TAXI's Industry Listings

Updated: January 19, 2020

Advertising

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FUN, EMOTIONALLY UPLIFTING POP SONGS with Male or Female Vocals are needed for an (up to) $200 NON-Exclusive, Marketing Agency placement in a Digital/Online Commercial!

NOTE: We recently ran this request as a TAXI Listing (#S191225PS), but the Marketing Agency wants to hear more music in the same ballpark. If you submitted to #S191225PS, please submit different material this time around!

They’re looking for Up-Tempo Songs that would fit on a playlist with the following references:

“Go Get It” by ZBRAS

“Wild” by LOLO

“All Brand New” by Danger Twins

“Turn Up The Heat” by Juliet Roberts

NOTE: We've been told that this Marketing Agency tends to gravitate towards Songs that have positive lyrics and tons of excitement and energy!

Please submit well-crafted Pop Songs that have an "advertisement-friendly” sound and vibe. Be sure your Songs have uplifting melodies and super memorable choruses that instantly stick with listeners. Having confident, well-executed vocal performances could also help your chances of nailing this request.

Although they didn’t request any specific lyric themes, they would like to hear short, catchy phrases that are positive, uplifting, and fun. Lyrics that avoid references to specific names, dates, times, brands, and profanity are strongly recommended. Do NOT copy the referenced artists or Songs in any way, shape, or form. Use them only as a guide for tempo, texture, tone, and vibe. Broadcast Quality is needed.

The estimated license fee will be between $100-$200, depending on the ultimate placement. This request is for digital/online ads, hence the relatively low creative fee (when compared to a Broadcast Commercial).

This is a Non-Exclusive Marketing Agency placement, so you’ll keep 100% ownership of your Copyright and Master Recording. You’ll also get 100% of the Master License Fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by a TAXI Screener. All Submissions must be received no later than 11:59 PM (PST) on Tuesday, January 21, 2020.  TAXI # S200121PP

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A RANGE of QUIRKY and UNIQUE SONGS FOR TV COMMERCIALS with Male or Female Vocals are needed by a successful Music Licensing Company for a bunch of TV Commercial pitches!

They’re on the hunt for Songs in All Tempos that fall within the general range of (but not limited to) the following references they gave to us:

“New Soul" by Yael Naim (for Apple)

"We Are Young" by Fun (for Chevy/Sonic)

"I Want It " by 3 One Oh (for Google Pixel)

"1234" by Feist (for Ipad Nano)

NOTE: The client is open to material in all commercially viable styles and genres, as long as the Songs are unique, memorable, and playful enough to cover a variety of advertisement scenarios!

Please submit innovative, well-crafted Songs that have an "advertising-friendly” sound and vibe. Your Songs can range anywhere from stripped-down versions to fuller productions with more instrumentation. Whichever genre or sub-genre you’re pitching, the music should sound have genre-appropriate sounding instrumentation and productions. Your submissions can also have a bit of a quirky quality to them, but don’t get carried away!

Lyrics that avoid references to specific names, dates, times, places, brands, and profanity could make your Songs more appealing to the Licensing Company and Ad Agencies. Please do NOT copy the referenced examples in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, January 21st, 2020.  TAXI #S200121AD

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Country

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CONTEMPORARY, “TRADITIONAL-SOUNDING” COUNTRY SONGS with Male Vocals are needed by a Major Label A&R Executive for a Legendary, Multi-Award-winning act!

He’s looking for Songs in All Tempos that could be found on a playlist with:

“Dive Bar” by Garth Brooks & Blake Shelton

“Even Though I'm Leaving” by Luke Combs

“Get Along” by Kenny Chesney

Please submit well-structured Songs that sound like they could be the next big HITS in Country music! Your lyrics should tell a story, with plenty of visual details and a conversational tone. This artist has been around the Country scene for quite a while now, so your Songs should take a traditional Country approach in terms of structure, lyric themes, melodies, and productions.

NOTE: Stripped-Down demos and full productions are both okay to submit. Demo quality should be competitive with Songs being pitched on the Row.

Your recordings need to be well-balanced and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened and critiqued by a TAXI Screener. All Submissions must be received no later than 11:59 PM (PST) on Thursday, January 23rd, 2020.  TAXI # S200123CN

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CONTEMPORARY COUNTRY POP SONGS with Female Vocals are needed by an A-List Film/TV Music Publishing Company that always shoots for high-end placements.

They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Mackenzie Porter, Kelsea Ballerini, Miranda Lambert, etc., etc., etc.
Please listen to the following references to get an idea of what they’re looking for:

“About You” by Mackenzie Porter

“Miss Me More” by Kelsea Ballerini

“It All Comes Out in the Wash” by Miranda Lambert  

Please submit well-crafted Songs that have all the fundamental elements of current Country Pop! Be sure your Songs have a Country vibe with a Pop-leaning production style and sound. Vocal performances should be solid from top to bottom and presented with a healthy dose of good ol’ Country authenticity.

You’d be smart to avoid references to specific names, dates, times, places, brands, and profanity for this request. Do not copy the referenced acts or Songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, January 19th, 2020.   TAXI #S200119CO

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Electronic

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DARK, SEXY ELECTRONIC SONGS with Male or Female Vocals are needed by a successful Music Licensing Company for the Music Supervisor of a Popular TV Series on a Major Cable network!

Please submit Mid-to-Up-Tempo Songs that could be found on a playlist with the following references we got from our client:

“Cuts & Bruises” by Erthlings

“Off The Ground” by Anderson.Paak

Please submit Electronic Songs that push the creative envelope a bit with their dark, sexy vibe and style. Your productions and arrangements can vary, but should feel at home with the references above. Having cool, compelling vocal performances (in the context of this genre) could be helpful for this request!

Please avoid references to specific names, dates, times, brands, and places in your lyrics. Please do NOT copy the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Friday, January 31st, 2020.  TAXI # S200131DS

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BIG EDM POP HITS with Male Vocals are needed by a Major Label Producer for a Billboard-charting Electronic act that’s looking for their next single!

They need Mid-to-Up-Tempo Songs that fit stylistically with the references he provided us:

“Happier” by Marshmello ft. Bastille

"FRIENDS" by Marshmello & Anne-Marie

“The Middle” by Zedd, Maren Morris, Grey

NOTE: Although some of the reference Songs have Female Vocals, he's ONLY looking to hear Songs with MALE VOCALS, so please use the references only as a directional guide for the production style, vibe, and sonic approach.

He's looking for current-sounding EDM Pop Songs that have catchy melodies and huge, anthemic choruses. Your submissions should have a fresh rhythmic, melodic, and lyrical approach, with instrumentation that sounds modern (and in the ballpark of what you’d hear from the referenced artists above). Great Vocal performances from top to bottom will help get this Producer and Artist excited about cutting your Songs.

LYRIC Tip: Lyrically, they’re looking to hear themes that are (and we're quoting here) “heartfelt and personal."

Your recording quality needs to be clean, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Saturday, February 15th, 2020.  TAXI # S200215RG

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Hard to Classify/Specialty/Novelty

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COVER VERSIONS (SONGS) of Andrew Gold's "Thank You for Being A Friend" with Male, Female, or Duet Vocals are needed by a super well-connected Publisher for a wide variety of Film, TV, and Commercial placements.

