What Record Companies, Publishers, Film & TV Music Supervisors, and Music Libraries Are Looking For!

TAXI's Industry Listings

Updated: March 18, 2019

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  • *Note: The Instrumental category often contains requests for genres like Adult Contemporary, Singer/Songwriter, Jazz, Pop, EDM, Hip/Hop, Classical, Swampy, Tension, Blues, Rock, Comedy, Dramedy, and more. Click Instrumental so you don’t miss any great opportunities!
  • Country
  • Electronic
  • Hard to Classify / Specialty / Novelty
  • Instrumental (Multiple Genres)
  • Latin
  • Pop
  • Rap / Hip Hop
  • Rock
  • Vintage
  • Country

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    CHART-WORTHY COUNTRY SONGS with Male Vocals are needed by a Hit Record Producer from Music Row that’s working with a progressive Country band on their next Major Label album.

    They’re looking for Mid-to-Up-Tempo Songs that would appeal to fans of the following references that the Producer gave to us:

    “Even If It Breaks Your Heart” by Eli Young Band

    “Don't Think I Don't Think About It” by Darius Rucker

    “Love Don't Live Here” by Lady Antebellum

    “All on Me” by Devin Dawson

    Please submit Contemporary Country Songs that would sound at home on today’s Country radio stations and charts. Your submissions should have fresh, unique ideas, an original Country melody (that doesn't sound like every other song out there) and a super strong chorus that’s truly ready for the BIG LEAGUES! Send this Producer and band something they haven't heard before, but with plenty of commercial appeal! Make sure your vocal performance is strong enough to get them excited about recording your song!

    TAXI TIP: This Producer will listen to either stripped-down or fully produced demos! That said, your song has to sound super strong - like a hit in the making - especially if you’re submitting a stripped-down demo!

    Please submit as many Songs as you’d like, online or on CD, please Include Lyrics. All submissions will likely be screened by somebody from the Producer's staff on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Friday, March 22nd, 2019.  TAXI #Y190322CS

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    CONTEMPORARY COUNTRY SONGS with Male Vocals are needed by a super strong Music Row Publisher for an up-and-coming Country Artist. They’re looking for top-notch, Mid-to-Up-Tempo Songs that would appeal to the fans of (but not limited to) acts and songs like:

    “I Don't Know About You” by Chris Lane

    “Downtown's Dead” by Sam Hunt:

    “Rebound” by Drew Baldridge

    Quoting the Publisher: “We’re looking for hit Country Songs with content. No songs about drinking.”

    Please submit well-structured Country Songs with visually descriptive, conversational lyrics that have captivating melodies and a memorable chorus! The bar for this request will be high so please be sure your Song is on par with Nashville’s best songwriters. You’d be smart to have a solid vocal performance to get the Publisher and Artist excited about cutting your Song.

    TAXI Tip: Adding a hint of Pop-leaning production could give you an edge for this pitch!

    Stripped-down demos or full productions are both okay to submit to this publisher! In either case, your recording quality needs to be clean, clear, well balanced, and good enough to represent your song well. The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit as many Songs as you’d like, online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59 PM(PST), on Wednesday, March 27th, 2019. TAXI #Y180327CC

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    Electronic

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    HIGH-ENERGY ELECTRONIC DANCE SONGS with Male or Female Vocals are needed by a successful Music Licensing Company that’s supplying music directly to some well-known Sports Competition TV Shows. They’re looking for Mid-to-Up-Tempo Songs that could fit stylistically on a playlist with the following references:

    “Let's Go” by Calvin Harris ft. Ne-Yo

    “Heroes (We Could Be)” by Alesso ft. Tove Lo

    Please submit fist-pumping Electronic Dance Songs that could motivate an athlete and get a stadium crowd on its feet! Your songs can be largely instrumental-based, as long as it has a catchy vocal hook that weaves in and out. Be sure your driving, high-energy production has danceable rhythms, great big builds and drops, and some attention-worthy ear candy.

    Lyric Tip: The lyrics are SUPER important for this. Themes should be about overcoming challenges, being victorious, girl power, winning, living for the game, etc.

    You’d be wise to give them lyrical hooks that will work well in the context of SPORTS. Short, easy-to-digest phrases that show up in the chorus and underscore the above lyric concepts would be awesome! Keep them simple and memorable! Lyrics that avoid specific names, places, dates, times, brands, and profanity will be best for this pitch.

    Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a yes/no basis (short critiques only) and must be received no later than 11:59 PM (PST) on Saturday, March 23rd, 2019.  TAXI #Y190323ED

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    Hard to Classify / Specialty / Novelty

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    INNOVATIVE COVERS OF "Time Is On My Side" by The Rolling Stones with Male or Female Vocals are needed for an up-to $20,000, NON-Exclusive, Direct-to-Ad-Agency placement in a National TV Commercial.

    For reference, here’s the original version of "Time Is On My Side."  Remember, they’re NOT looking for a straight up remake!

    “Time Is On My Side" by The Rolling Stones

    NOTE: This Ad Agency has stated that they’d like to hear cover versions of Time Is On My Side in any popular/commercially viable genre, like (but not limited to) Pop, Rock, Adult Contemporary, Blues, Singer/Songwriter, R&B/Soul, Folk, Rap/Hip-Hop, Country, etc.

    Please send them compelling covers of "Time Is On My Side" that have a new, cutting-edge approach in terms of genre, tempo, vocal styling, and instrumentation. Also, please remember that this cover would be used in a TV commercial, so we think positive, emotionally upbeat covers that don't sound or feel "dark" or negative might be best. If your cover would work in a Tim Burton movie, you might want to skip sending that version ;-)

    You’d be wise to avoid sending whacky or outside-of-the-box versions for this request, as submissions should still be able to work well in the context of a TV Commercial. Stick to the original melody and lyric, but deliver a fresh take on this classic song. Your vocal and production should be appropriately executed for the style/genre you choose.

    Broadcast Quality is needed.

    The estimated license fee is (up to) $20,000, depending on the ultimate use. This is a Direct-to-Ad-Agency pitch. You’ll keep all ownership of the Master Recording, but you won’t be able to license your song for any other Commercials for the duration of the term of the agreement, which will be determined by the Ad Agency and you. You must own or control the Master rights to pitch for this opportunity. DO NOT submit anything that’s already signed to a publisher or in any other catalogs. Please submit as many versions as you’d like, online or per CD. All Submissions will be reviewed based on their “usability factor” by the Screener, who has been handpicked by the Ad-Agency, and who will be judging based on his “gut” - Short Critiques only. Submissions must be received no later than 11:59PM (PDT) on Sunday, March 24th, 2019.  TAXI #Y190324RS

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    ORIGINAL SONGS ABOUT “TIME” with Male or Female Vocals are needed for an up-to $20,000, NON-Exclusive, Direct-to-Ad-Agency placement in a National TV Commercial.

    We purposely passed on putting references in this request as they could potentially be more misleading or limiting than helpful.

    This Ad Agency is open to hearing Songs in any popular/commercially viable genre; however, that probably doesn’t include genres like New Age, Death Metal, Avant-Garde Jazz, etc. You’d be smart to submit songs in genres that get radio airplay, or that the masses consider "commercially viable" - things like Pop, Rock, Adult Contemporary, Blues, Singer/Songwriter, R&B/Soul, Folk, Rap/Hip-Hop, Country, etc.

    TAXI TIP: It’ll be a good idea to make sure your Song has the word “Time” in the Chorus/Hook. Having the word “Time” mentioned in the verse or just popping up once in the song won’t cut it. It should be big, obvious, and central to the chorus/hook. Songs that feel positive and emotionally uplifting are likely to work better because this is for a TV Commercial. Dark or sad songs generally don't get as much love in the world of TV Commercials.

    Please send well-crafted songs with lyrics about “Time” that are compelling on all cylinders: rhythmically, melodically, and lyrically.

    NOTE: Contemporary and Vintage recordings are both fair game for this request, as long as the sound quality is appropriate for the genre and good enough to air in a TV Commercial.

    Please avoid references to specific names, dates, times, places, brands, and profanity if you’d like to increase your chances of nailing this request. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Genre appropriate Broadcast Quality is needed.

    The estimated license fee is (up to) $20,000, depending on the ultimate use. This is a Direct-to-Ad-Agency pitch. You’ll keep all ownership of the Copyright and Master Recording, but you won’t be able to license your song for any other Commercials for the duration of the term of the agreement, which will be determined by the Ad Agency and you. You must own or control the Master and Composition rights to pitch for this opportunity. DO NOT submit anything that’s already signed to a publisher or in any other catalogs. Please submit as many Songs as you’d like, online or per CD. All Submissions will be reviewed based on their “usability factor” by the Screener, who has been handpicked by the Ad Agency and will be judging based on his “gut” - Short Critiques only. Submissions must be received no later than 11:59 PM (PDT) on Monday, March 25th, 2019.  TAXI #Y190325TM

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    RE-IMAGINED COVERS of well-known SONGS with Male, Female, or Duet Vocals are needed by a super well-connected Publisher for a wide range of Film, TV, and Commercial placements.

    NOTE: We’re not giving any references for this request, as we think they might be more limiting than helpful. You are encouraged to use your imagination!

    Put your thinking caps on, ladies and gents, and send this company re-imagined versions of well-known songs – aka HITS – delivered in ways that are noticeably different from the style and approach of the original. This company will consider a cover of ANY commercially released Song in ANY Genre, Tempo, or Style.

    Be creative! There should be some originality to your cover; it can’t sound like the original. It has to be unique and able to stand on its own. Still, you’d be wise to try to stick to the original melody and lyrics of the song(s). This will keep it grounded in the listener's mind, while still giving it an entirely new stylistic treatment. For example, if the song was a fast Punk song originally, try creating a dreamy, Folky, or Country/Singer/Songwriter version. If it was a huge Rap/Hip-Hop hit with a male rapper, try a slower, Singer/Songwriter version that’s acoustic-based with a delicate female vocal. You get the idea! Mix it up, change it up, and mash it up! The sky’s the limit for this request!

