse of the reference will suit your submissions best (think acoustic guitar, steel guitar, bass, drums, etc.). Please ensure any virtual instruments or samples you use are high-quality and realistic. Expressive and charismatic vocal performances could help you seal the deal!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430CY

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DRIVING INDIE/ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "Bees" by Caribou, which is currently temped in:

"Bees" by Caribou

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Indie/Rock Songs with a driving, forward-moving sound and minimal vocals! Your submissions should have catchy melodies, driving rhythms, and solid arrangments. Vocals should be sparse and non-lyrical. Indie/Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think guitars, drums, and bass with some synth/sound fx mixed in, etc). Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed Male vocals are needed.

Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-FIlm Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, May 2nd, 2024. TAXI # S240502EE

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Folk

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UPLIFTING FOLK SONGS with Female Vocals are needed for an (up to) $1,000, Direct-to-Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "Closer to Fine" by Indigo Girls, which is currently temped in:

"Closer to Fine" by Indigo Girls

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit well-crafted Folk Songs that have an emotionally upbeat sound and hopeful, uplifting lyrics! Catchy melodies, solid arrangements, driving rhythms, and expressive, well-performed Female vocals are all needed for this request. Folk instrumentation in the general wheelhouse of the reference will suit your submissions best (think acoustic guitars, light percussion, etc). Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding.

Lyrics that avoid references to specific names, dates, times, brands, places, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418CF

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Hard to Classify/Specialty/Novelty

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FUN/QUIRKY '60s-Style (or Vintage) POP SONGS with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references:

"The Lion Sleeps Tonight" by The Tokens

"The Battle of Kookamonga" by Homer & Jethro

"Come On-A My House" by Rosemary Clooney

"Hanky Panky" by Tommy James & The Shondells

QUOTING THE COMPANY: "We are looking for authentic-sounding '60s Songs that are humorous, fun, or quirky for upbeat montages."

IMPORTANT: This Company is looking for AUTHENTIC-SOUNDING '60s music! You can submit recently recorded/produced Songs if they sound like they are actually from the '60s, OR if you have high-quality vintage recordings, they would love to hear those as well!

Please submit well-crafted Pop Songs with an authentic '60s sound and a fun or quirky approach in the general style of the references! Fun motifs, era-appropriate rhythms, memorable melodies, solid arrangements, catchy choruses, and well-crafted lyrics are all needed. '60s Pop instrumentation in the general wheelhouse of the reference Songs will work best for this opportunity. If you choose to use any virtual instruments, please make sure they are high-quality, realistic, and era-appropriate. Your production needs to sound authentically '60s, and please be sure your vocal performances are well-performed!

TAXI TIP: Please do NOT include any sound effects in your music, such as laugh tracks, crowd noises etc.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Era-appropriate Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422KQ

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Lots of KLEZMER SONGS with Male or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This A-List Company is on the lookout for Songs in the general stylistic ballpark of the following references:

"Zol shoyn kumen di geule" by The Klezmatics

"Basarabye" by Itzhak Perlman

"Yidl Mitn Fidl" by Zalmen Mlotek ft. Eleanor Reissa

Please submit well-crafted Klezmer Songs with infectious rhythms, stellar musicianship, and tons of Klezmer charm (think Fiddler on the Roof-style). Your submissions should have authentic melodies, danceable rhythms, solid arrangements, and well-crafted lyrics in Yiddish. Instrumentation should be in the general stylistic wheelhouse of traditional Klezmer music, with instruments such as Accordion, Acoustic Guitar, Nylon String Guitar, Bass Guitar, Hand Percussion, Tambourine, Strings, Concert Flute, Cimbalom (Dulcimer), Orchestral Harp, Trumpet, Piano, and Drumset. Performances should feel authentic – complete with traditional Klezmer articulations (bending the notes, forcing the breath, breathing into the notes, legato, staccato, etc.).

If you're using any virtual instruments, be sure they're super high-quality and realistic sounding. This request is all about capturing an authentic Klezmer vibe and sound!

TAXI Tip: Your submissions don't need to be in one rigid tempo throughout. Historically, Klezmer music was meant for dancing, so tempos were fluid – often players slightly led or trailed the beat creating a lilting sound. Because of this, it'd actually probably be a good idea to let the rhythms of your pieces flow freely in a rubato style so they feel more authentic. The more your pieces feel like they're being performed by a real Klezmer band, the better!

Lyrics need to be in Yiddish and should avoid references to specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings are strongly recommended. Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

IMPORTANT: This Library really wants to find top-notch Composers – not just people who combine different samples or loops without altering them at all.  Cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they're distinguishable from the originals. Basically, if you Shazamed one of your tracks and another artist's song comes up, your music would definitely be disqualified by this Company.

ALSO IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, April 26th, 2024. TAXI # S240426KL

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TRADITIONAL NAVAJO SONGS with Male and/or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This Company is on the lookout for Songs in the general stylistic ballpark of the following references:

"Song and Dance Romance" by Radmilla Cody

"Navajo Squaw Dance" by Ed Lee Natay

"Diné" by Tom Murphy

Please submit Traditional Navajo Songs with authentic Navajo sounds, instrumentation, and vocals. Please DO NOT submit anything with modern sounds or modern production elements, such as electronic beats, synths, etc. Instrumentation should be light and minimal, and generally stay in the wheelhouse of the references.

NOTE: You can submit recently recorded Songs in the general style of the references, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well!

Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505VJ

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Indie/Alternative

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MODERN DARK ALT-POP SONGS with Female Vocals are needed for an (up to) $150, Direct-to-Producer placement in an upcoming Independent Feature Film!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Producer is looking for Mid-Tempo Songs with Female vocals that could work as a replacement for "COPYCAT" by Billie Eilish, which is currently temped in:

"COPYCAT" by Billie Eilish

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit modern Dark Alt-Pop Songs with an unsettling sound and eerie vibes! Your submissions should have modern production, haunting melodies, memorable hooks, engaging rhythms, solid arrangements, and well-crafted lyrics. Modern Pop Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed and intimate Female vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418CB

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NOSTALGIC, FEEL-GOOD INDIE SONGS with Male Vocals are needed for an (up to) $300 Direct-to-Filmmaker/Director Placement in an upcoming Indie Feature Film.

NOTE: This film's Director is BRAND NEW to requesting music from TAXI's members, so this is a great chance to make some money upfront; and more importantly, it's an opportunity for this Director to get to know you and your music for future films he directs!

IMPORTANT: Because you'd be licensing directly to the film's Director and not going through a publisher, you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties.

The Director is searching for Mid-Tempo Songs that could be found on a playlist with the following references:

"Oysters in My Pocket" by Royel Otis 

"Sun Paints the Sea" by The Light The Heat

"Can I Call You Tonight?" by Dayglow

QUOTING THE DIRECTOR: "This scene is about four high-school friends meeting up for their last hurrah before college. It starts with ocean and island shots, and we see the friends running on the beach, hanging out, being together, etc.  They're young, good-looking, and immortal in their own mind."

Please submit well-crafted Indie Songs full of youthful, summer vibes, and a nostalgic, carefree sound! Your submissions should have memorable melodies, engaging grooves, solid arrangements, feel-good motifs, and well-crafted lyrics that could work with the scene described above. Instrumentation in the general ballpark of the references will suit your tracks best. Please be sure that any virtual instruments or samples you use are high-quality and genre-appropriate. Well-performed Male vocals with an Indie sound are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use the reference only as a general guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The estimated license fee for this placement is (up to) $300, depending on the ultimate use.

IMPORTANT: Because you'd be licensing directly to the film's Director and not going through a publisher, you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control the Masters and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418NN

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MODERN DREAM POP ARTISTS and BANDS with Male or Female Vocals are needed by a well-respected Indie Record Label that’s been in business for quite some time and is looking for great new acts to sign to their roster.

This Label is looking for acts that would appeal to fans of the references below:

"I hope to be around" by Men I Trust

"Yam Yam" by No Vacation

"Holiday House" by Beach House

Please submit current-sounding Dream Pop Songs with hypnotic hooks, floating melodies, engaging grooves, solid arrangements, and a captivating, dreamy sound. Your submissions should have Dream Pop instrumentation in the general stylistic wheelhouse of the references and others like them. Any virtual instruments or samples you use should be high-quality and genre-appropriate. Top your submissions off with expressive, well-performed vocals, and you could have just what this Label is looking for!

This Label is mostly interested in artists and bands that are active and out there working on their careers, so please include any impressive touring, fan base, sales, streaming, or social media figures you have in your bio. That said – if you’re an artist or band that’s just starting out and don't have much of a story or track record yet, but you do have an amazing sound and some killer songs to back it up, they’d still like to hear you!

NOTE: They’ve asked for you to submit at least TWO to THREE Songs per submission so they can see if you’ve got depth in your material.

Your productions and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tone, texture, and overall vibe.

Please submit as many Songs as you'd like, online or per CD. Include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420EM

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HAUNTINGLY BEAUTIFUL POP SONGS with Female Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Down-Tempo Songs with Female vocals that could work as a replacement for "Goodbye" by Billie Eilish, which is currently temped in:

"Goodbye" by Billie Eilish

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please send in modern, down-tempo Pop Songs with a haunting yet beautiful sound that is captivating and full of emotion. Your submissions should have modern production, haunting melodies, memorable hooks, solid arrangements, enchanting motifs, and well-crafted lyrics. Minimal modern Pop Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed and intimate Female vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240421DB

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MODERN INDIE POP ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

"Glue Song" by beabadoobee

"Sofia" by Clairo

"Heart To Heart" by Mac DeMarco

Please submit modern Indie Pop Songs that show off your unique style and sound! Catchy melodies, engaging rhythms, memorable hooks, solid arrangements, well-written lyrics, and lots of mainstream appeal are all needed for this opportunity. Indie Pop instrumentation in the general wheelhouse of the references will work best. Please make sure any virtual sounds or samples you use are high quality, realistic, and not dated-sounding. Compelling, expressive, and well-performed vocals are the way to go!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240421JN

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MODERN INDIE R&B/SOUL SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This film's Producer is looking for Mid-Tempo Songs with Male Vocals that could work as a replacement for "Gold" by Chet Faker, which is currently temped in:

"Gold" by Chet Faker

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Indie Soul Songs with a smooth, inviting sound and plenty of soulful, infectious energy! Your submissions should have head-bobbin grooves, catchy melodies, laid-back rhythms, memorable hooks, solid arrangements, and well-crafted lyrics. Modern Soul Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed, expressive, and soulful Male vocals are needed.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423HB

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SULTRY GUITAR INSTRUMENTALS are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Instrumentals that could work as a replacement for "Blood Milk Moon" by Hermanos Gutiérrez, which is currently temped in:

"Blood Milk Moon" by Hermanos Gutiérrez

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Guitar Instrumentals with a sultry sound and a hypnotic, alluring vibe! Your submissions should have Latin-inspired grooves (think bolero/slow tango), memorable melodies, solid arrangements, and plenty of forward motion and interest throughout. Instrumentation that's in the general stylistic wheelhouse of the reference Song will work best for this opportunity (think "surf rock"-style electric guitars w/ spring reverb, Latin percussion, bass, etc.). Please ensure your productions and any virtual instruments or samples you use are high-quality and not dated-sounding.

Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 24th, 2024. TAXI # S240424BM

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UPLIFTING INDIE/ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "This Life" by Vampire Weekend, which is currently temped in:

"This Life" by Vampire Weekend

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Indie Rock Songs with a fun, emotionally upbeat sound and lots of playful, infectious energy! Your submissions should have engaging grooves, catchy melodies, playful rhythms, memorable hooks, solid arrangements, and well-crafted lyrics. Indie Rock instrumentation that's in the general stylistic wheelhouse of the reference Song will work best for this opportunity (think guitars, drums, bass, etc.). Please ensure your productions and any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 28th, 2024. TAXI # S240428LF

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'70s-Style NEW WAVE/ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "Psycho Killer" by Talking Heads, which is currently temped in:

"Psycho Killer" by Talking Heads

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit New Wave/Rock Songs with a sound reminiscent of the Post-Punk/New Wave movement in the '70s! (think bands like Blondie, Devo, The Cars, etc). Your submissions should have driving grooves, catchy melodies, memorable hooks, solid arrangements, and well-crafted lyrics. New Wave/Rock Instrumentation that's in the general stylistic wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 29th, 2024. TAXI # S240429KZ

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MOODY '80s-INSPIRED ALT-ROCK SONGS with Male Vocals are needed by a Music Library with a great history of TV placements!

This Company is on the hunt for Songs that could work as a replacement for "The Killing Moon" by Echo & The Bunnymen:

"The Killing Moon" by Echo & The Bunnymen

QUOTING THE CO-FOUNDER OF THE COMPANY: "The Song doesn't necessarily have to have an 80's production style. The general vibe and style of this song is what we're going for with this one."

Please submit moody, '80s-inspired Alt-Rock Songs that capture the overall vibe and style of the reference! But please take note: They are NOT looking for a clone of the reference song! Your submissions should have hypnotic melodies, catchy choruses, well-crafted lyrics, engaging rhythms, and expressive, well-performed Male vocals. Instrumentation that's in the general stylistic wheelhouse of reference will suit your submissions best (think guitars, drums, '80s-inspired synths, bass, etc.). If you have high-quality vintage recordings (recorded back in the day) that match the vibe and style they are looking for, they would love to hear those as well!

Lyrics should avoid references to specific names, dates, times, brands, places, and profanity. Do NOT copy the referenced example in any way, shape, or form. Use it only as a general guide for tempo, tone, texture, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed. Era-appropriate Broadcast Quality will work for vintage recordings.

IMPORTANT: They will need instrumental-only versions of your Songs as well, but not yet! All you need to submit for now are the Full Songs with Vocals, but please have mix-minus-vocal versions on hand and ready to send at a moment’s notice if you get a call or email from the Music Library.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split any upfront sync fees 50/50. You'll keep 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 29th, 2024. TAXI # S240429KL

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EMOTIONAL '90s-Style ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "The World Has Turned And Left Me Here" by Weezer, which is currently temped in:

"The World Has Turned And Left Me Here" by Weezer

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit emotional Rock Songs with a throwback '90s sound and introspective, vulnerable lyrical themes. Your submissions should have catchy melodies, rock-inspired rhythms, memorable hooks, solid arrangments, chugging guitars, and well-crafted lyrics. '90s Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric/acoustic guitars, drums, bass, etc.). Please ensure your productions and any virtual instruments or samples you use are high-quality and era-appropriate. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430TD

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DREAMY '80s-Style ALTERNATIVE ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "Just Like Honey" by The Jesus And Mary Chain, which is currently temped in:

"Just Like Honey" by The Jesus And Mary Chain

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Alternative Rock Songs with a throwback '80s sound and a dreamy, ethereal vibe. Your submissions should have catchy melodies, engaging rhythms, memorable hooks, solid arrangements, plenty of '80s-flavored production techniques, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think overdriven electric guitars drenched in reverb, drums, bass, synth, etc.). Please make sure that any virtual instruments or samples you use are high-quality and era-appropriate. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Wednesday, May 1st, 2024. TAXI # S240501NY

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MAINSTREAM INDIE ROCK ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This Label is on the hunt for acts that would appeal to fans of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Cracker Island" by Gorillaz ft. Thundercat

"Operator" by Yves Tumor

"The Hills" by Rachel Chinouriri

Please submit well-crafted Indie Rock Songs with mainstream appeal that showcase your one-of-a-kind sound and style! Your submissions should have catchy melodies, solid arrangements, well-crafted lyrics, lots of Indie Rock flair, and big, unforgettable hooks. Indie Rock instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions are modern and any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals are the key to this listing!

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505NB

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INDIE SINGER/SONGWRITER ARTISTS or BANDS with Male or Female Vocals are needed by a prominent Los Angeles-based Independent Record Label that’s currently looking for talented new artists to sign.

This Label is on the lookout for acts that would appeal to fans of the following examples we got directly from them:

"All My Broken Pieces" by James Bay

"World on a String" by Jessica Pratt

"Night Shift" by Lucy Dacus

Please submit well-crafted Singer/Songwriter Songs that have a genuine, modern Indie sound, but still maintain a good level of mainstream appeal! Your submissions should have catchy melodies, memorable choruses, solid arrangements, and well-crafted lyrics. Indie Singer/Songwriter instrumentation that falls within the general stylistic ballpark of the references will work best for this opportunity (think acoustic guitar, electric guitar, keys, drums percussion, etc.). Live instrumentation is suggested, but if you choose to use virtual instruments or samples, please make sure they are high-quality, realistic, and not dated-sounding. Compelling and well-performed vocals are the way to go.

This Label has specifically asked to hear at least 2 Songs per submission so they can see if you’ve got depth in your material.

NOTE: This Label is interested in Artists and Bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new Artist or Band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the company. Submissions must be received no later than 11:59 PM (PDT) on Thursday, May 9th, 2024. TAXI # S240509GW

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Instrumental

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Lots of COUNTRY/HIP-HOP INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"TYRANT" by Beyoncé & Dolly Parton 

"Buckle Bunny" by Tanner Adell

"SWEET ★ HONEY ★ BUCKIIN'" by Beyoncé

Please submit well-crafted Country/Hip-Hop Instrumental Cues that combine traditional Country motifs with modern Hip-Hop energy! Your submissions should have distinctly Country motifs mixed with Hip-Hop beats and modern production techniques. Your arrangements should be solid, stick to a central motif throughout, and add/subtract layers of instrumentation as your Cues progress to create a forward motion. Country/Hip-Hop instrumentation that's in the general wheelhouse of the references will work best. Please make sure that any virtual instruments you use are high-quality and genre-appropriate.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418RY

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Lots of MODERN ELECTRO-POP INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"Single Soon" by Selena Gomez

"Do It Again" by Ray Dalton

"Still love you" by Alan Murin x IOVA

Although the references have vocals, please submit Instrumentals and/or Instrumental Cues only for this request.

Please submit Electro-Pop Instrumentals and/or Instrumental Cues that have a super fresh sound and a nice combination of pop and EDM elements! Be sure your submissions have modern production techniques, solid arrangements, catchy motifs, and tons of energy throughout! A blend of Pop and EDM instrumentation in the general stylistic ballpark of the references will work best. Please be sure your tracks have plenty of forward motion, dynamics, interest, and layers. Any virtual instruments or samples you use need to be high-quality and modern.

Your submissions should be roughly 90 seconds long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420ST

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Lots of SUPERHERO-THEMED ORCHESTRAL INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Company is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"Captain America March" by Alan Silvestri

"SpiderMan Main Title" by Danny Elfman

"The Marvels" by Laura Karpman

Please submit well-composed Orchestral Instrumentals and/or Instrumental Cues with an iconic, superhero sound and an exciting, memorable motif! Your submissions should have thematic motifs, well-written orchestration, memorable melodies, solid arrangements, and plenty of forward motion and interest throughout. Orchestral instrumentation that falls in the general ballpark of the references will work best. Your productions, and any virtual sounds or samples you use need to be of high quality and current-sounding. Don't be afraid to really layer up your instrumentation to create a blockbuster-worthy sound!

Your submissions should be roughly 90 seconds long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420SU

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Lots of HAPPY, KID-FRIENDLY INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

High Fives - CBC Kids

Stuck in the Quinceanera - Stuck in the Middle (from 10:44 to12:05)

Sweet Tooth! - DC Super Hero Girls (from 0:13 - 1:10)

Please submit well-crafted Instrumentals and/or Instrumental Cues that create an overall happy, fun, bouncy, and positive vibe and feel for kids/preteen programming, promos, and entertainment. Your submissions should have uplifting motifs, feel-good grooves, lots of emotionally upbeat energy, and excellent arrangements. Instrumentation in the general ballpark of the references will suit your submissions best – think keys, claps, vibraphone, synths, bass, drums, funky guitar, etc. Please be sure any virtual instruments or sounds you use are high-quality and not dated-sounding.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423HL

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Lots of SPAGHETTI WESTERN INSTRUMENTALS are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Instrumentals in the general stylistic range of the following examples, which we got directly from the client:

"The Good, The Bad and The Ugly" by Ennio Morricone

"The Grand Duel - Parte prima" by Luis Bacalov

"A Fistful Of Dollars" by Ennio Morricone

"Main Theme From The Magnificent Seven" by The City of Prague Philharmonic Orchestra

Please submit well-composed Instrumentals that capture the classic sound of Spaghetti Western movies! Captivating "Old West" motifs, galloping rhythms, and solid arrangements with plenty of dynamics, interest, and forward momentum are all needed for this request. Typical Spaghetti Western instrumentation that falls in the general wheelhouse of the references will work best for this opportunity – think strings, brass, twangy electric guitars, harmonica, whistling, etc. Get creative and have a lot of fun with this listing. Your productions need to be solid, and any virtual instruments or samples you use need to be high-quality and realistic sounding.

Your Instrumentals should be 2.5 to 3 minutes in length (give or take), give or take. Non-faded, Button/Stinger endings will work best for this request. Do NOT copy the referenced examples in any way, shape, or form. Use only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll keep 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423WN

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Lots of HIP-HOP DRAMEDY/COMEDY INSTRUMENTALS are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of the following examples we got directly from the company's CEO:

The Real Housewives of New Jersey (from 0:34 - 1:08)

Million Dollar Listing Los Angeles (from 1:08 - 1:20)

The Real Housewives of New Jersey (from 0:48 - 1:17)

Quoting the company's CEO: "These tracks need to be quirky and quite minimalist. They need a fusion of credible hip-hop beats and some awkward/quirky sounds, which has traditionally been with pizzicato strings... but we’re also looking to evolve this sound with fresh ideas and interpretations that give the same overall feel. A 3-part structure works well for these. 1) introduce the main theme, 2) provide an edit point that leads to a new melody or introduction of a new element, and 3) return to the main theme in a crescendo."