NOTE: They’re open to hearing both newly re-imagined versions or covers that stay close to the original.

For reference, here’s the original version of "Thank You for Being A Friend":

"Thank You for Being A Friend" by Andrew Gold

NOTE: The Publisher feels a soulful, R&B (or perhaps a Gospel rendition) will resonate the most for potential pitches. That said, commercially viable genres (from any era) like Singer/Songwriter, Rock, Pop, Country, EDM, Jazz, etc. are still fair game as well!

Please submit well-crafted covers of the hit '70s Song, "Thank You for Being A Friend," which became known as the musical theme to the hit TV Series, The Golden Girls. You’d be wise to not submit anything that’s too dark or melancholic, as the Covers of the Song should embody the anthemic and good-natured quality that the original Andrew Gold record possesses.

Your recordings can range from simple arrangements up to bigger, more developed productions. While your arrangements/instrumentation can vary, please stick fairly close to the original lyric and melody so that the root of the Song is still recognizable. If you stray too far away from the original, your Covers may not be as appealing!

Broadcast Quality is needed.

This company offers an EXCLUSIVE deal with a 3-year reversion, so please be sure the Covers you pitch for this opportunity are NOT already signed with other Companies or Catalogs. You need to own or control your Master Recording.

Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by a TAXI Screener who was personally selected by the requesting Company. Submissions must be received no later than 11:59 PM (PST) on Tuesday, January 28th, 2020.  TAXI # S200128GG

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Instrumental

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EPIC ORCHESTRAL TENSION INSTRUMENTAL CUES are needed QUICKLY by a NON-Exclusive Music Licensing Company for the Music Supervisor of a Prime-Time Network Show!

They’re on the hunt for Mid-to-Up-Tempo Instrumental Cues – pay close attention to the references they gave us to get yourself in the right ballpark:

MasterChef (Starting from 5:13 – 5-45):

MasterChef (Starting from 9:50 – 10-40):

Please submit exciting Orchestral Instrumental Cues that can add an epic sense of energy and tension to a scene! Please be sure that any Orchestral instrumentation you use is well-played and sounds authentic and believable. Sticking with one musical idea/theme/motif from start to finish is strongly recommended, as it could make your pieces easier to use. Think of the type of Instrumental Cues you hear on elimination-style shows when a team is racing against the clock or when they’re waiting on a judge’s decision!

TAXI Tip: Be sure your Instrumental Cues use great-sounding Orchestral instrumentation! Any material that sounds stiff, synthetic, or MIDI-driven will not work for this request.

Your submissions should be 90 seconds to 2 minutes long, give or take. Non-faded, stinger/button endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

NOTE: This show is on a Major Network and pays good back-end, so your Cues must be of the highest quality!

This company offers a NON-EXCLUSIVE deal. You’ll keep 100% of the Writers share and Master rights and the Music Licensing Company will get 100% of the Publisher’s share for any placements they generate. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, January 20th, 2020.  TAXI Dispatch # D200120EP

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MINIMALISTIC POP INSTRUMENTAL CUES are needed by a successful International Music Licensing Company with global distribution through a huge music conglomerate!

NOTE: We recently ran this request as TAXI Listing #S200104PP, but the company didn’t get enough material. If you submitted to #S200104PP, please submit different material this time around!

They’re looking for Mid-to-Up-Tempo Instrumental Cues in the general stylistic wheelhouse of (but not limited to) these references:

“Don't Start Now” by Dua Lipa

“Royals” by Lorde

“You Need To Calm Down” by Taylor Swift

Although the references have vocals, this request is for Instrumental Cues only!

Please submit current-sounding Pop Instrumental Cues that share the minimalist style of the references above. Be sure your submissions have great melodies, captivating drum rhythms, and a polished sound. Build your Cues around a central melodic theme, while adding and subtracting layers of instrumentation to create a little dynamic variation and some forward momentum.

IMPORTANT: They are NOT looking for EDM-style compositions! Using synths in your Cues is fine as long as the end results are POP-style Instrumental Cues.

Quoting the Music Library: “We are looking for Cues that are sparse and somewhat simple. Only 4-6 instruments (drums counting as one). Keep them simple and try to introduce some edit points along the tracks. Very very high bar, in terms of realism. Meaning, if any of the instruments sound too 'MIDI' then the Cues should be rejected.”

Your submissions need to be close to Two Minutes long (nothing that runs 3 or 4 minutes, please) with non-faded, Buttoned/Stinger endings. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, January 21st, 2020.  TAXI # S200121PT

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HAWAIIAN-Style INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a hard-working Music Library with a very long list of killer placements in Hit TV Shows!

NOTE: We recently ran this request as TAXI Dispatch Listing #D200104HW, but the company didn’t get enough material and asked us to run this request to our full membership to see if we could find even MORE! If you submitted to Dispatch Listing #D200104HW, please submit different material this time around!

“Paradise Maui” by David Luong

“Maui Chimes” by All Star Hawaiian Band

Please submit well-composed Instrumentals and/or Instrumental Cues that create an authentic-sounding Hawaiian spirit and vibe. Your arrangements can include a variety of Hawaiian-style Instrumentation such as (but not limited to) the Ukulele, slack-key guitar, or Pahu. Solo pieces, smaller ensembles, and full bands could all work for this request, as long as your pieces have an authentic Hawaiian vibe.

TAXI Tip: Your instruments should sound as authentic and organic as possible – nothing synthetic or overtly MIDI-driven, please. If you’re using samples or virtual instruments, expert use of dynamics and expression will help your music stand out from the crowd.

Your submissions should be at least 2 minutes in length, and a little bit longer is fine. Non-Faded, Buttoned/Stinger endings will work best for this request. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material that’s already signed with other libraries or publishers. You must own or control your Master and Composition to submit to this opportunity. Please submit as many Instrumentals (and/or Cues) as you’d like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, February 5th, 2020.  TAXI # S200205HW

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CONTEMPORARY TRAP INSTRUMENTAL CUES are needed by a Music Licensing Company in the U.K. that gets tons of placements in Films, TV Shows, and Commercials.

They’re on the hunt for Mid-To-Up-Tempo Instrumental Cues in the general stylistic ballpark of the references below:

“Big Mood” by Drake & Future

“The Box” by Roddy Ricch

“Hot” by Young Thug ft. Gunna & Travis Scott

Quoting the Music Licensing Company: “We’re looking for high-end Instrumental Cues that reflect what's happening in the ‘Urban’ genre right now."

Although the references have vocals, this request is for Instrumental Cues only!

Please send in modern, well-structured Trap Instrumental Cues that are a bit dark and edgy. Your submissions should be rhythmically and melodically engaging from start to finish, and should include “Trap” elements like (but not limited to) 808s, rhythmic hi-hats, and snare-rolls. Cues should stick to a central motif from beginning to end while adding and subtracting layers of instrumentation as they progress to create a sense of forward momentum.

TAX Tip: When composing your Cues, please consider the tempos that are commonly used in this genre. Please be sure to use up-to-date sounds and super current production techniques.