    If you take the time to notice, you'll see and hear quite a few movie trailers, TV promos, and TV commercials that use re-imagined songs. Take notes and master the methodology!

    Your Songs must be well recorded, clean, and at least 2:00 in length. Broadcast Quality is needed.

    This company offers an EXCLUSIVE, 50/50 deal, with a 3-year reversion. If they don’t get your song used during that term, you can get your rights back. Since this company offers an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master recording. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. All submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 3rd, 2019.  TAXI #Y190403CS

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    Instrumental (Multiple Genres)

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    CONTEMPORARY EDM INSTRUMENTAL CUES are needed by a successful Los Angeles-based Production Music Library that’s brand new to requesting music from TAXI's members! They’re looking for some fresh, Mid-to-Up-Tempo Instrumental Cues that would fit well on a playlist with the following references:

    “Like I Do” by David Guetta, Martin Garrix & Brooks

    “How Deep Is Your Love” by Calvin Harris & Disciples

    Although the references have vocals, please send in Instrumentals only for this pitch.

    Please submit current-sounding EDM Instrumental Cues that have a fresh and current sound. Your submissions should have great builds, simple melodic hooks, contemporary synth sounds, and slick production. Build your Cue around a central melodic hook, then add and subtract layers of instrumentation to keep it dynamically interesting and forward-moving. Build it up, break it down, and do it all over again!

    Your submissions should be AT LEAST 2:30 in length. Non-Faded, buttoned/stinger Endings, and good edit points are recommended. Please do NOT copy the referenced artists in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast quality is needed.

    This Company offers EXCLUSIVE 50/50 deals. You must own or control your Master and Composition to submit to this opportunity, and the material you submit cannot be signed to any other deals or in any other catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis by a TAXI A&R person who has been handpicked by Music Library – Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Monday, March 18th, 2019.  TAXI #Y190318DM

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    CONTEMPORARY, HICK-HOP INSTRUMENTALS are needed for a hard-working Music Licensing Company that's gearing up for NASCAR season!

    They’re searching for a bunch of Mid-to-Up-Tempo Instrumentals that combine COUNTRY sounds and HIP-HOP beats, and would fall within the general stylistic ballpark of the following references:

    “Long Hard Times to Come” by Gangstagrass featuring T.O.N.E.-z

    "Can I get a Outlaw” by Ryan Upchurch

    "Country" by Upchurch X Adam Calhoun X Demun Jones

    Although the references have vocals, please submit Instrumentals only for this pitch.

    Please submit original, well-crafted Instrumentals that have a noticeable Country feel and vibe, fused with a fresh and current Hip-Hop approach. Your production should be polished, your beat should be banging, and your melodies should be easy on the ears. Utilize instrumentation that tastefully melds Country and Hip-Hop elements together. Electric guitars, acoustic guitars, banjos, fiddles, and even pedal steel are all elements that could work for this pitch.

    Your submissions should be about 90 Seconds long, give or take. Non-faded, buttoned/Stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of other artists’ music, sounds, or any other form of media. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Tuesday, March 19th, 2019.  TAXI #Y190319HH

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    FUN, ENERGETIC PERCUSSION-BASED INSTRUMENTALS or INSTRUMENTALS with NON-LYRICAL VOCAL PARTS are needed for an (up to) $8,000 placement by a Successful Publisher in a National TV Commercial.

    NOTE: This Publisher will also pay $250 upfront per accepted track. If the track is chosen by the Ad-Agency, up to $8,000 will go to the writer/composer!

    This Publisher is searching for rhythmic, Mid-to-Up-Tempo Instrumentals (or Instrumentals with Non-Lyrical Vocalizations) that could fit in the general stylistic wheelhouse of the examples they provided to us below:

    Target

    McDonald's

    Samsung

    NOTE: They’re open to Instrumentals that include non-lyrical vocals (ooo’s, aaah’s, lala’s, hey’s etc.) but NO straight Songs (with lyrics), please.

    Please send them Instrumentals that are strictly percussive and rhythmically engaging from start to finish. Per the Publisher request, “Please do not rely solely upon loops; get creative with your programming, and feel free to push the boundaries.”

    You’d be wise to pay attention to the tempos in the references. Having a similar vibe and swagger to your tracks could help you get the attention of this company. Although they’re NOT looking for clones or soundalikes, you should take a moment to notice what it is about those references that makes them so impactful.

    Quoting the Music Publisher: “Instrumentals must have great energy, with fresh tones and vibe. Be sure they have great developmental arcs with dynamic movement, forward momentum, and some excitement!”

    All submissions should be between 1:30 and 3:00 minutes long, give or take. Non-Faded, Buttoned/Stinger endings will work best. Do not copy the references in any way, shape, or form. Use them only as a general guide for the overall feel, texture, and tone. Broadcast quality is needed.

    The estimated license fee for this use is [up to] $8,000 (to the writer/composer), depending on the ultimate placement. This company offers an EXCLUSIVE, 50/50 deal, with a two-year term agreement that has a reversion clause if they do not acquire licenses with your track(s) for at least $500.00 US per track within the term. Any sync licensing fees are split 50/50. You’ll get 100% of the Writer’s share, and the Publisher will get 100% of the Publisher’s share.

    Since this company offers an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master and Copyright. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 19th, 2019.  TAXI #Y190319PB

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    PUBLIC DOMAIN CHRISTMAS INSTRUMENTALS in All Styles are needed by a successful Music Licensing Company with tons of placements in HIT TV Shows!

    NOTE: They're interested in hearing Instrumentals in a variety of genres, styles, and tempos ranging from (but not limited to) Hip-Hop, EDM, Singer/Songwriter, Dance, Soul, Pop, Rock, Orchestral etc., etc., etc. Please listen to the references below to get in the general range of what they need:

    “Jingle Bells” by Tiffany Alvord

    "We Three Kings" by Halford

    "Silent Night" by Michael Buble

    Although the references above have vocals, this pitch is for Instrumentals only.

    Give them solidly produced Covers of Public Domain Christmas Instrumentals with a sound and style that captures the festive spirit of the holiday season. Please stick pretty closely to the original melody of the Instrumental(s) you choose to cover so they are familiar to listeners. Instrumentation can vary from a simple acoustic performance to a full production depending on the genre and style you choose.

    TAXI Tip: Little Christmas-y accents like bells, glockenspiel, or tubular bells could give your submission some added Christmas cheer, but they’re not absolutely necessary. If you do use them, we’ve typically found that it’s best not to overdo them!

    All submissions should be about 2-4 minutes in length, give or take. Non-faded, Buttoned/Stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. There are no performance royalties for cover versions of Public Domain material.

    Please double check to make sure the Instrumentals you submit are truly in the Public Domain! In case you’re unsure if your song is in the Public Domain, here’s a link that will help: Public Domain Christmas Songs - https://www.easysonglicensing.com/pages/help/articles/copyright/christmas-songs-in-the-public-domain.aspx

    You must own or control your Master Recording rights to the material you pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Wednesday, March 20th, 2019.  TAXI #Y190320XM

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    CURRENT-SOUNDING TRAP/RAP INSTRUMENTAL CUES are needed by a hard-working Music Library with a long list of killer placements in Hit TV Shows!

    This company has just started asking for music from TAXI’s members. It’s very unlikely that you’ve got any music in their catalog, so this is an awesome opportunity to get in on the ground floor and build a relationship with this company! They’re looking for a bunch of Mid-to-Up-Tempo Instrumental Cues that would fit well on a playlist with the following references:

    WARNING: The references may contain graphic or explicit lyrics. Listener discretion is advised.

    “10 Freaky Girls” by Metro Boomin ft. 21 Savage

    “Workin Me” by Quavo

    “Pure Cocaine” by Lil Baby

    Although some of the references have vocals, this request is for Instrumentalsonly.

    Send them well-crafted Trap Instrumental Cues that have a rhythmically and melodically engaging approach. Your submission should have current-sounding instrumentation (808s, rhythmic hi-hats, vocal chants, snare-rolls, etc.)  Be sure your Cues stick to a central motif from beginning to end while adding and subtracting layers of additional instrumentation as your Cue progresses to keep it from sounding too repetitive or linear. Give them something that’s fresh and modern!

    All submissions should be about 2 minutes in length (give or take). Non-Faded, Buttoned/Stinger endings are strongly encouraged. Please do not copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and vibe. Also, do NOT submit any material with unauthorized samples of other artists’ songs, sounds, or any other form of media. Broadcast Quality is needed.

    This Company offers both EXCLUSIVE and NON-EXCLUSIVE deals. The specific deal points will be handled on a case-by-case basis. If you’re inclined to do an Exclusive deal, please don’t submit material for this pitch that’s already signed with any other libraries or publishers. You must own or control your Master and Composition to submit to this opportunity. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 21st, 2019.  TAXI #Y190321TR

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    ORIGINAL MEDITERRANEAN SOLO PIANO or PIANO-Based INSTRUMENTALS are needed by a Leading International Music Library with worldwide distribution through Universal! This company has just started requesting music from TAXI members, so it's very unlikely that you’ve got any music in their catalog. This is a killer opportunity to get in a very busy Music Library!

    Quoting the Music Library: “We do NOT want any Western or American style pieces. Instrumentals should have a sound that represents a Mediterranean styling.”

    They’re looking for Instrumentals in a variety of Styles, Tempos, and Moods that could generally be right up the alley of (but not limited to) these references that the Music Library provided to us:

    "Valse” by Evgeny Grinko:

    “Elegy For The Arctic” by Ludovico Einaudi:

    “ANTSCHO” by Adanayi Voghperge:

    “Ölsəm Bağışla” by Emin Sabitoğlu:

    NOTE: They would also love to hear Piano-based Instrumentals with a Bass and Lead instruments like (but not limited to) the Flute, Ney Duduk, Clarinet, Accordion, and/or Violin.

