TAXI's Music Industry Listings: Music Opportunities from Record Companies, Publishers, Film & TV Music Supervisors and Music Libraries

ADULT CONTEMPORARY/ R&B SONGS with Male Vocals are needed for (up to) $1,000, NON-Exclusive, Direct-to-Supervisor placement in a New TV Series. They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Anthony Hamilton, John Legend, Leon Bridges, etc., etc., etc. Please listen to the following references to get an idea of what they’re looking for:

“Amen” by Anthony Hamilton https://www.youtube.com/watch?v=5K_sDzmhedI

“Love Me Now” by John Legend: https://www.youtube.com/watch?v=NmCFY1oYDeM

“Smooth Sailin” by Leon Bridges: https://www.youtube.com/watch?v=HYplnRjMVhM

Please submit well-crafted songs that are soulfully expressive and lyrically top-notch, with solid, R&B production, engaging melodies, and a huge, compelling chorus that brings it all home. Be sure your vocals have a polished delivery that’s in the general style of the references and other acts in that ballpark.

TAXI Tip: Lyrics about life and family will work best, but nothing too heavy and melancholy.

Universal lyrics that don’t have references to specific names, dates, times, brands, and places could make your song more appealing. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for this use is up-to $1,000, depending on the ultimate placement. This is a Direct-to-Music Supervisor placement, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee and any applicable performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Sunday, September 24th, 2017. TAXI #Y170924AR

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CONTEMPORARY ADULT CONTEMPORARY/POP SONGS with Male Vocals are needed by a Major Record Label A&R Executive for an internationally known Artist who’s first single reached number 2 on the UK Singles Chart. They’re on the hunt for well-crafted, Mid-to-Up-Tempo Songs that you’d hear on a playlist with acts and songs like (but not limited to):

“Stay With Me” by Sam Smith: https://www.youtube.com/watch?v=pB-5XG-DbAA

“Dancing On My Own” by Calum Scott: https://www.youtube.com/watch?v=q31tGyBJhRY

“Love Me Now” by John Legend: https://www.youtube.com/watch?v=NmCFY1oYDeM

Please send well-crafted Adult Contemporary Pop songs with super-catchy melodies, and a great, hook-filled chorus that sounds like a radio hit as soon as you hear it. Your song should have a slight Pop appeal, but still able to resonate with a broad audience in both the Pop and A/C genres. Lyric themes should be a tad more mature than typical Pop songs, but still commercially viable and radio-ready. Your production and overall demo presentation should be strong for this pitch!

Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Wednesday, September 27th, 2017. TAXI #S170927AP

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INSPIRATIONAL, ADULT CONTEMPORARY/R&B SONGS with Male Vocals are needed by a Film/TV Music Publisher for an (up to), $2,000, NON-Exclusive placement in a popular HBO Series. They’re looking for great, Mid-to-Up-Tempo Songs that could generally fit in the stylistic wheelhouse of these references we got from them:

“Man in the Mirror” by Michael Jackson: https://www.youtube.com/watch?v=P5vz6iwV38U

“I Believe I Can Fly” by R Kelly: https://www.youtube.com/watch?v=GIQn8pab8Vc

“O-o-h Child” by The Five Stairsteps: https://www.youtube.com/watch?v=dguz0IsCuKU

Please submit expressive Songs that are lyrically top-notch with solid, R&B production, engaging melodies, and a huge, compelling chorus that brings it all home. A strong vocal performance and confident delivery will help you stand out for this pitch.

Quoting Our Source – “Being able to effectively sell the song emotionally is what will capture the attention of the Music Supervisors.”

Lyric themes can vary, but should be emotionally uplifting. Universal lyrics will usually work best, so please avoid specific names, places, dates, times, and brands. Do NOT copy the referenced artists in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for this use is $2,000, depending on the ultimate placement. This Publisher offers a NON-EXCLUSIVE 50/50 deal. You’ll get 50% of the sync fee and 100% of the Writer’s share. They’ll get 50% of the sync fee and 100% of the Publisher’s Share. You’ll keep 100% of the original copyright and master. You must own or control your Master and Copyright to submit for this. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis by a screener who was handpicked by the publisher – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, September 28th, 2017. TAXI #Y170928AC

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ADULT CONTEMPORARY/POP SONGS with Male or Female Vocals are needed by a Nashville-based Music Publisher for a specific pitch to a Reality Show. They’re looking for Mid-to-Up-Tempo Songs could generally fit in the stylistic wheelhouse of these references (but not limited too):

"Dreams (can come true)" by Gabrielle: https://www.youtube.com/watch?v=sNqwVDD4rlo

“Stand By You” by Rachel Platten: https://www.youtube.com/watch?v=bwB9EMpW8eY

“Money On My Mind” by Sam Smith: https://www.youtube.com/watch?v=K0G9T5Bnjlc

Please submit well-structured songs that are lyrically top-notch, with modern sounding production, engaging melodies, and a mainstream-friendly chorus. A compelling vocal performance that has a strong and confident delivery will help get them exited about your song(s).

TAXI Tip: Make sure your songs are well written and have “visually detailed” lyrics. The producer of the show has a background in the music business and knows a great song.

Lyric themes about success, winning, finding your dreams coming true would all work great for this pitch! Universal lyrics are recommended, so please avoid references to specific names, dates, times, brands, and places. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit as many songs as you’d like, online or per CD, include lyrics. All Submissions will be screened and critiqued by a Nashville-based TAXI screener that’s been handpicked by the Publisher. All submissions must be received no later than 11:59PM (PDT), on Saturday, October 7th, 2017. TAXI #S171007AC

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PUBLIC DOMAIN CHRISTMAS SONGS (In Various Genres) with Male or Female Vocals are needed by a growing Music Library that’s actively pitching to a number of high-end Films and TV shows. Send them great, Mid-to-Up-Tempo Songs that you’d expect to hear on playlists with artist/songs like (but not limited to):

“Jingle Bells” by Tiffany Alvord: https://www.youtube.com/watch?v=lDMmJ6u0R3w

“Silent Night” Justin Bieber: https://www.youtube.com/watch?v=9WZI4g7qKrg

“Have Yourself A Merry Little Christmas” by Hannah Kerr: https://www.youtube.com/watch?v=q_TdWsWPD6E

Jingle Bells (Rock Version): https://www.youtube.com/watch?v=JTuXPUP06H0

Do you have a Rockin’ version of Jingle Bells? How about a stripped-down acoustic Singer/Songwriter-style version of Silent Night, or a Jazz version of Joy To the World? If so, this Music Library wants to hear it!

Please submit well-crafted Public Domain Covers that capture the true essence of the holiday season, with a great overall performance that sounds really fresh and current. Please stick to the original melody and lyric of the song(s) you choose to cover and submit. You’d be wise not to send something that’s too whacky or outside-of-the-box for this pitch.

TAXI Tip: They’re open to hearing all genres, but they would love to get some really good Rock Covers in particular!

Please do NOT copy the referenced artists in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast quality is needed (great sounding home recordings are fine).

This company offers an EXCLUSIVE deal, so please be sure the Covers you submit for this pitch aren’t already signed to another catalog or any other libraries. License fees will be split 50/50 with the company.

Note: Although there are no performance royalties due to this being a request for a cover version, you’ll get 50% of the master license fee.

You must own or control your master rights. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, September 25th, 2017. TAXI #Y170925XS

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PUBLIC DOMAIN CHRISTMAS SONGS in all Styles with Male or Female Vocals are needed by a very successful, EXCLUSIVE Music Library for Film, TV, and Advertising placements. They’re looking for festive Public Domain Songs in All-Tempos that could generally be found on a holiday playlist with these references:

"Deck The Halls " by Tenth Avenue North: https://www.youtube.com/watch?v=q7dF1P0PHss

"Joy To The World" by Pentatonix: https://www.youtube.com/watch?v=-Xo64Q2ucQ8

"Jingle Bells" by Dean Martin: https://www.youtube.com/watch?v=VXczrjAsOKk

TAXI TIP: Song examples you could cover (but not limited too): Deck The Halls, Hark The Herald Angels Sing, Jingle Bells, Joy To The World, O Christmas Tree, Silent Night, Up On The Housetop.

Give them well-crafted Covers of Public Domain Christmas Songs that have solid production, a great vocal performance, and a jovial sound and style that captures the festive spirit of the holiday season. Please stick to the original melody and lyric of the song(s) you choose to cover so they’re familiar to listeners. Instrumentation can vary from a simple acoustic/vocal performance, to a full production.