Please submit well-crafted, Hip-Hop Dramedy Instrumentals that could add a quirky or funny mood to a scene from a Reality TV Show! Your submissions should have playful motifs, engaging beats, and dynamic arrangements with plenty of forward motion and interest throughout. Instrumentation that's in the general wheelhouse of the references will work best (Hip-Hop beats, pizzicato strings, etc.). Please make sure any virtual instruments or samples you use are high quality and not dated-sounding.

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at 29.5 seconds and 59.5 seconds, including reverb tails and instrument ring-outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring-outs exceed 29.5 seconds and/or 59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RD

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HARD-HITTING HYBRID HIP-HOP/EDM INSTRUMENTALS are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of the following examples we got directly from our contact at the Company:

GoPro Awards: Million Dollar Challenge | HERO11 Black + Mini

GoPro Awards: Million Dollar Challenge | HERO8 Black + MAX

GoPro Awards: Million Dollar Challenge | HERO9 Black

Quoting the Client: "These tracks need big dynamic ranges, with great edit points and drops (ideal for epic moments). The dynamics are key."

Please submit well-crafted Hybrid Hip-Hop/EDM Instrumentals that are exploding with epic, bombastic energy! Exciting builds, sweeping risers, hard-hitting drops, modern EDM production techniques, exciting motifs, and excellent arrangements with plenty of forward motion, dynamics, and interest are all needed for this request. Modern EDM and Hip-Hop instrumentation (mixed with some sound design) will work best here. Your production and any virtual sounds or samples you use need to be high-quality and current-sounding. If you are a producer with the production chops to create this style of track, show us what you got!

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425HH

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Lots of HIP-HOP TENSION INSTRUMENTALS (in a wide range of styles) are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Instrumentals in the general stylistic wheelhouse of the following examples:

"Gang 31" by NSM Beats

"Lit" by Nico on the Beat

"VIRTUOSO" by Shuka4Beats

Quoting the Company's CEO: "These don’t necessarily need to be huge, big pieces as they can be used for light interpersonal conflict.. so a variety of intensities would be useful. A 3-part structure works well for these. 1) introduce the main theme, 2) provide an edit point that leads to a new melody or introduction of a new element, and 3) return to the main theme in a crescendo."

Please submit current-sounding Tension Instrumentals with Hip-Hop beats and musical motifs that create tension and drama. Craft your Cues around a singular motif, and layer instrumentation in and out as they progress to create a sense of forward momentum and dynamics. Instrumentation in the general stylistic wheelhouse of the references will work best (think Hip-Hop drums,  808s, synths, keys, horns, etc.) Please be sure that your productions and any virtual instruments or samples you use are high-quality and modern.

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring-outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring-outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425SN

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Lots of FEEL-GOOD EDM/HOUSE INSTRUMENTAL CUES are needed by the CEO of an internationally distributed Music Licensing Company that's recently landed some really high-end placements for TAXI members.

This company's CEO is looking for quite a few Instrumental Cues in the general stylistic ballpark of the examples below:

"Crossroads" by David Bulla

"Let’s Go Home" by Eklo (Erlando Remix)

"Younger" by Seinabo Sey (Kygo Remix)

Although some of the references have vocals, please submit Instrumental Cues only. Vocal FX/chops are ok.

Please submit well-crafted EDM/House Instrumental Cues full of uplifting, positive energy! Your submissions should have catchy, feel-good motifs, grooving rhythms, and dynamic arrangements with plenty of forward motion throughout. Modern EDM instrumentation and production that's in the general stylistic wheelhouse of the reference tracks will work best. Please be sure your productions and any virtual instruments or samples you use are high quality and not dated-sounding.

Your submissions should be about 1.5 to 2 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 28th, 2024. TAXI # S240428SV

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Lots of KLEZMER INSTRUMENTALS are needed by a hard-working Music Library with loads of killer placements in iconic TV shows, and lots of International representation!

This Company is searching for a range of Instrumentals in the general stylistic ballpark of the following references:

"Heyser Bulgar" by Yxalag

"Freilach" by Klezmer Festival Band

"Klezmer Kaos" by Froggy Kaos

Please submit well-crafted Klezmer Instrumentals with infectious rhythms, stellar musicianship, and tons of Klezmer charm (think Fiddler on the Roof-style). Your submissions should have authentic melodies, excellent musicianship, danceable rhythms, and solid arrangements with plenty of forward motion and interest. Instrumentation should be in the general stylistic wheelhouse of traditional Klezmer music, with instruments such as Accordion, Acoustic Guitar, Nylon String Guitar, Bass Guitar, Hand Percussion, Tambourine, Strings, Concert Flute, Cimbalom (Dulcimer), Orchestral Harp, Trumpet, Piano, and Drumset.  Performances should feel authentic – complete with traditional Klezmer articulations (bending the notes, forcing the breath, breathing into the notes, legato, staccato, etc.).

If you're using any virtual instruments, be sure they're super high-quality and realistic sounding. This request is all about capturing an authentic Klezmer vibe and sound!

TAXI Tip: Your submissions don't need to be in one rigid tempo throughout. Historically, Klezmer music was meant for dancing, so tempos were fluid – often players slightly led or trailed the beat creating a lilting sound. Because of this, it'd actually probably be a good idea to let the rhythms of your pieces flow freely in a rubato style so they feel more authentic. The more your pieces feel like they're being performed by a real Klezmer band, the better!

All submissions should be about 2 to 4 minutes long, give or take. Non-faded, buttoned endings are strongly recommended. Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of ANY other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: This Library really wants to find top-notch Composers – not just people who combine different samples or loops without altering them at all. Cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they're distinguishable from the originals. Basically, if you Shazamed one of your tracks and another artist's song comes up, your music would definitely be disqualified by this Company.

ALSO IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc. Distribution agreements are fine. It's publishing, licensing, and publishing administration deals that are the problem.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 28th, 2024. TAXI # S240428ZR

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Bunch of INSPIRING PIANO INSTRUMENTAL CUES are needed by the CEO of an internationally distributed Music Licensing Company that's landed some really high-end placements for TAXI members recently.

This company's CEO is looking for quite a few Instrumentals in the general stylistic ballpark of the examples below:

"An Inspiration" by Joseph Akins

"Inspirational Piano" by AShamaluevMusic

"One Day: Piano Suite" by Rachel Portman

Please submit well-crafted Piano Instrumental Cues full of inspirational energy and emotionally captivating motifs! Dynamic arrangements of either solo piano or piano with light orchestration will work for this request. Your submissions should have excellent musicianship, uplifting melodies, and plenty of forward motion and interest throughout. Piano and orchestration that's in the general stylistic ballpark of the references will work best (think strings, soft cymbal swells, etc). Please be sure that any virtual instruments or samples you use are high-quality and very realistic-sounding.

Your submissions should be about 1.5 to 2 minutes long, give or take. Non-faded, buttoned endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505NU

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EMOTIONAL POP INSTRUMENTALS are needed for an (up to) $300 Direct-to-Filmmaker/Director Placement in an upcoming Indie Feature Film.

NOTE: This film's Director is BRAND NEW to requesting music from TAXI's members, so this is a great chance to make some money upfront; and more importantly, it's an opportunity for this Director to get to know you and your music for future films he directs!

IMPORTANT: Because you'd be licensing directly to the film's Director and not going through a publisher, you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties.

This Film's Director is looking for Mid-Tempo Instrumentals that could work as a replacement for "Fine Line (Official Instrumental)" by Harry Styles, which is currently temped in:

"Fine Line (Official Instrumental)" by Harry Styles

QUOTING THE DIRECTOR: "We need music for the final scene, where a shot of the main characters transitions to credits."

Please submit well-crafted Pop Instrumentals full of emotional, dreamy, and hopeful vibes! Your submissions should have vibey motifs, introspective energy, hopeful melodies, and solid arrangements with plenty of forward motion and interest throughout. Instrumentation in the general ballpark of the references will suit your tracks best (think acoustic guitar, piano with long reverb, drums, etc). Please be sure that your productions and any virtual instruments or samples you use are high-quality, modern, and genre-appropriate.

Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use the reference only as a general guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: Because you'd be licensing directly to the film's Director and not going through a publisher, you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control the Masters and Copyright to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505FL

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Lots of UPLIFTING PIANO/STRING INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a very active, European Music Licensing Firm with lots of Film and TV placements.

This Company is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"Uplifting Piano" by AShamaluevMusic

"Uplifting Cinematic Strings And Piano" by music2noise

"Emotions" by Olexandr Ignatov

Please submit Piano and String Instrumentals and/or Instrumental Cues with an uplifting sound, arpeggiated melodies, and lots of building momentum! Your submissions should have strong musicianship, enchanting melodic movement, uplifting and emotional motifs, and solid arrangements with plenty of forward motion and interest throughout. Instrumentation should be a combination of piano and strings, but other supplementary instrumentation that falls in the general stylistic ballpark of the references could work as well - just please keep the piano and strings the centerpiece of your track. Any virtual sounds or samples you use need to be high-quality, current-sounding, and realistic.

NOTE: This Company is looking specifically for tracks that integrate arpeggiated melodies into their arrangements. Please be sure your submissions include arpeggiated piano and/or strings!

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, May 8th, 2024. TAXI # S240508SB

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FUN INDIE ROCK INSTRUMENTALS are needed for an (up to) $300 Direct-to-Filmmaker/Director Placement in an upcoming Indie Feature Film.

NOTE: The Film's Director is BRAND NEW to requesting music from TAXI's members, so this is a great chance to make some money upfront; and more importantly, it's an opportunity for this Director to get to know you and your music for future films he directs!

The Director is looking for Mid-Tempo Instrumentals that could work as a replacement for  "Electric Love" by BØRNS, which is currently temped in:

"Electric Love (Official Instrumental)" by BØRNS

Please submit well-crafted Indie Rock Instrumentals full of fun, youthful vibes! Your submissions should have engaging grooves, solid arrangements, feel-good motifs, loads of energy, and lots of Indie Rock flair. Instrumentation in the general ballpark of the references will suit your tracks best (think drums, guitars, synths, etc). Please be sure that any virtual instruments or samples you use are high-quality, modern, and genre-appropriate.

Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use the reference only as a general guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The estimated license fee for this placement is (up to) $300, depending on the ultimate use.

IMPORTANT: Because you'd be licensing directly to the Film's Director and not going through a publisher, you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control the Masters and Copyright to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, May 8th, 2024. TAXI # S240508EL

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Wide Range of 'SPAGHETTI WESTERN' ROCK SONGS in SPANISH with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references, which we got directly from them:

"Django" by Redwest

"Fideo Del Oeste" by Chingon

"Speak to the Wind" by Spindrift

NOTE: We are aware that the last reference does not have vocals, but we are including it at the request of the Company because it has a sound that could potentially work here. Please do NOT submit Instrumentals. All submissions should include vocals, and they need to be in Spanish.