    Please submit well-crafted Piano or Piano-based Instrumentals that can instantly help set a Mediterranean location and mood. Your submission should have compelling melodies and solid musicianship without getting too busy or overly complicated. You’d be wise to keep them simple enough that they don’t get in the way of dialog. Be sure any virtual instrumentation you use sounds indistinguishable from the real thing. Anything that sounds stiff, unnatural, or obviously quantized and MIDI-driven will not work for this request.

    TAXI Tip: Google says there are 21 countries on the Mediterranean Sea, and as far as we're concerned, all 21 are fair game for this request. Your submissions can have influences from Mediterranean countries like Spain, Greece, Albania, Italy, Croatia, Israel, Egypt, Tunisia, Turkey, etc., etc., etc.

    Your submissions should be at least 2 minutes in length. Non-Faded endings will work best for this pitch. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than11:59 PM(PST), on Thursday, March 21st, 2019. TAXI #D190321MI

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    CONTEMPORARY, Guitar-Driven ROCK INSTRUMENTALS with NON-LYRICAL VOCAL PARTS are needed by a successful Production House for a NON-Exclusive, Direct Placement in a new Online spot announcing a new major computer platform!

    They’re eager to find Mid-to-Up-Tempo Instrumentals with Non-Lyrical Vocalizations in the general stylistic range of the following references:

    “Jumpsuit” by twenty-one pilots:

    “FIREFLIES” by THE ESPRITS: (Starting at 1:00)

    “Scrawny” by Wallows:

    Although these references have vocals, this request is for Instrumentals with non-lyrical vocals only (oooh'saaah’sla-la’s, hey’s etc.). NO straight Instrumentals and NO Full Songs, please.

    Please give them well-crafted, swagger-filled Rock Instrumentals that have an edgy sound, vibe, and attitude, with awesome Non-Lyrical Vocalizations. Your submissions should have standard, authentic-sounding Rock instrumentation with driving musicianship and propulsive drums. Having a bit of distortion could help give your submission some added attitude and that extra bit of authenticity, however, please avoid any super-busy guitar solos that could distract from any dialogue/voiceover it might play under.

    TAXI Tip: If you plan on using Virtual/Sampled Instruments, make sure they sound incredibly convincing and real. Please avoid submitting anything that sounds synthetic, stiff, or obviously MIDI-driven or quantized.

    Your submissions should be at least 1 minute long (give or take). Non-Faded, Buttoned/Stinger endings only, please! Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast quality is needed.

    Fees will be discussed at a later date, as no budget information was given. You’ll keep all ownership of the Copyright and Master Recording, but you won’t be able to license your song for any other Commercials for the duration of the term of the agreement, which will be determined by the Ad Agency and you. You must own or control the Master and Composition rights to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Somebody from the Production House team is slated to screen submissions for this. Submissions must be received no later than11:59 PM (PST), on Thursday, March 21st, 2019. TAXI #Y190321GD

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    SOULFUL, HIP-HOP INSTRUMENTALS with an ELECTRONIC/HOUSE INFLUENCE are needed by a Music Licensing Company with tons of placements in numerous TV shows and online media!

    They’re looking for Mid-to-Up-Tempo Instrumentals that could fit stylistically with the following references we got directly from our client:

    “GLOWED UP” by KAYTRANADA ft. Anderson Paak

    “Luh You (Instrumental)” by Anderson Paak

    NOTE: We know the second reference leans more towards Deep House than Hip-Hop, but this is the kind ofenergythe client is looking for. It really just boils down to this: They’re looking for Instrumental tracks with minimal synths/electronic elements, deep punchy 808s, and soulful grooves and melodies!

    Send them well-crafted, soulfully expressive Instrumentals that have an eclectic, feel-good vibe, sound, and style. Your production should be modern and unique, with plenty of Electro “ear candy.” Electronic, and/or organic instrumentation can be utilized, as long as your Instrumentals sound contemporary and not dated.

    All submissions should be about 2 - 4 minutes long, give or take, with good edit points and big, dramatic Stinger endings. Do not copy the references in any way, shape, or form. Use them only as a general guide for overall feel, texture, and tone. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 21st, 2019.  TAXI #Y190321SH

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    TRADITIONAL URBAN DRAMEDY-Style INSTRUMENTAL CUES are needed for a hard-working Music Licensing Company for placements in a popular Reality TV Show on MTV. They’re on the hunt for Mid-To-Up-Tempo Instrumental Cues that are in the general stylistic ballpark of the references below:

    ‘Sneak Peek’ | Scared Famous (From 0:00 - 0:50)

    KUWTK (From 0:28 - 0:40)

    NOTE: They would love to hear Instrumental Cues that feature the Marimba! Instrumental Cues with plucky pizzicato Strings are also OK, but make sure you can send a version without it if your Instrumental Cue is accepted into this Music Library.

    Please give them well-crafted Instrumental Cues with current-sounding Urban/Hip-Hop style beats and marimbas or strings played with either pizzicato or staccato articulations. Other Instruments can work for this request as well, as long as the main focal point of your Cue is based around a cool Urban/Hip-Hop beat and a Dramedy sound, vibe, and style. Build your Cues around a central melodic theme, and keep it moving forward by adding and subtracting layers of instrumentation as it progresses. Please avoid anything that’s overly busy as it could interfere with a scene’s dialogue.

    NOTE: This library needs a lot of Cues in this style quickly, so please don’t be shy about submitting several Cues for this request if you have them!

    Your submissions should be about 90 Seconds long, give or take. Non-Faded, Buttoned/Stinger endings are strongly encouraged. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 21st, 2019. TAXI #D190321UD

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    PULSING SYNTH-Based TENSION INSTRUMENTAL CUES are needed QUICKLY for a hard-working Music Licensing Company for placements in a popular Reality TV Show on MTV. They’re searching for Down-to-Mid-Tempo Instrumental Cues in the general stylistic wheelhouse of the references below:

    Catfish’ Excuses That Are Obvious Lies (From 6:21- 6:57)

    Catfish’ Excuses That Are Obvious Lies (From 8:05- 8:26)

    Please submit dramatic, tension-inducing Instrumental Cues that could add a sense of anticipation to a scene. Your submission instrumentation should be electronic-based and have pulsing rhythms and/or melodies. Craft your Instrumental Cues around a simple melodic idea while gradually adding and subtracting instruments to create dynamics and forward momentum as your Cue progresses. Faint, minimal percussive elements can also be added, but remember, less is more. Simplicity and mood are everything for this request!

    NOTE: This library needs a lot of Cues in this style by THURSDAY, March 21st, so please don’t be shy about submitting several Cues for this request if you have them!

    Your submissions should be about 90 Seconds long, give or take. Non-faded endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 21st, 2019. TAXI #Y190321PS

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    DRONE-Y, ATMOSPHERIC TENSION INSTRUMENTAL CUES are needed for a hard-working Music Licensing Company for placements in a popular Reality TV Show on MTV.

    They’re quickly searching for Down-to-Mid-Tempo Instrumental Cues in the general stylistic wheelhouse of the references below:

    Vice - “Zombie Drug” (Starting From 2:44 – 3:09)

    Vice - “The Deadliest Wildfire In California History” (Starting From 3:00 – 4:40)

    Please submit tension-inducing Instrumental Cues with very little to no melodic movement. They seek Cues that will add a sense of anticipation to a scene. Instrumentation like (but not limited to) Atmospheric synths, pulsing bass notes, softened drumbeats, and lush pads could all work for this request. Your submission should stick to a singular vibe and sound throughout the entire Cue to keep your piece cohesive from beginning to end. No need to go overboard for this request, simplicity, and mood are everything!

    Your submissions should be about 90 Seconds long, give or take. Non-faded endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PDT) on Thursday, March 21st, 2019.  TAXI #Y190321DR

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    LATIN-influenced Top 40-Style POP INSTRUMENTAL CUES are needed by a Music Licensing Company with tons of credits in hit TV Shows! They’re looking for Mid-to-Up-Tempo Instrumental Cues that could stylistically be in the ballpark of the following references:

    “Dura” by Daddy Yankee

    “Despacito” by Luis Fonsi, Daddy Yankee ft. Justin Bieber

    “Échame La Culpa” by Luis Fonsi, Demi Lovato

    Although the references have vocals, please submit Instrumentalsonlyfor this pitch.

    Please send well-produced Pop Instrumental Cues with a noticeable Latin vibe, feel, and style. Your Cues should be melodically engaging, with infectious Latin-inspired rhythms and a polished sound that's stylistically in the wheelhouse of the references. Build your Cues around a central melodic idea, and give it some forward momentum and dynamic variation by adding and subtracting layers of instrumentation as it progresses. Create those dynamics by building it up, tearing it back down, building it back up again, and then going for the big finish!

    All submissions should be about 2 minutes long, with good edit points and button/stinger endings. Do not copy the references in any way, shape, or form. Use them only as a general guide for overall feel, texture, and tone. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Friday, March 22nd, 2019.  TAXI #Y190322PC

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    POSITIVE-SOUNDING FUTURE BASS INSTRUMENTAL CUES are needed by a High-End Music Library with countless placements in BIG Feature Films, TV Shows, and Commercials.

    They’re looking for Mid-to-Up-Tempo Instrumental Cues that would fall in the general wheelhouse of the following references our client gave us:

    Future Bass Example 1

    Future Bass Example 2

    Future Bass Example 3

    Please submit high-quality Future Bass Instrumental Cues that have modern, up-to-date instrumentation. Additionally, having innovative production techniques will likely help! Build your submissions around a catchy, central, melodic theme and keep it forward-moving by layering electronic elements in and out as your Cue progresses. You’d be wise to pay close attention to the continuous & subtle development of the reference tracks.

    Quoting the Music Library: “It's fine to use vocal samples, but use them as an instrument - they should not be lead vocals, but rather musical elements in your arrangement.”