Do NOT copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and overall vibe. Appropriate sounding broadcast quality is needed.

This Library offers an EXCLUSIVE deal, so the material you submit for this pitch CANNOT be signed with any other companies. Sync (Master License) fees will be split 50/50 with the company. There are no performance royalties for covers.

You must own or control your Master recording (only) to pitch for this opportunity. Please double check to make sure the songs you submit are truly Public Domain! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Wednesday, October 4th, 2017. TAXI #Y171004PD

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ORIGINAL, CHRISTMAS INSTRUMENTALS CUES are needed by the President of a Music Library that’s placed tons of music for TAXI members. Please send Mid-To-Up-Tempo Instrumentals Cues in the stylistic ballpark of the references below:

“All I Want For Christmas Is You” by Mariah Carey: https://www.youtube.com/watch?v=yXQViqx6GMY

“Jingle Bell Rock” by Glee: https://www.youtube.com/watch?v=VfLf7A_-1Vw

“Wrapped In Red” by Kelly Clarkson: https://www.youtube.com/watch?v=7IFfZRVRbqM Although the references above have vocals, this pitch is for instrumentals only. Please submit original, festive, Instrumental Cues that delivers a Christmas sound, style and tone. Your submission should have a top-notch production and can include instruments you’d find in most Christmas music such as (but not limited too): strings (not an absolute must have), sleigh bells, hand bells, chimes, etc. Build your Cue around a cheerful central melodic motif, while adding and subtracting layers of instrumentation as your Cue progresses. You can go with relatively simple, stripped-down arrangements, or more full-blown arrangements/productions. Please avoid sending Instrumental Cues that are stiff, synthetic, and obviously MIDI-driven.

All submissions should be at least 2 minutes in length. Non-Faded/Buttoned endings with a natural ring out will work best. Do not copy the references in any way, shape, or form. Use the references only as general guide for overall feel, texture and tone. Broadcast quality is needed (great sounding home recordings are fine).

This Company offers an EXCLUSIVE deal with a reversion clause. If they don’t get your music placed during a five-year period, all rights revert back to you. You’ll keep 100% of the Writer's share, 50% of any sync fees, and any applicable performance royalties. The Publisher will get 100% of the Publisher’s share and 50% of any sync fees. Since this is an EXCLUSIVE deal, please be sure any material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master and Copyright to submit for this. Please submit as many Instrumentals Cues as you’d like online or per CD. All submissions will be screened on a Yes/No basis – Short critiques. Submissions must be received no later than 11:59PM (PDT), on Sunday, October 8th, 2017. TAXI #Y171008XC

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VINTAGE-Style PUBLIC DOMAIN CHRISTMAS SONGS with Male or Female Vocals are needed by an A-List Independent, EXCLUSIVE Music Library with a seriously long list of TV, Film, and Commercial placements. They’re looking for Mid-To-Up Tempo Songs in the stylistic ballpark of the references below (given to us by the Music Library):

Quoting The Source: “Looking for arrangements of well known, Public Domain Christmas songs done in the below genre styles. Just to be clear— we are NOT looking for “original” Christmas songs, or non-public domain cover songs (i.e. NO White Christmas, Jingle Bell Rock, etc). The following songs are references for the kinds of styles we’d like.”

“Christmas Wrapping” By The Waitresses: (80s New Wave) https://www.youtube.com/watch?v=nud2TQNahaU

“Gee Whiz, It’s Christmas” by Carla Thomas: (60s Soul) https://www.youtube.com/watch?v=DurNzCqdde4

“(There’s No Place Like) Home For The Holiday” by Perry Como: (Crooner Style) https://www.youtube.com/watch?v=yHDgzQ6eQw4

Give them Public Domain Christmas Songs that have a vintage sound, style, and are inspired by ‘80s New Wave, ‘60s Soul, or the Crooner era. Recently recorded songs with a retro sound, or authentic old vintage master recording will both work for this pitch. If you want to make your recordings sound somewhat lo-fi to match the era, go for it, but please don’t add scratches and pops that you might hear on old recordings. You’d be wise to stick to the original melody and lyrics so the songs are easily recognizable.

Do NOT copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and overall vibe. Era-appropriate Broadcast Quality is needed. In other words, the recording shouldn’t sound too modern or slick.

This Library offers an EXCLUSIVE deal, so the material you submit for this pitch CANNOT be signed with any other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, October 9th, 2017. TAXI #Y171009PC

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COUNTRY SONGS with Male Vocals are needed by a great Music Row Publisher for a multiple Award-winning Country SUPERSTAR who’s working on his next record. Please submit chart-topping Songs in All-Tempos that could be found on playlists with artists like (but not limited to): “Rich and Miserable” Kenny Chesney: https://www.youtube.com/watch?v=zCdJyZUKJyM “Meanwhile Back At Mama’s” Tim McGraw ft. Faith Hill: https://www.youtube.com/watch?v=or-Lam5tPHc “Wasted Time” Keith Urban: https://www.youtube.com/watch?v=PMqUat-Oqsk

Please submit well-structured songs with super-catchy, contemporary melodies, killer hooks, clever phrasing, and chorus that sounds like a radio hit waiting to explode. Your songs should have a sing-a-long chorus, with fresh, visually descriptive lyrics, and a storyline that that’s something that hasn’t been done a hundred times before.

TAXI Tip: Although they’ll be happy to listen to all tempos, ballads have to be a one-in-a-million to get cut. Up and Mid-Tempo songs are an easier pitch.

The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit one to three Songs online or per CD, include lyrics. All submissions will be screened on a Yes/No basis by a Nashville-based TAXI screener that’s been handpicked by the Publisher - No full critiques. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59PM (PDT), on Monday, September 25th, 2017. TAXI #Y170925CS

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CONTEMPORARY COUNTRY SONGS with Male Vocals are needed by a great Music Row Publisher for a for a multiple Award-winning Country SUPERSTAR who’s working on his next record. Please submit great Mid-to-Up Tempo Songs that could be found on a playlists with artists like (but not limited to): “Rich and Miserable” Kenny Chesney: https://www.youtube.com/watch?v=zCdJyZUKJyM “Meanwhile Back At Mama’s” Tim McGraw ft. Faith Hill: https://www.youtube.com/watch?v=or-Lam5tPHc “Wasted Time” Keith Urban: https://www.youtube.com/watch?v=PMqUat-Oqsk

Please submit well-structured songs that reflect the contemporary style of the referenced artists above, with catchy melodies, killer hooks, clever phrasing, and great country sounding production. Your submission should have sing-a-long chorus, with fresh visual lyrics, and an engaging storyline that’s competitive with the hits coming out of Nashville!

The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit as many songs as you’d like, online or per CD, include lyrics. All submissions will be screened and critiqued by a Nashville-based TAXI screener that’s been handpicked by the Publisher. Submissions must be received no later than 11:59PM (PDT), Monday, September 25th, 2017. TAXI #S170926CC

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CONTEMPORARY COUNTRY HITS with a POP Influence and Female Vocals are needed by a great Music Row Publisher for a Country MEGA STAR who’s working on her next big album. They’re looking for competitive, hit-worthy, Mid-to-Up-Tempo Songs that could be found on the same playlist as: “Dirty Laundry” by Carrie Underwood: https://www.youtube.com/watch?v=lNzHARgbCG8 “Because Of You” by Kelly Clarkson: https://www.youtube.com/watch?v=Ra-Om7UMSJc “Legends” by Kelsea Ballerini: https://www.youtube.com/watch?v=nGa2-kOW810

Please submit well-crafted songs with attention-grabbing melodies, Nashville quality lyrics, and a big, powerful Country chorus that’s chock full of mainstream appeal. Songs can have a bit of a POP sound, but should maintain a Country style and feel. This is a big deal Publisher with all the right connections for getting stuff cut on the Row, and they’re looking for relevant, current-sounding Country Pop songs. Please leave the dated, traditional stuff on the shelf, and bust out the songs that sound like tomorrow’s hit!

The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit as many songs as you’d like, online or per CD, include lyrics. All submissions will be screened and critiqued by a Nashville-based TAXI screener that’s been handpicked by the Publisher. Submissions must be received no later than 11:59PM (PDT), Wednesday, September 27th, 2017. TAXI #S170927CH

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CHART WORTHY COUNTRY SONGS with Female Vocals are needed by an Indie Music Row Publisher for a Duo that’s signed to a Major Label. They’re looking for top-notch, Mid-to-Up Tempo songs that would appeal to the fans of acts and songs like (but not limited to): “Something More” by Sugarland: https://www.youtube.com/watch?v=Gp5foT32tKM “God Made Girls” by RaeLynn: https://www.youtube.com/watch?v=tl1uv6gB4hE “Automatic” by Miranda Lambert: https://www.youtube.com/watch?v=2ksWKOy665o

Please submit well-structured songs with contemporary, catchy melodies, great vocals, big hooky choruses, and great sounding Country production. Your submissions should be compelling from start to finish, with non-cliché, conversational lyrics, lots of visual details, and fresh themes. Be sure your vocal performance is believable, with an honest Country vocal delivery.