Your submissions should be at least 2 minutes in length. Non-Faded, Buttoned/Stinger endings will work best for this request. Do not copy the referenced artists or Songs in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone. Do NOT submit material with unauthorized samples of other artists’ music, sounds, or any form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control the Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, January 27th, 2020.  TAXI # S200127UB

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EMOTIONALLY UPLIFTING POP INSTRUMENTALS are needed for an (up to) $200 NON-Exclusive, Marketing Agency placement in a Digital/Online Commercial! Think fun, fun, fun!

NOTE: We are also running a TAXI Listing for Emotionally Uplifting Pop SONGS as TAXI #S200121PP, so please don’t confuse the two!

They’re looking for fun Up-Tempo Instrumentals that would fit on a playlist with the following references:

“Go Get It” by ZBRAS

“Wild” by LOLO

“All Brand New” by Danger Twins

“Turn Up The Heat” by Juliet Roberts

NOTE: We've been told that this Agency gravitates towards Instrumentals that have tons of excitement and energy!

Although the references have vocals, this request is for Instrumentals only.

Please submit well-produced Instrumentals with uplifting melodies, engaging rhythms, and lots of fun energy!! Your productions should be "polished," and have an ad-friendly sound and vibe that’s right down the lane of the references and other music that would fit on a playlist with them. Having developmental arcs that make your pieces feel like they’re "going somewhere" is also a good idea.

All submissions should be about 2 minutes in length. Non-faded, Buttoned/Stinger endings will work best. Please do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast quality is needed.

The estimated license fee will be between $100-$200, depending on the ultimate placement. This request is for digital/online ads, hence the relatively low creative fee (when compared to a Broadcast Commercial).

This is a Non-Exclusive, Marketing Agency placement, so you’ll keep 100% ownership of your Copyright and Master Recording. You’ll also get 100% of the Master License Fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by a TAXI Screener. All Submissions must be received no later than 11:59 PM (PST) on Monday, January 27th, 2020.  TAXI # S200127PN

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A RANGE of QUIRKY and UNIQUE INSTRUMENTALS FOR TV COMMERCIALS are needed by a successful Music Licensing Company for a bunch of TV Commercial pitches!

NOTE: We are also running a TAXI Listing for Songs for TV Commercials as #S200121AD, so please don’t confuse the two!

They’re on the hunt for Instrumentals in All Tempos that fall within the general range of (but not limited to) the following references they gave to us:

“New Soul" by Yael Naim (for Apple)

"We Are Young" by Fun (for Chevy/Sonic)

"I Want It " by 3 One Oh (for Google Pixel)

"1234" by Feist (for Ipad Nano)

Although the references have vocals, please submit Instrumentals only for this pitch.

NOTE: The client is open to hearing material in ALL commercially viable styles and genres as long as the Instrumentals are unique, memorable, and playful enough to cover a variety of advertisement scenarios!

Please submit well-composed Instrumentals that have a unique vibe, sound, and style that would work well in the context of Commercial Advertising. Your Instrumentals can range from stripped-down versions to fuller productions with more instrumentation. Whichever genre or sub-genre you’re pitching, the music should have genre-appropriate instrumentation and productions. Your submissions can also have a bit of a quirky quality to them, but don’t get carried away!

Your submissions should be 2 minutes long, give or take. Non-Faded, Button/Stinger endings will work best for this pitch. Do NOT copy the referenced acts or Songs in any way, shape, or form. Use them only as a guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, February 9th, 2020.  TAXI # S200209AD

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URBAN TENSION INSTRUMENTAL CUES are needed by a Music Industry Veteran that’s building a new Music Licensing catalog.

They’re looking for Mid-To-Up Tempo Instrumental Cues in the stylistic ballpark of the following examples below:

Love & Hip Hop: Hollywood (From 1:28 – 2:05)

Basketball Wives (From 0:51 – 1:25)

NOTE: This is for an entertainment Industry Veteran who has several shows currently in production, and he needs a lot of music! If you’ve got this type of Cue, don’t be shy about submitting a bunch of them for this request!

Give them well-crafted Tension Cues with current-sounding Hip-Hop beats that could support tension-filled scenes in Reality TV shows. Build your Cues around a central melodic theme while adding and subtracting layers of instrumentation as they progress to add dynamics, interest, and forward movement. Please avoid anything that sounds too busy, as it could potentially interfere with dialogue.

Your submissions should be at least 90 seconds in length, and a little bit longer is fine. Non-Faded, Buttoned/Stinger endings will work best for this request. Broadcast Quality is needed.

This Industry Veteran get syncs ranging up to $250 per Instrumental Cue, depending on the placement and show.

This company offers a NON-EXCLUSIVE, 50/50 deal. You’ll split any applicable sync fees 50/50. You’ll get 100% of the Master rights and Writer’s share, and the Library will get 100% of the Publishing for any placements they generate. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by a TAXI screener hand-picked by the Music Library Owner. All Submissions must be received no later than 11:59 PM (PST) on Sunday, January 19th, 2020.  TAXI # S200119UT

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MODERN HIP-HOP INSTRUMENTAL CUES are needed by a Music Industry Veteran that’s building a new Music Licensing catalog.

They’re looking for Mid-to-Up-Tempo Instrumental Cues that would fit well on a playlist with the following references:

WARNING: Some of the references have graphic and explicit lyrics. Listener discretion is advised.

“Haute” by Tyga ft. J Balvin, Chris Brown

“Panini” by Lil Nas X

“HIGHEST IN THE ROOM” by Travis Scott

NOTE: This is for an entertainment Industry Veteran who has several shows currently in production, and he needs a lot of music! If you’ve got this kind of Cue, don’t be shy about submitting a bunch for this request!

Please submit banging Hip-Hop Instrumental Cues with fresh melodies and rhythmically engaging drum beats. Add and subtract layers of instrumentation as your Cues progress to create dynamics and forward momentum, while sticking to the main theme. Any Virtual Instruments and Samples you use need to sound current, high-quality, and not dated.

Your submissions should be at least 90 seconds in length, and a little bit longer is fine. Non-Faded, buttoned/stinger endings will work best for this pitch. Do NOT copy the referenced artists or Songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Industry Veteran get syncs ranging up to $250 per Instrumental Cue, depending on the ultimate placements.

This company offers a NON-EXCLUSIVE, 50/50 deal. You’ll split any applicable sync fees 50/50. You’ll get 100% of the Master rights and Writer’s share, and the Library will get 100% of the Publishing for any placements they generate. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI screener hand-picked by the Music Library Owner. All Submissions must be received no later than 11:59 PM (PST) on Monday, January 20th, 2020.  TAXI # S200120HC

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DANCE POP INSTRUMENTAL CUES are needed by a Music Industry Veteran that’s building a new Music Licensing catalog.

They’re looking for Up-Tempo Instrumental Cues that would fit on a playlist with the following references:

“What's Right With Me” by JAGMAC x Mister AC

“This Is Real” by Jax Jones, Ella Henderson

“I Don't Wanna Talk” by Alok & Hugel ft. Amber Van Day

Although the references have vocals, this request is for Instrumental Cues only.

NOTE: This is for an Entertainment Industry Veteran who has several shows currently in production, and he needs a lot of music! If you’ve got this type of Cue, don’t be shy about submitting a bunch for this request!

