TAXI's Music Industry Listings: Music Opportunities from Record Companies, Publishers, Film & TV Music Supervisors and Music Libraries

ADULT CONTEMPORARY ARTISTS or BANDS with Male or Female Vocals are needed by a multi-platinum, award-winning Producer and A&R Executive working with a Major Label to find fresh new talent!

NOTE: This A&R Executive has signed some huge acts and has lots of clout in the industry. This is a golden opportunity to create a new relationship with a home run hitter at a Major Record Label!

This Label is hunting for acts that would appeal to fans of the following references we got directly from them:

"Stargazing" by Myles Smith

"So Easy (To Fall In Love)" by Olivia Dean

"Beautiful Things" by Benson Boone

Please submit Adult Contemporary Songs that showcase your unique style and vibe. This Label is searching for Artists and Bands with mainstream appeal that also connect emotionally with mature listeners. Submissions should feature unforgettable choruses, strong melodies, and compelling rhythms. Instrumentation should match the style of the references, and production must be competitive with today’s charting hits. Virtual instruments or samples should be high-quality and modern-sounding. Charismatic, well-performed vocals (Male or Female) with mainstream appeal could be what gets this Label to sign you. Original Songs only, please.

IMPORTANT: Please detail (in your bio) what you're doing with your career. Include any impressive touring, fan base, sales, streaming, social media figures, or any other important traction gained from actively working on your career. That said, if you’re a new artist or band just starting out and don’t have much of a story or track record, but you DO have an amazing sound and some killer Songs to back it up, they still want to hear you!

TAXI Tip: We recommend submitting 2-3 Songs per submission so they can see if you’ve got depth in your material.

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for texture and tone.

Please submit as many Songs as you'd like, online or per CD, and please include lyrics, photos, and a bio. All submissions will be screened by a TAXI A&R Team Member who has a strong relationship with the Executive. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 9th, 2026. TAXI # S260409MB

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CHILDREN’S "PLAYTIME" INSTRUMENTALS and/or CUES (in a wide range of styles) are needed by a Music Licensing Firm with a laundry list of great sync placements in Film and TV.

This Company is on the hunt for Mid-to-Up-Tempo, gentle playtime Instrumentals and/or Cues that could be found on a playlist with these examples:

"Baby Tummy Time Music" by Baby Playtime Music (from 12:07 - 16:10)

"30 Mins Happy & Funny Music for Playtime" by Kids Playtime Music (from 0:00 - 1:38)

"Kids Game" by Children's Music

Please submit a wide range of gentle Children’s Instrumentals and Cues designed to guide little ones through moments of play, curiosity, and imagination. Your Compositions should feel warm and friendly, with simple, memorable melodies and motifs, light rhythms, and uncluttered arrangements that keep things easy to listen to. The overall mood should be sweet, soothing, and positive - never overstimulating or intense. Instrumentation in the general stylistic ballpark of the references and other similar Children’s Music is recommended. If you're using virtual instruments or samples, they need to sound high-quality, realistic, and convincingly real. Original Compositions only, please!

Your submissions should be about 1.5 to 2.5 minutes long, give or take. Please don't exceed 3 minutes in length. Non-faded, buttoned/stinger endings are needed. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal and prefers working with composers and writers who are familiar with typical Music Library deals and contract terms. You'll split all upfront sync fees 50/50. The Publisher will get 100% of the Publisher's share, and you'll get 100% of the Writer's share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Since this is an Exclusive deal, please be sure your material is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Monday, March 30th, 2026. TAXI # S260330GP

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CONTEMPORARY CHRISTIAN ARTISTS or BANDS with Male or Female Vocals are needed by the V.P. of A&R at a thriving, Nashville-based Christian Record Label that's searching for standout talent to add to its impressive roster. This Label works with some of the biggest artists in the CCM market today!

This Label's A&R Executive would love to find exceptional Artists or Bands that could be heard on a playlist with the following references:

"Where Would I Be" by Peter Burton

"What A Beautiful Name" by Hillsong Worship & Brooke Ligertwood

"I Need You" by Jet Trouble

"House Of The Lord" by Phil Wickham

Please submit original Contemporary Christian songs that are full of passion and heart. This Record Label is searching for artists who can create inspiring melodies, powerful choruses, and emotional vocal performances that would feel at home on any Christian radio station. Your submissions should revolve around positive, faith-centered themes, with lyrics that feel honest, relatable, and rooted in hope. Captivating arrangements ranging from intimate, emotionally engaging moments to fully built, high-energy praise anthems could work for this request. Instrumentation and production in the general stylistic wheelhouse of the references will serve you best. Please make sure any virtual sounds or samples you use are high-quality, contemporary, and competitive with current CCM releases. Original Songs only, and don't forget to include lyric sheets with your submissions!