Stripped-down demos and full productions are both okay to submit. Be sure your vocal performance is in the general stylistic ballpark of the referenced acts so your songs are relatable for the artist. Your recording quality (even for stripped-down demos, which you can submit for this) needs to be clean, clear, well balanced, and good enough to represent your song well. The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. Please submit as many songs as you’d like, online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), Wednesday, September 27th, 2017. TAXI #Y170927CS

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POSITIVE, CONTEMPORARY COUNTRY SONGS with Male or Female Vocals are needed by a Nashville-based Music Publisher for a specific pitch to a Reality Show. They’re searching for compelling, Mid-to-Up Tempo Songs in the general stylistic wheelhouse of artists like (but not limited to), Carrie Underwood by Tim McGraw, Florida Georgia Line Ft. Backstreet Boys, etc., etc., etc. Please review the following songs to get in the general ballpark of the sound they need:

"Church Bells " by Carrie Underwood: https://www.youtube.com/watch?v=N2-yVryNjUM

“Live Like You Were Dying” by Tim McGraw: https://www.youtube.com/watch?v=_9TShlMkQnc

"God, Your Mama, And Me" by Florida Georgia Line Ft. Backstreet Boys: https://www.youtube.com/watch?v=QMhkdatUUPA

Please submit original songs that are well structured, with fresh melodic ideas, and strong, ear-grabbing hooks in all sections of the song (both melodically and lyrically), and a really engaging chorus that drives home a positive message. Your production should be top-quality, with a slick vocal performance that’s right down the lane of the references above.

TAXI Tip: Make sure your songs are visually descriptive and create a “moment.” The producer of the show has a background in the music business and knows a great song.

Universal lyrics are recommended, so please avoid references to specific names, dates, times, brands, and places. Please do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The specific deal points will be negotiated on a song-by-song basis directly with the Publisher. All Submissions will be screened and critiqued by a Nashville-based TAXI screener that’s been handpicked by the Publisher. Please submit as many songs as you’d like online or per CD. All submissions must be received no later than 11:59PM (PDT), on Tuesday, October 3rd, 2017. TAXI #S171003PC

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ORIGINAL, 1980’s COUNTRY SONGS with Female Vocals are needed by an A-List Music Publisher for Film and TV Sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

“9 to 5” by Dolly Parton: https://www.youtube.com/watch?v=DaERHs8Q93E

“Eighteen Wheels And A Dozen Roses” by Kathy Mattea: https://www.youtube.com/watch?v=6ElCpHuiWkA

“Maybe It Was Memphis” by Pam Tillis: https://www.youtube.com/watch?v=egvraT1oBH0

TAXI Tip: You can submit old masters or demos for this pitch!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Wednesday, October 11th, 2017. TAXI #S171011OC

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ORIGINAL, VINTAGE 1990’s HOUSE SONGS with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the references below, or any music in the this genre from the ‘90s, you might have exactly what this awesome publisher needs:

“Finally” by CeCe Peniston: https://www.youtube.com/watch?v=xk8mm1Qmt-Y

“Believe The Hype” by Snap: https://www.youtube.com/watch?v=cLb2PwA_Ya0

“Wild Times” by De Lite Ft. Osca Child: https://www.youtube.com/watch?v=JqgRNq6cTK0

TAXI Tip: You can submit old masters or demos for this pitch, but please make sure the music you submit was recorded in the 1990s, not made to sound like it was! They’re looking for authenticity!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, October 5th, 2017. TAXI #Y171005VH

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ORIGINAL HALLOWEEN SONGS with Male Vocals are needed by an EXCLUSIVE A-List Independent Music Library with a seriously long list of TV, Film, and Commercial placements. They’re on the hunt for Mid-to-Up-Tempo Songs that have the general style and vibe of the following references:

“Dead Man’s Party” by Oingo Boingo: https://www.youtube.com/watch?v=f_uYSfEyOcE

“I Put A Spell On You” by Screamin’ Jay Hawkins: https://www.youtube.com/watch?v=PwXai-sgM-s

“Werewolves Of London” by Warren Zevon: https://www.youtube.com/watch?v=iDpYBT0XyvA

Please submit original Songs that can put listeners in the Halloween frame of mind, with solid musicianship, great melodies, and a great vocal performance. You can submit recently recorded songs that are in the general stylistic ballpark, or if you’ve got any original vintage pieces, this Music Library would love to hear them as well!

Lyric themes can vary, but should be consistent with typical Halloween, or horror related themes (i.e. werewolves, zombies, witches, etc.). Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This Library offers an EXCLUSIVE deal, so the material you submit for this pitch CANNOT be signed with any other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumentals as you’d like, online or per CD. All submissions must be received no later than 11:59PM (PDT), on Monday, September 25th, 2017. TAXI #Y170925HS

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NEW LISTING -- VINTAGE COVER SONGS in all Styles with Male or Female Vocals Recorded in 1950’s – Mid 1990’s are needed by an A-List Music Publisher for Film and TV Sync licensing. Your COVERS can range from stripped-down acoustic interpretations to full productions, and anything in between. The sky's the limit for this pitch.

Send a full-length version of the song, and stick to the original melody and arrangement so it’s instantly identifiable. They’re really not looking for anybody to reinvent the wheel so much as simply giving them a version that's authentically recorded in the era.

TAXI Tip: You can submit old masters or demos for this pitch!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

You only need to own or control the master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Wednesday, October 25th, 2017. TAXI #Y171025VC

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SWAMPY INSTRUMENTAL CUES are needed by the CEO of a very successful Music Library with a really long track record of great Film, TV, and Advertising placements. They’re on the hunt for well-crafted, Instrumental Cues in All Tempos that are in the same general ballpark as these references:

“Swamp Blues (Slide/Bottleneck)” https://www.youtube.com/watch?v=iw7gRASUD4g

“Mean Old Thing” by Andrew Kubiszewki https://www.youtube.com/watch?v=OFBN14fO3S8

“Southern Comfort Slide Guitar Cover” https://www.youtube.com/watch?v=euFTVlrWZI4

Please give them swampy Instrumental Cues with a real-deal, backwoods vibe, style and sound. Ensemble size can vary; anything from a duo to a full band sound can work for this pitch. Your Cues should stick to a central melodic motif while adding layers of additional instrumentation as they progress. Anything that sounds stiff, synthetic, or MIDI driven won’t work for this pitch. Pieces that would work in any of the “Gator” or “Mountain Men” shows with moods that range from emotionally upbeat to tension-based could work well, but don’t limit yourself to just those!

All submissions should be about 1:30 minutes in length, give or take, with non-faded/buttoned endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This Company offers an EXCLUSIVE deal with a reversion clause. If they don’t get your music placed during a five-year period, all rights revert back to you. You’ll keep 100% of the Writer's share, 50% of any sync fees, and any applicable performance royalties. The Publisher will get 100% of the Publisher’s share and 50% of any sync fees. Since this is an EXCLUSIVE deal, please be sure any material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master and Copyright to submit for this. Please submit as many Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Sunday, September 24th, 2017. TAXI #Y170924SI

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URBAN-INFUENCED DRAMEDY INSTRUMENTAL CUES are needed by a successful NON-Exclusive Music Library for placements in an extremely popular Reality TV Show. They’re looking for a bunch of Mid-to-Up-Tempo Trap Instrumental Cues that would fit well on a playlist with the following references:

“Basketball Wives Miami (1:43 – 1:58) https://www.youtube.com/watch?v=znWz812xuaA

LA Hair (0:02 – 0:20) https://www.youtube.com/watch?v=xx6tF8k_j0g

“Basketball Wives LA” (:00 - :22) https://www.youtube.com/watch?v=qg8QoWxHioc

Please give them well-crafted Dramedy Instrumental Cues with a noticeable Urban vibe, feel, and style. Be sure your production is solid, with contemporary sounding instrumentation. In other words, no dated or obvious pre-stocked synth sounds or drums. Build your Cues around a central melodic theme while adding and subtracting layers of instrumentation as they progress to add dynamics, interest, and forward movement.