    IMPORTANT NOTE: Please do NOT use any samples you don't have full clearance for.

    All submissions should be approximately 2 minutes long, give or take. Good edit points (when possible) and Non-Faded, Buttoned/Stinger endings are preferred. Broadcast Quality is needed.

    This Music Library offers an EXCLUSIVE deal with a cool twist. You’ll keep 50% of all gross income generated by your music, plus you’ll get 100% of the Writer’s share income generated by your PRO. In other words, if the company licenses your music under a blanket deal, you’ll get income. If they license it for a YouTube video, you’ll get income. Not all music libraries pay you for things like that! The Publisher will get 100% of the Publisher’s share.

    Because this is an Exclusive deal, the music you submit for this pitch cannot already be signed with any other Libraries or Publishers. You must own or control 100% of your Master and Composition rights. Please send as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Friday, March 22nd, 2019.  TAXI #Y190322FB

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    EPIC, MIDDLE EASTERN-Style TRAILER INSTRUMENTALS are needed by an International Music Library with worldwide distribution through Universal! They’re looking for Mid-to-Up-Tempo Instrumentals in the general stylistic wheelhouse of music heard in Trailers like:

    BEIRUT | Official Trailer

    Dajjal The Slayer and His Followers

    TAXI TIP: For this request, try going outside the box a bit by replacing brass hits with a Zorna, or replacing Timpani or Taiko drums with a Daf and/or a Tar drum, etc. Think big and epic Hollywood Trailer tracks, but with Arabic Scales and Middle Eastern instrumentation!

    Please submit well-composed Trailer-Style Instrumentals that have a clear Middle Eastern sound. The structure of your Instrumental should follow a typical film trailer model, with three distinct acts that crescendo to a big, climactic, Stinger-style ending. Your submissions can have some standard Hollywood Trailer instrumentation like big string sections, dramatic drum hits, and sound design elements, but you should maintain a Middle Eastern sound, feel, and style throughout.

    NOTE: Your Submissions can also have some non-lyrical, Middle Eastern-sounding vocalizations. That’s not a requisite… just a suggestion.

    Your submissions should be at least 2 minutes long, give or take. Great edit points and crescendos that lead to Buttoned/Stinger endings are strongly encouraged. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the Instrumentals you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Sunday, March 24th, 2019. TAXI #Y190324MT

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    ORIGINAL DUB REGGAE INSTRUMENTALS with some MIDDLE EASTERN Flavor are needed by an International Music Library with worldwide distribution through Universal!

    NOTE: This company has just started requesting music from TAXI members, so it's very unlikely that you’ve got any music in their catalog. This is a killer opportunity to get in a very busy Music Library!

    They’re looking for authentic-sounding Mid-to-Up-Tempo Instrumentals that would fit well on a playlist with the following references that they gave us:

    תומר יוסף - כפרה - השיר המקורי

    שוטי הנבואה - אין אני

    מוש בן ארי - ואיך שלא

    In case you’re unfamiliar with the style of music they need for this request, here’s a link that will help: Dub - https://en.wikipedia.org/wiki/Dub_music

    Please submit original Dub Reggae Instrumentals that sound like the real thing and generally reflect the vibe, feel, and style of the references mentioned above. Your submissions should have captivating melodies and incorporate some authentic-sounding Middle Eastern instrumentation with Reggae/Caribbean style Dance beats, grooves, and rhythms. The more authentic your Instrumental sounds the better your chances will be of getting this Music Library's attention!

    Your submissions should be at least 2 minutes in length give or take. Non-Faded/Buttoned endings will work best for this pitch. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Tuesday, March 26th, 2019. TAXI #Y190326DR

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    INSTRUMENTAL RENDITIONS OF “The Star-Spangled Banner” are needed by a successful, high-quality, Production Music Library that pays a nice upfront fee to composers!

    They’re specifically looking for renditions done in ANY of the three following styles (only):

    1. Orchestral with Brass.
    2. Military Brass and Drums.
    3. Fife and Drums.

    Actually, you could create one in each of those styles if you're up for it! Please listen to the following reference to get familiar with the song. This reference isnota stylistic reference.

    The Star-Spangled Banner (Instrumental)

    NOTE: This company has requested a bunch of Instrumental Renditions of different Patriotic Songs. You may see quite a few Instrumental requests for different Patriotic Songs from this Music Library over the course of the next few days!

    Please submit Instrumental versions of The Star-Spangled Banner that are musically compelling from start to finish. You’d be very wise to stick to the original melody so that your Instrumental is easily recognizable. If you stray from the original melody, your cover may not be as appealing or usable. When using Virtual Instruments please be sure they create enough authenticity that they sound like they were performed by real humans. Any material that sounds stiff, synthetic, or obviously MIDI-driven won’t work well for this pitch.

    Broadcast Quality is needed.

    This company offers a buyout deal. The buyout fee will range between $200 - $500, depending on complexity, length, live vs midi, musicality etc. The Music Library gets 100% EXCLUSIVE ownership of the master. You’ll keep the writer’s / arranger's share, and get performance royalties directly from your PRO. Because this is an Exclusive deal, please do not submit any material for this pitch that is signed to any other library or publisher! Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 26th, 2019.  TAXI #Y190326SB

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    INSTRUMENTAL RENDITIONS OF “America The Beautiful” are needed by a successful, high-quality, Production Music Library that pays a nice upfront fee to composers!

    They’re specifically looking for renditions done in ONLY one of the three following styles:

    1. Orchestral with Brass.
    2. Military Brass and Drums.
    3. Fife and Drums.

    Actually, you could create one in each of those styles if you're up for it! Please listen to the following reference to get familiar with the song. This reference is not a stylistic reference.

    America the Beautiful (Instrumental)

    NOTE: This company has requested a bunch of Instrumental Renditions of different Patriotic Songs. You may see quite a few Instrumental requests for different Patriotic Songs from this Music Library over the course of the next few days!

    Please submit well-composed Instrumental versions of America the Beautiful that are musically compelling from start to finish. You’d be very wise to stick to the original melody so that your Instrumental is easily recognizable. If you stray from the original melody, your cover may not be as appealing or usable. When using Virtual Instruments please be sure it sounds authentic and is executed well enough that it sounds like it was performed by real humans. Any material that sounds stiff, synthetic, or obviously MIDI-driven won’t work well for this pitch.

    Broadcast Quality is needed.

    This company offers a buyout deal. The buyout fee will range between $200 - $500, depending on complexity, length, live vs midi, musicality etc. The Music Library gets 100% EXCLUSIVE ownership of the master. Because this is an Exclusive deal, please do not submit any material for this pitch that is signed to any other library or publisher! Please submit as many Instrumentals as you'd like online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Wednesday, March 27, 2019. TAXI #Y190327AB

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    MIDDLE EASTERN ROCK INSTRUMENTALS are needed by an International Music Library with worldwide distribution through Universal! This company has just started requesting music from TAXI members, so it's very unlikely that you’ve got any music in their catalog. This is a killer opportunity to get in a very busy Music Library!

    They’re looking for Mid-to-Up-Tempo Instrumentals that could generally be right up the alley of (but not limited to) these references that the Music Library provided to us:

    “וואלק by Full Trunk

    “ברי סחרוף, דודו טסה” by Trib ani utruch

    “מנסים” by עידן עמדי

    Although the references have vocals, please submit Instrumentals only for this pitch.

    Please send in well-composed Rock Instrumentals that have a distinct Middle Eastern style and sound, similar to the references above. Your submissions should have authentic-sounding Rock and Middle Eastern Instruments, as well as chord progressions built around Middle Eastern scales.

    TAXI Tip: Please avoid using any Instruments that sound stiff or obviously MIDI-driven.

    Your submissions should be at least 2 minutes in length. Non-Faded, Buttoned/Stinger endings will work best for this request. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Friday, March 29th, 2019.  TAXI #Y190329ME

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    SOULFUL DEEP HOUSE INSTRUMENTALS are needed by a globally successful Music Library that has a great track record of cool placements in Films, TV shows, and Commercials.

    They’re looking for Mid-to-Up-Tempo Instrumentals that would be in the general ballpark of the following references:

    “Back & Forth” by MK, Jonas Blue, Becky Hill

    “Cloud 9 (Purple Disco Machine Remix)” by Jamiroquai

    “Promises” by Calvin Harris, Sam Smith

    Although the references have vocals, this request is for Instrumentals only!

    Please submit well-crafted Deep House Instrumentals with solid, soulful grooves, hooky melodies, engaging chord progressions, and current-sounding Electronic instrumentation. Please be sure your virtual instruments and samples sound current, not dated, and are of high-quality.

    TAXI Tip: Sounding a little retro can be a good thing for this, but don’t go all the way! Contemporary with some retro influence is likely a better way to go.

    Submissions should be around two to four minutes long (give or take), with non-faded endings and a naturally decaying ring out. Do NOT copy the referenced music in any way, shape, or form. Use them only as a guide for texture, tone, and vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Friday, March 29th, 2019.  TAXI #Y190329DH

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    CONTEMPORARY TRAP-Style INSTRUMENTAL CUES are needed by a NON-Exclusive, Music Supervisor-owned Library with a huge number of TV placements to its credit. They're currently on the prowl for Mid-to-Up-Tempo Instrumental Cues that would fall in the general stylistic wheelhouse of the following references:

    NOTE: We recently ran this request as a TAXI Dispatch Listing (TAXI # D190214CT), but the company didn’t get enough material to satisfy all the requests they got for this genre so they need more! They've asked us to run this request to our full membership list to see if we could find them even more. If you submitted to TAXI #D190214CT, please submit different material this time around!

    WARNING: The following references may contain graphic and explicit lyrics. Listener discretion is advised.

    “Jumpin on a Jet” by Future

    “Put a Date On It” by Yo Gotti ft. Lil Baby

    “Real Ties” by Lil Skies

    NOTE: Although the references have vocals, this request is for Instrumentals only.