Lyric Tip: Lyrics that specifically reference God, Jesus, etc., or more abstract lyrical approaches (referencing He, Him, You, etc.) are all on the table for this request.

Your production and recording quality needs to be clean, clear, and well-balanced. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

TAXI Tip: We recommend submitting at least TWO to THREE Songs per submission so they can see if you’ve got depth in your material.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be handled on a case-by-case basis between you and the Label. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD. Include lyrics, a photo, and a bio. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 29th, 2026. TAXI # S260329CH

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CONTEMPORARY CHRISTIAN and WORSHIP SONGS with Male or Female Vocals are needed by a successful Christian record label for their hit-making artists!

This Label is hunting for competitive Worship and CCM Songs in All Tempos that could be found on a playlist with the following:

"No Fear" by Jon Reddick

"Yet Not I But Through Christ In Me" by CityAlight

"I just need U." by TobyMac

"Way Maker" by Leeland

"Oceans (Where Feet May Fail)" by Hillsong UNITED

Please submit inspiring Christian Songs that are so strong that the artists on their label will be practically begging to cut them. This Label is searching for both Contemporary Christian, radio-ready Songs, and contemporary congregational Worship anthems that could uplift their congregants. Memorable melodies, lyrics, and powerful choruses that support passionate, conviction-filled vocal performances with a modern edge are essential. Your lyrics should communicate clear Christian themes with depth, hope, and relatability, speaking to real-life struggles and victories. Captivating arrangements that range from stripped-down and intimate (but still engaging) performances to more filled-out, high-energy praise anthems could both work for this request. Instrumentation and production in the general stylistic wheelhouse of the references will work best. If you use virtual instruments or samples, they should sound current, high-quality, and competitive within the genre. Originals Songs only, please!

Your production and recording quality needs to be clean, clear, well-balanced, and good enough to represent your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be handled on a case-by-case basis between you and the Label. You must own or control your Master and Copyright to submit to this opportunity. Please submit as many Songs as you’d like, online or per CD, and include lyrics. All submissions will be screened and critiqued by TAXI. All submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 1st, 2026. TAXI # S260401CS

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TRADITIONAL COUNTRY SONGS with Male or Female Vocals are needed by a respected Music Row Publisher who's gotten cuts with artists like Reba, Kelsea Ballerini, Rascal Flatts, Faith Hill, Billy Currington, Keith Urban, and many more!

This Publisher is hunting for potential Hit Songs in All Tempos in the general stylistic wheelhouse of the following examples (and others in this ballpark):

"Ready to Run" by The Chicks

"'Til You Can't" by Cody Johnson

"Suds In The Bucket" by Sara Evans

"On The Other Hand" by Randy Travis

This Publisher loves songs with a classic Country feel, strong storytelling, timeless melodies, memorable choruses, and organic instrumentation like acoustic guitar, fiddle, pedal steel, and piano. Think boot-scootin’ rhythms and arrangements that feel radio-ready but full of heart. Most importantly, your songs should have a hook that sticks in the listener’s mind from the very first chorus.

Instrumentation in the general stylistic ballpark of the references and other traditional Country should serve you best here. That might include acoustic guitar, pedal steel guitar, fiddle, piano, bass, tasteful drum kit, or brush-style percussion, etc. Live instrumentation is preferred for this request, but if you use virtual instruments, make sure they sound natural, realistic, and stylistically true. Charismatic, twangy vocals (Male or Female) that get you right in the traditional Country spirit are recommended, if you want to get this Publisher's attention. Original Songs only, and please include lyric sheets with your submissions.

Stripped-down demos and full productions are both okay to submit, as long as your Songs are great and your recordings are clean, clear, and well-balanced! Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Client cannot sign or release music with melodies, lyrics, backing tracks, or full instrumental tracks created using generative AI. However, the Client is okay hearing AI-sung vocals strictly for demo purposes, as long as the underlying Song is 100% human-written and original. This includes cases where AI is used only to sing a demo vocal, to change a female demo vocal to a male vocal, or to add temporary harmony parts for presentation purposes. Using AI-based plugins, mixing, or mastering tools is also ok.

NOTEWORTHY: If time permits, someone from the Publisher's staff on Music Row (who has been trained as a TAXI screener) will screen the submissions for this request. That means that somebody who is directly involved in this request could be "ears-on" with your submissions.

The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. Please submit as many Songs as you like, online or per CD, and PLEASE include lyrics! Submissions must be received no later than 11:59 PM (PDT) on Tuesday, March 24th, 2026. TAXI # S260324TC

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Lots of CONTEMPORARY COUNTRY SONGS (in a wide range of styles) with Male or Female Vocals are needed by a Publisher known for building in-store music playlists heard in major retail stores across the globe!