All submissions should be at about 1:30 long (give or take), with non-faded, buttoned endings. Do NOT copy the referenced music in any way, shape, or form. Use it only as a guide for texture, tone, and vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed (great sounding home recordings are fine).

This company offers a NON-EXCLUSIVE, 50/50 split. You’ll split all upfront sync fees 50/50. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright to submit for this pitch. Please submit as many Instrumental Cues as you’d like, online or on CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Wednesday, September 27th, 2017. TAXI #Y170927UD

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Original COCKTAIL JAZZ INSTRUMENTAL CUES are needed by a prominent Music Library with a long track record of great placements in Film and TV! They want some authentic-sounding Cocktail Jazz Instrumental Cues in a wide range of Tempos and Styles. Please listen to the following references to get an idea of the range of what could work for this pitch:

“Lounge Scene” https://www.youtube.com/watch?v=yoSrdvSR-Xk

Jazz Piano Bar Music Compilation https://www.youtube.com/watch?v=IhUuEUj2zWk

“Here’s That Rainy Day” by Dorothy Donegan https://www.youtube.com/watch?v=Mmqu9PNerSU

Please submit well-crafted Jazz Instrumental Cues that have a laid back, background music vibe. Everything from a Solo Piano Cues to a fuller ensemble can work for this pitch, as long as your piece sticks too one cohesive mood from beginning to end. Your instrumentation needs to sound great, and not synthetic, stiff, or obviously quantized for this pitch. Imagine what you’d hear in a high-end lounge, bar, or hotel lobby. That’s what they’re looking for!

All submissions should be about 1:30 minutes in length, give or take, with non-faded/buttoned endings. We think it’s okay if your pieces run longer than 1:30 for this pitch, as Cocktail Jazz pieces are often used in long-ish scenes. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This Company offers an EXCLUSIVE deal with a reversion clause. If they don’t get your music placed during a five-year period, all rights revert back to you. You’ll keep 100% of the Writer's share, 50% of any sync fees, and any applicable performance royalties. The Publisher will get 100% of the Publisher’s share and 50% of any sync fees. Since this is an EXCLUSIVE deal, please be sure any material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master and Copyright to submit for this. Please submit as many Instrumentals Cues as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM, on Sunday, October 1st, 2017. TAXI #Y171001CJ

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ORIGINAL, VINTAGE SOUL JAZZ INSTRUMENTALS are needed by an A-List Music Publisher for Film and TV Sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

“Tasha” by Odell Brown: https://www.youtube.com/watch?v=l5NG03T1kfY

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, October 2nd, 2017. TAXI #Y171002SJ

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ELECTRONIC CHILL INSTRUMENTALS (AKA Chilltronica) are needed by a great Music Library with international distribution and lots of success in Film and TV placements. They’re on the hunt for Instrumentals in all Tempos that are in the general stylistic ballpark of these references:

Blank & Jones present Chilltronica No.2: https://www.youtube.com/watch?v=lP_st0YiXtk&feature=youtu.be

Blank & Jones - Interstellar (Marc George Remix): https://www.youtube.com/watch?v=TUfNPg1vWrk&feature=youtu.be

“Football Head” by Flamingosis: https://www.youtube.com/watch?v=1hJKhiew2O0

Give them well-crafted Instrumentals with a laid back vibe, current sounding electronic elements, and smooth, slick, grooves that would fit right in with the references. Contemporary sounds with cool, minimal melodies that set an atmospheric, late-night-driving mood will work really well for this pitch!

All submissions should be at least 2 minutes long. Good edit points and non-faded, endings will work best for this pitch. Please do not copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and vibe. Broadcast Quality is needed (Great sounding home recordings are fine).

This Library offers an EXCLUSIVE, 50/50 split. You’ll get 50% of any sync fees and 100% of the Writer’s share. They’ll get 50% of the sync fee and 100% of the Publisher’s share. You must own or control your Master and Composition to submit to this pitch. Please submit as many Instrumentals as you’d like online or per CD. All submissions will be screened on a yes/no basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, October 12th, 2017. TAXI #Y171012CI`

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ORIGINAL, VINTAGE HARD BOP INSTRUMENTALS are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference they gave us, or anything that would have been a playlist with Art Blakey, you might have exactly what this awesome publisher needs:

“Along Came Betty” by Art Blakey & the Jazz Messengers: https://www.youtube.com/watch?v=CTzRHq_cH5E

TAXI Tip: You can submit old masters or demos for this pitch!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a yes/no basis -- no full critiques. Submissions must be received no later than 11:59PM (PDT), on Saturday, October 14th, 2017. TAXI #Y171014HP

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CONTEMPORARY, FEEL-GOOD EDM INSTRUMENTALS are needed by a successful, globally distributed Music Library that has a great track record of cool placements in Films, TV shows, and TV Commercials. They’re looking for fun, Mid-to-Up Tempo Instrumentals in the general stylistic ballpark these references:

“Outside (Savagez Remix)” by Calvin Harris ft. Ellie Goulding https://www.youtube.com/watch?v=BsGnMpSVixg&feature=youtu.be

“Verge” by Owl City ft. Aloe Blacc: https://www.youtube.com/watch?v=nYCURBSSyXw

“Would You Ever” by Skrillex & Poo Bear: https://www.youtube.com/watch?v=r-SurvChGFk

Although the references have vocals, this request is for Instrumentals only! Please send emotionally up-beat EDM Instrumental with a contemporary sound and production. Your submission should have awesome builds and drops, engaging melodic hooks, and tons of ear candy. Be sure your synth patches are current sounding and not dated.

All submissions should be at least 2 minutes long. Good edit points and non-faded, buttoned/stinger endings will work best for this pitch. Please do not copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and vibe. Broadcast Quality is needed (Great sounding home recordings are fine).

This Library offers an EXCLUSIVE, 50/50 split. You’ll get 50% of any sync fees and 100% of the Writer’s share. They’ll get 50% of the sync fee and 100% of the Publisher’s share. You must own or control your Master and Composition to submit to this pitch. Please submit as many Instrumentals as you’d like online or per CD. All submissions will be screened on a yes/no basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Sunday, October 15th, 2017. TAXI #Y171015FG

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ORIGINAL, VINTAGE WEST COAST JAZZ INSTRUMENTALS are needed by an A-List Music Publisher for Film and TV Sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

West Coast Jazz: A Tribute: https://www.youtube.com/watch?v=r6Yv5cMIwsE

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a yes/no basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, October 16th, 2017. TAXI #Y171016VW

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CONTEMPORARY ELECTRONIC DANCE INSTRUMENTAL CUES are needed by the CEO of a very prolific Music Licensing company with a very long and impressive track record of Film, TV, and Commercial placements. They’re on the hunt for Mid-to-Up-Tempo Instrumental Cues in the general stylistic ballpark of the following references:

“Friends” by Justin Bieber & BloodPop®: https://www.youtube.com/watch?v=ctfLLsD84vk

“Would You Ever” by Skrillex & Poo Bear: https://www.youtube.com/watch?v=r-SurvChGFk

“Jungle Pump” by Skrillex , Diplo & Valentino Khan: https://www.youtube.com/watch?v=x_PmFNJ5XaY

Although the references have vocals, this request is for Instrumentals only. Please submit well-crafted EDM Instrumental Cues that have a fresh, current sound with great builds, engaging melodic hooks, and cool sounding ear candy throughout. Make sure your Instrumentals have pulsing rhythms, and tons on fist-pumping energy. Your submissions should feature a central melodic idea and build momentum and forward movement by adding and subtracting different elements to add dynamics and interest as your Cues progress.

All submissions should be at least 2 minutes in length. Easy edit points and buttoned endings are strongly encouraged. Please do not copy the referenced music in any way, shape, or form. Use it only as a general guide for tempo, texture, tone, and vibe. Broadcast Quality is needed (Great sounding home recordings are fine).

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Wednesday, October 18th, 2017. TAXI #Y171018ED

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CONTEMPORARY ALT-ROCK INSTRUMENTAL CUES are needed by a successful Music Library that has placed tons of music in Film, TV, and Commercials. They’re looking for Mid-to-Up-Tempo Rock Instrumental Cues in the general stylistic ballpark of the references below (and other acts in that wheelhouse):

“Believer” by Imagine Dragons: https://www.youtube.com/watch?v=7wtfhZwyrcc

“Unconsolable” by X Ambassadors: https://www.youtube.com/watch?v=EzP5KsYSGD0

“Devil In Me” by Jamie N Commons: https://www.youtube.com/watch?v=zcXpUP-IxCo

Although the references have vocals, please submit Instrumentals only for this pitch. Give them authentic sounding Alt-Rock Instrumental Cues that have an edgy sound and style with typical rock band Instrumentation, solid musicianship, and catchy melodic lines. Your Cues should stick to a central motif from beginning to end, while adding and subtracting layers of additional instrumentation and/or parts as your Cue progresses to keep it from sounding too repetitive or linear. Please avoid sending Instrumental Cues that are stiff, synthetic, and obviously MIDI-driven.

