Passionate about music since childhood, Fabio Wielgosz entered the Romainville (France) Conservatory in accordion class. He enjoyed the instrument, but very quickly discovered synthesizers. The real turning point for composing music for film came with watching the soundtrack of Vangelis' film 1492 Christophe Colomb. Giving himself time to mature his thinking, he played for several years in many rock/metal bands on the Parisian scene, where emerging trends linking symphonic composition and the "hard" side of the genre made him understand that symphonic music could adapt to a huge number of media. He then began to find his style: a hybrid music combining the beauty of symphonic music, the rage of electric instruments, and the freedom of expression of synthesizers. Since then, he divides his time between composing music for short films and documentaries and his various musical projects, as well as working as a computer-aided music trainer on Logic Pro x.