TAXI members who’ve landed deals with this company have reported great earnings from consistent in-store airplay!

This Company would be really happy to find Mid-to-Up-Tempo Songs that could be heard on a playlist with the following references:

"I Had Some Help" by Post Malone feat. Morgan Wallen

"Baggage" by Kelsea Ballerini

"Backseat Driver" by Kane Brown

"Backup Plan" by Bailey Zimmerman & Luke Combs

"Hillbilly Hippie" by Lainey Wilson

Please submit Songs that could be a hit on today's top Country charts! Your Songs should have toe-tapping rhythms, well-crafted lyrics, and a hook that's instantly catchy. Instrumentation can vary, since this request is for a wide range of Contemporary Country music's subgenres. Production should feel current and competitive while still honoring the heart and authenticity that define Country music. If you are using virtual instruments or samples, make sure they sound high-quality, realistic, and stylistically current. Vocals (Male or Female) should be confident, emotionally believable, and unmistakably Country to get this Publisher excited about blasting your music in retail stores in malls all over the world! Original Songs only, please!

Please do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers a NON-EXCLUSIVE deal. You’ll split any income from direct licensing deals 50/50 with the company, and you will keep 100% ownership of all rights. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Songs as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Sunday, April 5th, 2026. TAXI # S260405CT

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Lots of REIMAGINED, TRAILERIZED INSTRUMENTAL COVERS of CLASSICAL PIECES in the PUBLIC DOMAIN are needed by the CEO of a Music Licensing Company that regularly signs TAXI members and continues to grow its premium catalog.

This Company is searching for Instrumental Covers in ALL TEMPOS in the general stylistic ballpark of the following references:

"Piano Concerto Trailerized" | Ratched | Trailer | Netflix (Starting at 0:46)

"Für Elise EPIC VERSION" Beethoven

"Swan Lake (Epic Version)"

IMPORTANT NOTE: This Company is searching for Cinematic Instrumental COVERS of iconic Classical repertoire in the public domain, reworked to easily plug in to today's Film and TV trailers. Think Beethoven, Mozart, Tchaikovsky, Vivaldi, Bach, and other instantly recognizable composers, transformed into epic, high-impact Trailer pieces with 3 acts. Please do not submit original pieces for this opportunity.

Please submit cinematic trailerized covers of well-known Classical works in the public domain that blend the timeless melodies you've heard before with today's Trailer-style production! The core melodies and themes should remain clearly identifiable, but the arrangement should feel amped up, dramatic, and built for the big screen. Evolving melodies and motifs, powerful percussive drops, expressive performances, excellent production, and tension-building arrangements with cinematic scale and a clear three-act arc are all needed to nail this pitch. We recommend crafting your pieces around one central motif and creating dynamics, interest, and tons of exciting, forward development by layering instrumentation in and out as the pieces progress. 3-Act "Trailer-style" structures that build to a climactic crescendo are required for this pitch.

Instrumentation should blend traditional orchestral elements (string sections, French horn, thunderous timpani, etc.) with today's Hybrid Trailer staples, like sub drops, risers, impacts, and distorted pulses. Live recordings are welcome, but high-quality virtual instruments are perfectly acceptable if they convincingly capture the scale, articulation, and depth of a live orchestra.

Please double-check that the original works you're basing your pieces on are truly in the Public Domain! Though not exhaustive, the Public Domain Information Project website may help in providing information regarding whether a piece is Public Domain or not.

IMPORTANT NOTE: This client may also need full mix, no melody mix, long and short stinger edits, and 30 and 60-second edits of your Instrumentals, but not yet! ALL YOU NEED TO SEND RIGHT NOW ARE THE FULL VERSIONS. Please be ready to provide the versions listed above (per their requirements) at a moment's notice if the client contacts you.

FROM THE CLIENT: Your submissions should be between 2:20 to 2:45 minutes long.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

TAXI Tip: If you really want to impress this client, make sure your submissions stick closely to the recommended 2:20 to 2:45 minute duration. Trailer editors are hunting for pieces that build and resolve in a tight, cinematic arc, too short or too long, and your track might not hit the sweet spot for their workflow.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI plugins and mastering is okay.

This Company offers an EXCLUSIVE deal, so the material you submit for this request must be in the Public Domain, and CANNOT be signed with other Publishers or Catalogs. Any sync fees will be split 50/50 with the Company. You must own or control your Master to submit for this opportunity. Please submit as many Instrumental Covers as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 22nd, 2026. TAXI # S260322CL

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DANCEABLE POP SONGS with Reggae flavor are needed by a Major Label for a Multi-Platinum Superstar Girl Group that’s searching for their next summer anthem!