All submissions should be about 2:00 in length (give or take), with non-faded, buttoned endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This company offers an EXCLUSIVE deal. You’ll split all upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like online or per CD. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, October 19th, 2017. TAXI #Y171019AR

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NEW LISTING -- CONTEMPORARY COUNTRY INSTRUMENTAL CUES are needed by an awesome Music Library with a long, long history of placements in TV and Film. They’re looking for great Mid-to-Up-Tempo Instrumental Cues that could be heard on a playlist with acts like (but not limited to), Kenny Chesney, Sam Hunt, Jason Aldean, etc., etc., etc. Listen to the references below to get yourself in the wheelhouse of what they’re asking for:

“All the Pretty Girls” Kenny Chesney: https://www.youtube.com/watch?v=pksszku7l0g

“Body Like A Back Road” by Sam Hunt: https://www.youtube.com/watch?v=Mdh2p03cRfw

“Burnin' It Down” by Jason Aldean: https://www.youtube.com/watch?v=xdImDqbgc2g

Although the references above have vocals, this request is for Instrumentals only! Please submit Cues that deliver a modern Country vibe and style with well-played instrumentation that’s typically heard in the Country genre. Build your Cue around a central melodic idea, and add and subtract layers of instrumentation as your Cue progresses to keep it from sounding too linear or repetitive. Avoid using any instruments that sound stiff or MIDI-driven, as well as writing anything that’s overly busy or frenetic.

All submissions should be about 2:00 minutes in length, give or take. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like online or per CD. All submissions will be screened on a Yes/No basis - Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, October 23rd, 2017. TAXI #Y171023CI

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ORIGINAL, VINTAGE JAZZ BEBOP SONGS with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the references they gave us, or anything that would have been a playlist with those acts, you might have exactly what this awesome publisher needs:

“Bebop” by Charlie Parker: https://www.youtube.com/watch?v=J0KeCRirEoU

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD, and include lyrics! All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), Thursday, September 29th, 2017. TAXI #Y170929VB

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ORIGINAL, VINTAGE WEST COAST JAZZ INSTRUMENTALS are needed by an A-List Music Publisher for Film and TV Sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

West Coast Jazz: A Tribute: https://www.youtube.com/watch?v=r6Yv5cMIwsE

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Saturday, September 30th, 2017. TAXI #Y170930WJ

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ORIGINAL, VINTAGE HARD BOP JAZZ SONGS with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference they gave us, or anything that would have been a playlist with those acts, you might have exactly what this awesome publisher needs:

“Along Came Betty” by Art Blakey & the Jazz Messengers: https://www.youtube.com/watch?v=CTzRHq_cH5E

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD, and include lyrics! All submissions will be screened on a Yes/No basis – Short critiques only. All submissions must be received no later than 11:59PM (PDT), Saturday, September 30th, 2017. TAXI #Y170930HB

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ORIGINAL, VINTAGE DIXIELAND JAZZ SONGS with Male Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference they gave us, or anything that would have been on a playlist with the reference, you might have exactly what this awesome publisher needs:

“The Last Time” by Louis Armstrong & His Hot 7: https://www.youtube.com/watch?v=95UHXL6ZwPM

You can submit old masters or demos for this pitch. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), Saturday, September 30th, 2017. TAXI #Y170930DJ

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ORIGINAL, VINTAGE DIXIELAND JAZZ INSTRUMENTALS are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the references they gave us, or anything that would have been a playlist with those acts, you might have exactly what this awesome publisher needs:

“The Last Time” by Louis Armstrong & His Hot 7: https://www.youtube.com/watch?v=95UHXL6ZwPM

Although the reference above has vocals, this pitch is for instrumentals only.

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, October 5th, 2017. TAXI #Y171005VD

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ORIGINAL, VINTAGE SOUL JAZZ SONGS with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV Sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

“Tasha” by Odell Brown: https://www.youtube.com/watch?v=l5NG03T1kfY

TAXI Tip: You can submit old masters or demos for this pitch!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Wednesday, October 11th, 2017. TAXI #Y171011VS

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CONTEMPORARY POP SONGS with Male Vocals are needed by a Major Record Label A&R Executive for an up-and-coming Artist who’s working on his next record. They’re on the hunt for well-crafted, Mid-to-Up-Tempo Songs that you’d hear on a playlist with acts and songs like (but not limited to):

“Attention” by Charlie Puth: https://www.youtube.com/watch?v=nfs8NYg7yQM

“Still Got Time” by ZAYN ft. PARTYNEXTDOOR: https://www.youtube.com/watch?v=cHOrHGpL4u0

“Reminding Me” by Shawn Hook ft. Vanessa Hudgens: https://www.youtube.com/watch?v=W5j3bSprL1k

Give them infectious, slick, well-crafted songs with catchy melodies and a chorus that’s filled with Top-40 Radio appeal. Be sure your overall songs are rhythmically, melodically, and lyrically engaging from start to finish. Your production should be competitive enough to get the label, and the artist excited about cutting your song!

Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Wednesday, September 27th, 2017. TAXI #S170927CP

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CURRENT SOUNDING POP SONGS with Male or Female Vocals are needed by a really cool Music Licensing Company that has lots of awesome placements in Commercials, TV Shows, and Films. They’ve signed and placed TAXI members in past years, and have come back to find more! They’re on the hunt for Mid-to-Up-Tempo Instrumental Cues that stylistically sound like what you’d find on playlists with acts like (but not limited to):

“Friends” by Justin Bieber & BloodPop®: https://www.youtube.com/watch?v=ctfLLsD84vk

“Shape Of You” by Ed Sheeran: https://www.youtube.com/watch?v=_dK2tDK9grQ

“Chandelier” by Sia: https://www.youtube.com/watch?v=2vjPBrBU-TM

They’re looking for contemporary songs that have a similar vibe, style, and appeal of the current hits in this genre. Your submissions should have a great song structure, with an overall sound that’s rhythmically and melodically engaging. Make sure your song has a fresh, current-sounding beat that will immediately draw the listener in and get their heads nodding.

Universal lyrics will work best, so please avoid references to specific names, dates, times, places, brands and profanity. Please do NOT copy or rip off the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This company does Exclusive and Non-Exclusive deals. The terms of the agreement will be negotiated on a case-by-case basis. You must own or control 100% of your Master and Composition rights. Please submit as many songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Sunday, October 1st, 2017. TAXI #Y171001PS

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POP SONGS with an R&B influence and Female Vocals are needed by a Major Label A&R Executive for a well-known International Artist. They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Emeli Sandé, Alicia Keys, Mary J Blige, etc., etc. Please listen to the following references to get an idea of what they’re looking for: “Next to Me” by Emili Sandé: https://www.youtube.com/watch?v=-nwdjQmc_N8

“In Common” by Alicia Keys: https://www.youtube.com/watch?v=4HazJhPnrB8

“Thick of It” by Mary J. Blige: https://www.youtube.com/watch?v=8KcdZZnBfRA

Give them well-crafted songs that have infectious melodies, great hooks, and a solid chorus with tons of radio appeal. Your production should have some organic instruments blended with some Urban and Electronic elements, resulting in a modern sound with some classic touches. Your vocal performance and recording quality need to be competitive enough to get them excited about cutting your song, although it’s likely they’ll be cutting a new version. Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59PM (PDT), on Monday, October 2nd, 2017. TAXI #Y171002PR

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CURRENT SOUNDING POP SONGS with Male or Female Vocals are needed by a Grammy-Winning Record Producer’s Publishing Company that’s currently pitching to several big artists’ projects. Please submit Mid-to-Up Tempo Songs in the general wheelhouse of artists like The Weeknd, Halsey, Maroon 5, etc., etc., etc. Please listen to the following references for the sound and vibe they’re on the hunt for:

“I Feel It Coming” by The Weeknd: https://www.youtube.com/watch?v=qFLhGq0060w

“Now Or Never” by Halsey: https://www.youtube.com/watch?v=kzQTc0-iBX8

“Friends” by Justin Bieber & BloodPop®: https://www.youtube.com/watch?v=ctfLLsD84vk

Give them polished, fresh, and super catchy songs with memorable melodies, great hooks (ear candy) in all sections of the song, and a chorus that sounds like it would be a radio hit. Your vocal performance and overall sound should reflect the “Pop” aesthetic the referenced acts share.