    Please send them Trap-Style Instrumentals that are current-sounding and have a modern feel. Build your Cues around a central melodic theme, while layering instruments in and out as your Cues progress to create a sense of forward momentum. This will create options for the editors who use these Cues. Trap-leaning production is what is needed, so bring out your coolest-sounding synths and 808s! Any virtual instruments you use need to sound modern and of high quality.

    All submissions should be at least 2 minutes in length or longer. Non-faded/Buttoned endings are highly recommended. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Also, please do NOT submit any material with unauthorized samples of other artists’ songs, sounds, or any other form of media. Broadcast Quality is needed.

    This company offers a NON-EXCLUSIVE, 50/50 deal. This Music Library splits ALL sync fees 50/50 with you. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Sunday, March 31st, 2019.  TAXI #Y190331TR

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    "HIPSTER" INDIE-ROCK INSTRUMENTALS are needed by a globally successful Music Library with a great track record of placements in Films, TV shows, and Commercials.

    They’re looking for Mid-to-Up Tempo Instrumentals that would fall in the general range of the following references:

    NOTE: We recently ran this request as a TAXI Dispatch Listing (TAXI # D190307HP) but the company didn’t get enough material, and asked us to run this request to our full membership list to see if we could find more. If you submitted to TAXI # D190307HP, please submit different material this time around!

    “Heat of the Summer” by Young the Giant

    “Little Dark Age” by MGMT

    Although the references have vocals, this request is for Instrumentals only!

    Please send them well-crafted Instrumentals in the general vibe and style of the references above. Think of the modern, current types of music that would be played where the college kids (and hipsters) like to gather for drinks and a good time. That’s what they’re looking for!

    Submissions should be two to four minutes long (give or take) with non-faded endings. Do NOT copy the referenced music in any way, shape, or form. Use them only as a guide for texture, tone, and vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 31st, 2019.  TAXI #Y190331HR

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    MIDDLE EASTERN-Style CHILL-OUT INSTRUMENTALS are needed by an International Music Library with worldwide distribution through Universal!

    NOTE: This company has just started requesting music from TAXI members, so it's very unlikely that you’ve got any music in their catalog. This is a killer opportunity to get in a very busy Music Library's catalog!

    They’re looking for Down-to-Mid-Tempo Instrumentals that would fit well on a playlist with the following references below:

    “Maha Amba” by Mathieu & Florzinho

    The Best Indian Chillout (0:00 - 7:00)

    Quoting the Music Library: “We strongly recommend that the members use the instruments, scales and compositional stylings of the Middle East! The more authentic to the region, the better.”

    Although the references have vocals, please submit instrumentals only for this pitch.

    Please send them well-crafted Instrumentals with an authentic Middle Eastern sound that falls within the generally laid-back vibe and style of the references above. Your production should have authentic-sounding Middle Eastern elements/instrumentation, with smooth, mellow grooves, and slick, grooving beats. As is often the case, simpler is better, and this request is all about establishing a chill, Middle Eastern mood. Anything that feels stiff or obviously MIDI-driven and quantized won't work for this request. It needs to feel human and authentic.

    Your submissions should be at least 2 minutes in length, give or take. Non-Faded endings will work best for this pitch. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 6th, 2019.  TAXI #Y190406CC

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    INSTRUMENTAL RENDITIONS OF “My Country 'Tis of Thee” are needed by a high-quality Production Music Library that pays a nice upfront fee to composers!

    They’re specifically looking for renditions done in ANY or ALL of the three following styles (only):

    1. Orchestral with Brass.
    2. Military Brass and Drums.
    3. Fife and Drums.

    Actually, you could create one in each of those styles if you're up for it!

    Please listen to the following reference to get familiar with the song. This reference is not a stylistic reference.

    My Country 'Tis of Thee

    NOTE: This company has requested a bunch of Instrumental Renditions of different Patriotic Songs. You may see quite a few Instrumental requests for different Patriotic Songs from this Music Library over the course of the next few days!

    Your musically compelling Instrumental versions of "My Country 'Tis of Thee" should stick to the original melody so it's easily recognizable. If you stray from the original melody, your cover may not be as appealing or usable. When using Virtual Instruments, please be sure they sound as if they were performed by real humans as opposed to robots ;-) Any material that sounds stiff, synthetic, or obviously MIDI-driven won’t work well for this pitch.

    Broadcast Quality is needed.

    This company offers a buyout deal. The buyout fee will range between $200 - $500, depending on complexity, length, live vs midi, musicality etc. The Music Library gets 100% EXCLUSIVE ownership of the master. Because this is an Exclusive deal, please do not submit material that is already signed to another library or publisher! Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 7th, 2019.  TAXI #Y190407MC

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    NEW LISTING --

    INSTRUMENTAL RENDITIONS OF “Hail to the Chief” are needed by a successful, high-quality Production Music Library that pays a nice upfront fee (typically $200 - $500) to composers!

    They’re specifically looking for renditions done in any or all of the three following styles (only these three styles will be accepted):

    1. Orchestral with Brass.
    2. Military Brass and Drums.
    3. Fife and Drums.

    Actually, you could create one in each of those styles if you're up to it! Please listen to the following reference to get familiar with the song. This reference is not a stylistic reference.

    "Hail to the Chief"

    NOTE: This company has requested a bunch of Instrumental Renditions of different Patriotic Songs. You may see quite a few Instrumental requests for different Patriotic Songs from this Music Library over the course of the next few days!

    Please submit well-crafted Instrumental versions of "Hail to the Chief" that are skillfully composed in any of the styles mentioned above. You’d be very wise to stick to the original melody so that your Instrumental is easily recognizable. If you stray from the original melody, your cover may not be as appealing or usable!  If you are using Virtual Instruments please be sure they sound realistic and authentic. Any material that sounds stiff, synthetic, or obviously MIDI-driven won’t work well for this pitch.

    Broadcast Quality is needed.

    This company offers a buyout deal. The buyout fee will range between $200 - $500, depending on complexity, length, live vs midi, musicality etc. The Music Library gets 100% EXCLUSIVE ownership of the master. You’ll keep the arranger's share, and get performance royalties directly from your PRO. Because this is an Exclusive deal, please do not submit any material for this pitch that is signed to any other library or publisher! Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 7th, 2019.  TAXI #Y190407HC

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    NEW LISTING --

    EMOTIONALLY UPLIFTING INSTRUMENTALS are needed by a NON-Exclusive, Music Supervisor-owned Library with a huge number of TV placements. They’re looking for Mid-to-Up-Tempo Instrumentals that would fall within the general stylistic ballpark of the following references:

    “Together We Are Strong” by Mitchell Miller Music

    “Reaching (Orchestral Uplifting)” by Dinletir Paul

    Please submit contemporary Instrumentals based around keyboard or strings that can be used for sports promos and Olympic-type competitions. As far as the emotion of your Instrumental goes, think perseverance over adversity, victory and triumph! When using Orchestral elements, the strings should not be overbearing, syrupy, or sappy. Please make sure any Orchestral instrumentation you use sounds very realistic and convincing, as anything that is obviously synthetic-sounding won't work for this company.

    All submissions should be between 1:20 and 2:30 in length, with Non-Faded, Button/Stinger endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed.

    This company offers a NON-EXCLUSIVE, 50/50 deal. This Music Library splits ALL sync fees 50/50 with you. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Monday, April 8th, 2019.  TAXI #Y190408EM

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    INSTRUMENTAL RENDITIONS of “Yankee Doodle” are needed by a successful, high-quality, Production Music Library that pays a nice upfront fee to composers -- typically $200 - $500!

    They’re specifically looking for renditions done in ANY of the three following styles (only these three styles will be accepted):

    1. Orchestral with Brass.
    2. Military Brass and Drums.
    3. Fife and Drums.

    Actually, you could create one in each of those styles if you're up for it! Please listen to the following reference to get familiar with the song. They're NOT looking to hear the song "Yankee Doodle Dandy" (from the Film of the same name.)

    "Yankee Doodle" (Drum & Fife)

    NOTE: This company has requested a bunch of Instrumental Renditions of different Patriotic Songs. You may see quite a few Instrumental requests for different Patriotic Songs from this Music Library over the course of the next few days!

    Please submit well-crafted Instrumental versions of "Yankee Doodle" that are musically compelling from start to finish. You’d be very wise to stick to the original melody so that your Instrumental is easily recognizable. If you stray from the original melody, your cover may not be as appealing or usable. If you are using Virtual Instruments please be sure they sound realistic and authentic. Any material that sounds stiff, synthetic, or obviously MIDI-driven won’t work well for this pitch.

    Broadcast Quality is needed.

    This company offers a buyout deal. The buyout fee will range between $200 - $500, depending on complexity, length, live vs midi, musicality etc. The Music Library gets 100% EXCLUSIVE ownership of the master. You’ll keep the arranger's share (if applicable), and get performance royalties directly from your PRO. Because this is an Exclusive deal, please do not submit any material for this pitch that is signed to any other library or publisher! Please submit as many Instrumentals as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 8th, 2019.  TAXI #Y190408YD

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    MODERN GUITAR-Driven ROCK INSTRUMENTAL CUES are needed by a NON-Exclusive, Music Supervisor-owned Library with a huge number of TV placements to its credit. They're currently on the prowl for Mid-to-Up Tempo Instrumental Cues that would fall in the general stylistic wheelhouse of the following references:

    “MANTRA” by Bring Me The Horizon

    “Dance Macabre” by Ghost

    Although the references have vocals, this request is forInstrumentalsonly

    Please submit well-crafted Instrumental Cues that generally reflect the guitar-focused approach of the references above. Your submissions can include some synth elements, but please be certain that they are adding to the contemporary sound of your track and are of high-quality. Drum sounds are also very important and must sound as close to a real drum kit as possible - no thin and synthetic-sounding drum samples! Send them Broadcast Quality Cues that sound like they're done with real players using real instruments. This Music Library is very selective, but the catalog gets lots of placements!