Please submit Rock Songs with Spanish vocals and the 'Spaghetti Western' sound that was made famous in classic Western movies! Your submissions should have Spaghetti Western motifs, engaging rhythms, solid arrangements, authentic and well-performed vocals, and lyrics in Spanish. Rock and/or Spaghetti Western Instrumentation in the general stylistic wheelhouse of the references will work best (think electric guitars, nylon acoustics, traditional Mexican percussion, drums, trumpet, etc). Please be sure any virtual instruments or samples you use are high-quality and realistic sounding.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420MR

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Lots of MODERN ELECTRO-POP INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

"Single Soon" by Selena Gomez

"Do It Again" by Ray Dalton

"Still love you" by Alan Murin x IOVA

Although the references have vocals, please submit Instrumentals and/or Instrumental Cues only for this request.

Please submit Electro-Pop Instrumentals and/or Instrumental Cues that have a super fresh sound and a nice combination of pop and EDM elements! Be sure your submissions have modern production techniques, solid arrangements, catchy motifs, and tons of energy throughout! A blend of Pop and EDM instrumentation in the general stylistic ballpark of the references will work best. Please be sure your tracks have plenty of forward motion, dynamics, interest, and layers. Any virtual instruments or samples you use need to be high-quality and modern.

Your submissions should be roughly 90 seconds long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420ST

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MODERN INDIE POP ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is searching for acts that would appeal to fans of these references:

"Glue Song" by beabadoobee

"Sofia" by Clairo

"Heart To Heart" by Mac DeMarco

Please submit modern Indie Pop Songs that show off your unique style and sound! Catchy melodies, engaging rhythms, memorable hooks, solid arrangements, well-written lyrics, and lots of mainstream appeal are all needed for this opportunity. Indie Pop instrumentation in the general wheelhouse of the references will work best. Please make sure any virtual sounds or samples you use are high quality, realistic, and not dated-sounding. Compelling, expressive, and well-performed vocals are the way to go!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240421JN

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FUN/QUIRKY '60s-Style (or Vintage) POP SONGS with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references:

"The Lion Sleeps Tonight" by The Tokens

"The Battle of Kookamonga" by Homer & Jethro

"Come On-A My House" by Rosemary Clooney

"Hanky Panky" by Tommy James & The Shondells

QUOTING THE COMPANY: "We are looking for authentic-sounding '60s Songs that are humorous, fun, or quirky for upbeat montages."

IMPORTANT: This Company is looking for AUTHENTIC-SOUNDING '60s music! You can submit recently recorded/produced Songs if they sound like they are actually from the '60s, OR if you have high-quality vintage recordings, they would love to hear those as well!

Please submit well-crafted Pop Songs with an authentic '60s sound and a fun or quirky approach in the general style of the references! Fun motifs, era-appropriate rhythms, memorable melodies, solid arrangements, catchy choruses, and well-crafted lyrics are all needed. '60s Pop instrumentation in the general wheelhouse of the reference Songs will work best for this opportunity. If you choose to use any virtual instruments, please make sure they are high-quality, realistic, and era-appropriate. Your production needs to sound authentically '60s, and please be sure your vocal performances are well-performed!

TAXI TIP: Please do NOT include any sound effects in your music, such as laugh tracks, crowd noises etc.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Era-appropriate Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422KQ

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DRIVING POP/ROCK SONGS with Male or Female Vocals are needed for an (up to) $1,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

IMPORTANT NOTE: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Up-Tempo Songs that could work as a replacement for "Not Over You" by Gavin DeGraw, which is currently temped in:

"Not Over You" by Gavin DeGraw

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit well-crafted Pop/Rock Songs with lots of energy and lyrical themes in the general ballpark of breakup, heartache, regret, or moving on . Catchy melodies, meaningful hooks, solid arrangements, driving rhythms, and expressive, well-performed vocals are all needed for this request. Pop/Rock instrumentation in the general wheelhouse of the reference will suit your submissions best. (think piano, acoustic drums, bass, guitars, etc) Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422VR

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POWERFUL POP SONGS with Male or Female Vocals are needed for an (up to) $1,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Up-Tempo Songs that could work as a replacement for "Daisies" by Katy Perry, which is currently temped in:

"Daisies" by Katy Perry

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "We need an end credit Song with a backbone and intense emotions."

Please submit well-crafted Pop Songs with intense emotion, lots of energy, and a powerful, captivating sound. Strong melodies, powerful hooks, solid arrangements, hard-hitting rhythms, and expressive, well-performed vocals are all needed for this request. Pop instrumentation in the general wheelhouse of the reference will suit your submissions best. Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Powerful vocal performances full of confidence and conviction could help you seal the deal!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423DA

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Lots of ATTITUDE-FILLED POP/HIP-HOP SONGS with FEMALE vocals are needed by a super-active Production Music Library with a lot of placements on MAJOR networks!

This Company is searching for quite a few Songs with lyric themes like money, materialism, girl power, wealth, determination, self-empowerment, etc. that could be found on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Bitch Better Have My Money" by Rihanna

"Level Up" by Ciara

"Money" by Leikeli47

Please submit original Pop/Hip-Hop Songs that are full of empowerment vibes and could be heard on a playlist with the references! Your submissions should have catchy motifs, powerful beats and rhythms, memorable hooks, solid arrangements, well-crafted lyrics, and lots of Female-power attitude! Pop and Hip-Hop instrumentation that's in the general wheelhouse of the reference Songs will work best. Please make sure your productions are modern, and that any virtual instruments or samples you use are high-quality. Well-performed and confident Female vocal deliveries are needed.

IMPORTANT: This Company is specifically looking for Songs with lyric themes like money, materialism, girl power, wealth, determination, self-empowerment, etc.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RH

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Tons of POP SONGS (in a wide range of styles) with Male or Female Vocals are needed by an Exclusive Music Licensing Company with a large list of placements in Films, TV Commercials, and A-List TV Shows. This Company has signed lots of TAXI members over many years and nailed down lots of placements for them!

This Company is on the lookout for Mid-to-Up-Tempo Songs in the general stylistic ballpark of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"we can't be friends (wait for your love)" by Ariana Grande

"Slow It Down" by Benson Boone

"exes" by Tate McRae

Please submit Pop Songs with tons of mainstream/commercial appeal that could be heard on a Pop playlist along with the references! Your submissions should have catchy choruses, modern productions, mainstream Pop rhythms, ear-worm melodies, and well-written lyrics. Since this listing is open to a wide range of Pop Songs, your instrumentation may vary depending on which direction you choose to go, as long as it's consistent and competitive with other Songs in your chosen style. Please make sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed vocals with a modern edge are the way to go!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing to this Company. Please do NOT copy the references in any way, shape, or form. Use the references only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please send as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. All Submissions must be received no later than 11:59 PM (PDT) on Monday, May 6th, 2024. TAXI # S240506AN

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Punk

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'80s-INSPIRED PUNK ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "Waiting Room" by Fugazi, which is currently temped in:

"Waiting Room" by Fugazi

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit high-intensity Punk Rock Songs with a sound reminiscent of the late '80s! Your submissions should have memorable melodies, pounding rhythms, intense hooks, solid arrangements, distorted guitars, and well-crafted lyrics. '80s Punk Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric guitars, bass, drums, etc.). Please ensure any virtual instruments or samples you use are high-quality. Well-performed and expressive Male vocals delivered with intensity are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Thursday, May 2nd, 2024. TAXI # S240502GZ

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R&B/Soul

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Lots of GENRE-BENDING COUNTRY SONGS with FEMALE vocals are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for Songs that would fit well on a playlist with the following references:

"TEXAS HOLD 'EM" by Beyoncé

"Buckle Bunny" by Tanner Adell

"SWEET ★ HONEY ★ BUCKIIN'" by Beyoncé

Please submit original Country Songs that effectively blur the lines between Country, Hip-Hop, Soul, and Pop! Your submissions should have genre-bending elements such as Country motifs mixed with Pop/Hip-Hop rhythms, soulful vocal deliveries mixed with modern production techniques, etc. Regardless of the approach you take, your track should have solid arrangements, catchy melodies, and well-crafted lyrics. Country, Soul, Hip-Hop, and Pop instrumentation in the general wheelhouse of the reference Songs will work best. Please make sure that any virtual instruments or samples you use are high-quality. Well-performed and confident Female vocals could help you seal the deal.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240417CG

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MODERN INDIE R&B/SOUL SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This film's Producer is looking for Mid-Tempo Songs with Male Vocals that could work as a replacement for "Gold" by Chet Faker, which is currently temped in:

"Gold" by Chet Faker

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Indie Soul Songs with a smooth, inviting sound and plenty of soulful, infectious energy! Your submissions should have head-bobbin grooves, catchy melodies, laid-back rhythms, memorable hooks, solid arrangements, and well-crafted lyrics. Modern Soul Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed, expressive, and soulful Male vocals are needed.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423HB

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MAINSTREAM R&B/SOUL ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is on the hunt for acts that would appeal to fans of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Dragonball Durag" by Thundercat

"Margiela" by USHER

"Made For Me" by Muni Long

Please submit well-crafted R&B/Soul Songs with loads of mainstream appeal that showcase your one-of-a-kind sound and style! Your submissions should have smooth melodies, solid arrangements, unforgettable hooks, well-crafted lyrics, soulful vibes and motifs, and Top 40 appeal. Modern R&B/Soul instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions and any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals are the key to this listing!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, May 1st, 2024. TAXI # S240501RB

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Rap/Hip Hop

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Lots of COUNTRY/HIP-HOP INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for several Instrumentals (and/or Cues) in the general stylistic ballpark of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"TYRANT" by Beyoncé & Dolly Parton 

"Buckle Bunny" by Tanner Adell

"SWEET ★ HONEY ★ BUCKIIN'" by Beyoncé

Please submit well-crafted Country/Hip-Hop Instrumental Cues that combine traditional Country motifs with modern Hip-Hop energy! Your submissions should have distinctly Country motifs mixed with Hip-Hop beats and modern production techniques. Your arrangements should be solid, stick to a central motif throughout, and add/subtract layers of instrumentation as your Cues progress to create a forward motion. Country/Hip-Hop instrumentation that's in the general wheelhouse of the references will work best. Please make sure that any virtual instruments you use are high-quality and genre-appropriate.

Your submissions should be roughly 1.5 minutes long for Cues, and about 2 to 4 minutes long for Instrumentals, give or take. Non-faded, buttoned/stinger endings will work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals and/or Cues you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Instrumentals and/or Cues as you'd like, online or per CD. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't ask! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418RY

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Lots of FASHION EDM SONGS in JAPANESE and/or KOREAN with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references, which we got directly from them:

"Groovy Berta" by kasby

"You Think" by Gold 88

"Douha (Mali Mali)" by Disclosure & Fatoumata Diawara

IMPORTANT: We are using these references at the special request of the Company because they have a specific "High-Fashion/Runway" sound they currently need. Even though they do not have Japanese or Korean vocals, please ONLY submit Songs in Japanese or Korean. A little bit of English sprinkled in is ok, but it needs to be minimal.