Please send in well-crafted Instrumental Cues that have a contemporary sound, catchy melodies, and infectious rhythms. Be sure your instrumentation (including electronic elements) sounds modern and in the ballpark of the references above. Be sure to stick to one central melodic theme, while adding and subtracting layers as they progress to keep your pieces engaging. Give them something that’s fresh and current-sounding!

Your submissions should be at least 90 seconds in length, and a little bit longer is fine. Non-Faded, Buttoned/Stinger endings will work best for this request. Broadcast Quality is needed.

This Industry Veteran gets sync fees ranging up to $250 per Instrumental Cue, depending on the ultimate placement.

This company offers a NON-EXCLUSIVE, 50/50 deal. You’ll split any applicable sync fees 50/50. You’ll keep 100% of the Master rights and Writer’s share, and the Library will get 100% of the Publishing for any placements they generate. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by a TAXI screener hand-picked by the Music Library Owner. Short critiques only. All Submissions must be received no later than 11:59 PM (PST) on Monday, January 20th, 2020.  TAXI # S200120DP

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POLISH FOLK INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a hard-working Music Library with a very long list of killer placements in Hit TV Shows!

They’re searching for Mid-to-Up-Tempo Instrumentals or Cues that fall within the general stylistic ballpark of the following references:

Polish Folk Music - Poland

Polish Folk Music - Polish Town

NOTE: They're not just looking for music that sounds like those examples. Music that sounds like it would be on a playlist with those examples would be in line with this search!

Please send in well-composed Instrumentals/Instrumentals Cues that could be used in travel documentaries and food shows about Poland. Your Instrumentals should fit well under dialogue while quickly establishing a location and mood. Instrumentation can range from Solo Instrumentals to ensembles of various sizes. Stick to one mood and musical motif from beginning to end. If you're using Virtual Instruments or samples, the closer they sound to the real deal, the better!

Your submissions should be at least 2 minutes in length – a little bit longer is fine. Non-Faded, Buttoned/Stinger endings will work best for this request. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material that’s already signed with other libraries or publishers. You must own or control your Master and Composition to submit to this opportunity. Please submit as many Instrumentals (and/or Cues) as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, January 20th, 2020.  TAXI #S200120PH

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Lots of OLD SCHOOL HIP-HOP INSTRUMENTAL CUES are needed by a fast-growing European Music Library that's building a new catalog and is looking for a bunch of music in this style! This client was recently referred to TAXI by another company that loves the music they're getting from our members, and we suspect they will use TAXI as their primary resource!

They’re looking for Mid-to-Up-Tempo Instrumental Cues that could be found on the same playlist as:

"Jam On It” by Newcleus

"Just A Friend” by Biz Markie

“Children's Story” by Slick Rick

Although the references have vocals, please submit Instrumental Cues only for this pitch.

Please submit well-crafted Instrumental Cues that are reminiscent of the Hip-Hop music released in the 1980s and the early 1990s eras. Your instrumentation, productions, and sounds should be era-appropriate and sonically in the ballpark of the references above. Be sure to structure your Cues around a central melodic theme while adding and subtracting instrumentation as they progress to create dynamics, interest, and forward momentum.

TAXI Tip: Your submissions can be actual old-school Instrumental Cues, or they can be Instrumental Cues that were recently created and just inspired by those eras.

Submissions should be about 2 minutes long, give or take. Non-faded, Buttoned/Stinger endings will work best. Do NOT copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and overall vibe. Please do NOT submit any material with unauthorized samples of other artists’ Songs, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumental Cues you pitch for this opportunity are NOT already signed with other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals Cues as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, January 19th, 2020.  TAXI # S200119SK

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CONTEMPORARY TRAP-Style INSTRUMENTAL CUES are needed by a fast-growing European Music Library that's building a new catalog for Film, TV, and Commercial placements. They were referred to us by another company that loves the music they are getting from TAXI's members.

They want Mid-to-Up-Tempo Instrumental Cues in the general stylistic wheelhouse of the following references:

WARNING: Some of the references contain graphic and explicit lyrics. Listener discretion is advised.

"Baby” by Quality Control, Lil Baby, & DaBaby

"Crushed Up” by Future

“Bad Bad Bad” by Young Thug ft. Lil Baby

Although the references have vocals, please submit instrumental Cues only for this pitch.

The client needs super modern, current-sounding, Trap Instrumental Cues with lots of attitude. Structure your submissions around a central melodic idea, while adding and subtracting layers of instrumentation as they progress to create dynamics, interest, and forward momentum. Your Instrumental Cues should use heavy, speaker-knocking drums and high-quality virtual instrumentation.

Submissions should be about 2 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do not copy the referenced music in any way, shape, or form. Use it only as a guide for tempo, tone, and vibe. Do NOT submit any material with unauthorized samples of other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumental Cues you pitch for this opportunity are NOT already signed with other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumental Cues as you'd like, online or per CD. All submissions will be screened and critiqued by a TAXI screener. Submissions must be received no later than 11:59 PM (PST) on Wednesday, January 22nd, 2020.  TAXI # S200122TR

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EPIC TRAILER-Style INSTRUMENTALS are needed by a premier Production Music Library with an extensive history of great placements!

They’re on the hunt for well-composed Instrumentals that could work for Blockbuster Hollywood Movie Trailers. Listen to the following references to get in the general stylistic wheelhouse of what they’re looking for:

JAMES BOND 007: No Time To Die Trailer (Starting at 0:20)

Marvel Studios' Black Widow - Official Teaser Trailer

Disney's Mulan | Official Trailer (Starting at 0:23)

Please submit epic Trailer Instrumentals that sound like they're ready for the big screen! Submissions should be structured with three distinct acts that build to a climactic crescendo. Your instrumentation can be organic/orchestral, electronic, or a hybrid of both, as long as it's on par with current Blockbuster Trailers.

TAXI Tip: Non-Lyrical Choral/Vocal samples are okay for this pitch, but not a necessity.  Please be sure any Orchestral instrumentation you use sounds realistic and convincing.

All submissions should be two minutes in length, give or take. Stinger endings will work best. Please do not copy the examples in any way, shape, or form. Use them only as a general guide for overall feel, texture, and tone. Broadcast quality is needed.

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. You’ll keep 100% of the Writer’s share and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, January 26th, 2020.  TAXI # S200126ET

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ORIGINAL DUB REGGAE INSTRUMENTALS are needed by an International Music Library with worldwide distribution through Universal!

This Client is looking for authentic-sounding Mid-to-Up-Tempo Instrumentals that would fit well on a playlist with the following references we got directly from them:

“Jah Light” by Augustus Pablo

“King At The Control” by King Tubby

“Up Warrika Hill” by Augustus Pablo

Please submit original Dub Reggae Instrumentals that sound like the real thing, with killer grooves, captivating melodies, and very authentic-sounding Reggae instrumentation. If you’re using samples or Virtual Instruments to create your Instrumentals, please be careful to avoid anything that sounds stiff or obviously MIDI-driven.

NOTE: This Music Library is BIG on Instrumentals with a Middle Eastern twist, so incorporating Middle Eastern instrumentation, scales, and melodies could really help you get this Music Library's attention!