    Quoting the Music Library Owner: “Your Instrumental Cues must be contemporary and have clean and crisp-sounding guitars. Be sure your Instrumentals have enough sectional contrast and melodic interest to drive a scene and connect sonically with listeners.”

    IMPORTANT: All submissions should be between1:10 and 1:50in length. Good edit points and non-faded, buttoned/stinger endings will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed.

    This company offers a NON-EXCLUSIVE, 50/50 deal. This Music Library splits ALL sync fees 50/50 with you. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Tuesday, April 9th, 2019.  TAXI #Y190409GR

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    Latin

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    CONTEMPORARY REGGAETON SONGS with Male or Female Vocals are needed by a successful Music Library that gets tons of placements in TV Shows, Films, and Movie Trailers. They’re looking for exciting, Mid-to-Up-Tempo Songs that could be found on a playlist with artists like Daddy Yankee, Bad Bunny, J Alvarez, etc., etc., etc. Please listen to the following references to get a general idea of the type of material they need:

    “Con Calma” by Daddy Yankee & Snow

    “Mia” by Bad Bunny ft. Drake

    “Enamórate” by J Alvarez, Jowell & Randy

    Please send them well-crafted, well-produced Reggaeton Songs that have Latin-flavored instruments, rhythms, and grooves. Please be sure to include captivating melodies, great lyrics, and an incredibly strong chorus. Your songs can feature vocals performed strictly in Spanish, OR you can use a combination of Spanish mixed with a little bit of English!

    Although they didn’t ask for specific lyric themes, lyrics that avoid specific names, places, dates, times, brands, and profanity are always a good bet for film and TV placements. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This Company does both EXCLUSIVE and NON-EXCLUSIVE deals, and they will be offered on a case-by-case basis. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59 PM (PDT) on Monday, April 1st, 2019.  TAXI #Y190401RE

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    NEW LISTING --

    CONTEMPORARY LATIN RAP/HIP-HOP SONGS with MALE or FEMALE VOCALS are needed by a successful Music Library that gets tons of placements in TV Shows, Films, and Movie Trailers. They’re looking for Mid-to-Up-Tempo Songs that could generally fit in the stylistic wheelhouse of the references below:

    “Camara Roll” by Leebrian X Alex Rose

    “Culpables” by Karol G & Anuel AA

    “SOY LEYENDA” by DVICE X Pacho X Benny Benni Ft. JKing Chyno Nyno y mas

    Please submit polished productions of Latin Rap/Hip-Hop Songs. Songs must be lyrically engaging, with an outstanding vocal performance that’s primarily in Spanish. Your submissions should have a super catchy chorus that generally reflects the sound, style, and swagger you’d expect to hear from the references above (and other acts in that wheelhouse.)

    Lyric themes can vary, but should be stylistically consistent with the references. Universal lyrics will work best, so please avoid references to specific names, dates, times, brands, and profanity. Do NOT copy the referenced artist/acts or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed.

    This Company does both EXCLUSIVE and NON-EXCLUSIVE deals, and they will be offered on a case-by-case basis. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59PM (PDT) on Thursday, April 4th, 2019.  TAXI #Y190404LR

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    Pop

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    CONTEMPORARY INDIE POP SONGS with Female Vocals are needed for a hard-working Music Licensing Company that’s pitching directly to a specific TV Series. This Music Library is looking for Songs in All-Tempos that are in the general stylistic ballpark of the references below:

    “Where's Your Heart Gone” by Golden Youth

    “Watch Me Burn by Kaleigh Rae

    Please send them well-crafted Indie Pop Songs that mirror the general vibe and style of the references above. Include catchy melodic hooks, a memorable chorus, and a well-executed vocal performance with lots of Indie appeal.

    TAXI Tip: Your songs can go a little bit outside of the box, but they should still maintain a commercially appealing sound. Don’t color too far outside the lines, though!

    Lyric themes should sound like they would fall in the range of what you'd hear in the Indie Pop genre. Lyrics that avoid references to specific names, dates, times, brands, and places could make your song more appealing to the Licensing Company, and Music Supervisors as well.

    Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    NOTE: They will need an instrumental-only version of your song, but not yet! All you need to submit for now is the Full Song with vocals. Please have a mix-minus-vocal on hand and ready to send at a moment’s notice in case you get a call or email from the Music Library. If you don’t have the ability to get your mix-minus-vocal in the hands of the Music Library within an hour after being contacted, please don’t submit for this!

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, March 20th, 2019.  TAXI #Y190320PO

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    POP SONGS with Male or Female Vocals are needed by a high-quality, boutique Music Licensing Company for Big Budget Animated Feature Films.

    They’re looking for Mid-to-Up-Tempo, Family-Friendly Songs that would fall in the general ballpark of the following references they gave us:

    Finally Free (Smallfoot)

    Try Everything (Zootopia)

    Good Vibrations (The Emoji Movie)

    Everything Is Awesome (Lego Movie)

    Please submit commercial-sounding Pop Songs that can range from emotionally uplifting to positive, anthemic, and just Songs that make listeners feel really good! Be sure your production sounds polished and current, with a vocal performance that's good enough to be in a Feature Film.

    TAXI Tip: Please avoid sending lyrics that are too mature for this request. You'd be smart to skew toward the younger side of the Pop spectrum.

    LYRIC Tip: Lyric themes can range a bit, but should obviously lean toward emotionally upbeat and positive themes that would work in in the context of a Big Budget Animated Feature. Please avoid anything that's moody, dark, or depressing, as well as anything that has specific names, places, dates, times, brands, and/or profanity.

    Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    They offer an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control the Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Sunday, March 24th, 2019. TAXI #Y190324FP

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    CONTEMPORARY INDIE POP ARTISTS/BANDS with Male or Female Vocals are needed by a very well-respected Indie Record Label that’s looking for great new acts to sign to their roster. They’re looking for acts that would appeal to fans of artists like (but not limited to):

    “Queendom” by AURORA

    “World Class Cinema” by Gus Dapperton

    “Trampoline” by SHAE

    NOTE: We recently ran this request as a TAXI Listing (TAXI # Y190223PA), but they didn’t find what they were looking for and asked us to re-run the listing one more time. If you submitted to TAXI listing # Y190223PA, please send in different material this time around.

    Submit great Songs that showcase your distinctive Indie sound and style, with awesome production and a vocal performance that’s all your own (but feels at home in the Indie Pop genre.)  Utilize a solid song structure, youthful (think Millennials) lyrics, and a chorus that will make them beg to sign you. Your submission and overall sound should reflect the “Indie” aesthetic the referenced acts share.

    NOTE: They’ve asked for at least THREE songs per submission so they can see if you’ve got depth in your material.

    They’re mostly interested in artists and bands that are active and out there working on their careers, so please include any touring, fan base, or sales, streaming, or impressive social media figures you have in your bio. That said -- if you’re an artist or band that’s just starting out and don’t yet have much of a story or track record yet, but you do have an amazing sound and some killer songs to back it up, they’d still like to hear you! Submit three Songs online or per CD.  Include lyrics, photo, and bio. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PDT) on Monday, March 25th, 2019.  TAXI #Y190325AP

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    TOP 40-Style POP ARTISTS or BANDS with Male or Female Vocals are needed by a new, well-funded Music Platform designed to help artists raise funds while engaging their fans!

    They’re looking for Mid-to-Up-Tempo Songs that could be found on the same playlist with the following references and other acts like them:

    “7 rings” by Ariana Grande

    “Girls Like You” by Maroon 5 (feat. Cardi B)

    “Let You Love Me” by Rita Ora

    “Eastside” by benny blanco, Halsey & Khalid

    IMPORTANT NOTE: This company is primarily looking for Artists or Bands who have songs with a large number of plays on YouTube, Spotify, and Apple Music and who also have a large following on social media (i.e. Facebook, Instagram, and Twitter.)  If you’re a new artist or band and don’t have much of a track record of impressive figures yet, please do not submit to this particular request. Sorry, client's request, not ours.

    Please submit well-structured Pop Songs that are on par with what you'd hear on the Top 40 Charts. Your submissions should have captivating melodies and an unforgettable chorus. Your instrumentation/production can vary, but should be current, fresh, and original. Having a compelling vocal performance with a strong, confident delivery could help your song stand out for this request!

    NOTE: They’re also open to hearing Songs that lean a bit toward the R&B/Urban side of the spectrum, as long as your songs are still rooted in the Pop genre.

    Your bio should highlight any touring/live show experience and impressive sales and/or streaming figures you may have.

    This Company lets the Artist keep 100% of the money they raise! The specific deal terms will be negotiated between you and the Music Company. Please do not submit songs that are already in other catalogs or signed to any publishing companies, as you must own or control your Copyright and Master Recording to pitch for this opportunity.

    Please submit as many Songs as you’d like, online or per CD. Please include lyrics, photos, and a bio. Submitting more than one song to this Listing is a good idea, as it can be a great way to show that you have some depth and range in your material. All Submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Saturday, March 30th, 2019.  TAXI #Y190330PB

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    CURRENT-SOUNDING POP SONGS with Male or Female Vocals are needed by a successful Music Licensing Company with a nearly endless list of placements in Films, Commercials, and A-List TV Shows.  They're looking for Mid-to-Up-Tempo Songs that would fall within the general stylistic ballpark of the following references:

    “break up with your girlfriend, i'm bored” by Ariana Grande

    “Beach House” by The Chainsmokers

    “Kiss and Make Up” by Dua Lipa & BLACKPINK

    Please submit original, well-structured Songs that sound like the current Pop hits on the charts. Your Songs should have great melodies, killer hooks, and a compelling chorus. Vocals should have a polished Pop sound with a solid, competitive delivery.