NOTE: Tracks with a typical lyrical/song structure OR more minimal/repetitive vocals are both okay to submit to this opportunity.

Please submit Japanese and/or Korean EDM Songs with lots of energy and the type of sound that you would hear in a high-profile fashion runway show! Your submissions should have catchy melodies, pumping rhythms, memorable hooks, captivating vocal performances, and lyrics in Japanese or Korean. Modern EDM Instrumentation in the general stylistic wheelhouse of the references will work best. Please be sure that your productions and any virtual instruments or samples you use are high-quality and modern.

Lyrics should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418PA

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Lots of HIGH-ENERGY HIP-HOP SONGS (in a wide range of styles) with Male or Female Vocals are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is looking for several Mid-to-Up-Tempo Songs that could be heard on a playlist with the following examples we got directly from the CEO of the Company:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

DUCKWRTH - POWER POWER

Run It - DJ Snake -  (ft. Rick Ross & Rich Brian)

Run The Jewels - Blockbuster Night Part 1

Start to Finish - Slizzy McGuire

Quoting the Company's CEO: "These Songs need to be high energy, fast-paced, and sports/promo-friendly. Dynamic and detailed production is key, coupled with powerful vocal and lyrical performances."

Please submit well-produced Hip-Hop Songs full of epic, hard-hitting energy that could work well for a variety of placements in Film and TV. Your submissions should have hard-hitting beats and rhythms, loads of energy and intensity, memorable hooks, slick lyrical flows, solid arrangements, and powerful, well-crafted lyrics. Vocal performances need to be raw, unapologetic and well-performed. Instrumentation can vary based on your approach, but a hybrid approach to Hip-Hop in the general stylistic ballpark of the references will work best (think synths, sound design, cinematic drums, brass stabs, etc.). Please be sure your production is dynamic, detailed, and modern. Any virtual sounds or samples you use should be high-quality and not dated-sounding.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity are strongly recommended. Non-faded, Buttoned/Stinger endings are needed for this request. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Songs AS WELL AS stems, but not yet! All you need to submit for now are the Full Songs, but please have 30-second and 60-second versions, AND stems on hand, and ready-to-go. Please read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240421HE

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Lots of QUIRKY HIP-HOP SONGS (in a wide range of styles) with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references, which we got directly from the client:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"Thrift Shop" by Macklemore & Ryan Lewis Ft. WANZ

"Crazy Rap" by Afroman

"Crazy" by Cypress Hill

"Get Back" by Ludacris

QUOTING THE COMPANY: "We are looking for playful and quirky Hip-Hop Songs for upcoming sync opportunities in film & TV. Current styles of Hip-Hop with a fresh sound, as well as classic/older Hip-Hop are both needed."

Please submit a wide range of Hip-Hop Songs with a quirky and playful approach that could work well for a variety of sync placements! Ear-worm hooks, fun motifs, slick lyrical flows, catchy melodies, engaging beats, and well-written lyrics are needed for this request. Hip-Hop instrumentation that's in the general stylistic ballpark of the reference Songs will work best. Please be sure that any virtual instruments or samples you use are high-quality. Confident, well-performed vocals are needed.

Lyrics that avoid references to specific names, dates, times, brands, places, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422RU

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Lots of ATTITUDE-FILLED POP/HIP-HOP SONGS with FEMALE vocals are needed by a super-active Production Music Library with a lot of placements on MAJOR networks!

This Company is searching for quite a few Songs with lyric themes like money, materialism, girl power, wealth, determination, self-empowerment, etc. that could be found on a playlist with the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Bitch Better Have My Money" by Rihanna

"Level Up" by Ciara

"Money" by Leikeli47

Please submit original Pop/Hip-Hop Songs that are full of empowerment vibes and could be heard on a playlist with the references! Your submissions should have catchy motifs, powerful beats and rhythms, memorable hooks, solid arrangements, well-crafted lyrics, and lots of Female-power attitude! Pop and Hip-Hop instrumentation that's in the general wheelhouse of the reference Songs will work best. Please make sure your productions are modern, and that any virtual instruments or samples you use are high-quality. Well-performed and confident Female vocal deliveries are needed.

IMPORTANT: This Company is specifically looking for Songs with lyric themes like money, materialism, girl power, wealth, determination, self-empowerment, etc.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RH

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Lots of HIP-HOP DRAMEDY/COMEDY INSTRUMENTALS are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of the following examples we got directly from the company's CEO:

The Real Housewives of New Jersey (from 0:34 - 1:08)

Million Dollar Listing Los Angeles (from 1:08 - 1:20)

The Real Housewives of New Jersey (from 0:48 - 1:17)

Quoting the company's CEO: "These tracks need to be quirky and quite minimalist. They need a fusion of credible hip-hop beats and some awkward/quirky sounds, which has traditionally been with pizzicato strings... but we’re also looking to evolve this sound with fresh ideas and interpretations that give the same overall feel. A 3-part structure works well for these. 1) introduce the main theme, 2) provide an edit point that leads to a new melody or introduction of a new element, and 3) return to the main theme in a crescendo."

Please submit well-crafted, Hip-Hop Dramedy Instrumentals that could add a quirky or funny mood to a scene from a Reality TV Show! Your submissions should have playful motifs, engaging beats, and dynamic arrangements with plenty of forward motion and interest throughout. Instrumentation that's in the general wheelhouse of the references will work best (Hip-Hop beats, pizzicato strings, etc.). Please make sure any virtual instruments or samples you use are high quality and not dated-sounding.

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at 29.5 seconds and 59.5 seconds, including reverb tails and instrument ring-outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring-outs exceed 29.5 seconds and/or 59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RD

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HARD-HITTING HYBRID HIP-HOP/EDM INSTRUMENTALS are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of the following examples we got directly from our contact at the Company:

GoPro Awards: Million Dollar Challenge | HERO11 Black + Mini

GoPro Awards: Million Dollar Challenge | HERO8 Black + MAX

GoPro Awards: Million Dollar Challenge | HERO9 Black

Quoting the Client: "These tracks need big dynamic ranges, with great edit points and drops (ideal for epic moments). The dynamics are key."

Please submit well-crafted Hybrid Hip-Hop/EDM Instrumentals that are exploding with epic, bombastic energy! Exciting builds, sweeping risers, hard-hitting drops, modern EDM production techniques, exciting motifs, and excellent arrangements with plenty of forward motion, dynamics, and interest are all needed for this request. Modern EDM and Hip-Hop instrumentation (mixed with some sound design) will work best here. Your production and any virtual sounds or samples you use need to be high-quality and current-sounding. If you are a producer with the production chops to create this style of track, show us what you got!

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425HH

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Lots of HIP-HOP TENSION INSTRUMENTALS (in a wide range of styles) are needed by a successful International Music Library with an impressive track record of great placements in TV, Film, and Commercials!

This Library is on the hunt for Instrumentals in the general stylistic wheelhouse of the following examples:

"Gang 31" by NSM Beats

"Lit" by Nico on the Beat

"VIRTUOSO" by Shuka4Beats

Quoting the Company's CEO: "These don’t necessarily need to be huge, big pieces as they can be used for light interpersonal conflict.. so a variety of intensities would be useful. A 3-part structure works well for these. 1) introduce the main theme, 2) provide an edit point that leads to a new melody or introduction of a new element, and 3) return to the main theme in a crescendo."

Please submit current-sounding Tension Instrumentals with Hip-Hop beats and musical motifs that create tension and drama. Craft your Cues around a singular motif, and layer instrumentation in and out as they progress to create a sense of forward momentum and dynamics. Instrumentation in the general stylistic wheelhouse of the references will work best (think Hip-Hop drums,  808s, synths, keys, horns, etc.) Please be sure that your productions and any virtual instruments or samples you use are high-quality and modern.

Submissions should be about 2.5 minutes long, give or take. Non-faded, Buttoned/Stinger endings are needed for this pitch. Do NOT copy the referenced material in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT NOTE: This Library will need 30-second and 60-second versions of your Instrumentals AS WELL AS stems, but not yet! All you need to submit for now are the Full Instrumentals, but please have 30-second and 60-second versions, AND stems on hand ready to go. Read the next paragraph carefully...

Critical FYI: The 30-second and 60-second versions are likely to be used for advertising, so they actually need to end at :29.5 seconds and :59.5 seconds, including reverb tails and instrument ring-outs. TV and radio stations use computers to switch from one thing to another on VERY precise schedules, so if your reverb tails or instrument ring-outs exceed :29.5 seconds and/or :59.5 seconds, your music will not work, and cannot be used.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. If you've checked the box to have your music "monetized," published, or administrated by a company like CDBaby, TuneCore, or SongTrust, you CAN NOT submit for this request. They are fine companies, and if you're only using them to distribute your music, no problem. But, if you checked that box, you've already got a publisher or a company administrating your publishing, which means that you cannot sign that music to another publisher!

This Music Library will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Copyright and Master Recording to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425SN

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Lots of HIP-HOP SONGS about NEW YORK with Male or Female Vocals are needed by a very successful EXCLUSIVE Music Library. This company has a very long history of lots and lots of really AWESOME placements, tons of which have been for TAXI members!

This Company is looking for a Wide Range of Hip-Hop Songs about New York that could be heard on a playlist with the following references, which we got directly from them:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"New York Sh*t" by Busta Rhymes

"New York New York" by Grandmaster Flash

"N.Y. State of Mind" by Nas

QUOTING THE CEO OF THE COMPANY: "We are looking for Songs that evoke a New York vibe, and/or have a reference to any of the following themes: New York, Hustle and bustle, City Life, The Big Apple, Bright Lights, Big City, Broadway, NY Crime, The Streets of NY."

Please submit a wide range of well-crafted Hip-Hop Songs with tons of energy, and lots of New York vibes! Your submissions should have authentic motifs, engaging rhythms, slick lyrical flows, solid arrangements, and confident, well-performed vocals. Hip-Hop instrumentation in the general stylistic ballpark of the references will work best for this opportunity. Please ensure that any virtual instruments or samples you use are high quality. Male or Female vocals both work for this request!

Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Era-appropriate Broadcast Quality is needed.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive) including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

2) Be 100% original – no soundalikes, no covers, and no recordings with samples.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Masters and Copyright to pitch for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, May 4th, 2024. TAXI # S240504CC

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Bunch of HIP-HOP SONGS (in a wide range of styles) with Male or Female Vocals are needed by an Exclusive Music Licensing Company with a large list of placements in Films, TV Commercials, and A-List TV Shows. This Company has signed lots of TAXI members over many years and nailed down lots of placements for them!