This International Label is hunting for Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following examples, which we got directly from our client:

"Sunny Side Up!" by Red Velvet

"All That She Wants" by Ace of Base

"Stay" by Kygo feat. Maty Noyes

Lyrics for this opportunity need to be in ENGLISH only, please.

IMPORTANT: For this request, the Label is searching for Songs for a FEMALE Group, so only submit Songs with Female vocals. Please do not submit Songs with Male vocals for this opportunity.

QUOTING THE LABEL: “We need Reggae-flavored, Danceable Songs that feel like a laid-back 'Song of the summer'. The Songs should incorporate a distinct Reggae rhythm, combined with flavors from House or even Bossa Nova (check out the references to see what we mean). Avoid EDM-heavy, Reggaeton, or Moombahton-style influence and sounds here. We want something with a distinct, unique signature sound, a dynamic vocal range, and a memorable, catchy topline. The rhythms should feel groove-driven, with a tempo that translates well to choreography.”

This Label is on the hunt for songs that have plenty of widespread appeal and resonate with audiences in the worldwide Pop market, and incorporate some flavor from the signature offbeat “skank” feel of Reggae, House music, or even Bossa Nova (see the quote section above for more on that). Super catchy melodies, infectious grooves with rhythmic Reggae-flavor, well-written lyrics, a chorus that gets stuck in your head, expressive performances, top-tier production, and arrangements with forward-moving developmental arcs are all needed here.

As this request is for a group with several members, vocal arrangements built to highlight the vocal talents of several distinct personalities, allowing for natural handoffs, Group harmonies, and standout solo moments are needed. Instrumentation in the general stylistic ballpark of the references and other similar Songs is recommended. Hooky, well-performed Female vocals (with plenty of room for several of the Group's members to shine in their own standout moments) are recommended to really nail this pitch. Original Songs only, and don’t forget to include lyric sheets with your submissions.

IMPORTANT: This Label CANNOT use anything with vulgar language or sexually explicit/graphic lyrical content. Please avoid overly suggestive themes, as well.

Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Label (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 20th, 2026. TAXI # S260320RG

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Several CHILL ELECTRONIC INSTRUMENTALS (in a wide range of styles) are needed by an A-List, EXCLUSIVE Music Library with two decades of landing great placements for countless TAXI members.

This Company would be very happy to find quite a few Down-to-Mid-Tempo Instrumentals that could be heard on a playlist with the following references and others like them:

"Child of the Lake" by Phaeleh

"A Walk" by Tycho

"Bali" by Jai Cuzco & David van der Bent

Please submit vibey, contemporary Electronic Instrumentals with a luxurious, chill atmosphere! Your Compositions should create a relaxed yet forward-moving mood, with mellow but engaging rhythms, Electronic-based motifs, subtle melodies, current-sounding production, and spacious arrangements that maintain plenty of interest throughout. Avoiding aggressive drops, heavy builds, or jarring transitions for this one - these pieces should feel groovy and fun, like the kind of music you might hear in classy hotels and lounges. or a swanky restaurant. Instrumentation in the general stylistic ballpark of the references is recommended (drum machines, electronic percussion, synthesizers, airy pads, keys, electric piano, bass or synth bass, light guitar, and minimal ambient effects). If you use virtual instruments or samples, they need to be high-quality, current-sounding, and competitive with today’s Chill Electronic music. Original Compositions only, please!

All submissions should be around 2 to 4 minutes in length, give or take. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, DistroKid, etc. Submitting music that’s only distributed to streaming platforms by those companies is okay.

2) Be 100% original – no soundalikes, covers, and no material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Instrumentals as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 20th, 2026. TAXI # S260320CE

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CHILL FUTURE BASS INSTRUMENTALS are needed by an EXCLUSIVE Music Library that’s been placing TAXI members’ music in Film and TV for many, many years!

This Company is searching for Instrumentals in a WIDE range of tempos that could be heard on a playlist with the following references and others like them:

"IPlayYouListen" by ODESZA

"Need Your Love" by Yoe Mase & ILYA

"Hero" by Said The Sky & Dabin feat. Olivver The Kid

Although the references contain vocals, please submit Instrumentals only for this request.

TAXI Tip: Including some cool, non-lyrical vocal chops might be a good way to spice up your submissions! It's not an absolute necessity, just a suggestion.

Please submit Chill Future Bass Instrumentals that feel immersive and contemporary! This Company is on the hunt for Compositions with top-tier Electronic-based production, gently pulsing grooves, compelling motifs, tasteful builds, subtle dynamics, lush chord progressions, and expansive arrangements that keep the energy flowing throughout. The vibe for these pieces should be smooth, stylish, and inviting, not aggressive or in-your-face. Sound design matters a lot for this style - make sure you're giving the listener plenty of ear candy to keep them invested. Instrumentation in the general stylistic wheelhouse of the references is likely to suit this request best (layered synthesizers and pads, electronic drums, sub-bass, electric piano, guitar treated with reverb and delay, plucks, risers, and atmospheric elements). If you’re using virtual instruments or samples, they should be high-quality, current-sounding, and stylistically authentic to today’s Chill Future Bass. Original Compositions only, please!