Note: You don’t need to submit a fully produced demo for this. This Producer is willing to listen to stripped-down demos, but your song has to be really, really strong! Even though this producer would likely produce a new recording of the song, your demo needs to be clean, clear, well balanced, and good enough to represent your song well. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Please submit as many songs as you’d like, online or per CD, include lyrics. All submissions will be screened on a Yes/No basis by a TAXI screener – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Tuesday, October 3rd, 2017. TAXI #Y171003CP

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ORIGINAL, VINTAGE 1980’s MIAMI-Style POP SONGS with Male or Female Vocals are needed by an A-List Music Publisher for Film and TV sync licensing. If you’ve got old recordings that sound like they could be on a playlist with the references below, or any music in the Pop genre from the late or earlier ‘80s, you might have exactly what this awesome publisher needs:

“Conga” by Gloria Estefan & Miami Sound Machine: https://www.youtube.com/watch?v=RBM3RlgjhQQ

“Come Into My Life” by Joyce Sims: https://www.youtube.com/watch?v=v_H23dEmO4Y

“Change On Me” by Cynthia: https://www.youtube.com/watch?v=BIORiY9JC6k

TAXI Tip: You can submit old masters or demos for this pitch, but please make sure the music you submit was recorded in the 1980s, not made to sound like it was! They’re looking for authenticity!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This Publisher is the hot, go-to company for a long list of extremely popular TV shows and big Feature Films when they need music that is authentically from a particular time period. The Publisher pays you upfront for the master rights and the Publisher’s share of the copyright, and you keep the Writer’s Share of the publishing and earn income from performance royalties paid by your Performing Rights Organization.

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many songs as you’d like, online or per CD. Please include lyrics. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Thursday, October 12th, 2017. TAXI #S171012VM

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CONTEMPORARY, TOP 40-Style POP SONGS with Female Vocals are needed by an A-list Record Producer’s Publishing Company that’s always pitching to big artists’ projects. Please submit Mid-to-Up Tempo Songs in the general wheelhouse of artists like Demi Lovato, Charli XCX, Selena Gomez, etc., etc., etc. Please listen to the following references for the sound and vibe he’s on the hunt for:

“Fetish” by Selena Gomez ft. Gucci Mane: https://www.youtube.com/watch?v=STO4-8vkG0U

“Sorry Not Sorry” by Demi Lovato: ` https://www.youtube.com/watch?v=rceV7YNJDZk

“Boys” by Charli XCX: https://www.youtube.com/watch?v=mPRy1B4t5YA

Please submit fresh, catchy songs with plenty of great hooks, a killer, radio-friendly chorus, and a typical Pop song structure that sounds contemporary and not dated. Your vocals should have a slick Pop delivery that’s stylistically consistent with the references mentioned above. Having a great vocal on your demo will help get them excited about pitching your song or cutting it on one of the producer’s projects!

Note: This Producer does not need to hear fully produced songs. He’s open to hearing basic demos if they’re done really well and the songs are super strong! You can also submit songs with fuller productions if you’d like. This Producer has cut TAXI member songs on past records, so pitch your best stuff if you’d like to be part of that “club.”

Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Please submit as many Songs as you’d like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis. No full critiques. Submissions must be received no later than 11:59PM (PDT), on Friday, October 13th, 2017. TAXI #Y171013TP

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CURRENT SOUNDING POP SONGS with Male or Female Vocals are needed by a large NON-Exclusive Music Library that gets tons of placements in TV Shows, Films, and TV Commercials. They’re on the hunt for Mid-To-Up-Tempo Songs that are in the general stylistic range of the references below:

“Look What You Made Me Do” Taylor Swift: https://www.youtube.com/watch?v=3tmd-ClpJxA

“Friends” by Justin Bieber & BloodPop®: https://www.youtube.com/watch?v=ctfLLsD84vk

“New Rules” by Dua Lipa: https://www.youtube.com/watch?v=k2qgadSvNyU

Please submit well-crafted songs that have a similar, contemporary vibe, style, and appeal as the current hits in this genre. Make sure your song has a fresh, current-sounding beat that will immediately draw the listener in and get their heads nodding. Having a confident, and well-executed Pop-style vocal performance could really increase your chances for this pitch.

Universal lyrics will work best, so please avoid references to specific names, dates, times, places, brands and profanity. Please do NOT copy the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This Company offers a NON-Exclusive 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Master and Composition to submit to this pitch. You’ll maintain full ownership of the original Copyright and Master Recording. Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, October 16th, 2017. TAXI #Y171016PS

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CONTEMPORARY INDIE POP SONGS with some Rock Influence and Male or Female Vocals are needed by an A-list Record Producer’s Publishing Company that’s currently pitching to several big artists’ projects. Please send Mid-to-Up-Tempo Songs that would fit on a playlist with artists like (but not limited to) Paramore, The 1975, Foster The People, etc., etc., etc. Please listen to the following references to get a general idea of the range of what could work for this pitch:

“Hard Times” by Paramore: https://www.youtube.com/watch?v=AEB6ibtdPZc

“The Sound” by The 1975: https://www.youtube.com/watch?v=FSnAllHtG70

“Sit Next to Me” by Foster The People: https://www.youtube.com/watch?v=BKLVpDTZOPQ

Please submit Pop songs that have a cool indie vibe, and push the creative envelope a bit (nothing too outrageous – keep it commercial). Be sure your song is rhythmically, melodically, and lyrically compelling, with a catchy chorus. Your production should be unique, modern, and hip, with cool electronic and rock elements tastefully blended. Your vocal performance should have plenty attitude with a ton of “Indie swagger.”

Note: This producer is open to hearing stripped-down demos if the song is great. If the song is good enough to stand on its own, and the basic recording is clean, clear, and good enough to represent your song well, send it in.

The ultimate deal will be negotiated between you and the Publishing Company. Please do not submit songs that are already in any other catalogs or signed to any other publishing companies. The company will likely offer an exclusive publishing or co-publishing deal. Do NOT copy the referenced artists or songs in any way, shape, or form. Use them only as a general guide for tone and overall vibe. Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Tuesday, October 17th, 2017. TAXI #Y171017IP

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RAW PUNK SONGS with Male or Female Vocals are needed by a successful, EXCLUSIVE Music Library for Sync placements. They’re on the hunt for Mid-to-Up-Tempo Punk Songs with a raw, edgy sound and vibe. Please listen to the references given to us by the client to get an idea of what can work for this pitch:

“Goo Goo Muck” by The Cramps https://www.youtube.com/watch?v=wrarS7mLlB0

“The Way I Walk” by The Cramps https://www.youtube.com/watch?v=gdr2gNoReY8

“I Can’t Stand It” by The Cramps https://www.youtube.com/watch?v=PTXrxW7-Ons

Quoting our client: “Looking for raw, gritty & sleazy reverb-soaked Punk songs with slight rockabilly elements.”

Please send in edgy Punk songs with rockin’ guitar riffs, killer bass parts, and a gritty vocal performance with plenty of attitude and swagger. Your submissions should sound well performed, with authentic sounding Punk band instrumentation, and plenty of reverb to give your song a raw, sleazy sound and vibe. The more believable your overall performance sounds, the better!

Lyric themes can vary, but should be in line with what would typically be heard in the Punk genre. But please avoid any extremely foul language, violent imagery, or hateful language. Sleazy is okay ;-) If your lyrics don’t have references to specific names, dates, times, or places, you might get this library really excited, but it’s not an absolute requirement. Do NOT copy the referenced material in any way, shape, or form. Use it only as a guide for tempo, texture, and tone. Genre appropriate (in other words, nasty, edgy, and reverb soaked) broadcast quality is needed.