This Company is on the lookout for Songs in the general stylistic ballpark of the following references:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"Enough (Miami)" by Cardi B

"Old Days" by Lil Durk

"Stand Tall" by Rapsody

"Shibuya" by Ski Mask The Slump God

Please submit Hip-Hop Songs with fire beats, bold energy, and the type of sound that could be heard on a playlist with the references. Slick lyrical flows, memorable hooks, engaging beats, and confident, expressive vocal performances are all needed for this opportunity. Since this listing is open to Hip-Hop Songs in a wide variety of styles (including Trap, Lo-Fi, Boom-Bap, etc.), instrumentation may vary depending on which direction you choose to go, as long as it's consistent and competitive with other Songs in your chosen style or sub-genre. Male or Female vocals could both work here!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing to this Music Publisher. Please do NOT copy the references in any way, shape, or form. Use the references only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

Do NOT submit any tracks with spoken producer tags/watermarks as they are not usable for film and TV placements.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please send as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. All Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505HH

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'90s-Style HIP-HOP SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "I Wanna Get High" by Cypress Hill, which is currently temped in:

"I Wanna Get High" by Cypress Hill

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

You can submit recently recorded Songs in the general production style of the reference that capture the authentic sound needed, OR if you have high-quality recordings from the '90s, they would love to hear those as well!

Please send in well-crafted Hip-Hop Songs with an authentic, gritty 1990s style and vibe! Catchy melodies, engaging beats, solid arrangements, and slick lyrical flows are all needed for this opportunity. Instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions and any virtual instruments or samples you use are high quality and genre/era-appropriate. Confident and well-performed Male vocals are the way to go.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could be easier to sync. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505GH

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Lots of MODERN CHRISTIAN HIP-HOP SONGS with Male or Female Vocals are needed by an A-List Sync and Music Licensing Company with a very successful track record of placements in Film, TV, and Commercials.

This Company is looking for a bunch of Mid-To-Up-Tempo Songs in the general wheelhouse of the following references:

"God's Eyes" by Dax

"Blessed Up (Remix)" by Wande ft. Lecrae, Mike Todd

"Focus" by Evan Ford

QUOTING THE COMPANY: "We are looking for Mid-tempo to Up-Tempo Songs that range from moody to happy, and fit within the following lyrical themes: Struggles, Obstacles, Motivation, Overcoming, or Celebration."

Please submit current-sounding Christian Hip-Hop Songs with lots of mainstream appeal and with lyrics that fit the themes mentioned above. Your submissions should have hard-hitting beats, slick lyrical flows, catchy hooks, solid arrangements, lots of energy, and well-written lyrics that are faith-based. Modern Hip-Hop instrumentation that's in the general stylistic wheelhouse of the references will work best for this opportunity. Please make sure that any virtual instruments or samples you use are high-quality and not dated-sounding. Confident, well-performed vocals are needed!

Lyrics should ideally avoid references to specific names, dates, times, places, brands, and profanity. Religious-oriented names such as, "God, He, Him, Jesus," etc. could be exceptions. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

IMPORTANT: Do NOT submit any tracks with spoken producer tags/watermarks as they're not usable for film and TV placements.

This company offers an EXCLUSIVE, 50/50 deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, May 7th, 2024. TAXI # S240507PH

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Wide Range of HEAVY ROCK SONGS in SPANISH with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references:

"Otra Oportunidad" by Crazy Lazy

"Explota" by VOLTAX

"En La Nada" by AGORA

Please submit a wide range of Heavy Rock Songs with Spanish vocals and lots of head-banging, hard-rock energy! Your submissions should have intense melodies, hard-hitting rhythms, massive guitars, captivating vocal performances, and well-written lyrics in Spanish. Rock Instrumentation and productions in the general stylistic wheelhouse of the references will work best. Please be sure any virtual instruments or samples you use are high-quality and realistic sounding.

Lyrics should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418RX

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Wide Range of 'SPAGHETTI WESTERN' ROCK SONGS in SPANISH with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references, which we got directly from them:

"Django" by Redwest

"Fideo Del Oeste" by Chingon

"Speak to the Wind" by Spindrift

NOTE: We are aware that the last reference does not have vocals, but we are including it at the request of the Company because it has a sound that could potentially work here. Please do NOT submit Instrumentals. All submissions should include vocals, and they need to be in Spanish.

Please submit Rock Songs with Spanish vocals and the 'Spaghetti Western' sound that was made famous in classic Western movies! Your submissions should have Spaghetti Western motifs, engaging rhythms, solid arrangements, authentic and well-performed vocals, and lyrics in Spanish. Rock and/or Spaghetti Western Instrumentation in the general stylistic wheelhouse of the references will work best (think electric guitars, nylon acoustics, traditional Mexican percussion, drums, trumpet, etc). Please be sure any virtual instruments or samples you use are high-quality and realistic sounding.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420MR

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FUN, RETRO ROCK 'N' ROLL SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Producer is looking for Songs with Male vocals that could work as a replacement for "Happy" by The Rolling Stones, which is currently temped in:

"Happy" by The Rolling Stones

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit retro-style Rock 'n' Roll Songs with a fun, groovin' sound and lots of feel-good energy! Your submissions should have catchy melodies, memorable hooks, solid arrangments, retro motifs (think '60s or early '70s Rock), and emotionally upbeat and well-crafted lyrics. Old-school Rock Instrumentation in the general wheelhouse of the reference Song will work best for this opportunity. (think guitars, drums, bass, etc). Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding. Well-performed and expressive Male vocals are needed.

NOTE: You can submit recently recorded/produced Songs in the general style of the reference, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well!

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Era-appropriate Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 21st, 2024. TAXI # S240421HP

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HEAVY ROCK SONGS in RUSSIAN with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Songs in the general stylistic wheelhouse of the following references we got directly from our contact at the Music Library:

"Exile" by Black Obelisk

"Adrenaline" by Sunburst

NOTE: You can submit recently recorded Songs in the general style of the references, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well! Original compositions only, please.

Please submit well-crafted Rock Songs with Russian vocals and lots of intense, amped-up energy! Your submissions should have great musicianship, intense melodies, hard-hitting rhythms, massive guitars, captivating vocal performances, loads of raucous energy, and well-written lyrics in Russian. Rock Instrumentation in the general stylistic wheelhouse of the references will work best. Please be sure any virtual instruments or samples you use are high-quality and realistic sounding. Male or Female vocals both could work for this listing!

Lyrics need to be in Russian and should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422SS

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'80s-Style ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "Pour Some Sugar On Me" by Def Leppard, which is currently temped in:

"Pour Some Sugar On Me" by Def Leppard

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit '80-style Rock Songs with an anthemic, powerful sound and lots of hard rock energy! Your submissions should have massive guitar riffs, anthemic melodies, hard-hitting rhythms, memorable hooks, solid arrangements, well-crafted lyrics, and the type of energy that would get an arena full of fans pumped up! Rock Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed and intense Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422SU

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PSYCHEDELIC '60s ROCK SONGS with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references they sent us:

"White Room" by Cream

"Somebody to Love" by Jefferson Airplane

"California Dreamin'" by The Mamas & the Papas

"Strawberry Fields Forever" by The Beatles

QUOTING THE COMPANY: "We are looking for authentic-sounding '60s Songs with a Trippy/60's psychedelic sound in the style of the references."

IMPORTANT NOTE: This Company is looking for AUTHENTIC-SOUNDING '60s Rock! You can submit recently recorded/produced Songs if they sound like they are actually from the '60s, OR if you have high-quality vintage recordings, they would love to hear those as well!

Please submit well-crafted Rock Songs with an authentic '60s sound and a psychedelic vibe! Early Rock guitar tones, throwback drum grooves, trippy motifs, memorable melodies, solid arrangements, catchy choruses, and well-crafted lyrics are all needed. '60s Rock instrumentation in the general wheelhouse of the reference Songs will work best for this opportunity (think guitars, drums, bass, tambourine, etc). If you choose to use any virtual instruments, please make sure they are high-quality, realistic, and era-appropriate. Your productions need to sound authentically '60s, and please be sure your vocal performances are compelling and well-performed!

Please be sure not to go overboard with the psychedelic aspect. Anything that is too abstract or that veers off into experimental territory won't work here.

Lyrics that avoid references to specific names, dates, times, brands, places, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Era-appropriate Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RK

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SOULFUL BLUES ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male Vocals that could work as a replacement for "Soulshine" by Allman Brothers, which is currently temped in:

"Soulshine" by Allman Brothers

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Blues Rock Songs with a hopeful vibe, soulful melodies, engaging grooves, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric guitars, organ, drums, bass, etc.) Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed, expressive, and soulful Male vocals are needed.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425SH

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CURRENT-Sounding POP/ROCK ARTISTS or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This A&R Executive is on the hunt for acts that would appeal to fans of the following references:

"get him back!" by Olivia Rodrigo

"Seasons" by Thirty Seconds To Mars

"Beautiful Things" by Benson Boone

Please submit hit-worthy, modern Pop/Rock Songs that showcase your unique style and star-worthy qualities! Your submissions should have super catchy hooks, tons of mainstream/commercial appeal, memorable melodies, engaging rhythms, and well-crafted lyrics. Modern Pop/Rock instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions and any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, expressive, and well-performed vocals are key for this pitch. If you have Songs that could be the next crossover Pop/Rock hit, send them in!

IMPORTANT: This Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 27th, 2024. TAXI # S240427XX

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'80s-Style POWER BALLAD/ROCK SONGS with Male or Female Vocals are needed for an (up to) $1,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits!

This Film's Producer is on the hunt for Mid-Tempo Songs that could work as a replacement for "Alone" by Heart, which is currently temped in:

"Alone" by Heart

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE PRODUCER: "We need something epic that sounds like it would be playing in a bar."