All submissions should be around 2 to 4 minutes in length, give or take. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, DistroKid, etc. Submitting music that’s only distributed to streaming platforms by those companies is okay.

2) Be 100% original – no soundalikes, covers, and no material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Instrumentals as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Saturday, March 21st, 2026. TAXI # S260321FB

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CONTEMPORARY INDIE ALT-POP SONGS with a FOLKTRONIC-Flavor (in a wide range of styles) and MALE VOCALS are needed by the Executive Producer for an internationally renowned Hong Kong-based Artist preparing a conceptual new Album! This Producer is searching for Songs that could become the emotional core of this Artist’s next hit record!

This Producer would be thrilled to find Mid-to-Down-Tempo Songs that are in the general stylistic ballpark of the following references, which we got directly from our client:

"Going Home" by Ásgeir

"Hoppípolla" by Sigur Rós

"Sæglópur" by Sigur Rós

IMPORTANT: Although the references have both Male and Female vocals, this Producer needs Songs for a MALE Artist, so only submit songs with Male vocals. Please do not submit Songs with Female vocals for this opportunity.

IMPORTANT NOTE: Your lyrics DO NOT need to be in Chinese. Lyrics in English are fine. If your Songs are selected, your lyrics may be translated into the appropriate language. You will most likely keep the majority of your publishing, but you may need to share a percentage with the Chinese lyricist who translates your lyrics from English.

QUOTING OUR CLIENT: "We are searching for Songs that channel a spirit of vastness, solitude, and drifting. The Songs should sound contemporary, restrained, minimal, yet emotionally deep and resonant. Songs that convey a state of a person coexisting with a vast space, rather than focusing on urban life, daily concerns, immediate emotions, or interpersonal relationships, are preferred. The genre here can be a little flexible, as atmosphere and temperament take priority. The melodies should be enduring and replayable, not just focused on first-listen impact."

Please submit Contemporary Alternative Pop Songs infused with Folktronic elements that feel spacious, introspective, and emotionally powerful! These Songs should convey a sense of vastness, solitude, and drifting, with dreamy but memorable melodies and motifs, compelling lyrics, expressive performances, and excellent production. Arrangements should sound contemporary, restrained, and minimal, yet they should still pull a listener in and keep them immersed. Our client told us that atmosphere and temperament take priority over strictly staying in one particular genre, so feel free to get a little inventive (but check out the references and our Quoting the Client section to really zero in on the mood and sound they're searching for).

Instrumentation in the general stylistic wheelhouse of the references and other similar Songs is recommended. Balancing some organic and electronic elements to add some of that iconic "Folktronic" flavor is highly encouraged for this request. If you are using virtual instruments or samples, they should be high-quality, realistic, and not dated-sounding. Emotionally expressive Male vocals with enough charisma to carry the intimate sections and the more expansive ones could really get this Producer's attention! Original Songs only, please!

PLEASE be sure to include lyric sheets with your submissions!

Your recording quality needs to be clean, clear, and well-balanced so that it represents your Songs well. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for texture and tone.

Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, or exploitation deals (whether non-exclusive or exclusive), including agreements with CD Baby PRO (now CD Baby Boost), TuneCore, or similar services.

AI ALERT (read this twice, please): This Client cannot sign or pitch music with melodies, lyrics, or instrumental tracks created using generative AI. However, the Client is okay with hearing AI-sung vocals, as long as the underlying Song (melody and lyric) is 100% human-authored and original. This includes using AI only to sing a demo vocal, to change the vocal's gender, or to add harmony parts for demo-pitching purposes. If you use any AI vocals in your Songs, please add this statement at the top of your lyric sheet: "Vocals on this demo have been created with AI." Using AI-based plugins, mixing, or mastering tools is also okay.

The specific deal points will be negotiated on a Song-by-Song basis. Please submit as many Songs as you like, online or per CD, and please include lyrics. Time permitting, someone who works directly with the Executive Producer (who has been trained as a TAXI Screener) may screen and critique some or all of the submissions. Submissions must be received no later than 11:59 PM (PDT) on Sunday, March 22nd, 2026. TAXI # S260322ZN

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A Bunch of Down-Tempo, Emotionally Warm Instrumentals and/or Cues are needed by a Music Licensing Firm that consistently signs TAXI members and lands placements.