Your submissions should be about 2 minutes in length, give or take. Non-Faded/Buttoned endings will work best for this pitch. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Thursday, February 6th, 2020.  TAXI # S200206DR

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Latin

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CURRENT-SOUNDING REGGAETÓN ARTISTS with Male or Female Vocals are needed by a newly formed Record Label started by the Owner of a Huge Television Network!

Please submit Mid-to-Up-Tempo Songs that could be found on a playlist with these references:

“Yo x Ti, Tu x Mi” by ROSALÍA, Ozuna

“Indeciso” by Reik, J. Balvin, Lalo Ebratt

“Te Hace Falta” by Baby Rasta y Gringo

NOTE: This label is looking for artists with Star Appeal!  Your music needs to be fresh, young, and hip – and performed in either Spanish, English, or BOTH.

Please submit well-produced Reggaetón Songs with Latin-flavored grooves. Your music must be contemporary, rhythmically compelling, and competitive with the top Reggaetón music of today. Your vocals should be well-performed to showcase your one of a kind style!

They’re open to hearing established artists as well as artists they can develop; however, artists with a fan base and a strong following will likely be more appealing. Please be sure your bio includes any highlights such as (but not limited to) touring, fanbase, or impressive sales, or streaming figures you may have. If you’re an artist or band that’s just starting out and don’t have much of a story or track record yet, but you do have an amazing sound and the Songs to back it up, they’d still like to hear you!

Your production and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include lyrics. All submissions will be screened and critiqued by a person handpicked by the Owner of the Record Label. All submissions must be received no later than 11:59 PM (PST) on Saturday, February 1st, 2020.  TAXI # S200201RG

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TOP 40-Style LATIN POP ARTISTS with Male or Female Vocals are needed by a newly formed Record Label started by the Owner of a Huge Television Network!

Please submit Mid-to-Up-Tempo Songs that could be found on a playlist with these references:

“Liar” by Camila Cabello

“I Can't Get Enough” by benny blanco, Tainy, Selena Gomez, J. Balvin

NOTE: This label is looking for artists with Star Appeal! Your music needs to be fresh, young, hip – and performed in either Spanish, English, or BOTH.

Please send in well-produced Pop Songs with a Latin-flavor that can work for both the Latin and English markets. Your submissions should have catchy, creative melodies and choruses that are super memorable.

They’re open to hearing established artists as well as artists they can develop; however, artists with a fanbase and a strong following will likely be more appealing. Please be sure your bio includes any highlights such as (but not limited to) touring, fanbase, impressive sales, or streaming figures you may have. If you’re an artist or band that’s just starting out and don’t have much of a story or track record yet, but you do have an amazing sound and the Songs to back it up, they’d still like to hear you!

Your production and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include lyrics. All submissions will be screened and critiqued by a person handpicked by the Owner of the Record Label. All submissions must be received no later than 11:59 PM (PST) on Tuesday, February 4th, 2020.  TAXI # S200204LP

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Pop

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CURRENT-SOUNDING URBAN POP ARTISTS with Male or Female Vocals are needed by an A&R Executive at a Major Label!

They’re currently on the prowl for some great new Urban Pop acts that would appeal to the fans of artists like:

“Yummy” by Justin Bieber

“Hate Me” by Ellie Goulding, Juice WRLD

“Mad At You” by Why Don't We

Please submit well-crafted Pop Songs that have a noticeable Urban quality and flavor to them. Your submissions should have fresh lyrics and melodies, contemporary-sounding productions, and well-performed vocals that show off your sound and style!

Note: You’d be wise to submit 2 to 3 Songs per submission so they can see if you’ve got depth in your material. They’re looking for consistent acts with potential Hit Songs!

Your production and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Please be sure your bio includes any touring, fanbase, or impressive sales or streaming figures you may have. If you’re an artist or band that’s just starting out and don’t have much of a story or track record yet, but you do have an amazing sound and the Songs to back it up, they’d still like to hear you!

Please submit two to three Songs, online or per CD, and include lyrics, a photo, and bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Thursday, January 23rd, 2020. TAXI # S200123UP

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CURRENT-SOUNDING INDIE POP ARTISTS with Male or Female Vocals are needed by an A&R Executive at a Major Label!

NOTE: We recently ran this request as TAXI Listing #Y191221PA, but the Record Label didn't find what they were looking for. If you submitted to listing #Y191221PA, please send in different material this time around.

They’re currently on the prowl for some great new Indie Pop acts that would appeal to the fans of artists like:

“Mine Right Now” by Sigrid

“Thru These Tears” by LANY

Give them well-crafted Pop Songs that have a noticeable Indie quality while maintaining a commercially viable appeal. Your Songs should have fresh lyrics and melodies, solid productions, and really well-performed, fittingly stylized vocals.

Note: You’d be wise to submit 2 to 3 Songs per submission so they can see if you’ve got depth in your material. They’re looking for consistent acts with potential Hit Songs!

Your productions and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Please be sure your bio includes any touring, fanbase, or impressive sales or streaming figures you may have. If you’re an artist or band that’s just starting out and don’t have much of a story or track record yet, but you do have an amazing sound and the Songs to back it up, they’d still like to hear you!

Please submit two to three Songs, online or per CD, and include lyrics, a photo, and bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Tuesday, January 21st, 2020.  TAXI # S200121ND

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CONTEMPORARY POP/URBAN CROSSOVER HITS with Male Vocals are needed by a Major Label Producer for a chart-topping artist that’s working on a solo album.

This Producer is looking for radio-worthy, Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Liam Payne, PRETTYMUCH, Travis Scott, etc., etc., etc.

Please listen to the following references he gave us to get a good feel for the style and vibe he needs:

“Strip That Down” by Liam Payne ft. Quavo

"Jello" by PRETTYMUCH

“SICKOMODE” by Travis Scott

Please send in radio-worthy Pop/Urban Crossover Songs with great melodies and polished-sounding productions. Your Songs should lean a bit toward the R&B/Urban genre while maintaining a Top-40 Pop crossover appeal. Include polished vocal performances to help get the label and the artist excited about recording your Songs.

LYRIC Tip: While your lyrics should fall on the younger side of the Pop spectrum, they do not want to hear any bubblegum Pop. Keep your lyrics fresh, cool, and youthful!

Your recording quality needs to be clean, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Thursday, January 30th, 2020.  TAXI #S200130MJ

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CONTEMPORARY ALT-POP SONGS with Female Vocals are needed by a Major Label Producer for a chart-topping group that’s working on their next album.

This Producer is looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) SHAED, MUNA, BANKS, Broods, etc., etc., etc.

Please listen to the following references he gave us to get a feel for the style and vibe he seeks:

“Trampoline” by SHAED

“Number One Fan” by MUNA

"Gimme" by BANKS

“Never Gonna Change” by Broods

Please submit current-sounding Pop Songs that are a little bit outside-the-box, but that still have an appealing, mainstream sound. Make sure your submissions have a distinct Alt-Pop aesthetic with memorable melodies, distinctive vocals, and super strong choruses. Your submissions should have some Electronic influence, but keep in mind that they’re not looking for EDM Songs!