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit rockin' Power Ballads with an iconic, '80s sound and powerful, soaring choruses full of emotion! Memorable melodies, solid arrangements, '80s-inspired rhythms, well-performed vocals, and lots of emotional intensity are all needed for this request. Rock instrumentation in the general stylistic wheelhouse of the reference will suit your submissions best (think keys, guitars, bass, '80s-inspired drums, etc.). Please ensure any virtual instruments or samples you use are high-quality and era-appropriate. Vintage and Modern recordings are both fair game! Powerful vocal performances full of confidence could help you seal the deal!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 27th, 2024. TAXI # S240427EN

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'70s-Style NEW WAVE/ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "Psycho Killer" by Talking Heads, which is currently temped in:

"Psycho Killer" by Talking Heads

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit New Wave/Rock Songs with a sound reminiscent of the Post-Punk/New Wave movement in the '70s! (think bands like Blondie, Devo, The Cars, etc). Your submissions should have driving grooves, catchy melodies, memorable hooks, solid arrangements, and well-crafted lyrics. New Wave/Rock Instrumentation that's in the general stylistic wheelhouse of the reference Song will work best for this opportunity. Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 29th, 2024. TAXI # S240429KZ

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DRIVING BLUES/ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for"Howlin' for You" by The Black Keys, which is currently temped in:

"Howlin' for You" by The Black Keys

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Blues/Rock Songs with a driving, edgy sound and lots of gritty, rebellious energy! Your submissions should have engaging grooves, catchy melodies, driving rhythms, ear-worm hooks, solid arrangments, and well-crafted lyrics. Blues/Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric guitar, drums, bass, etc.). Please ensure your productions and any virtual instruments or samples you use are high-quality and not dated-sounding. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-FIlm Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 29th, 2024. TAXI # S240429WL

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EMOTIONAL '90s-Style ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "The World Has Turned And Left Me Here" by Weezer, which is currently temped in:

"The World Has Turned And Left Me Here" by Weezer

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit emotional Rock Songs with a throwback '90s sound and introspective, vulnerable lyrical themes. Your submissions should have catchy melodies, rock-inspired rhythms, memorable hooks, solid arrangments, chugging guitars, and well-crafted lyrics. '90s Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think electric/acoustic guitars, drums, bass, etc.). Please ensure your productions and any virtual instruments or samples you use are high-quality and era-appropriate. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430TD

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DREAMY '80s-Style ALTERNATIVE ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Mid-Tempo Songs with Male vocals that could work as a replacement for "Just Like Honey" by The Jesus And Mary Chain, which is currently temped in:

"Just Like Honey" by The Jesus And Mary Chain

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Alternative Rock Songs with a throwback '80s sound and a dreamy, ethereal vibe. Your submissions should have catchy melodies, engaging rhythms, memorable hooks, solid arrangements, plenty of '80s-flavored production techniques, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think overdriven electric guitars drenched in reverb, drums, bass, synth, etc.). Please make sure that any virtual instruments or samples you use are high-quality and era-appropriate. Well-performed and expressive Male vocals are needed.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI.  Submissions must be received no later than 11:59 PM (PDT) on Wednesday, May 1st, 2024. TAXI # S240501NY

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ALT-ROCK SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is looking for Songs with Male vocals that could work as a replacement for "Life On A Chain" by Pete Yorn, which is currently temped in:

"Life On A Chain" by Pete Yorn

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Alternative Rock Songs with catchy melodies, rock-inspired rhythms, solid arrangements, and well-performed vocals. Rock instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think guitars, drums, bass, etc). Please ensure any virtual instruments or samples you use are high-quality and realistic. Well-performed Male vocals are needed.

Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-FIlm Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, May 4th, 2024. TAXI # S240504PY

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MAINSTREAM INDIE ROCK ARTISTS and/or BANDS with Male or Female Vocals are needed by the Senior V.P. of A&R at a Major Record Label that's searching for Fresh, New Talent!

This Label is on the hunt for acts that would appeal to fans of the following references:

WARNING: The references may include graphic and explicit lyrics. Listener discretion is advised.

"Cracker Island" by Gorillaz ft. Thundercat

"Operator" by Yves Tumor

"The Hills" by Rachel Chinouriri

Please submit well-crafted Indie Rock Songs with mainstream appeal that showcase your one-of-a-kind sound and style! Your submissions should have catchy melodies, solid arrangements, well-crafted lyrics, lots of Indie Rock flair, and big, unforgettable hooks. Indie Rock instrumentation that's in the general wheelhouse of the references will work best. Please make sure your productions are modern and any virtual instruments or samples you use are high quality and not dated-sounding. Compelling, well-performed vocals are the key to this listing!

IMPORTANT: This A&R Executive is interested in artists and bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting at least 2 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505NB

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Singer/Songwriter

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UPLIFTING FOLK SONGS with Female Vocals are needed for an (up to) $1,000, Direct-to-Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Songs that could work as a replacement for "Closer to Fine" by Indigo Girls, which is currently temped in:

"Closer to Fine" by Indigo Girls

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit well-crafted Folk Songs that have an emotionally upbeat sound and hopeful, uplifting lyrics! Catchy melodies, solid arrangements, driving rhythms, and expressive, well-performed Female vocals are all needed for this request. Folk instrumentation in the general wheelhouse of the reference will suit your submissions best (think acoustic guitars, light percussion, etc). Please ensure any virtual instruments or samples you use are high-quality and realistic-sounding.

Lyrics that avoid references to specific names, dates, times, brands, places, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418CF

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TRADITIONAL COUNTRY SONGS with Male Vocals are needed for an (up to) $150, Direct-to-Film Producer placement in an upcoming Independent Feature Film that's currently in post-production!

Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Producer is looking for Songs with Male vocals that could work as a replacement for "Crazy" by Willie Nelson, which is currently temped in:

"Crazy" by Willie Nelson

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

VERY IMPORTANT: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Traditional Country Songs with a throwback sound and an emotive, vulnerable vibe! Your submissions should have great musicianship, touching and heartfelt hooks, down-tempo rhythms, and well-crafted lyrics. Instrumentation that's in the general wheelhouse of the reference Song will work best for this opportunity (think acoustic guitar, steel guitars, drums, upright bass, etc). Please ensure your productions are genre-appropriate and any virtual instruments or samples you use are high-quality. Well-performed Male vocals are the way to go for this request.

Lyrics should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $150, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, plus you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420CY

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EMOTIONAL, PIANO-DRIVEN BALLADS with Male or Female Vocals are needed for an (up to) $1,000, Direct-to-Film Producer placement in an upcoming Independent Feature Film with an Award Winning Indie Film Director!

Important Note: You'll get 100% of the sync fee, and keep 100% of your publishing and master rights. No publishing splits.

This Film's Producer is on the hunt for Down-Tempo Songs that could work as a replacement for "I'm Giving In" by Matt Andersen, which is currently temped in:

"I'm Giving In" by Matt Andersen

They're NOT looking for clones or soundalikes! Similar tempo, style, and overall vibe? Yes. Clones? No!

QUOTING THE FILM'S PRODUCER: "In this graveyard scene, the lead character's father has passed away and she must decide to do something with her life. It needs an emotional, piano-driven feel."

Tempo Matters: Because the scene is already edited, matching (or being close to) the tempo of the reference is strongly recommended.

Please submit Down-Tempo Ballads with a captivating, emotionally charged sound that draws the listener in from start to finish. Impactful melodies, solid arrangements, and expressive, well-performed vocals are all needed for this request. Instrumentation should primarily feature piano, but some very subtle additional accompaniment could also possibly work (think very light strings, etc.). Please ensure any virtual instruments or samples you use are high-quality, realistic, and not dated-sounding. Genuine, heartfelt vocal performances full of emotion could help you seal the deal!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs easier to place. Please do NOT copy the referenced artist or song in any way, shape, or form. Use it as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

The license fee for this placement is (up to) $1,000, depending on the ultimate use. This is a Direct-to-Film Producer placement, so you’ll keep 100% ownership of your Copyright and Master Recordings, you’ll also get 100% of the License Fee and any applicable performance royalties. You must own or control your Copyright and Master Recordings to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425GV

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INDIE SINGER/SONGWRITER ARTISTS or BANDS with Male or Female Vocals are needed by a prominent Los Angeles-based Independent Record Label that’s currently looking for talented new artists to sign.

This Label is on the lookout for acts that would appeal to fans of the following examples we got directly from them:

"All My Broken Pieces" by James Bay

"World on a String" by Jessica Pratt

"Night Shift" by Lucy Dacus

Please submit well-crafted Singer/Songwriter Songs that have a genuine, modern Indie sound, but still maintain a good level of mainstream appeal! Your submissions should have catchy melodies, memorable choruses, solid arrangements, and well-crafted lyrics. Indie Singer/Songwriter instrumentation that falls within the general stylistic ballpark of the references will work best for this opportunity (think acoustic guitar, electric guitar, keys, drums percussion, etc.). Live instrumentation is suggested, but if you choose to use virtual instruments or samples, please make sure they are high-quality, realistic, and not dated-sounding. Compelling and well-performed vocals are the way to go.

This Label has specifically asked to hear at least 2 Songs per submission so they can see if you’ve got depth in your material.

NOTE: This Label is interested in Artists and Bands that have gained some traction from actively working on their careers. Please detail (in your bio) what you are doing with your career. Include any impressive touring, fan base, sales, streaming, or social media figures. That said – if you’re a new Artist or Band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the company. Submissions must be received no later than 11:59 PM (PDT) on Thursday, May 9th, 2024. TAXI # S240509GW

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Vintage

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FUN/QUIRKY '60s-Style (or Vintage) POP SONGS with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references:

"The Lion Sleeps Tonight" by The Tokens

"The Battle of Kookamonga" by Homer & Jethro

"Come On-A My House" by Rosemary Clooney

"Hanky Panky" by Tommy James & The Shondells

QUOTING THE COMPANY: "We are looking for authentic-sounding '60s Songs that are humorous, fun, or quirky for upbeat montages."

IMPORTANT: This Company is looking for AUTHENTIC-SOUNDING '60s music! You can submit recently recorded/produced Songs if they sound like they are actually from the '60s, OR if you have high-quality vintage recordings, they would love to hear those as well!

Please submit well-crafted Pop Songs with an authentic '60s sound and a fun or quirky approach in the general style of the references! Fun motifs, era-appropriate rhythms, memorable melodies, solid arrangements, catchy choruses, and well-crafted lyrics are all needed. '60s Pop instrumentation in the general wheelhouse of the reference Songs will work best for this opportunity. If you choose to use any virtual instruments, please make sure they are high-quality, realistic, and era-appropriate. Your production needs to sound authentically '60s, and please be sure your vocal performances are well-performed!

TAXI TIP: Please do NOT include any sound effects in your music, such as laugh tracks, crowd noises etc.

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Era-appropriate Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422KQ

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PSYCHEDELIC '60s ROCK SONGS with Male or Female vocals are needed URGENTLY by a very active and fast-growing Music Licensing Company that specializes in music for BIG TV Commercials.

This client is looking for Mid-To-Up-Tempo Songs that could fit in the general stylistic ballpark of the following references they sent us:

"White Room" by Cream

"Somebody to Love" by Jefferson Airplane

"California Dreamin'" by The Mamas & the Papas

"Strawberry Fields Forever" by The Beatles

QUOTING THE COMPANY: "We are looking for authentic-sounding '60s Songs with a Trippy/60's psychedelic sound in the style of the references."

IMPORTANT NOTE: This Company is looking for AUTHENTIC-SOUNDING '60s Rock! You can submit recently recorded/produced Songs if they sound like they are actually from the '60s, OR if you have high-quality vintage recordings, they would love to hear those as well!

Please submit well-crafted Rock Songs with an authentic '60s sound and a psychedelic vibe! Early Rock guitar tones, throwback drum grooves, trippy motifs, memorable melodies, solid arrangements, catchy choruses, and well-crafted lyrics are all needed. '60s Rock instrumentation in the general wheelhouse of the reference Songs will work best for this opportunity (think guitars, drums, bass, tambourine, etc). If you choose to use any virtual instruments, please make sure they are high-quality, realistic, and era-appropriate. Your productions need to sound authentically '60s, and please be sure your vocal performances are compelling and well-performed!

Please be sure not to go overboard with the psychedelic aspect. Anything that is too abstract or that veers off into experimental territory won't work here.