This Library is hunting for Down-Tempo Instrumentals/Cues in the general stylistic ballpark of the following references:

"Janice's Theme" by Atticus Ross, Leopold Ross, Claudia Sarne

"A New Life" by Danny Bensi

"We're Going Home" by Clint Mansell

Please submit original, down-tempo Instrumentals and/or Cues that convey warmth and subtle emotion. This Company is searching for Instrumentals that combine delicate Electronic-based elements and production with expressively performed organic instrumentation in a way that feels seamless, natural, and unique. Your submissions should have simple, positive-sounding melodies and motifs, great musicianship, and minimal, emotionally uplifting arrangements that build up the musical story in engaging ways without huge dynamic contrast.

Use instrumentation in the general style of the references. Subtle drum machine pulses, soft electronic percussion, airy synth pads, intimate felt piano, and gently bowed strings are recommended. Gentle harmonic movement, repeating motifs that evolve over time, and a sense of space and nuance, rather than bold melodic statements, should get you right in the ballpark of what they're searching for. Live instrumentation is strongly encouraged for the organic elements. If you use virtual instruments or samples, they should sound high-quality, organic, and completely convincing. Original Compositions only, please!

TAXI Tip: For this style, restraint is key. Focus on tone and atmosphere rather than technical flash or complexity. Start with a simple motif or texture and let it evolve naturally. They don’t need a "composer of the year" so much as music that supports a mood and emotion. Keep it simple.

Your submissions should be about 2 to 3 minutes in length. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Fully cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they don't sound anything like the originals. A good test is to Shazam one of your pieces and see if another artist's Song comes up. If it does, this company can't sign it!

IMPORTANT: Your submissions cannot be encumbered by any other publishing, licensing, administration, or exploitation deals (whether non-exclusive or exclusive), including agreements with CD Baby PRO (now CD Baby Boost), TuneCore, or similar services.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE (in perpetuity) deal, so please be sure the Instrumentals/Cues you pitch for this request are NOT already signed with or pitched to any other Companies or Catalogs. You must own or control your Master and Copyright, and you need to be affiliated with a Performing Rights Organization to submit for this opportunity. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Friday, March 27th, 2026. TAXI # S260327HY

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A Bunch of CHILLWAVE INSTRUMENTALS are needed by an EXCLUSIVE Music Licensing Firm with a ton of great Film and TV sync placements!

This Company is searching for instrumentals that could be found on a playlist with these examples:

"Feel It All Around" by Washed Out

"Adrift" by Tycho

"BEACH" by Architecture in Tokyo

Although some of the references have vocals, please submit Instrumentals only for this request.

Please submit Chillwave Instrumentals with a dreamy, atmospheric sound! Instrumentation in the general stylistic ballpark of the references is likely to work best. Production should feel spacious and slightly "lo-fi" (but still broadcast-ready). If you’re using virtual instruments or samples, they should be stylistically appropriate. Original Compositions only, please!

Your submissions should be about 1.5 to 2.5 minutes long, give or take. Please do not exceed 3 minutes in length. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal and prefers working with composers and writers who are familiar with typical Music Library deals and contract terms. The Publisher will get 100% of the Publisher's share, and you'll get 100% of the Writer's share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Since this is an Exclusive deal, please be sure your material is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 1st, 2026. TAXI # S260401WW

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A Bunch of DANCE POP SONGS with Male or Female Vocals are needed by a worldwide-distributed Music Licensing Company that’s gotten a truckload of placements for TAXI members across the world!

This Company would love to find Mid-to-Up-Tempo Songs in the general stylistic wheelhouse of the following references:

"Pretty Please" by Dua Lipa

"Latch" by Disclosure feat. Sam Smith

"Esther" by BAYNK feat. Tinashe

Please submit Dance Pop Songs with irresistible hooks and rhythms that make it impossible not to get on the dance floor, with undeniable choruses, earworm melodies, well-written lyrics, and arrangements that build and evolve dynamically. Instrumentation and production in the general stylistic ballpark of the references and similar contemporary Dance Pop Songs is recommended. If you use virtual instruments or samples, make sure they’re high-quality, current-sounding, and stylistically authentic to the genre. Vocals (Male or Female) should be charismatic and confident to really nail this style. Original Songs only, please!

Lyrics should avoid references to specific names, dates, times, places, brands, and profanity. Please do NOT copy the references in any way, shape, or form. Use them only as a guide for tempo, texture, and tone. Do NOT submit anything with melodic third-party loops, even if they're royalty-free (rhythm and percussion loops are fine, as long as they're cleared for commercial usage). There should be zero chance that someone else's Song pops up if your Song gets Shazamed!