This Library offers an EXCLUSIVE deal, so the material you submit for this pitch CANNOT be signed with any other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. Submissions will be screened and critiqued by TAXI. All submissions must be received no later than 11:59PM (PDT), on Tuesday, September 26th, 2017. TAXI #S170926RP

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CURRENT SOUNDING R&B SONGS with Male or Female Vocals are needed by an A-list Record Producer’s Publishing Company that’s currently pitching to several big artists’ projects. He’s looking for Mid-to-Up Tempo Songs that would appeal to fans of these references and other songs that could appear on a playlist with them (but not limited too):

“Privacy” by Chris Brown: https://www.youtube.com/watch?v=Fq0xEpRDL9Q

“The Weekend” by SZA: https://www.youtube.com/watch?v=PALMMqZLAQk

“Nobody Else But You” by Trey Songz: https://www.youtube.com/watch?v=3v5HZTwFBCs

Please submit songs that are well-structured from start to finish, with modern production and a contemporary R&B song structure. You don’t need to submit a fully produced demo for this! This producer is willing to listen to either stripped-down or fully produced demos! That said, your song has to be super strong and sound like a hit-in-the-making, especially if you’re submitting a stripped-down demo! Do NOT copy the referenced artists or songs in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Please submit as many songs as you’d like, online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), Thursday, September 28th, 2017. TAXI #Y170928RB

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CONTEMPORARY, MOTOWN-INSPIRED R&B SONGS with Female Vocals are needed by a Major Record Label A&R Executive for an newly signed up-and-coming Artist. They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists like (but not limited to) Solange, Janelle Monáe, Amy Winehouse, etc., etc., etc. Please listen to the following references to get an idea of what they’re looking for:

“I Decided” by Solange: https://www.youtube.com/watch?v=-8f895h6a-E

“Tightrope” by Janelle Monáe ft. Big Boi: https://www.youtube.com/watch?v=pwnefUaKCbc

“Valery” by Amy Winehouse: https://www.youtube.com/watch?v=d_EADBnXjXc

Give them well-crafted, retro-sounding Songs with great Motown era-style rhythms, catchy melodies, and a compelling vocal performance, with a delivery that you’d expect from one of the references above. Your recording and production should be competitive enough to get the label and the artist excited about cutting your song! Please submit as many songs as you’d like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, September 28th, 2017. TAXI #Y170928MR

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GRITTY, HIP-HOP/RAP SONGS are U-R-G-E-N-T-L-Y needed for an (up-to) $5,000, NON-Exclusive, Direct-to-Music Supervisor placement in a NEW TV Series on Showtime They’re looking for Mid-to-Up Tempo Songs that could generally fit in the stylistic wheelhouse of the following reference we got from the client:

“Run This Town” by Jay Z: https://www.youtube.com/watch?v=2xkYkBFo1o0

“My Block” by Scarface: https://www.youtube.com/watch?v=DHyqs0PoBgE

“Boss” by Lil Pump: https://www.youtube.com/watch?v=xjUiFeDKo_0

Please submit edgy Rap/Hip Hop Songs that have a great beat and are rhythmically, melodically, and lyrically compelling enough that they sound songs that should be on radio. They’re open to both contemporary and old school leaning material, as long as your song delivers an overall tone, mood, and vibe that would feel like it’s in the ballpark of the references and others like them. Be sure your vocal performance has a Rap/Hip-Hop delivery that’s full of attitude and swagger!

TAXI Tip: Lyrical concepts that revolve around topics such as “running things,” “being back on the set or scene,” or “how tough you are,” would all work great for this pitch. In other words, be a boss ;-)

Avoiding specific names, places, dates, times, and brands in your lyrics is probably best. Do NOT copy the referenced acts in any way, shape, or form. Use them only as a guide for tempo, tone, and vibe. Also, please do NOT submit any material with unauthorized samples of other artists’ songs, sounds, or any other form of media. Broadcast Quality is needed (great sounding home recordings are fine).

The sync fee we were quoted for this placement was $5,000. However, our experience tells us that sync fees in that range are usually based on the show licensing a song from a well-known act. The sync fee will likely be in the $1,500 - $2,500 range for an unknown act, or a “library cut.” It could go higher. We’re just being cautious and conservative.

This is a Non-Exclusive, Direct-to-Music Supervisor placement, so you’ll get 100% of the sync fee, you’ll keep 100% of your Publishing and Master ownership, and you’ll also get 100% of any applicable performance royalties. No Publisher splits! You must own or control the Master and Copyright to pitch for this opportunity. Please submit as many songs as you’d like online or per CD. All Submissions will be screened on a Yes/No basis by a TAXI screener handpicked by the Music Supervisor – Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Monday, September 25th, 2017. TAXI #U170925GH

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FUN, PARTY HIP-HOP SONGS with Male Vocals are needed by a very busy and extremely active Music Library with a really impressive list of great placements in Film, TV, and Commercials. Send them current sounding, Mid-to-Up-Tempo Songs that you’d expect to hear on playlists with artists like (but not limited to):

“My House” by Flo Rida: https://www.youtube.com/watch?v=uo35R9zQsAI

“Can't Hold Us” by Macklemore & Ryan Lewis: https://www.youtube.com/watch?v=xHRkHFxD-Xy

“Now & Later” by Sage the Gemini: https://www.youtube.com/watch?v=ACPd7HSZkc0&spfreload=10

Give them engaging songs that have a banging, modern sounding beat, and a really memorable chorus that instantly sticks in your head. Make sure your song has catchy hooks, creative metaphors, inventive wordplay, and instantly a memorable chorus. Please avoid submitting any songs that are too dark, or with too much of a Trap feel.

Lyric themes should be about fun, friends, and partying. Lyrics that avoid using references to specific names, dates, times, brands, and profanity will be the most appealing to the company. Please do NOT copy the referenced artists in any way, shape, or form. Use them as a general guide for tempo, tone, and overall vibe. Also, do not submit any material with unauthorized samples of other artists’ songs, sounds, or any other form of media. Broadcast Quality is needed (great sounding home recordings are fine).

This company offers an EXCLUSIVE deal, so please be sure the Songs you submit for this pitch aren’t already signed to another catalog or any other libraries. Sync fees will be split 50/50, the Publisher will get the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your master and composition rights. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Friday, October 6th, 2017. TAXI #Y171006HH

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CONTEMPORARY, HIGH-ENERGY ROCK SONGS with Male Vocals are needed for several $3,500, Direct-to-Music Supervisor, NON-Exclusive placements in an Extreme Sports Driving Video Game. They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists/bands like (but not limited to), The Killers, Fall Out Boy, MGMT, Tick Tick Boom, etc., etc., etc. Please listen to the following references to get in the general stylistic wheelhouse of what they’re looking for:

“Run For Cover” by The Killers: https://www.youtube.com/watch?v=XO7JGfqPB0s

“Champion” by Fall Out Boy: https://www.youtube.com/watch?v=JJJpRl2cTJc

“Kids” by MGMT: https://www.youtube.com/watch?v=fe4EK4HSPkI

“The Hives” by Tick Tick Boom: https://www.youtube.com/watch?v=c4Gp56jnaIs

Please submit original, heart-pumping Rock Songs with infectious grooves, great musicianship, and authentic Rock instrumentation that “drives” the Song (pun intended). Your submissions should be engaging on all levels, with a killer rhythm section, great melodies, and chorus that’s really solid.

Universal lyrics will work best, so please avoid using specific names, places, dates, times, brands, and profanity. Do NOT copy the referenced bands or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for each of these placements is $3,500. These are Direct-to-Music Supervisor placements, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee.

Note: Video Games don’t pay performance royalties, but there are times when the songs used in the games are used in films, soundtracks, etc., and could generate performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many songs as you’d like, online or per CD, Include Lyrics. All submissions will be screened on a Yes/No basis by the Music Supervisor himself (time permitting), or a Screener selected by the Supervisor if his schedule gets too busy – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, September 28th, 2017. TAXI #Y170928HE

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CONTEMPORARY, ALT-ROCK SONGS with Male Vocals are needed for several $3,500, Direct-to-Music Supervisor, NON-Exclusive placements in an Demolition Derby Video Game. They’re looking for Mid-to-Up-Tempo Songs in the general stylistic ballpark of artists/bands like (but not limited to), The Foo Fighters, Blur, The Killers, etc., etc., etc. Please listen to the following references to get in the general stylistic wheelhouse of what they’re looking for:

“Everlong” by The Foo Fighters: https://www.youtube.com/watch?v=eBG7P-K-r1Y

“Song 2” by Blur: https://www.youtube.com/watch?v=SSbBvKaM6sk

“Mr. Brightside” by The Killers: https://www.youtube.com/watch?v=gGdGFtwCNBE

Please submit original, driving, high-energy Alt-Rock Songs that are rhythmically and lyrically engaging, with authentic instrumentation, and an attitude-filled vocal performance. Your submissions should have a killer rhythm section, infectious grooves, and have an unforgettable chorus.

Do NOT copy the referenced bands or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for each of these placements is $3,500. These are Direct-to-Music Supervisor placements, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee.