Your recording quality needs to be clean, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Wednesday, February 12th, 2020.  TAXI # S200212EW

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SOULFUL DANCE POP SONGS are needed by a Major Label Producer for an artist and actor that got their start on the hit TV show, Glee!

They’re looking for chart-worthy, Mid-to-Up-Tempo Songs that are stylistically in the wheelhouse of the references they gave us:

“Countdown” by Beyoncé

“The Weekend” by SZA x Calvin Harris

“One Kiss” by Calvin Harris, Dua Lipa

NOTE: For this request, they’re open to hearing Songs with "Male or Female Vocals." Please stick with lyrics that are gender-neutral.

Please submit well-crafted Songs with great structure and amazing melodies. Broadcast Quality is needed for this pitch – your Songs should sound radio-ready with big Pop hooks, polished-sounding productions, and great lyrics.

TAXI TIP: If your Songs are selected, they may choose to use your tracks and just replace your vocals with the Artist's vocals. Still, it's a good idea to have top-notch vocal performances in order to get the Producer and Artist excited about cutting your Songs.

Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Saturday, January 25th, 2020.  TAXI #S200125DP

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CHART WORTHY POP SONGS with Male or Female Vocals are needed by a Grammy-Winning Producer’s Publishing Company.

They’re looking for Songs in All Tempos that would appeal to fans of the following references, as well as other songs that could appear on a playlist with them:

“Lose You To Love Me” by Selena Gomez

"Checklist" by MAX ft. Chromeo

"Small Talk" by Katy Perry

Please submit engaging Pop Songs with contemporary production, fresh and inviting melodies, solid song structure, and super catchy choruses that sound like they belong on the Hot 100 Charts. Be sure your vocal performances are super current-sounding from top to bottom.

This producer is willing to listen to either stripped-down OR more fully produced demos! That said, your Songs have to be super strong, especially if you’re submitting stripped-down demos. They want Songs that sound like hits in the making!

IMPORTANT NOTE: This producer has specifically asked that you ONLY send UNRELEASED Songs that aren't already commercially available. If you've already commercially released them, then they can't use them! This includes releases on Spotify, CD Baby, etc.

Please submit as many Songs as you’d like, online or per CD, and include Lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, January 26th, 2020.  TAXI # S200126PS

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CHART-WORTHY POP SONGS with Female Vocals are needed by a few different artists on a cool European Record Label!

They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Dua Lipa, Selena Gomez, Bebe Rexha, etc., etc., etc. Please listen to the following references to get a feel for the style they need:

“Don't Start Now” by Dua Lipa

“Look At Her Now” by Selena Gomez

“Harder” by Jax Jones, Bebe Rexha

Quoting the Record Label: “We’re looking for Songs that are cool and modern, that have radio hit potential.”

Please submit hit Songs with modern productions and contemporary Pop Song structure. Your submissions should have a ton of mainstream appeal and a fresh rhythmic, melodic, and lyrical approach. Seal the deal by delivering polished Pop vocals on par with the referenced artists and others in that ballpark!

NOTE: If your Songs are accepted, this label gives 100% of the buyout fees to the Songs' songwriter/producer, which normally range from $800 - $1000.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. The specific deal points will be negotiated on a song-by-song basis directly with the Record Label. Please submit as many Songs as you’d like, online or per CD, and include lyrics. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, January 27th, 2020.  TAXI # S200127PS

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Punk

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EDGY POP SONGS with a PUNK ROCK ATTITUDE and Female Vocals are needed by a Major Label Producer for a recently signed up-and-coming artist that’s looking for her next big single!

Please listen to the following references the Producer gave us to get yourself in the stylistic ballpark of what he’s looking for:

“Nightmare” by Halsey

“Smells Like Teen Spirit” by Nirvana

“Teenagers” by My Chemical Romance

NOTE: We are aware that some of the referenced Songs are stylistically different from one another. We think the commonality the reference acts share – and what the Producer is looking for – is the Punk Pop attitude and vibe. Think of how Nirvana might sound today, but with Female Vocals and over Urban Pop Beats.

Please send in Mid-to-Up-Tempo radio-worthy Pop Songs that have a Punk edge and flavor to them. Your submissions should have great melodies, big choruses, and solid productions. Your Songs can have a bit of Urban appeal to them, but make sure to maintain a Pop sound. Be sure your vocal performances have plenty of Punk Rock attitude if you want to get this Record Producer and the artist excited about cutting your Songs.

Your recording quality needs to be clean, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Tuesday, January 21st, 2020.  TAXI # S200121PN

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Rap/Hip Hop

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JAZZ/HIP-HOP FUSION SONGS with Male or Female Vocals are needed by a hard-working Music Licensing Company.

They’re looking for Songs in All Tempos that are in the general wheelhouse of the following reference we got from our client:

“Untitled 02” by Kendrick Lamar

NOTE: Do NOT submit material with unauthorized or UNCLEARED samples of other artists’ music, sounds, or any form of media.

Please submit contemporary Hip-Hop Songs that have melodic elements (and other influences) that pull from the Jazz genre. Your productions should be top-notch, with banging Hip-Hop drums mashed with authentic-sounding Jazz instrumentation. Please be sure your rap performances are lyrically compelling and have great deliveries.

Please avoid references to specific names, dates, times, brands, and places in your lyrics. Please do NOT copy the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Sunday, February 2nd, 2020.  TAXI # S200202JZ

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A RANGE OF RAP/HIP-HOP SONGS about “Ambition" and "Achieving Goals and Dreams” with Male or Female Vocals are needed by a high-quality, boutique-sized Music Licensing Company that’s been signing quite a bit of music from TAXI members lately!

They’re on the hunt to find great Mid-to-Up-Tempo Songs that could fit in the general stylistic wheelhouse of the references below:

WARNING: Some references may contain graphic and explicit lyrics. Listener discretion is advised.

“WIN” by Jay Rock

“Till I Collapse” by Eminem

“All I Do Is Win” by DJ Khaled

“Can't Hold Us” by Macklemore & Ryan Lewis ft. Ray Dalton

IMPORTANT: Here are some examples of what they're looking for lyrically - Rise, rising to the challenge, rise to glory, overcoming, being great, becoming great, greatest of all time, no limits, being a star, being the BEST, strength, be strong, stay strong, fight, fight the good fight, struggle, survival, perseverance, nothing can stop me/us, never quit, never give up, keep going, go go go, anything is possible, you can do it, keep dreaming, shoot for the stars, chase your dreams, and dreams can come true.

You don’t have to limit yourself to just those ideas – those are just some suggestions they gave us to put you in the right ballpark!

NOTE: Although they gave us a bunch of keywords, the basic themes of your Songs should revolve around becoming the best, being the best, and winning.

Please send well-crafted Rap/Hip-Hop Songs that have an anthemic feel and vibe, with polished productions, motivational lyrics, and awesome vocal deliveries full of attitude and swagger!

TAXI Tip: They're open to hearing Songs that are tough or aggressive, as well as Songs that are emotional and inspirational!