    They didn’t specify any lyric themes, but you’d be wise to avoid specific names, dates, times, places, brands, and profanity in your lyrics. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be reviewed by a TAXI Screener and must be received no later than 11:59 PM (PST) on Saturday, March 30th, 2019.  TAXI #S190330PS

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    Rap / Hip Hop

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    MODERN RAP/HIP-HOP SONGS with Male or Female Vocals are needed by a successful Music Licensing Company that’s pitching directly to well-known Sports Competition TV Shows. They’re looking for several Mid-to-Up-Tempo Songs that could fit stylistically with the following references:

    WARNING: Some of the following references have graphic and explicit lyrics. Listener discretion is advised.

    “All I Do Is Win” by DJ Khaled

    “WIN” by Jay Rock

    “Stronger” by Kanye West

    Give them original Rap/Hip-Hop Songs with hard-hitting beats, catchy hooks, and a big, anthemic, and energetic chorus. Be sure your vocals are highly rhythmic, and have plenty of swagger and attitude.

    Lyric Tip: The lyrics are SUPER important for this. Lyric themes should be about overcoming challenges, being victorious, girl power, winning, living for the game, etc.

    Lyrics should underscore the above lyric concepts with short, easy-to-digest phrases in the chorus. Lyrics that avoid specific names, places, dates, times, brands, and profanity will be best for this pitch.

    Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PDT) on Saturday, March 23rd, 2019.  TAXI #Y190323HH

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    G-Rated, RAP/HIP-HOP SONGS with a sassy edge and Female Vocals are needed by a successful and very active Music Licensing Company with an impressive list of Film and TV placements.

    They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like Cardi B, Doja Cat, Leikeli47, etc., etc., etc. Please listen to the following references to get an idea of what they need:

    "Please Me" by Cardi B & Bruno Mars

    "Tia Tamera" by Doja Cat ft. Rico Nasty

    "Tic Boom" by Leikeli47

    WARNING: Some of the following references have graphic and explicit lyrics - but that doesn't mean that your submissions can! Listener discretion is advised, and so are "clean" submissions!

    NOTE: The client has specifically requested ABSOLUTELY NO EXPLICIT LYRICS. Having ANY explicit content and/or profanity in your Song will result in your submission being returned, regardless of how good the song is. Send G-Rated, CLEAN versions only!

    Submit current-sounding Rap/Hip-Hop Songs with great lyrics and a rhythmically compelling vocal delivery full of swagger and a sassy attitude. Your recording should have an insanely cool Beat with slick production.

    Lyric themes can vary, but should be similar to what you'd currently hear on the Rap/Hip-Hop charts (minus the profanity and explicit content.)  While we're on the topic, Lyrics that avoid references to specific names, dates, times and brands will probably work best. Please do NOT copy the referenced artists or songs in any way, shape, or form. Please avoid any material with unauthorized samples of other artists’ music, sounds, or any other form of media. Broadcast quality is needed.

    This Company offers an EXCLUSIVE deal with a 50/50 split on applicable sync fees. The Publisher will get 50% of Publisher’s share, and you’ll get 100% of the Writer’s share and 50% of the Publisher’s share as well. Sweet deal! You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No – Short critiques only. All submissions must be received no later than 11:59 PM (PDT) on Sunday, March 24th, 2019.  TAXI #Y190324HH

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    ORIGINAL, OLD SCHOOL RAP/HIP-HOP SONGS – RECORDED BEFORE THE YEAR 2000 – with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing.

    IMPORTANT NOTE: Your submission should NOT have any electronic-sounding instruments (such as synths, leads, pads etc.) Try your best to keep your submission as organic-sounding as possible.

    If you’ve got old recordings that sound like they could be on a playlist with the references or anything that would have been on a playlist with those acts, you might have exactly what this awesome publisher needs:

    “Doo-Wop (That Thing)” by Lauryn Hill

    “Thugz Mansion (NY God's Son version)” by Nas ft. Tupac

    “Runnin” by The Pharcyde

    NOTE: Do NOT submit any material with unauthorized samples of other artists' songs, sounds, or any other form of media. However, if you want to sample yourself, go for it!  We think a guitarist with a Looper Pedal (and a solid drum beat backing him) could do some amazing stuff with this opportunity!

    You can submit old masters or old demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this Publisher with nothing more than good demo recordings. They’re much more interested in finding music that sounds authentic to the time period.

    This Publisher is the hot, go-to company for a long list of extremely popular TV shows and Feature Films when they need music that comes from a specific time period.
    The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

    This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company. Several have even received upfront checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary, depending on the quantity and quality of the songs signed by the Publisher.

    Make sure your Songs were actually recorded before the year 2000 - otherwise, this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

    Your name needs to be on the copyright. Your Songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. Please include lyrics.

    All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 28th, 2019.  TAXI #Y190328VR

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    CONTEMPORARY RAP/HIP-HOP SONGS with Male or Female Vocals are needed by an extremely active Music Library that gets tons of great placements in Film, TV, and Commercials.

    Send them Mid-to-Up-Tempo Songs that you’d expect to hear on playlists with artists like:

    WARNING: Some of the following references have graphic and explicit lyrics. Listener discretion is advised.

    “Girls Have Fun” by Tyga ft. G-Eazy, Rich The Kid

    “ZEZE” by Kodak Black ft. Travis Scott & Offset

    Please send them Hip-Hop Songs that have a banging sound, a modern beat, and a memorable chorus that sticks in your head. Make sure your Rap has catchy hooks, creative metaphors, and inventive wordplay.

    TAXI Tip: This Music Library tends to look for more emotionally upbeat, party-style Rap/Hip-Hop, so you’d be wise to avoid submitting any songs that are too dark or with too much of a Trap feel.

    They didn’t specify any lyric themes, but you’d be wise to avoid specific names, dates, times, places, brands, and profanity in your lyrics. It's not an absolute requirement, but it just makes it easier for a Music Library to pitch it for various opportunities! Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Also, do not submit any material with unauthorized samples of other artists’ songs, sounds, or any other form of media. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59 PM (PST) on Saturday, March 30th, 2019.  TAXI #S190330RH

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    CONTEMPORARY HIP-HOP SONGS with Male or Female Vocals are needed by a hot European Music Library that’s expanding their reach and catalog size to keep up with demand from their client base. They’re looking for a lot of Mid-to-Up-Tempo Songs that could fit in the general stylistic ballpark of the references below:

    WARNING: Some of the following references have graphic and explicit lyrics. Listener discretion is advised.

    “Keanu Reeves” by Logic

    “First Off” by Future ft. Travis Scott

    “No Stylist” by French Montana ft. Drake

    Please submit cool, radio-quality Rap/Hip-Hop songs that sound like a contemporary act or artist, with a beat that’s rhythmically and melodically infectious. Your song should be lyrically and vocally engaging and have a delivery that has plenty of swagger and attitude. Please make sure your song has a clean, polished-sounding mix!

    Lyric themes can vary but should be something that’s currently heard on the Rap/Hip-Hop charts minus any profanity. Lyrics that avoid references to specific names, dates, times, brands, and profanity will probably work best, but they’re not an absolute necessity. Please do NOT copy the referenced artists or songs in any way, shape, or form. Please avoid any material with unauthorized samples of other artists’ music, sounds, or any other form of media. Broadcast quality is needed.

    This company offers an EXCLUSIVE deal, so please be sure the Songs you pitch for this opportunity are NOT already signed with any other Companies or Catalogs. Any sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's share, and the Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Sunday, March 31, 2019. TAXI #Y190331HH

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    Rock

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    MODERN ROCK SONGS with Male or Female Vocals are needed by a successful Music Licensing Company that’s pitching directly to well-known Sports Competition TV Shows. They’re looking for Mid-to-Up-Tempo Songs that could fit stylistically with the following references:

    “Heroes” by Zayde Wolf

    “Natural” by Imagine Dragons

    “Believer” by Imagine Dragons

    Please submit current-sounding Rock Songs that capture an uplifting, energetic sound. Include catchy melodies, a memorable chorus, and a vocal performance with lots of edge and attitude. You can incorporate some minimal electronic elements, but your song should be driven by traditional Rock instrumentation. The more believable your overall performance sounds, the better your chances are of landing a placement in one of these TV Shows!

    Lyric Tip: The lyrics are SUPER important for this. Lyric themes should be about overcoming challenges, being victorious, girl power, winning, living for the game, etc. Lyrics with short, easy-to-digest phrases that show up in the chorus and underscore the above lyric concepts would be awesome! Lyrics that avoid specific names, places, dates, times, brands, and profanity will be best for this pitch.

    Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

    This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be reviewed by a TAXI Screener, and must be received no later than 11:59PM (PST) on Wednesday, March 20th, 2019.  TAXI #S190320RS

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    INDIE POP ROCK SONGS with Male or Female Vocals are needed by a hard-working, high-quality, boutique-sized Production Music Library that’s had many successful placements with music from TAXI members.

    They’re on the hunt for Mid-To-Up-Tempo Songs that are in the general stylistic ballpark of the following references the Music Library gave to us:

    "Red Eyes" by The War on Drugs

    “Trojans” by Atlas Genius

    “Sit Next to Me” by Foster The People

    Please submit contemporary-sounding Songs with a cool Indie sound that still maintains a mainstream appeal. Your submissions should be rhythmically and melodically engaging, with a tasteful blend of authentic-sounding live instrumentation and some electronic elements. Your vocal performance should have plenty of attitude and a ton of Indie swagger.

    Lyric Tip: Although they are open to hearing all sorts of different lyrical content, ideally, they would love to hear songs that are focused around one of the following themes: Determination / Perseverance / Winning / Love / Friendship / Heartache / Unity / Time / Memories / Beginnings / Goals / Dreams / Motivation / Support and Encouragement. Positive stuff!

    Do not copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, texture, and tone. Broadcast Quality is needed.

    They offer an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Saturday, March 23rd, 2019.  TAXI #Y190323PR

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    1980’s-Style PUNK or NEW WAVE SONGS with Female Vocals are needed by a very busy Non-Exclusive Music Library. They're building a “Chick Rock" compilation that will be distributed by a larger Music Library and they need more material to fill it out.