Important Note: Video Games don’t pay performance royalties, but there are times when the songs used in the games are used in films, soundtracks, etc., and could generate performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many songs as you’d like, online or per CD, include Lyrics.

All submissions will be screened on a Yes/No basis by the Music Supervisor himself (time permitting), or a Screener selected by the Supervisor if his schedule gets too busy – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Friday, September 29th, 2017. TAXI #Y170929AR

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Guitar-Driven ROCK SONGS with Male Vocals are needed for several $3,500, Direct-to-Music Supervisor, NON-Exclusive placements in a Demolition Derby-style Video Game. They’re looking for Mid-to-Up-Tempo Tracks that could be found on a playlist with artists like (but not limited to), Franz Ferdinand, Steve Vai, Joe Satriani, Van Halen, etc., etc., etc. Please listen to the following references we got from the Supervisor to get in the general stylistic range what he needs:

“Take Me Out” by Franz Ferdinand: https://www.youtube.com/watch?v=Ijk4j-r7qPA

“Speed” by Steve Vai: https://www.youtube.com/watch?v=18rVosaiz8s

“Surfing With The Alien” by Joe Satriani: https://www.youtube.com/watch?v=uoERl34Ld00

“Ain’t Talking ‘Bout Love” by Van Halen: https://www.youtube.com/watch?v=Y-IUB62zDlA

Please submit high-energy, guitar-driven Songs with typical Rock instrumentation, and a super-engaging vocal performance. Your submissions should have inviting melodies, infectious grooves, and a big, anthemic chorus.

Note: This is a very cool game from one of the world’s most popular X-Sports publishers!

Do NOT copy the referenced bands or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for each of these placements is $3,500. These are Direct-to-Music Supervisor placements, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee.

Important Note: Video Games don’t pay performance royalties, but there are times when the songs used in the games are used in films, soundtracks, etc., and could generate performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many songs as you’d like, online or per CD, include Lyrics.

All submissions will be screened on a Yes/No basis by the Music Supervisor himself (time permitting), or a Screener selected by the Supervisor if his schedule gets too busy – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, October 5th, 2017. TAXI #Y171005GR

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NEW LISTING -- ORIGINAL, METAL SONGS with Male Vocals are needed for several $3,500, Direct-to-Music Supervisor, NON-Exclusive placements in a Demolition Derby-style Video Game. They’re looking for Mid-to-Up-Tempo Songs (Vintage or Contemporary recordings can both work!) that could be found on a playlist with artists like (but not limited to), Motley Crue, Iron Maiden, Whitesnake, Black Sabbath, etc., etc., etc. Please listen to the following references we got from the Supervisor to get in the general stylistic ballpark of what he needs:

“Kickstart My Heart” by Motley Crue: https://www.youtube.com/watch?v=CmXWkMlKFkI

“Run To The Hills” by Iron Maiden: https://www.youtube.com/watch?v=86URGgqONvA

“The Mob Rules” by Black Sabbath: https://www.youtube.com/watch?v=owJJQgt_jgs

“Here I Go Again” by Whitesnake: https://www.youtube.com/watch?v=WyF8RHM1OCg

Please submit well-crafted Metal songs that are rhythmically and melodically interesting, with a strong memorable chorus. Having great, authentic sounding Rock instrumentation, solid musicianship, infectious grooves, and a lead vocal with lots of attitude and a ton of Rock swagger will get you to the front of the line for this pitch. Having distortion in all the right places could give your song an added edge.

Note: This is a very cool game from one of the world’s most popular X-Sports publishers!

Do NOT copy the referenced bands or songs in any way, shape, or form. Use them only as a guide for tempo, texture, and tone and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

The estimated license fee for each of these placements is $3,500. These are Direct-to-Music Supervisor placements, so you’ll keep 100% ownership of your Master and Composition rights, plus you’ll also get 100% of the sync fee.

Important Note: Video Games don’t pay performance royalties, but there are times when the songs used in the games are used in films, soundtracks, etc., and could generate performance royalties. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many songs as you’d like, online or per CD, include Lyrics.

All submissions will be screened on a Yes/No basis by the Music Supervisor himself (time permitting), or a Screener selected by the Supervisor if his schedule gets too busy – Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Sunday, October 15th, 2017. TAXI #Y171015OM

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ORIGINAL, VINTAGE PIANO-Based ROCK with Male Vocals recorded in the 1970’s or1980’s are needed by an A-List Music Publisher for Film and TV sync placements. If you’ve got old recordings that sound like they could be on a playlist with the reference below, or any other popular acts from that era, you might have exactly what this awesome publisher needs:

“Big Shot” by Billy Joel: https://www.youtube.com/watch?v=bEea624OBzM

“Rocket Man” by Elton John: https://www.youtube.com/watch?v=DtVBCG6ThDk

“Just Like Heaven” by The Cure: https://www.youtube.com/watch?v=8Dhn_Iiqxde

TAXI Tip: You can submit old masters or demos for this pitch!

The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested finding music that sounds authentic to the time period!

This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buy out, cash-up-front deals with this company. Several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher.

They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS, as long as the sound quality is reasonably good. This is a golden opportunity to make money with music you might have thought had no hope in today’s market!

Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Friday, October 20th, 2017. TAXI #S171020PR

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CONTEMPORARY SINGER/SONGWRITER SONGS with Female Vocals are needed by a Major Record Label for a newly signed artist who’s currently working on her debut album. They’re looking for Mid-to-Up-Tempo Songs that would appeal to the fans of acts like:

“Bad Liar” by Selena Gomez: https://www.youtube.com/watch?v=NZKXkD6EgBk&t=24s

“1234” by Feist https://www.youtube.com/watch?v=6pYMZKVZ9Ws

“You and I” by Ingrid Michaelson: https://www.youtube.com/watch?v=XdEN1b-dwlw

Please submit great songs that are inviting, with well-crafted melodies, and an infectious chorus that’s immediately memorable. Your vocals should be solid from start to finish, with a delivery that’s confident and attention grabbing. Songs with powerful lyrics about relationships are a plus! Please avoid anything that's too melancholy. Stripped-down demos are welcome for this pitch, but your recording quality (even for stripped-down demos) need to be clean, clear, well balanced, and good enough to represent your song well. Please submit as many songs as you like online or per CD, include lyrics. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59PM (PDT), on Sunday, September 24th, 2017. TAXI #Y170924SS

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INDIE SINGER-SONGWRITER SONGS with Female Vocals are needed by the President of a Music Library that’s placed tons of music for TAXI members. Please send Mid-To-Up-Tempo Songs that could be heard on the same playlist as (but not limited to) songs like these:

“Two of Us on the Run” by Lucius: https://www.youtube.com/watch?v=SHXYn9MCa08

“Start of Time” by Gabrielle Aplin: https://www.youtube.com/watch?v=yWcGtLblBxs

“Wolf” by Tailor: https://www.youtube.com/watch?v=LpUxO_ZaTBc Give them intimate, compelling Songs that are well-crafted, and in the general wheelhouse of the references above. Stripped-Down Songs with just an intimate vocal and acoustic guitar could easily work for this pitch if your song is really strong. A small, subtle ensemble/band behind the singer could work as well. Your song should have a really compelling vocal performance if you want to get this Music Library’s attention. Emotive vocals with a cinematic vibe could work well for this, but it’s not the only way to go! Haunting, introspective, or tender could work as well.

Lyric themes can vary, but they should avoid specific names, dates, times, brands, and profanity. Do NOT copy the referenced artist/acts or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast quality is needed (great sounding home recordings are fine).

This Company offers an EXCLUSIVE deal with a reversion clause. If they don’t get your music placed during a five-year period, all rights revert back to you. You’ll keep 100% of the Writer's share, 50% of any sync fees, and any applicable performance royalties. The Publisher will get 100% of the Publisher’s share and 50% of any sync fees. Since this is an EXCLUSIVE deal, please be sure any material you submit for this pitch is NOT already signed to any other Libraries or Catalogs. You must own or control your Master and Copyright to submit for this. Please submit as many songs as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Tuesday, September 26th, 2017. TAXI #S170926IS

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What Record Companies, Publishers, Film & TV Music Supervisors, and Music Libraries Are Looking For!

TAXI's Industry Listings

Adult Contemporary

Christmas / Holiday

Country

Electronic

Hard to Classify / Specialty / Novelty

Instrumental

Jazz

Pop

Punk

R&B / Soul

Rap / Hip Hop

Rock

Singer / Songwriter