Your Submissions can NOT be commercially released on Spotify, Apple Music, etc., OR be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Boost, TuneCore, etc. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

TAXI Tip: This Company likes working with Artists, Writers, and Composers who have previous experience with Production Music Libraries (and typical deal structures), who will be in it for the long haul, and are willing to do a 10 Song album with them. That said, we recommend submitting (at least) 2-3 Songs per submission so they can get a good feel for your material.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE deal (in perpetuity), so please be sure the Songs you pitch for this request are NOT already signed with any other Companies or Catalogs. Sync fees will be split 50/50 with the Company. You'll get 100% of the Writer's Share, and the Publisher will get 100% of the Publisher's Share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this Company to include your music in their catalog. Please submit as many Songs as you'd like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, April 2nd, 2026. TAXI # S260402DP

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PERCUSSION-Focused ELECTRONIC HYBRID INSTRUMENTALS and/or CUES are needed by a 5-star Music Licensing Company that TAXI members love working with!

This Library is on the hunt for "Tension-Building" Mid-to-Down-Tempo Instrumentals/Cues in the general stylistic ballpark of the following references:

"Winden 2053" by Ben Frost

"Positive Feedback" by Marco Beltrami

"Ambush" by Atli Örvarsson (0:00 - 1:15)

Please submit original, tension-building, Percussion-focused Electronic Hybrid Instrumentals and/or Cues that could fit on a playlist with the references! Your submissions should use layered pulses, slowly evolving grooves, and tension-driving motifs. Instrumentation and production in the general stylistic ballpark of the references and similar music is recommended. The goal here is a Hybrid sound, where percussion drives the composition while harmonic and textural synth elements add excitement and depth to the arrangement. Please make sure any virtual instruments and samples you use sound high-quality and competitive within the genre. Original Compositions only, please!

Your submissions should be about 2 to 3 minutes in length. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Fully cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they don't sound anything like the originals. A good test is to Shazam one of your pieces and see if another artist's Song comes up. If it does, this company can't sign it!

IMPORTANT: Your Submissions can NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Boost, TuneCore, etc.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE (in perpetuity) deal, so please be sure the Instrumentals/Cues you pitch for this request are NOT already signed with or pitched to any other Companies or Catalogs. You must own or control your Master and Copyright, and you need to be affiliated with a Performing Rights Organization to submit for this opportunity. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Saturday, April 4th, 2026. TAXI # S260404YP

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Several LO-FI CHILL INSTRUMENTALS and/or CUES (in a wide range of styles) are needed by an EXCLUSIVE Music Licensing Company with an outstanding history of landing sync placements for TAXI members in Feature Films, hit TV shows, and national TV Commercials!

This A-List Company is hunting for Down-Tempo Instrumentals and Cues that could be heard on a playlist with the following references and others like them:

"Refreshing" by Guidolain beats & Krynoze

"Fuerteventura" by Makzo & Guillaume Muschalle

"Jazz Club 101" by Jason Masoud & vhskid.

Please submit a wide range of Lo-Fi Chill Instrumentals and/or Cues that feel laid-back and deeply vibey! Jazz-flavored chord progressions, gently evolving motifs, and production with a sense of space and analog flavor are key ingredients for this style. Instrumentation in the general stylistic ballpark of the references and similar pieces in this genre is recommended. If you're using virtual instruments or samples, they should sound high-quality and stylistically appropriate. Original Compositions only, please!

TAXI Tip: Please do not include any vinyl noise, clicks, scratches, or pops in your track. If you're making a record, that's one thing. But, for production music, it's a deal-killer. Why? Because editors won't use music with SFX already in the mix. If they want vinyl noise, they'll add it during the edit so they control how much is used and how loud it is.

All submissions should be around 2 to 4 minutes in length, give or take. Non-faded, buttoned/stinger endings are needed. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

IMPORTANT! Per our client, your submissions must:

1) NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Pro, TuneCore, DistroKid, etc. Submitting music that’s only distributed to streaming platforms by those companies is okay.

2) Be 100% original – no soundalikes, covers, and no material with unauthorized samples of any other artists’ music, sounds, or any other form of media.

This Company offers an EXCLUSIVE deal, so the material you submit for this request CANNOT be signed with other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Instrumentals/Cues as you'd like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 7th, 2026. TAXI # S260407LF

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REGGAESTEP SONGS with Male or Female Vocals are needed by a NON-EXCLUSIVE Music Licensing Company that's been getting great placements in Feature Films, TV Shows, and Commercials.

This Company would be really happy to hear Songs in the general stylistic wheelhouse of the following references:

WARNING: The following references may have graphic and explicit lyrics. Listener discretion is advised.