Lyrics that avoid references to specific names, places, dates, times, brands, and profanity will potentially make your Songs more usable. Do NOT copy the references in any way, shape, or form.  Also, do NOT submit any material with unauthorized samples of other artists’ Songs, sounds, or any other form of media. Broadcast Quality is needed.

The Licensing Company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control the Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, January 25th, 2020.  TAXI # S200125SP

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R&B/Soul

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SOCIALLY CONSCIOUS R&B/SOUL SONGS with Male or Female Vocals are needed for a NON-Exclusive, Direct-to-Music Supervisor Placement in an Indie Feature Film.

NOTE: We recently ran this request as TAXI #Y191119SC, but the Music Supervisor didn't find what he was looking for. If you submitted to listing #Y191119SC, please send in different material this time around.

TAXI doesn't normally take requests for music for Indie Films unless there is a sync fee paid to the music creators. This request was made early in the film's production, and the sync fees haven't been defined yet. If there are any, they will likely be on the smaller side, with most of the income earned via P.R.O. royalties paid down the road. However, this request comes from an excellent Music Supervisor who uses music from TAXI's members. We think this is a great chance to (possibly) make some money upfront; and maybe, more importantly, it's an opportunity for this extremely busy Music Supervisor to get to know you and your music (and at the very least, make some performance income).

They’re looking for Songs in All Tempos that would fit in the general stylistic wheelhouse of the following references:

“Wake Up Everybody” by Harold Melvin & The Blue Notes

“A Change Is Gonna Come" by Sam Cooke

“Beautiful Flower" by India Arie

“Move On Up” by Curtis Mayfield

NOTE: This movie is a period drama based in the 1990s, so please DO NOT submit anything that is too contemporary-sounding.  To quote the music supervisor, "the music does NOT need to be vintage – but must be Authentic to the production styles, sounds, and instrumentation of the times."

Give them soulfully-expressive R&B/Soul Songs with great productions, compelling melodies, andempowering choruses that deliver strong, socially conscious messages!
You can submit recently recorded Songs that are in the general stylistic ballpark; or, if you’ve got any original vintage pieces (recorded back in the day), they would love to hear those as well!

Avoiding references to specific names, dates, times, places, and profanity in your lyrics is strongly recommended. Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone. Era-Appropriate Broadcast Quality is needed!

These will be Non-Exclusive, Direct-to-Music Supervisor placement, you’ll get 100% of the Sync Fee (if applicable), you’ll keep 100% of your Publishing and Master ownership, and you’ll also get 100% of any applicable performance royalties. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, January 22nd, 2020.  TAXI # S200122RB

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MODERN, DARK and SEXY SONGS (R&B or URBAN POP SONGS) with Male or Female Vocals are needed by a U.K. Music Licensing Company that gets tons of placements in Films, TV Shows, and Commercials.

They’re on the hunt for Down-To-Mid-Tempo Songs that are in the general stylistic ballpark of the references they gave us below:

WARNING: Some of the references have graphic and explicit lyrics. Listener discretion is advised.

“Earned It” by The Weeknd

"Meet Me In The Middle" by Jessie Ware

“Bedroom” by The Dream

Quoting the Music Licensing Company: “These Songs need to have solid production values - nothing cheap or cheesy!"

Please submit dark and sultry Songs that have a mood and style that is comparable to the references above. Your productions and arrangements can vary, but they’re not interested in hearing anything that’s "too pad-heavy or piano and strings-heavy."  Be sure your vocal performances are well-executed from start to finish. Think of the type of music that you might hear in a high-end perfume commercial or on the soundtrack of one of the Fifty Shades of Grey films. That's what they need!

NOTE: This Company has a high bar and they tend to gravitate toward music that sounds more like records, rather than material that sounds like it came from a stock music library. Please submit accordingly!

They didn’t specify any lyric themes for this request. While your lyrics can be a bit edgy, don't get too explicit! Let’s leave a little to the imagination.  ;)

Do not copy the referenced artists or Songs in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone. Do NOT submit material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This Company offers an EXCLUSIVE deal. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control the Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, January 25h, 2020.  TAXI # S200125RB

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URBAN POP SONGS with Female Vocals are needed by a Major Label Producer for an award-winning artist and actor that’s working on her next album!

They’re looking for chart-worthy, Mid-to-Up-Tempo Songs that are stylistically in the wheelhouse of the references they gave us:

“Side To Side” by Ariana Grande ft. Nicki Minaj

"Make Me Feel" by Janelle Monae

“Partition” by Beyoncé

Please submit fresh, Urban-leaning Pop Songs that sound like big radio Hits! Your Songs should have catchy melodies, unforgettable choruses, and a current appeal/flavor. Please be sure your productions sound polished and are built around engaging rhythmic elements.

LYRIC Tip: Lyrically, they’re looking to hear themes that are (and we're quoting here) “disruptive, sexy, and universal." We take "disruptive" to mean a great new way of saying something that's been said a million times before.

Your recording quality needs to be clean, well-balanced, and good enough to represent your Songs well. Please submit as many Songs as you’d like, online or per CD, and include Lyrics. Time permitting, the Producer himself may screen and critique some or all of the submissions – no promises, but we're hopeful! All submissions must be received no later than 11:59 PM (PST) on Friday, February 7th, 2020.  TAXI # S200207UP

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Rock

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LATE 1980s to EARLY 1990s-Style EMPOWERING ROCK SONGS with Female Vocals are needed for a Direct-to-Music Supervisor Placement in an Indie Feature Film.

NOTE: TAXI normally doesn't take requests for music for Indie Films unless there is a sync fee paid to the music creators. This request was made early in the film's production, and the sync fees haven't been defined yet. If there are any, they will likely be on the smaller side, with most of the income earned via P.R.O. royalties paid down the road. However, this request comes from an excellent Music Supervisor who uses music from TAXI's members. We think this is a great chance to (possibly) make some money upfront; and maybe, more importantly, it's an opportunity for this extremely busy Music Supervisor to get to know you and your music (and at the very least, make some performance royalty and/or streaming income).

They're looking for Songs in All Tempos that have the general style and vibe of the following references, which we got directly from the Music Supervisor:

“The Warrior" by Scandal ft. Patty Smyth

“Love Is A Battlefield " by Pat Benatar

“Never" by Heart

NOTE: Some of the referenced Songs have lyrics that are thematically and topically different from what the Music Supervisor is looking for. Please use the references only as a directional guide for the production style, vibe, and sonic approach.

Please submit authentic-sounding Rock Songs that capture the sound and vibe of the ‘80s and the '90s eras. Your submissions should have a genuine throwback, Rock style with traditional Rock instrumentation, solid melodies, and memorable choruses. Please be sure your vocal performances are well-performed from top to bottom!

NOTE: This is Film is a period drama that takes place in 1992, so the music must be stylistically in vogue with that era (or before). Nothing that sounds modern or current, please!

They’re looking to hear Songs that are focused around "female empowerment" themes. Lyrics that don’t have references to specific names, dates, times, brands, and places could make your Songs more appealing. Please do NOT copy the referenced artists or Songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Era-Appropriate Broadcast Quality is needed.