Lyrics that avoid references to specific names, dates, times, brands, places, and profanity could make your Songs more appealing for sync placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for texture, tone, and overall vibe. Era-appropriate Broadcast quality is needed.

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You’ll keep 100% of the original copyright. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. NO DEADLINE EXTENSIONS for this request. Sorry folks, but we're on an extremely tight deadline, so please don't even ask! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 23rd, 2024. TAXI # S240423RK

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VINTAGE SOUTHERN GOSPEL SONGS (in the Public Domain) with Male and/or Female Vocals are needed by a very successful EXCLUSIVE Music Library. This company has a very long history of lots and lots of really AWESOME placements, tons of which have been for TAXI members!

This Company is looking for vintage recordings of Public Domain Songs that could be heard on a playlist with the following references:

"When The Roll Is Called Up Yonder" performed by The Original Carter Family

"Leaning On The Everlasting Arm" by Early Sons Of The Pioneers

"Don't You Hear Jerusalem Moan" by Gid Tanner & The Skillet Lickers

NOTE: This Company is NOT looking for Instrumentals. Submissions need to include vocals!

IMPORTANT: This company is looking for religious Songs in the PUBLIC DOMAIN that were recorded before 1950. They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. Please ensure that the music you submit was recorded before 1950 (give or take a few years), or this Company cannot use it!

Please submit vintage recordings of Public Domain Gospel Songs with an old-timey sound and lots of deep-south charm! Your submissions should have southern vocal deliveries with rich harmonies. Era-appropriate Broadcast Quality is needed.

Please double check to make sure the music you submit is truly in the Public Domain! Check out the Public Domain Information Project website for more info.

IMPORTANT! Per our client, your submissions must NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive) including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. You must own or control your Masters to pitch for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430PD

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VINTAGE RECORDINGS OF "DIXIE LAND" with Male and/or Female Vocals are needed by a very successful EXCLUSIVE Music Library. This company has a very long history of lots and lots of really AWESOME placements, tons of which have been for TAXI members!

This Company is looking for your authentic vintage covers of the following Song:

"Dixie Land" - USA free music library

NOTE: This Company is NOT looking for Instrumentals. Submissions need to include vocals!

IMPORTANT: This company is looking for Cover versions of "Dixie Land" that were recorded BEFORE 1950. They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. Please ensure that the music you submit was recorded before 1950 (give or take a couple of years) or this Company cannot use it.

Please submit vintage Cover recordings of the Song "Dixie Land" by Daniel Decatur Emmett. Instrumentation may vary, based on the era of your recording. Era-appropriate Broadcast Quality is needed.

IMPORTANT! Per our client, your submissions must NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive) including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. You must own or control your Masters to pitch for this opportunity. Please submit as many Covers as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 30th, 2024. TAXI # S240430DX

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World Music

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Wide Range of HEAVY ROCK SONGS in SPANISH with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references:

"Otra Oportunidad" by Crazy Lazy

"Explota" by VOLTAX

"En La Nada" by AGORA

Please submit a wide range of Heavy Rock Songs with Spanish vocals and lots of head-banging, hard-rock energy! Your submissions should have intense melodies, hard-hitting rhythms, massive guitars, captivating vocal performances, and well-written lyrics in Spanish. Rock Instrumentation and productions in the general stylistic wheelhouse of the references will work best. Please be sure any virtual instruments or samples you use are high-quality and realistic sounding.

Lyrics should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418RX

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Lots of FASHION EDM SONGS in JAPANESE and/or KOREAN with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references, which we got directly from them:

"Groovy Berta" by kasby

"You Think" by Gold 88

"Douha (Mali Mali)" by Disclosure & Fatoumata Diawara

IMPORTANT: We are using these references at the special request of the Company because they have a specific "High-Fashion/Runway" sound they currently need. Even though they do not have Japanese or Korean vocals, please ONLY submit Songs in Japanese or Korean. A little bit of English sprinkled in is ok, but it needs to be minimal.

NOTE: Tracks with a typical lyrical/song structure OR more minimal/repetitive vocals are both okay to submit to this opportunity.

Please submit Japanese and/or Korean EDM Songs with lots of energy and the type of sound that you would hear in a high-profile fashion runway show! Your submissions should have catchy melodies, pumping rhythms, memorable hooks, captivating vocal performances, and lyrics in Japanese or Korean. Modern EDM Instrumentation in the general stylistic wheelhouse of the references will work best. Please be sure that your productions and any virtual instruments or samples you use are high-quality and modern.

Lyrics should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 18th, 2024. TAXI # S240418PA

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Wide Range of 'SPAGHETTI WESTERN' ROCK SONGS in SPANISH with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Up-Tempo Songs in the general stylistic wheelhouse of the following references, which we got directly from them:

"Django" by Redwest

"Fideo Del Oeste" by Chingon

"Speak to the Wind" by Spindrift

NOTE: We are aware that the last reference does not have vocals, but we are including it at the request of the Company because it has a sound that could potentially work here. Please do NOT submit Instrumentals. All submissions should include vocals, and they need to be in Spanish.

Please submit Rock Songs with Spanish vocals and the 'Spaghetti Western' sound that was made famous in classic Western movies! Your submissions should have Spaghetti Western motifs, engaging rhythms, solid arrangements, authentic and well-performed vocals, and lyrics in Spanish. Rock and/or Spaghetti Western Instrumentation in the general stylistic wheelhouse of the references will work best (think electric guitars, nylon acoustics, traditional Mexican percussion, drums, trumpet, etc). Please be sure any virtual instruments or samples you use are high-quality and realistic sounding.

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 20th, 2024. TAXI # S240420MR

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HEAVY ROCK SONGS in RUSSIAN with Male or Female Vocals are needed by a Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials.

This Company is searching for Songs in the general stylistic wheelhouse of the following references we got directly from our contact at the Music Library:

"Exile" by Black Obelisk

"Adrenaline" by Sunburst

NOTE: You can submit recently recorded Songs in the general style of the references, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well! Original compositions only, please.

Please submit well-crafted Rock Songs with Russian vocals and lots of intense, amped-up energy! Your submissions should have great musicianship, intense melodies, hard-hitting rhythms, massive guitars, captivating vocal performances, loads of raucous energy, and well-written lyrics in Russian. Rock Instrumentation in the general stylistic wheelhouse of the references will work best. Please be sure any virtual instruments or samples you use are high-quality and realistic sounding. Male or Female vocals both could work for this listing!

Lyrics need to be in Russian and should avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Masters and Copyright to submit to this pitch. Please send as many Songs as you’d like, online or per CD. Please include lyrics! All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 22nd, 2024. TAXI # S240422SS

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Lots of MIDDLE EASTERN SONGS (in a wide range) are needed by a Great Music Licensing Company with lots of Film and TV placements.

This Library is looking for a Wide Range of Songs in the general stylistic ballpark of the following references:

"El Tannoura" by Fares Karam

"Oasis" by Andrea Krux

"Badna Nwalee El Jaw" by Nancy Ajram

"Nami Nami" by ODO Ensemble & Claire Merigoux

QUOTING THE COMPANY: "We need both darker tracks and upbeat, brighter tracks."

IMPORTANT: This Company is looking for a wide variety of Song structures and arrangements. Songs with a verse/chorus type layout could work, OR a more sparse approach with minimal vocals could also work. Just be sure that both the instrumentation and vocals have an authentic Middle-Eastern sound!

Please submit well-crafted Songs that showcase the culturally rich sounds and styles of the Middle East! Engaging rhythms, solid arrangements, authentic motifs, and solid musicianship are all needed for this listing. Instrumentation in the general ballpark of the reference tracks will work best. Please make sure any virtual instruments or samples you use are high quality and very realistic sounding. Well-performed vocals with an authentic sound are needed.

Lyrics need to be in a Middle-Eastern language (think Arabic, Persian, Turkish, etc) and should avoid references to specific names, places, dates, times, brands, and profanity. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Masters and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 25th, 2024. TAXI # S240425KR

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Lots of KLEZMER SONGS with Male or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This A-List Company is on the lookout for Songs in the general stylistic ballpark of the following references:

"Zol shoyn kumen di geule" by The Klezmatics

"Basarabye" by Itzhak Perlman

"Yidl Mitn Fidl" by Zalmen Mlotek ft. Eleanor Reissa

Please submit well-crafted Klezmer Songs with infectious rhythms, stellar musicianship, and tons of Klezmer charm (think Fiddler on the Roof-style). Your submissions should have authentic melodies, danceable rhythms, solid arrangements, and well-crafted lyrics in Yiddish. Instrumentation should be in the general stylistic wheelhouse of traditional Klezmer music, with instruments such as Accordion, Acoustic Guitar, Nylon String Guitar, Bass Guitar, Hand Percussion, Tambourine, Strings, Concert Flute, Cimbalom (Dulcimer), Orchestral Harp, Trumpet, Piano, and Drumset. Performances should feel authentic – complete with traditional Klezmer articulations (bending the notes, forcing the breath, breathing into the notes, legato, staccato, etc.).

If you're using any virtual instruments, be sure they're super high-quality and realistic sounding. This request is all about capturing an authentic Klezmer vibe and sound!

TAXI Tip: Your submissions don't need to be in one rigid tempo throughout. Historically, Klezmer music was meant for dancing, so tempos were fluid – often players slightly led or trailed the beat creating a lilting sound. Because of this, it'd actually probably be a good idea to let the rhythms of your pieces flow freely in a rubato style so they feel more authentic. The more your pieces feel like they're being performed by a real Klezmer band, the better!

Lyrics need to be in Yiddish and should avoid references to specific names, dates, times, places, brands, and profanity. Non-faded, buttoned/stinger endings are strongly recommended. Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

IMPORTANT: This Library really wants to find top-notch Composers – not just people who combine different samples or loops without altering them at all.  Cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they're distinguishable from the originals. Basically, if you Shazamed one of your tracks and another artist's song comes up, your music would definitely be disqualified by this Company.

ALSO IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Masters and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, April 26th, 2024. TAXI # S240426KL

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TRADITIONAL NAVAJO SONGS with Male and/or Female Vocals are needed by an extremely busy Music Library with a tremendously long list of killer placements in Hit TV Shows!

This Company is on the lookout for Songs in the general stylistic ballpark of the following references:

"Song and Dance Romance" by Radmilla Cody

"Navajo Squaw Dance" by Ed Lee Natay

"Diné" by Tom Murphy

Please submit Traditional Navajo Songs with authentic Navajo sounds, instrumentation, and vocals. Please DO NOT submit anything with modern sounds or modern production elements, such as electronic beats, synths, etc. Instrumentation should be light and minimal, and generally stay in the wheelhouse of the references.

NOTE: You can submit recently recorded Songs in the general style of the references, OR if you have high-quality vintage recordings (recorded back in the day), they would love to hear those as well!

Do NOT copy the reference tracks in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

IMPORTANT: Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, etc.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is not already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, May 5th, 2024. TAXI # S240505VJ

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