"Make It Bun Dem" by Skrillex & Damian "Jr. Gong" Marley

"Paint Drippin'" by Elderbass

"Soulja March" by Bear Grillz

"Blaze Up The Fire" by Major Lazer feat. Chronixx

Please submit Reggaestep Songs that combine the groove of Reggae with the power of modern EDM and Bass music. Tracks should feature sub-bass, skanking offbeat rhythms, syncopated grooves, and festival-ready drops. Confident, well-executed Male or Female vocals can help your song stand out. Instrumentation and production should stay in the stylistic ballpark of the references, and virtual instruments or samples must sound high-quality and contemporary. Original Songs only, please.

IMPORTANT NOTE: Per our client, your submissions must be owned and controlled 100% by you - you need to own all of the master recording and publishing to submit for this opportunity.

Lyrics that avoid specific names, dates, times, places, brands, and profanity could make your Songs easier to place. DON'T copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. DON'T submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI plugins and mastering is okay.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Songs as you’d like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, April 7th, 2026. TAXI # S260407GR

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INVESTIGATIVE TENSION HYBRID INSTRUMENTALS and/or CUES are needed by a top-shelf Music Library with tons of placements.

This Library needs to find Contemporary Down-Tempo Instrumentals and Cues in the general stylistic ballpark of the following references:

"Silk Drape" by Jason Hill

"The Bike Lock" by Dave Porter

"The Beat" by T Bone Burnett & Keefus Ciancia

Please submit original Investigative Tension Hybrid Instrumentals and/or Cues that feel suspenseful and gripping! These pieces should create a sense of curiosity, intrigue, and build tension that could play right along with investigative journalism, true crime programs, or documentaries. Building tension, pulsing rhythms, and understated melodies that blend cinematic instrumentation with today's Electronic sound design should get you right on the money. Per our client, real instruments are encouraged where possible for organic elements, but high-quality virtual instruments are perfectly acceptable if they sound convincing and realistic. Original Compositions only, please!

Your submissions should be about 2 to 3 minutes in length. Buttoned endings with a natural fade-out will work best. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Fully cleared sample libraries are okay to use, but any samples or loops you include in your pieces should be altered enough that they don't sound anything like the originals. A good test is to Shazam one of your pieces and see if another artist's Song comes up. If it does, this company can't sign it!

IMPORTANT: Your Submissions can NOT be encumbered by ANY other publishing, licensing, administration, and/or exploitation deals (whether non-exclusive or exclusive), including publishing/licensing agreements with CD Baby Boost, TuneCore, etc. If you only distribute your music through companies like that, and you haven't signed a publishing or admin deal with them, that's okay.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI-based plugins, mixing, or mastering tools is okay.

This Company offers an EXCLUSIVE (in perpetuity) deal, so please be sure the Instrumentals/Cues you pitch for this request are NOT already signed with or pitched to any other Companies or Catalogs. You must own or control your Master and Copyright, and you need to be affiliated with a Performing Rights Organization to submit for this opportunity. Please submit as many Instrumentals/Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 8th, 2026. TAXI # S260408VS

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A Whole Bunch of ELECTRO HOUSE SONGS with Male or Female Vocals are needed by a NON-EXCLUSIVE Music Library with an excellent track record of landing sync placements in Feature Films, TV Shows, and Commercials!

This Company would love to find Songs in the general stylistic wheelhouse of the following references, which we got directly from our client:

"Thank You (Not So Bad) (Extended)" by Dimitri Vegas & Like Mike

"Losing Control" by Marlon Hoffstadt & KI/KI

"Dirty Cash (Money Talks)" by PAWSA & Adventures of Stevie V

Please submit high-energy Electro House Songs that feel built for today's dance floors and festival crowds. Submissions should feature driving four-on-the-floor rhythms, synth-driven motifs, and builds that escalate dramatically into hard-hitting drops. Instrumentation and production in the general stylistic ballpark of the references is recommended. Please make sure any virtual instruments or samples you use are high-quality and not dated-sounding. Hook-driven vocals (Male or Female) that could get the audience singing along could really get this Company's attention. Original Songs only, please.

IMPORTANT NOTE: Per our client, your submissions must be owned and controlled 100% by you - you need to own all of the master recording and publishing to submit for this opportunity.

Lyrics that avoid specific names, dates, times, places, brands, and profanity could make your Songs easier to place. DON'T copy the references in any way, shape, or form. Use them only as a general stylistic guide for tempo, tone, and overall vibe. DON'T submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

AI ALERT: This Company can't sign music with melody, lyrics, backing tracks, full instrumental tracks, or vocal performances created with generative AI. Using AI plugins and mastering is okay.

This Company offers a NON-Exclusive, 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Master and Copyright to submit for this opportunity, and you need to be affiliated with a Performing Rights Organization for this company to include your music in their catalog. Please submit as many Songs as you’d like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, April 8th, 2026. TAXI # S260408EL