These will be Non-Exclusive, Direct-to-Music Supervisor placements, so you’ll get 100% of the Sync Fee (if applicable), you’ll keep 100% of your Publishing and Master ownership, and you’ll also get 100% of any applicable performance royalties. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, January 22nd, 2020.  TAXI # S200122RF

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"DIVE BAR"-Style ROCK SONGS with Male Vocals are needed by a successful Music Licensing Company for the Music Supervisor of a Popular TV Series on a Major Cable network!

Please submit Mid-to-Up-Tempo Songs that could be found on a playlist with the following references we got from our client:

“All Down The Line” by The Rolling Stones

"Wizard King" by Inside

“Still Standing” by Electric Owls

NOTE: Recently made recordings OR old vintage masters can both work for this request.

Please submit Rock Songs with attitude, grit, and swagger! The client has requested Songs that sound like they could be heard in a roughneck, roadhouse bar. Your submissions should have authentic-sounding Rock band instrumentation with a pinch of dirt, a dash of grease, and a convincing vocal performance that sounds right for the genre.

Avoid references to specific names, dates, times, places, brands, and profanity in your lyric. Please do NOT copy the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Era-Appropriate Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, January 29th, 2020.  TAXI # S200129DB

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A RANGE OF HIGH-ENERGY ROCK SONGS with Male or Female Vocals are needed by a successful Music Licensing Company for the Music Supervisor of a Popular TV Series on a Major Cable network!

Please listen to the references they gave us (below) to get an idea of the stylistic range they're looking for:

“The Fall Out” by Hating Nate

“The Temperance Movement” by Three Bullets

“Scrape” by Blue Stahl

Please submit high-energy Rock Songs with authentic-sounding instrumentation, killer rhythm sections, and vocal performances full of attitude. Be sure your Songs are well-structured from start to finish and include big, infectious choruses!

They didn’t specify any particular lyric themes, but you’d be wise to avoid names, dates, times, places, brands, and profanity in your lyrics. Do NOT copy the referenced artists or Songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, February 3rd, 2020.  TAXI # S200203HE

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DREAMY INDIE/ALTERNATIVE ARTISTS OR BANDS with Male or Female Vocals are needed by a U.K.-Based Indie Label that has worked with some LEGENDARY Artists and Bands!

This Record Label is brand new to requesting music from TAXI members, so this is a great chance to get on their radar! They’re on the prowl for some great new acts that would appeal to the fans of artists like:

“Black Willow” by Loma

“Wrong” by Erland & The Carnival

“from when I wake the want is” by Kathryn Joseph

Please submit Indie Songs with a distinctly dreamy, "hipster" sound and vibe that could potentially be all over the college radio stations.

Arrangements should include a balance of organic Rock instrumentation mixed with some electronic elements to keep them modern. Artists in this style tend to have unique, emotional lead vocalists, a good use of harmonies, and a lot of reverb in their mixes. Revisit the references to see if you are in the right ballpark!

NOTE: Please submit TWO to THREE Songs per submission so they can see if you’ve got depth in your material.

Your recordings need to be well-balanced and good enough to represent your Songs well. Please be sure your bio includes any impressive touring, fanbase, or sales/streaming figures you may have. If you are a new artist or band that's just starting out and you don’t have much of a story or track record yet, but you do have an amazing sound and the Songs to back it up, they’d still very much like to hear what you've got!

Submit two to three Songs, online or per CD, and include lyrics, photos, and bio. All submissions will be screened and critiqued by a TAXI screener. Submissions must be received no later than 11:59 PM (PST) on Thursday, January 23rd, 2020.  TAXI # S200123DH

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Singer/Songwriter

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CONTEMPORARY SINGER/SONGWRITER ARTISTS with Male or Female Vocals are needed by an A&R executive at a Major Label!
She's currently on the hunt for some great new acts that might be found on the same playlist as these references:

"Say You Won't Let Go" by James Arthur

"Slow Hands" by Niall Horan

"Praying" by Ke$ha

Please submit Contemporary Singer/Songwriter Songs with engaging melodies, well-crafted lyrics, and compelling choruses. They aren't interested in traditional, old-school, James Taylor-type of Singer/Songwriters, here! **They want to hear fresh\, ****modern **artists with current, Top-40 friendly Songs.

Simple, Stripped-Down Guitar/Vocal or Piano/Vocal performances can work for this request, or you can go with a small ensembles instead. Heartfelt and engaging vocal performances could help you get this Record Label’s attention!

Your productions and recording quality need to be clean, clear, well-balanced, and good enough to represent your Songs well. Please be sure your bio includes any touring, fanbase, or impressive sales or streaming figures you may have. If you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and the Songs to back it up, they’d still like to hear you!

Please submit 2-3 Songs per submission, so they can see if you’ve got depth in your material.  Submissions will be accepted online or per CD, and should include lyrics, a photo, and bio. All submissions will be screened on a Yes/No basis – No full critiques. Submissions must be received no later than 11:59 PM (PST) on Monday, January 20th, 2020.  TAXI # S200120SS

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Vintage

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ORIGINAL VINTAGE SONGS RECORDED in the 1980s with Male or Female Vocals are needed by a successful Music Licensing Company for the Music Supervisor of a Popular TV Series on a Major Cable network!

NOTE: We purposely avoided putting references in this request as we felt they could potentially be more misleading or limiting, than helpful.

Please send them original Songs that sound like they could have been on the charts during the 1980s!

This awesome company is open to hearing Songs in most of the popular/commercially viable genres, including Pop, Rock, Adult Contemporary, Singer/Songwriter, R&B/Soul, Rap/Hip-Hop, etc. – as long as they were RECORDED in the 1980s. Whichever genre or sub-genre you submit, please be sure your Songs have style and era-appropriate instrumentation and productions. Be sure to have well-performed vocals on your Songs as well.

They DO NOT want any material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL VINTAGE RECORDINGS, and only as long as the sound quality is reasonably good. Lyrics that avoid specific references to names, dates, times, brands, and places could make your Songs more sync-able. Era-appropriate Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, January 22nd, 2020.  TAXI # S200122AT

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World/Ethnic Music

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ORIGINAL THAI SONGS in a VARIETY OF GENRES and STYLES with Male or Female Vocals are needed by a Music Licensing Company that specializes in music for content creators as well as TV shows and Film projects!

They’re on the hunt for Songs in All Tempos and a pretty wide range of styles including (but NOT limited to) the references below:

“Breaking News” by Lipta Ft. CDGUNTEE

“Show Me Please!” by Neko Jump

NOTE: All vocals must be performed in THAI for this request.

They’re open to hearing Songs in all popular, commercially viable genres (EDM, Rock, Hip-Hop, Electronic, Country, etc.) They would especially love to hear some really good Thai Pop and/or Love Songs. They're even open to hearing Holiday Songs sung in Thai!

Please submit commercially viable Thai Songs that could be used in a wide range of licensing opportunities. Your production techniques and ensemble size can vary. Whichever style you choose, please be sure it has genre-appropriate instrumentation and vocal performances (in Thai) that are solid from top to bottom.

Please do NOT copy the referenced Songs or artists in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone. Broadcast Quality is needed.

This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to sign an Exclusive deal, please don’t submit material that’s already signed with other libraries or publishers for this pitch. You must own or control your Master to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, January 27th, 2020.  TAXI # S200127TH

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