    NOTE: The Music Library's CEO told us that this compilation will ultimately be sent directly to CBS, NBC, USA, Vice, SYFY, and Bravo, plus all streaming services!

    They’re looking for Mid-To-Up-Tempo Songs in the stylistic ballpark of the references below (given to us by the company):

    “I Hate Myself for Loving You” by Joan Jett & The Blackhearts

    “Back On The Chain Gang” by Pretenders:

    Please submit authentic-sounding Punk/New Wave Rock songs that have a cool, retro sound and style that's reminiscent of the 1980s. Your submission should have great melodies, a rockin' rhythm section, and well-performed vocals.

    NOTE: Recent recordings that sound retro can work for this, but if you’ve got any original vintage pieces that actually date back to that era, this Music Library is open to hearing them as well, as long as the sound quality is reasonably good.

    Lyric themes should be in line with what you'd normally hear in the genre. Lyrics that avoid using specific names, places, dates, times, brands, and profanity will probably work best. Do NOT copy the referenced bands or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Broadcast Quality is needed.

    This company offers an EXCLUSIVE, 50/50 deal, with a 3-year reversion. If they don’t get your song used during that term, you can get your rights back. You’ll split any applicable sync fees 50/50 with the company. You’ll keep 100% of the Writer’s share and the Library will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit for this opportunity. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST), on Sunday, March 24th, 2019. TAXI #Y190324CR

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    MODERN INDIE ROCK ARTISTS or BANDS with Male or Female Vocals are needed by a new, well-funded Music Platform designed to help artists raise funds while also engaging their fans!

    Quoting our Source: “They’re open to hearing Artists and Bands on all ends of the Indie Rock spectrum, however, it must be MODERN. No Grunge or '90's Super Chunk kind of guitar Rock, or even Pixies or Siouxie Sioux MIDI-driven Goth Rock.”

    They’re looking for Mid-to-Up-Tempo Songs that could be found on the same playlist with the following references and other acts in the same wheelhouse:

    “Pretty Pimpin” by Kurt Vile

    "Gold Rush" by Death Cab for Cutie

    “Talk To God” by Goat

    “Singularity” by New Order

    IMPORTANT NOTE: This company is primarily looking for Artists or Bands that have Songs with a large number of plays on YouTube, Spotify, and Apple Music, with a large following on social media (i.e. Facebook, Instagram, and Twitter). If you’re a new artist or band and don’t have much of a track record yet, our client politely asks that you refrain from submitting to this particular request.

    Give them well-crafted Indie Rock Songs that highlight your ability to captivate an audience. Your submissions should have a great Indie vocal performance, solid melodies, and a chorus that sounds like it's ready for the major leagues. Adding some electronic elements can work, but you’d be wise to keep them at a minimum so they don’t take away from the Indie Rock vibe.

    Your bio should highlight any touring and live show experience, as well as any impressive sales and/or streaming figures you may have.

    This Company lets the Artist keep 100% of the money they raise! The specific deal terms will be negotiated between you and the Company. Please do not submit Songs that are already in other catalogs or signed to any publishing companies, as you must own or control your Copyright and Master Recording to pitch for this opportunity.

    Please submit as many Songs as you’d like, online or per CD. Please include lyrics, photos, and a bio. Submitting more than one Song to this Listing is a good idea, as it can be a great way to show that you have some depth and range in your material. All Submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Monday, March 25th, 2019. TAXI #Y190325MR

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    ORIGINAL 1980s-Style POP/ROCK SONGS with Male Vocals are needed for several $4,000, NON-Exclusive Direct-to-Music Supervisor placements in a Dramatic Horror TV Series.  The Music Supervisor is looking for a bunch of Mid-to-Up-Tempo Songs that would fit on a playlist with these references he gave us.

    “I Need You Tonight” by INXS

    “One Thing Leads To Another” by The Fixx

    Please send them original Pop/Rock songs that have a genuine 1980’s sound. Your submissions should have well-performed, authentic-sounding Rock band instrumentation with a compelling vocal performance that authentically reflects an ‘80s delivery and style.

    TAXI Tip: Your submissions can be actual vintage masters recorded in the late or early 1980s, or they can be songs recently recorded and just inspired by that era.

    NOTE: The bar will be high for this request. This Music Supervisor wants music that "sounds better than what they would normally get from the music libraries."

    Lyrics that sound typical of the genre and don’t mention specific names, places, dates, times, brands, or profanity will be appreciated. Do NOT copy the referenced artists in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Broadcast quality is needed.

    The estimated license fee for each of these placements is $4,000, depending on the ultimate placement. These will be Direct-to-Music Supervisor placements, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD; please include Lyrics. All submissions will be screened on a Yes/No basis - No full critiques. Time permitting, the Music Supervisor himself might be able to screen submissions for this request! Submissions must be received no later than 11:59 PM (PST) on Thursday, March 28th, 2019.  TAXI #Y190328PR

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    Vintage

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    ORIGINAL, VINTAGE BIG BAND JAZZ RECORDINGS MADE BEFORE the year 1999 are needed by a NON-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. This company has recently started running searches for music from TAXI members, so there's a good chance you don't have any music in this company's catalog yet. It’s a good time to get in on the ground level with them!

    They’re looking for authentic recordings in All Tempos that would fit well on a playlist with the following references:

    “Take The A Train” Duke Ellington

    “Sing, Sing, Sing” by Benny Goodman & His Big Band

    “In The Mood” by Glenn Miller

    “Flying Home” by Lionel Hampton

    IMPORTANT NOTE: Please include the Year your song or instrumental was recorded in the lyric section of the TAXI submission form! You must provide us with the year the recording was made if you'd like to be considered for this request.  Even if your piece has vocals, no lyric sheet is requested.

    Please send them vintage masters of original (no covers) Big Band Recordings that were made any time BEFORE the year 1999. The recording quality is not expected to be on par with today’s Broadcast Quality! Good demos and master recordings are all of interest to this company!

    Please send them authentic-sounding Big Band Jazz Recordings with solid musicianship. Your submissions should have an authentic Big Band sound, with instrumentation that’s typically found in the genre.

    NOTE: They DO NOT want material that was recently recorded and made to sound old. They can ONLY use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. It doesn't have to be super hi-fi, but reasonably good, well-balanced recordings and mixes are needed.

    This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Master and Composition to submit to this pitch. You’ll maintain full ownership of the original Copyright and Master Recording. Please send as many Recordings as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Tuesday, March 19th, 2019.  TAXI #Y190319BB

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    ORIGINAL VINTAGE ROCK SONGS, recorded BEFORE 1990, with Male or Female Vocals are needed by a really cool Music Licensing Company that has lots of awesome placements in Commercials, TV Shows, and Films.

    NOTE: We purposely passed on putting references in this request, as they could potentially be more misleading or limiting than helpful. They’re open to virtually any contemporary Rock-Based genre/style such as: Classic-Rock, Glam-Rock, Garage-Rock, Metal, Rock & Roll, Brit-Rock, Blues-Rock, Punk, Psychedelic-Rock, etc., etc., etc.

    It really just boils down to this: They’re looking for Masters (or decently recorded Demos) of great ROCK songs that came from the 1950s through the 1980s – period!

    Please send them old masters or demos of your original (no covers) Rock Songs that were recorded in the 1950s-1980s. The recording quality is not expected to be on par with today’s broadcast quality! They’re much more interested in finding music that sounds authentic to the time period rather than worrying about pristine recordings. Good demos and master recordings are all of interest to this company!

    NOTE: They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only as long as the sound quality is reasonably good.

    You’d be shocked by how many TAXI members have landed juicy placements with Vintage recordings!!!!

    This company does Exclusive and Non-Exclusive deals. The terms of the agreement will be negotiated on a case-by-case basis. You must own or control 100% of your Master and Composition rights. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59 PM (PST) on Thursday, March 28th, 2019.  TAXI #Y190328VR

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    BLUESY, SOUTHERN ROCK SONGS RECORDED BETWEEN 1970 - 1985 with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the following references, you might have exactly what this awesome publisher needs:

    “Tush” by ZZ Top

    “Perfect Strangers” by Deep Purple

    “Sharp Dressed Man” by ZZ Top

    You can submit old masters or old demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings. The Publisher is much more interested in finding music that sounds authentic to the time period. They are the hot, go-to company for a long list of extremely popular TV shows and Feature Films, when music from a specific time period is needed.

    The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share and earn income from performance royalties paid by your Performing Rights Organization.

    This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out deals with this company. Several have even received upfront checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary, depending on the quantity and quality of the songs signed by the Publisher.

    Make sure your Songs were actually recorded between 1970 - 1985, otherwise this company cannot use them! They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, and only if the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

    Your name needs to be on the copyright. Your Songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59 PM (PST) on Friday, March 29th, 2019.  TAXI #Y190329BR

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    ORIGINAL, VINTAGE RECORDINGS of LATIN SONGS in ANY/ALL Genres, recorded in 1995 or before, with Male or Female Vocals are needed by an A-List Film and TV Music Publisher.

    We’re not providing any references for this request, as they want to keep this pretty open. They’re open to hearing Latin Songs in any sub-genre, ranging from Salsa, Mariachi, Banda, Bossa Nova, Bolero, Plena, Samba, Tango, Plena, Zouk, Bachata, etc., etc., etc.

    TAXI Tip: You can submit old masters or old demos for this pitch! The recording quality is not expected to be on par with today’s broadcast quality. Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested in finding music that sounds authentic to the time period.

    This company often averages several placements per week and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received upfront checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary, depending on the quantity and quality of the songs signed by the Publisher.

    They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS and only as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

    Your name needs to be on the copyright. Your Songs need to be original compositions (no covers), and you need to own or control the Copyright and Master recordings to submit for this pitch. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59 PM (PST) on Sunday, March 31st, 2019. TAXI #Y190331VL

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